Fraud Blocker Skip to main content

Philippe Collection (page 5)

Philippe Halsman, a renowned photographer, captured the enigmatic Salvador Dali in his element

Background imagePhilippe Collection: France. Liberal Revolution, 1848. National Assembly invaded

France. Liberal Revolution, 1848. National Assembly invaded
France. Liberal Revolution, 1848. Popular uprising to force the abdication of King Louis Philippe of Orleans and proclaim the Second Republic (Days 22 to 24 February)

Background imagePhilippe Collection: LOUIS-PHILIPPE QUITS

LOUIS-PHILIPPE QUITS
Rejected and dejected, Louis- Philippe leave Paris and take refuge in England Date: 24 February 1848

Background imagePhilippe Collection: VICTORIA / LOUISP / GOSPORT

VICTORIA / LOUISP / GOSPORT
Queen Victoria entertains Louis Philippe at Osborne: scene at Gosport station Date: 1844

Background imagePhilippe Collection: LE VERRIER & L PHILIPPE LE VERRIER & L PHILIPPE

LE VERRIER & L PHILIPPE LE VERRIER & L PHILIPPE
Urbain-Jean-Joseph Le Verrier explains the discovery of Neptune to the French King Loius Philippe at the Tuileries Date: circa late 1840s

Background imagePhilippe Collection: CHATEAU DE FOIX TAKEN

CHATEAU DE FOIX TAKEN
The chateau de Foix is taken by King Philippe III the Bold Date: 1272

Background imagePhilippe Collection: CHARLES X, KING OF FRANC

CHARLES X, KING OF FRANCE as a boy, Charles Philippe de France, comte dArtois with his sister, Marie- Adelaide-Clotilde-Xaviere, later queen of Sardinia Date: 1757 - 1836

Background imagePhilippe Collection: Jacques De Molay

Jacques De Molay
JACQUES DE MOLAY, Grand Maitre des Templiers, arrested and burned by Philippe IV who was jealous of the Templars power Date: 1243 - 1314

Background imagePhilippe Collection: General Joffre and General Petain, Verdun, northern France, First World War, 1916, (c1920)

General Joffre and General Petain, Verdun, northern France, First World War, 1916, (c1920). The Defender of Verdun: General Petain (centre) walking with General Joffre on his right

Background imagePhilippe Collection: Filippo di Piero Strozzi, 1567, (1907). Creator: Unknown

Filippo di Piero Strozzi, 1567, (1907). Creator: Unknown
Filippo di Piero Strozzi, 1567, (1907). Portrait of di Piero Strozzi (1541-1582), an Italian condottiere who fought in the French army

Background imagePhilippe Collection: Etienne Maurice Gerard, 1804, (1839). Creator: Julien Leopold Boilly

Etienne Maurice Gerard, 1804, (1839). Creator: Julien Leopold Boilly
Etienne Maurice Gerard, 1804, (1839). Gerard (Maurice-Etienne, Comte), Marechal de France. Portrait of Etienne Maurice Gerard (1773-1852)

Background imagePhilippe Collection: The Armour of the Bishop of Beauvais presented to the Pope by order of Richard I, 1773

The Armour of the Bishop of Beauvais presented to the Pope by order of Richard I, 1773. KIng Richard I of England (1157-1199) returns the armour of the Bishop de Beauvais (1158-1217)

Background imagePhilippe Collection: The Presentation of the Blessed Virgin Mary, 1639-1640. Creator: Champaigne, Philippe

The Presentation of the Blessed Virgin Mary, 1639-1640. Creator: Champaigne, Philippe
The Presentation of the Blessed Virgin Mary, 1639-1640. Found in the Collection of Musee des Beaux-Arts, Arras

Background imagePhilippe Collection: At Number 10, Downing Street, c1922, (1945). Creator: Unknown

At Number 10, Downing Street, c1922, (1945). Creator: Unknown
At Number 10, Downing Street, c1922, (1945). Sir Winston Churchill (1874-1965) with Arthur Balfour, French President Raymond Poincare

Background imagePhilippe Collection: Philipp II. Herzog Von Orleans, (1933). Creator: Unknown

Philipp II. Herzog Von Orleans, (1933). Creator: Unknown
Philipp II. Herzog Von Orleans, (1933). Portrait of Philip, Duke of Orleans (1674-1723), who was Regent of France from 1715-1723 until Louis XV attained his majority

Background imagePhilippe Collection: Philip IV at prayer, c. 1655 (oil on canvas)

Philip IV at prayer, c. 1655 (oil on canvas)
3247718 Philip IV at prayer, c.1655 (oil on canvas) by Velazquez, Diego Rodriguez de Silva (1599-1660) (studio of); 209x147 cm; Prado, Madrid

Background imagePhilippe Collection: Philip II, 1573 (oil on canvas)

Philip II, 1573 (oil on canvas)
3247705 Philip II, 1573 (oil on canvas) by Anguissola, Sofonisba (c.1532-1625); 88x72 cm; Prado, Madrid, Spain; (add.info)

Background imagePhilippe Collection: A Duke of Orleans (litho)

A Duke of Orleans (litho)
KW232412 A Duke of Orleans (litho) by French School; Private Collection; Photo eKen Welsh; French, out of copyright. possible copyright restrictions apply, consult national copyright laws

Background imagePhilippe Collection: Chartres Cathedral, northern France, c1830s. Artists: Jean Jacottet, Philippe Benoist

Chartres Cathedral, northern France, c1830s. Artists: Jean Jacottet, Philippe Benoist
Chartres Cathedral, northern France, c1830s. Chartres is generally regarded as the finest example of the High Gothic style in France

Background imagePhilippe Collection: Lew Tabackin and Philippe Aerts, Brecon Jazz Festival, Brecon, Powys, Wales, 1999

Lew Tabackin and Philippe Aerts, Brecon Jazz Festival, Brecon, Powys, Wales, 1999

Background imagePhilippe Collection: The dam across the Nile, the building of the Aswan Dam, Egypt, 1853

The dam across the Nile, the building of the Aswan Dam, Egypt, 1853

Background imagePhilippe Collection: Portrait of Robert Arnauld d Andilly (1589-1674), 1667

Portrait of Robert Arnauld d Andilly (1589-1674), 1667. Found in the Collection of Muse e du Louvre, Paris

Background imagePhilippe Collection: Portrait of the Family of Habert de Montmor, Mid of 17th cen

Portrait of the Family of Habert de Montmor, Mid of 17th cen. Found in the Collection of Chateau de Sully-sur-Loire

Background imagePhilippe Collection: Louis XIV offers the Madonna a crown and sceptre, c. 1643

Louis XIV offers the Madonna a crown and sceptre, c. 1643. Found in the Collection of Kunsthalle, Hamburg

Background imagePhilippe Collection: Portrait of Louis XIII of France (1601-1643), 1655. Artist: Champaigne, Philippe, de (1602-1674)

Portrait of Louis XIII of France (1601-1643), 1655. Artist: Champaigne, Philippe, de (1602-1674)
Portrait of Louis XIII of France (1601-1643), 1655. Found in the collection of Museo del Prado, Madrid

Background imagePhilippe Collection: Cardinal de Richelieu, ca 1639. Artist: Champaigne, Philippe, de (1602-1674)

Cardinal de Richelieu, ca 1639. Artist: Champaigne, Philippe, de (1602-1674)
Cardinal de Richelieu, ca 1639. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imagePhilippe Collection: The Last Supper. Artist: Champaigne, Philippe, de (1602-1674)

The Last Supper. Artist: Champaigne, Philippe, de (1602-1674)
The Last Supper. Found in the collection of Louvre, Paris

Background imagePhilippe Collection: Anna of Austria with her children, praying to the Holy Trinity with Saints Benedict and Scholastica

Anna of Austria with her children, praying to the Holy Trinity with Saints Benedict and Scholastica. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imagePhilippe Collection: Gaston of Foix, Duke of Nemours (Warrior Saint) After Giorgione

Gaston of Foix, Duke of Nemours (Warrior Saint) After Giorgione. Artist: Champaigne, Philippe, de (1602-1674)
Gaston of Foix, Duke of Nemours (Warrior Saint) After Giorgione. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imagePhilippe Collection: Portrait of Angelique Arnauld (1591-1661), Abbess of the Abbey of Port-Royal

Portrait of Angelique Arnauld (1591-1661), Abbess of the Abbey of Port-Royal. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imagePhilippe Collection: Cardinal de Richelieu. Artist: Champaigne, Philippe, de (1602-1674)

Cardinal de Richelieu. Artist: Champaigne, Philippe, de (1602-1674)
Cardinal de Richelieu. Found in the collection of Louvre, Paris

Background imagePhilippe Collection: The Bishop of Beauvais capturing Salisbury, c1860, (c1860). Artist: John Leech

The Bishop of Beauvais capturing Salisbury, c1860, (c1860). Artist: John Leech
The Bishop of Beauvais capturing Salisbury, c1860, (c1860). Philip of Dreux (1158-1217) the Bishop of Beauvais capturing William LongespUe

Background imagePhilippe Collection: Advertisement for Bleriot headlamps, c1905. Artist: Philippe Chapellier

Advertisement for Bleriot headlamps, c1905. Artist: Philippe Chapellier
Advertisement for Bleriot headlamps, c1905

Background imagePhilippe Collection: Bathsheba, 1498 (1964)

Bathsheba, 1498 (1964). The Book of Samuel describes how Bathsheba, the wife of Uriah the Hittite, was seduced by King David after he saw her bathing from the roof of his palace

Background imagePhilippe Collection: Comte de Paris, 19th century

Comte de Paris, 19th century. Louis-Philippe Albert of Orleans, Count of Paris (1838-1894) was the grandson of Louis-Philippe I, King of the French

Background imagePhilippe Collection: Louis Philippe II, Duke of Orleans, (19th century)

Louis Philippe II, Duke of Orleans, (19th century). Philippe Egalite (1747-1793) supported the French Revolution, but was guillotined during the Terror

Background imagePhilippe Collection: Philippe II, Duke of Orleans and Regent of France

Philippe II, Duke of Orleans and Regent of France. Philippe (1674-1723) was Regent of France from 1715-1723 until Louis XV attained his majority. Engraved for the Universal Magazine

Background imagePhilippe Collection: General Philippe Petain, commander of the French Second Army, Verdun, France, 1916

General Philippe Petain, commander of the French Second Army, Verdun, France, 1916. Petain (1856-1951) assumed command of the Second Army manning the front south of Verdun in July 1915

Background imagePhilippe Collection: The four Allied commanders, Chateau Bombon, France, 1918

The four Allied commanders, Chateau Bombon, France, 1918. From left to right: General Philippe Petain, Commander-in-Chief of the French Army; Field Marshal Douglas Haig

Background imagePhilippe Collection: General Philippe Petain and Georges Clemenceau, (1926)

General Philippe Petain and Georges Clemenceau, (1926). A hero of the French defence of Verdun, Petain (1856-1951) was appointed Commander-in-Chief of the French army in 1917 after a series of

Background imagePhilippe Collection: The daily report in the office of the French Commander in Chief, 1917

The daily report in the office of the French Commander in Chief, 1917. General Petain and his staff meeting at headquarters

Background imagePhilippe Collection: The Repentant Magdalen, 1648. Artist: Champaigne, Philippe, de (1602-1674)

The Repentant Magdalen, 1648. Artist: Champaigne, Philippe, de (1602-1674)
The Repentant Magdalen, 1648. Found in the collection of the Museum of Fine Arts, Houston

Background imagePhilippe Collection: Double Portrait of both Artists, 1654. Artist: Champaigne, Philippe, de (1602-1674)

Double Portrait of both Artists, 1654. Artist: Champaigne, Philippe, de (1602-1674)
Double Portrait of both Artists, 1654. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

Background imagePhilippe Collection: Dr Philippe Grenier, the first Muslim Deputy in the French National Assembly, 1897

Dr Philippe Grenier, the first Muslim Deputy in the French National Assembly, 1897. Artist: Oswaldo Tofani
Dr Philippe Grenier, the first Muslim Deputy in the French National Assembly, 1897. Grenier, a Deputy representing Pontarlier, converted to Islam in 1896

Background imagePhilippe Collection: Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. Artist: Henry Adlard

Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. Artist: Henry Adlard
Mausoleum of the Orleans family, Chapel of Dreux, France, 1875. For many centuries the House of Orleans was one of the most important noble families in France

Background imagePhilippe Collection: Prince Philippe, Count of Flanders, 19th century. Artist: TA Dean

Prince Philippe, Count of Flanders, 19th century. Artist: TA Dean
Prince Philippe, Count of Flanders, 19th century. Prince Philippe (1837-1905) was the third son of Leopold I, the first King of the Belgians, and his wife Marie Louise d Orleans

Background imagePhilippe Collection: The death of the Comte de Paris, England, 1894. Artist: Lionel Noel Royer

The death of the Comte de Paris, England, 1894. Artist: Lionel Noel Royer
The Death of the Comte de Paris, England, 1894. Louis-Philippe Albert of Orleans, Count of Paris (1838-1894) was the grandson of Louis-Philippe I, King of the French

Background imagePhilippe Collection: Preparing vitamin sweets, German-occupied France, 1940-1944

Preparing vitamin sweets, German-occupied France, 1940-1944. Shortages and rationning of the vast majority of foodstuffs had an adverse effect on the diet and health of the civilian population

Background imagePhilippe Collection: Temple of Apollo, for the opera Achille and Polyxene, c1687. Artist: Jean Berain

Temple of Apollo, for the opera Achille and Polyxene, c1687. Artist: Jean Berain
T emple of Apollo, for the opera Achille and Polyxene, c1687. Achille et Polyxene (Achilles and Polyxena) is an opera with a libretto by Philippe Quinault



All Professionally Made to Order for Quick Shipping

Philippe Halsman, a renowned photographer, captured the enigmatic Salvador Dali in his element. In this captivating photograph from around 1948, Dali is surrounded by surreal objects that defy gravity and logic. Cats float effortlessly alongside water frozen mid-motion, creating an otherworldly scene. But Philippe's talent extends beyond capturing surrealist painters; he also immortalizes historical figures like Jacques De Molay. This influential figure of the Knights Templar holds secrets untold within his gaze, hinting at a tumultuous past. Moving forward in time, we encounter Victoria/Louisp/Gosport - a mysterious trio whose story remains shrouded in ambiguity. What adventures did they embark on? What secrets do their names hold? The mention of Crecy transports us to medieval times when battles raged and kingdoms clashed. Philippe's lens captures the essence of these historic moments with precision and artistry. Water takes center stage as Philippe Mercier unveils "The Elements. " With masterful brushstrokes, he brings forth its fluidity and power while paying homage to its vital role in our existence. Josslyn and Idina Hay grace another frame as they stand proudly on their Kenyan farm named Slains. Their connection to this land radiates through the lens—a testament to resilience and love for nature. In "Choosing a Club, " Philippe reveals not only a sport but also choices we make throughout life—decisions that shape our destiny or lead us down unexpected paths. Greek mythology comes alive as Hera, Aphrodite, and Athena prepare for the contest of beauty before P. . Who will be crowned victor? The anticipation hangs thickly in the air as each goddess exudes confidence unique to her divine essence. Philippe IV Le Bel emerges multiple times across different works—an enigmatic figure who left an indelible mark on history. Whether depicted anonymously or by Jones' hand, his presence looms large, leaving us to ponder his influence.