Pointillist Collection (page 5)

Mother and Child, 1924 (oil on canvas)
1197362 Mother and Child, 1924 (oil on canvas) by Wood, Christopher (1901-30); 54.6x46 cm; Private Collection; Photo eChristies Images; English, out of copyright

Canal in Flanders; Le canal en Flandre par temps triste, 1894 (oil on canvas)
1196436 Canal in Flanders; Le canal en Flandre par temps triste, 1894 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 60x80 cm; Private Collection; Photo eChristies Images; Belgian

Les Allees, Cannes, 1918-1920 (oil on canvas)
1768415 Les Allees, Cannes, 1918-1920 (oil on canvas) by Signac, Paul (1863-1935); 72.7x91.8 cm; Private Collection; (add.info.: Les Allees, Cannes. Paul Signac (1863-1935). Oil on canvas

Saint-Briac, cour a la Ville Hue, 1885 (oil on canvas)
1765149 Saint-Briac, cour a la Ville Hue, 1885 (oil on canvas) by Signac, Paul (1863-1935); Private Collection; (add.info.: Saint-Briac, cour a la Ville Hue. Paul Signac (1863-1935). Oil on canvas

Port de Cette, Les Tartanes, 1892 (oil on canvas)
1765141 Port de Cette, Les Tartanes, 1892 (oil on canvas) by Rysselberghe, Theo van (1862-1926); Private Collection; (add.info.: Port de Cette, Les Tartanes. Theo Van Rysselberghe (1862-1926)

Study for La Grande Jatte: Woman with a Monkey, 1884 (oil on panel)
5051318 Study for La Grande Jatte: Woman with a Monkey, 1884 (oil on panel) by Seurat, Georges Pierre (1859-91); 24.8x15.9 cm; Smith College Museum of Art, Northampton, Massachusetts

The Cote d Azur, 1889
HGM81066 The Cote d Azur, 1889 by Signac, Paul (1863-1935); 66x81 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; French, out of copyright

River Landscape with a boat
PWI83736 River Landscape with a boat by Seurat, Georges Pierre (1859-91); Private Collection; ePeter Willi; French, out of copyright

View of the bridge of Auxerre, 1902
PWI82395 View of the bridge of Auxerre, 1902 by Signac, Paul (1863-1935); 73.2x92 cm; Private Collection; ePeter Willi; French, out of copyright

Cote d Azur, 1889
HGM78236 Cote d Azur, 1889 by Signac, Paul (1863-1935); 66x81 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; French, out of copyright

The Firstborn, 1914
AII80239 The Firstborn, 1914 by Nomellini, Plinio (1866-1943); Galleria d Arte Moderna, Palazzo Pitti, Florence, Tuscany, Italy; Italian, out of copyright

View of the River Scheldt, 1893
HGM79805 View of the River Scheldt, 1893 by Rysselberghe, Theo van (1862-1926); 55x75 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Belgian, out of copyright

A Window on the River, 1908
JAG76123 A Window on the River, 1908 by Le Sidaner, Henri Eugene Augustin (1862-1939); 81.5x100.3 cm; Johannesburg Art Gallery, South Africa; © Johannesburg Art Gallery ; French, out of copyright

Constantinople (oil on canvas)
NUL116976 Constantinople (oil on canvas) by Person, Henri (1876-1926); 82x119 cm; Private Collection; French, out of copyright

Landscape at Douellens, 1897 (oil on canvas)
NUL115997 Landscape at Douellens, 1897 (oil on canvas) by Moret, Henry (1856-1913); 65x54 cm; Private Collection; French, out of copyright

Les Andelys, Cote d Aval, 1886 (oil on canvas)
2968554 Les Andelys, CA'te d Aval, 1886 (oil on canvas) by Signac, Paul (1863-1935); 60x92 cm; The Art Institute of Chicago, IL, USA; Through prior gift of William Wood Prince; French

The Port of St. Tropez; Le Port de St. Tropez, 1923 (oil on canvas)
652467 The Port of St. Tropez; Le Port de St. Tropez, 1923 (oil on canvas) by Signac, Paul (1863-1935); 59.7x73 cm; Private Collection; (add.info.: The Port of St. Tropez; Le Port de St. Tropez)

Bather Washing her Hair; Baigneuse Se Lave les Cheveux, 1903 (oil on canvas)
652431 Bather Washing her Hair; Baigneuse Se Lave les Cheveux, 1903 (oil on canvas) by Petitjean, Hippolyte (1854-1929); 81.6x54.3 cm; Private Collection; (add.info)

Vase of Flowers; Vase de Fleurs, 1925-1930 (oil on paper laid down on canvas)
652360 Vase of Flowers; Vase de Fleurs, 1925-1930 (oil on paper laid down on canvas) by Luce, Maximilien (1858-1941); 52.8x42 cm; Private Collection; (add.info.: Vase of Flowers; Vase de Fleurs)

Laundry Maids, Kermouster; Kermouster, Les Lavandieres, 1914-1915 (oil on canvas)
652354 Laundry Maids, Kermouster; Kermouster, Les Lavandieres, 1914-1915 (oil on canvas) by Luce, Maximilien (1858-1941); 32.6x40.6 cm; Private Collection; (add.info.: Laundry Maids)

Le Bois de Bruxelles, (oil on canvas)
652344 Le Bois de Bruxelles, (oil on canvas) by Petitjean, Hippolyte (1854-1929); 38x55. cm; Private Collection; (add.info.: Le Bois de Bruxelles. Hippolyte Petitjean (1854-1929). Oil on canvas

Paysage du Midi, c. 1920-1922 (oil on canvas)
656744 Paysage du Midi, c.1920-1922 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 85x86 cm; Private Collection; (add.info.: Paysage du Midi. Theo van Rysselberghe (1862-1926). Oil on canvas

Flowers in a Landscape; Bouquet de Fleurs dans un Paysage, (oil on canvas)
656392 Flowers in a Landscape; Bouquet de Fleurs dans un Paysage, (oil on canvas) by Luce, Maximilien (1858-1941); 55.3x46 cm; Private Collection; (add.info)

Couillet, Charleroi, Landscape Along the River; Couillet, Charleroi
656180 Couillet, Charleroi, Landscape Along the River; Couillet, Charleroi, Paysage au Bord de la Riviere, 1896 (oil on canvas) by Luce

Le Pont a Bourg-Saint-Andeol, 1926 (oil on canvas)
653597 Le Pont a Bourg-Saint-Andeol, 1926 (oil on canvas) by Signac, Paul (1863-1935); 73x92 cm; Private Collection; (add.info.: Le Pont a Bourg-Saint-Andeol. Paul Signac (1863-1935). Oil on canvas

The Ponds of St. Peter; Les Etangs de St. Pierre, (oil on canvas)
653509 The Ponds of St. Peter; Les Etangs de St. Pierre, (oil on canvas) by Lebasque, Henri (1865-1937); 54x65.6 cm; Private Collection; (add.info.: The Ponds of St. Peter; Les Etangs de St. Pierre)

Bathers; Les Baigneuses, (oil on board)
653332 Bathers; Les Baigneuses, (oil on board) by Petitjean, Hippolyte (1854-1929); 27x30.2 cm; Private Collection; (add.info.: Bathers; Les Baigneuses. Hippolyte Petitjean (1854-1929). Oil on board

Windmill in Flanders; Moulin en Flandre, 1894 (oil on canvas)
652843 Windmill in Flanders; Moulin en Flandre, 1894 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 80x68.5 cm; Private Collection; (add.info.: Windmill in Flanders; Moulin en Flandre)

From the Rooftops; Sur les Toits, 1890-95 (oil on canvas)
652787 From the Rooftops; Sur les Toits, 1890-95 (oil on canvas) by Luce, Maximilien (1858-1941); 38.1x46.4 cm; Private Collection; (add.info.: From the Rooftops; Sur les Toits)

La Phare a Lezardrieux, 1927 (watercolour over black chalk on paper)
652744 La Phare a Lezardrieux, 1927 (watercolour over black chalk on paper) by Signac, Paul (1863-1935); 30.5x45.4 cm; Private Collection; (add.info.: La Phare a Lezardrieux. Paul Signac (1863-1935)

Fields in Summer
CH5203 Fields in Summer by Seurat, Georges Pierre (1859-91); Private Collection; Photo eChristies Images; French, out of copyright

Houses and Gardens
CH5202 Houses and Gardens by Seurat, Georges Pierre (1859-91); Private Collection; Photo eChristies Images; French, out of copyright

In the Boat, 1903
NOR61480 In the Boat, 1903 by Lebasque, Henri (1865-1937); 60x90 cm; Private Collection; French, out of copyright

The Bridge at Gisors (oil on canvas)
XLH26202 The Bridge at Gisors (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); Musee des Beaux-Arts, Mulhouse, France; French, out of copyright

The Harnessed Horse, 1883
PHD30508 The Harnessed Horse, 1883 by Seurat, Georges Pierre (1859-91); 32.4x41 cm; Solomon R. Guggenheim Museum, New York, USA; French, out of copyright

St. Tropez, the Customs Path, 1905
QED28951 St. Tropez, the Customs Path, 1905 by Signac, Paul (1863-1935); 73x92 cm; Musee de Grenoble, France; French, out of copyright

Bathers at Asnieres, 1884 (detail of 2136)
QED28861 Bathers at Asnieres, 1884 (detail of 2136) by Seurat, Georges Pierre (1859-91); National Gallery, London, UK; French, out of copyright

Peasant Girl Returning to the Village, 1893 (oil on canvas)
NOR61476 Peasant Girl Returning to the Village, 1893 (oil on canvas) by Lebasque, Henri (1865-1937); 33x40.5 cm; Private Collection; (add.info.: Paysanne retournant au village; ); French

Woman wearing a green headscarf, 1893
PWI83738 Woman wearing a green headscarf, 1893 by Pissarro, Camille (1830-1903); 65.5x54.5 cm; Musee d Orsay, Paris, France; (add.info.: Femme portant un foulard vert; ); ePeter Willi; French

Reading under the Lamp, 1890 (oil on panel)
FFA151972 Reading under the Lamp, 1890 (oil on panel) by Pourtau, Leon (1868-98); 76.5x101 cm; Private Collection; French, out of copyright

Petit Plage, Saint Tropez, 1897 (oil on canvas)
CBR161837 Petit Plage, Saint Tropez, 1897 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 35x46 cm; Private Collection; Photo eConnaught Brown, London; Belgian, out of copyright

The Viaduct at Auteuil, c. 1900 (oil on canvas)
CH100754 The Viaduct at Auteuil, c.1900 (oil on canvas) by Signac, Paul (1863-1935); 46.3x52.4 cm; Private Collection; Photo eChristies Images; French, out of copyright

Evening, The Jetty at Vlissingen, 1898 (lithograph)
5672896 Evening, The Jetty at Vlissingen, 1898 (lithograph) by Signac, Paul (1863-1935); Cleveland Museum of Art, OH, USA; French, out of copyright

Shoemakers, the Two Givort Brothers, 1884 (oil on canvas)
987497 Shoemakers, the Two Givort Brothers, 1884 (oil on canvas) by Luce, Maximilien (1858-1941); 64.8x80 cm; Private Collection; (add.info.: Shoemakers, the Two Givort Brothers; Le Cordonnier)

Bell Tower at Saint Tropez, 1896 (oil on canvas)
988899 Bell Tower at Saint Tropez, 1896 (oil on canvas) by Signac, Paul (1863-1935); 81x65 cm; Private Collection; (add.info.: Bell Tower at Saint Tropez; Clocher a Saint Tropez)

Marseille, La Bonne Mere, Morning Mist, 1907 (oil on canvas)
987540 Marseille, La Bonne Mere, Morning Mist, 1907 (oil on canvas) by Signac, Paul (1863-1935); 73.7x91.4 cm; Private Collection; (add.info.: Marseille, La Bonne Mere, Morning Mist; Marseille)

The models siesta, 1920 (oil on canvas)
988375 The models siesta, 1920 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 66.3x75.2 cm; Private Collection; (add.info.: The models siesta; La sieste du modele)

The Pont Neuf (Notre Dame seen from the Pont-Neuf); Le Pont Neuf
824558 The Pont Neuf (Notre Dame seen from the Pont-Neuf); Le Pont Neuf (Notre Dame de Paris vue du Pont-Neuf), 1913 (oil on canvas) by Signac

All Professionally Made to Order for Quick Shipping

"Capturing the World in Dots: Exploring the Pointillist Masterpieces" Immerse yourself in the mesmerizing world of pointillism, a revolutionary artistic technique that emerged in the late 19th century. One such masterpiece is "A View of Menton, " painted between 1899 and 1900 by an unknown artist. With meticulous precision, tiny dots of color come together to depict a scenic view of this charming French town. In "Le Jardin du Vert-Galant, " created around 1928, we witness how pointillism evolved over time. The vibrant colors and intricate details bring to life this enchanting garden located on Île de la Cité in Paris. Henri-Edmond Cross showcases his mastery with "Entrance to the Port of Marseille" from 1918. Through carefully placed dots, he captures the bustling atmosphere and maritime charm of this iconic French port city. "Misty Sea, " painted in 1899 by another anonymous artist, transports us to a serene coastal scene where foggy hues blend seamlessly through delicate points. It evokes a sense of tranquility as we gaze upon nature's ethereal beauty. As dusk settles over Herblay in 1889, Georges Seurat's "Sunset" captivates viewers with its warm tones and shimmering reflections on water. Each dot contributes to creating an atmospheric landscape that exudes peacefulness. Jean-Baptiste-Camille Corot's "Boy Sitting on the Grass, " completed circa 1882, showcases his ability to capture human emotion through pointillism. The careful placement of dots brings out both innocence and contemplation within this young subject. Portraitist Paul Signac presents us with "Portrait of Alexander Reid" from 1887—a testament to his skillful use of pointillism even when depicting individuals. Every dot adds depth and character while revealing Reid's personality through subtle nuances.