Pandarus Collection

The Harpies going to seize the Daughters of Pandarus (engraving)
973725 The Harpies going to seize the Daughters of Pandarus (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Harpies going to seize the Daughters of Pandarus)

Aeneas defending the body of Pandarus from Diomed (engraving)
2786908 Aeneas defending the body of Pandarus from Diomed (engraving) by English School, (19th century); Private Collection; (add.info.: Aeneas defending the body of Pandarus from Diomed)

Pandarus aiming an Arrow at Menelaus (engraving)
2786913 Pandarus aiming an Arrow at Menelaus (engraving) by English School, (19th century); Private Collection; (add.info.: Pandarus aiming an Arrow at Menelaus. Illustration for Chatterbox (1882)

Troilus and Cressida, Act III, scene ii (engraving)
971655 Troilus and Cressida, Act III, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Troilus and Cressida, Act III, scene ii)

Troilus and Cressida (engraving)
816155 Troilus and Cressida (engraving) by Bromley, Valentine Walter Lewis (1848-77); Private Collection; (add.info.: Troilus and Cressida in Pandarus orchard)

Aeneas tries save body Pandarus hit stone thrown
Aeneas tries to save body of Pandarus but is hit by stone thrown by Diomedes; Venus comes to Aeneas rescue

Shakespeare - Troilus and Cressida - Pandarus (to Cressida): O brave Troilus? - look well upon him, niece. circa 1830

HOMER: THE ODYSSEY. The Harpies go to seize the terrified daughters of Pandarus. Line drawing, c1805 after the drawing by John Flaxman

Troilus and Cressida - title page - Cressida handed over to the Greeks. 1862

TROILUS AND CRESSIDA. By William Shakespeare. Wood engraving, English, 19th century

TROILUS AND CRESSIDA. Pandarus, Paris, and Helen (Act III, Scene I): wood engraving, English, 19th century

Troilus & Cressida / 1800
Act I, Scene II Street scene: Cressida watches with Pandarus & Troilus as a procession of soldiers on horseback goes by

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"Pandarus: A Tragic Figure in Shakespeare's Troilus and Cressida" In the world of Shakespearean tragedy, Pandarus emerges as a complex character whose actions shape the fate of others. From the pages of Troilus and Cressida to engravings capturing pivotal moments, his presence looms large. As we delve into this tale, we witness Pandarus' involvement with both treachery and heroism. In one engraving, The Harpies ominously approach to seize his daughters, reflecting Homer's Odyssey where similar terror befalls them. This haunting image highlights the vulnerability that surrounds Pandarus' family. Yet amidst chaos, another engraving depicts Aeneas valiantly defending Pandarus' lifeless body from Diomed. Here lies a glimmer of honor amid tragedy - an attempt to protect even in death. It reminds us that despite his flaws, there is something redeemable about this ill-fated character. Pandarus himself takes center stage in yet another engraving; he aims an arrow at Menelaus. This moment captures his role as a catalyst for conflict - a pawn who ignites war between Greeks and Trojans through deceitful acts. His choices have far-reaching consequences that reverberate throughout the play. Troilus and Cressida Act III scene ii comes alive through vivid engravings showcasing their passionate love affair tainted by betrayal and disillusionment. These images evoke emotions ranging from heartache to anger as we witness their tragic downfall orchestrated partly by Pandarus' meddling hand. The title page itself serves as a visual representation of this timeless tragedy - two lovers entwined against a backdrop of turmoil symbolizing the tumultuous nature of their relationship underpinned by deceit and manipulation. Ultimately, it is within these engravings that we glimpse into Pandora's complex soul – flawed yet capable of evoking empathy among audiences across centuries.