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Personification Collection (page 4)

Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations

Background imagePersonification Collection: Knight, Death, and the Devil, 1513 (engraving)

Knight, Death, and the Devil, 1513 (engraving)
4071439 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.6x18.8 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The Christian knight)

Background imagePersonification Collection: Allegory of Love Conquering Lust (oil on canvas)

Allegory of Love Conquering Lust (oil on canvas)
1254388 Allegory of Love Conquering Lust (oil on canvas) by Garzi, Luigi (1638-1721); 75.7x62.9 cm; Private Collection; Photo © Christies Images

Background imagePersonification Collection: Father Time discovers Truth trampling Feudalism, c. 1792-93 (engraving)

Father Time discovers Truth trampling Feudalism, c. 1792-93 (engraving)
XIR170901 Father Time discovers Truth trampling Feudalism, c.1792-93 (engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePersonification Collection: Knight, Death, and the Devil, 1513 (engraving)

Knight, Death, and the Devil, 1513 (engraving)
883704 Knight, Death, and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); Minneapolis Institute of Arts, MN, USA; (add.info.: The Christian knight)

Background imagePersonification Collection: Death to the monster, front cover illustration from Le Petit Journal, supplement illustre

Death to the monster, front cover illustration from Le Petit Journal, supplement illustre
486924 Death to the monster, front cover illustration from Le Petit Journal, supplement illustre, 20th September 1914 (colour litho) by French School

Background imagePersonification Collection: The Birth of Venus (detail), c. 1485 (tempera on canvas)

The Birth of Venus (detail), c. 1485 (tempera on canvas)
696611 The Birth of Venus (detail), c.1485 (tempera on canvas) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Background imagePersonification Collection: Knight, Death and the Devil, 1513 (engraving)

Knight, Death and the Devil, 1513 (engraving)
877268 Knight, Death and the Devil, 1513 (engraving) by Durer or Duerer, Albrecht (1471-1528); 24.9 x 19.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imagePersonification Collection: The Sacrifice to the Fatherland, 1879 (oil on canvas)

The Sacrifice to the Fatherland, 1879 (oil on canvas)
XIR316638 The Sacrifice to the Fatherland, 1879 (oil on canvas) by Moreau de Tours, Georges (1848-1901); Musee du Petit Palais, Paris

Background imagePersonification Collection: Allegory of the Revolution of 1789, 1796 (oil on canvas)

Allegory of the Revolution of 1789, 1796 (oil on canvas)
XIR371998 Allegory of the Revolution of 1789, 1796 (oil on canvas) by Wilbaut, Jacques (1729-1806); 139x127 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imagePersonification Collection: Emperor Titus in a quadriga or four-horse chariot crowned by the personification of Victory

Emperor Titus in a quadriga or four-horse chariot crowned by the personification of Victory on the Arch for TItus
6339990 Emperor Titus in a quadriga or four-horse chariot crowned by the personification of Victory on the Arch for TItus by Corsi (19th century); (add.info)

Background imagePersonification Collection: 'Subscribe for the victory and for the triumph of liberty', 1918 (colour litho)

"Subscribe for the victory and for the triumph of liberty", 1918 (colour litho)
699107 " Subscribe for the victory and for the triumph of liberty", 1918 (colour litho) by Jonas, Lucien Hector (1880-1947); 119x81 cm; Private Collection; (add.info)

Background imagePersonification Collection: Innocence sending away Deceit, 1734 (fresco)

Innocence sending away Deceit, 1734 (fresco)
5949103 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Remove this Burden and the World is Cured, caricature of Germany crushed by the Treaty of Versailles

Remove this Burden and the World is Cured, caricature of Germany crushed by the Treaty of Versailles
CHT193593 Remove this Burden and the World is Cured, caricature of Germany crushed by the Treaty of Versailles, 1931 (colour litho) by Garvens

Background imagePersonification Collection: The Spirit of Ecstasy, c. 1910 (bronze)

The Spirit of Ecstasy, c. 1910 (bronze)
PNH367108 The Spirit of Ecstasy, c.1910 (bronze) by Sykes, Charles Robinson (1875-1950); height: 60 cm; Private Collection; (add.info)

Background imagePersonification Collection: Mrs Doasyouwouldbedoneby, illustration for The Water Babies by Reverend Charles Kingsley

Mrs Doasyouwouldbedoneby, illustration for The Water Babies by Reverend Charles Kingsley (colour litho)
IL314914 Mrs Doasyouwouldbedoneby, illustration for The Water Babies by Reverend Charles Kingsley (colour litho) by Willcox Smith

Background imagePersonification Collection: Oh, don t hurt me! cried Tom. I only want to look at you; you are so handsome illustration for The

Oh, don t hurt me! cried Tom. I only want to look at you; you are so handsome illustration for The Water Babies by
IL314915 Oh, don t hurt me! cried Tom. I only want to look at you; you are so handsome illustration for The Water Babies by Reverend Charles Kingsley (colour litho) by Willcox Smith

Background imagePersonification Collection: Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-100)

Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-100)
876101 Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-100) by Toft, Albert (1862-1949); 22x9.5x5 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries

Background imagePersonification Collection: Justice and Temperance, c. 1532-33 (oil on canvas)

Justice and Temperance, c. 1532-33 (oil on canvas)
5947301 Justice and Temperance, c.1532-33 (oil on canvas) by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553); Galleria e Museo Estense, Modena, Italy

Background imagePersonification Collection: The Chariot of the Time and the four ages of Man, 1657-58 (fresco)

The Chariot of the Time and the four ages of Man, 1657-58 (fresco)
3606342 The Chariot of the Time and the four ages of Man, 1657-58 (fresco) by Castello, Valerio (1624-59); Palazzo Balbi Senarega, Genoa, Liguria, Italy; (add.info.: Genoa, Palazzo Balbi Senarega)

Background imagePersonification Collection: Hall of the Fame of the Balbi Family: Allegory of the Fame and Allegorical Figures, detail (fresco)

Hall of the Fame of the Balbi Family: Allegory of the Fame and Allegorical Figures, detail (fresco)
3606340 Hall of the Fame of the Balbi Family: Allegory of the Fame and Allegorical Figures, detail (fresco) by Castello, Valerio (1624-59) & Mariani

Background imagePersonification Collection: Maquette for Joie de Vivre, 1927 (plaster) (see also 876100-1)

Maquette for Joie de Vivre, 1927 (plaster) (see also 876100-1)
876099 Maquette for Joie de Vivre, 1927 (plaster) (see also 876100-1) by Toft, Albert (1862-1949); 22x9.5x5 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

Background imagePersonification Collection: Father time went flying out. from Italian Fairy Tales, by Lilia E. Romano

Father time went flying out. from Italian Fairy Tales, by Lilia E. Romano
IL262846 Father time went flying out. from Italian Fairy Tales, by Lilia E. Romano, published by Raphael Tuck & Sons (colour litho) by Davie

Background imagePersonification Collection: The British Empire, c. 1900 (w / c on paper)

The British Empire, c. 1900 (w / c on paper)
LIS372916 The British Empire, c.1900 (w/c on paper) by Hassall, John (1868-1948); 60x50 cm; Private Collection; (add.info)

Background imagePersonification Collection: Mrs Bedoneasyoudid, illustration from The Water Babies by Reverend Charles Kingsley (colour litho)

Mrs Bedoneasyoudid, illustration from The Water Babies by Reverend Charles Kingsley (colour litho)
IL314912 Mrs Bedoneasyoudid, illustration from The Water Babies by Reverend Charles Kingsley (colour litho) by Willcox Smith, Jessie (1863-1935); Private Collection; (add.info.: The Water-Babies)

Background imagePersonification Collection: Virtue crowns Honour, 1734 (fresco)

Virtue crowns Honour, 1734 (fresco)
5949108 Virtue crowns Honour, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Nobility, 1734 (monochrome fresco)

Nobility, 1734 (monochrome fresco)
5949102 Nobility, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Merit, 1734 (monochrome fresco)

Merit, 1734 (monochrome fresco)
5949101 Merit, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Valour, 1734 (fresco)

Valour, 1734 (fresco)
5949095 Valour, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Two female figures, one is Prundence, 1740-44 (fresco)

Two female figures, one is Prundence, 1740-44 (fresco)
3606317 Two female figures, one is Prundence, 1740-44 (fresco) by Ferrari, Lorenzo de (1680-1744); Palazzo Carrega-Cataldi (former Palazzo Tobia Pallavicini), Genoa, Liguria

Background imagePersonification Collection: Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-1)

Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-1)
876100 Maquette for Joie de Vivre, 1927 (plaster) (see also 876099-1) by Toft, Albert (1862-1949); 22x9.5x5 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

Background imagePersonification Collection: Poster advertising the 2nd Liberty Loan, 1917 (colour litho)

Poster advertising the 2nd Liberty Loan, 1917 (colour litho)
698999 Poster advertising the 2nd Liberty Loan, 1917 (colour litho) by Groesbeck, Dan Sayre (1878-1950); Private Collection; (add.info)

Background imagePersonification Collection: Humility sending away Pride, 1734 (fresco)

Humility sending away Pride, 1734 (fresco)
5949116 Humility sending away Pride, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Generosity distributing gifts, 1734 (fresco)

Generosity distributing gifts, 1734 (fresco)
5949107 Generosity distributing gifts, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Innocence sending away Deceit, 1734 (fresco)

Innocence sending away Deceit, 1734 (fresco)
5949104 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); (add.info)

Background imagePersonification Collection: Guided by Matchless Fortitude, To Peace and Truth Thy Glorious Way Hast Ploughed

Guided by Matchless Fortitude, To Peace and Truth Thy Glorious Way Hast Ploughed, 1919 (w / c on paper)
2616720 Guided by Matchless Fortitude, To Peace and Truth Thy Glorious Way Hast Ploughed, 1919 (w/c on paper) by Matthews

Background imagePersonification Collection: Spring, c. 1911 (tempera & gold on linen)

Spring, c. 1911 (tempera & gold on linen)
WH38487 Spring, c.1911 (tempera & gold on linen) by Zecchin, Vittorio (1878-1947); 55.7x56 cm; Private Collection; Photo © Whitford & Hughes, London, UK; Italian, out of copyright

Background imagePersonification Collection: Humility sending away Pride, 1734 (fresco)

Humility sending away Pride, 1734 (fresco)
5949115 Humility sending away Pride, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Love in Idleness (oil on canvas)

Love in Idleness (oil on canvas)
CH402322 Love in Idleness (oil on canvas) by Meteyard, Sidney (1868-1947); 87.6x106 cm; Private Collection; Photo © Christies Images

Background imagePersonification Collection: Autumn (oil on canvas)

Autumn (oil on canvas)
CH368187 Autumn (oil on canvas) by Muckley, Louis Fairfax (1862-1926); 206.4x82.6 cm; Private Collection; Photo © Christies Images

Background imagePersonification Collection: Spring (oil on canvas)

Spring (oil on canvas)
GG80917 Spring (oil on canvas) by Harcourt, George (1868/69-1947); Private Collection; Photo © Gavin Graham Gallery, London, UK; English, out of copyright

Background imagePersonification Collection: Marital Concord, 1734 (fresco)

Marital Concord, 1734 (fresco)
5949113 Marital Concord, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Vigilance triumphs upon Slumber, 1734 (fresco)

Vigilance triumphs upon Slumber, 1734 (fresco)
5949106 Vigilance triumphs upon Slumber, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Time discovers Truth, 1734 (fresco)

Time discovers Truth, 1734 (fresco)
5949100 Time discovers Truth, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Ingenuity, 1734 (fresco)

Ingenuity, 1734 (fresco)
5949097 Ingenuity, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)

Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco)
5949091 Triumph of Glory announced by Fame standing among the Cardinal Virtues, 1743 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imagePersonification Collection: The Allegory of Human Life: four ages of man, virtues and fate, 1691-92 (fresco)

The Allegory of Human Life: four ages of man, virtues and fate, 1691-92 (fresco)
3606321 The Allegory of Human Life: four ages of man, virtues and fate, 1691-92 (fresco) by Carlone, Giovanni Andrea (1639-97); Palazzo Rosso, Genoa, Italy; (add.info.: Genoa)



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Personification is a powerful artistic technique that breathes life into inanimate objects, concepts, and even nations. From the explosive brilliance of "A Star Explodes" by Norman Lindsay to the resilience embodied in "Long Live Estonia, " personification captivates our imagination. In an 1866 cartoon titled "Deaths Dispensary, " water pollution takes on a sinister form as it becomes the source of disease, reminding us of the consequences of environmental negligence. The Austro-Hungarian Empire proudly waves its flag while personified, symbolizing its strength and identity. Dressed in ancient Roman costume, we witness the embodiment of history itself. Guiseppe Heintz's 17th-century map of Venice transports us back in time to a city alive with stories waiting to be discovered. Lord have mercy on London. A contemporary English woodcut depicts the Great Plague of 1665 as death rides upon a pale horse, illustrating how they are evoke fear and urgency. Finland emerges as a vibrant character through "The Personification of Finland (Suomi), " representing national pride and unity. Gustave Doré's wood engraving portrays Death on his pale horse from Revelation 6:8, showcasing how personifying abstract ideas can make them tangible and relatable. During World War II, Edward T. Grigware's poster warns against careless talk with the phrase "Keep Mum - The World Has Ears. " This clever use reminds us that words hold power beyond measure. Lastly, Kiyochika Kobayashi's woodcut presents a thought-provoking image: a whale dining on Russian sailors while three fish symbolize Japan. Here we see how nations are given human-like qualities for political commentary or storytelling purposes. Through these diverse examples spanning centuries and cultures, we witness how artists employ personification to engage our emotions and provoke contemplation about complex issues such as pollution or war.