Pointing Collection (page 9)

Apparition du... serpent de la rue Lacépède, 19th century. Creator: Honore Daumier
Apparition du... serpent de la rue Lacepede, 19th century. Appearance of.. the street snake Lacepede

Mon cher Holsteinois, votez je vous en prie... 19th century. Creator: Honore Daumier
Mon cher Holsteinois, votez je vous en prie... 19th century. My dear Holsteinois please vote

Rosen, Walter T. Mrs. and son, portrait photograph, 1919 Feb. 5. Creator: Arnold Genthe
Rosen, Walter T. Mrs. and son, portrait photograph, 1919 Feb. 5

M. Vautour: Je ne saurais trop... 19th century. Creator: Honore Daumier
M. Vautour: Je ne saurais trop... 19th century. Tenants and Landlords - Mr. Vautour: I can't know too much

Isadora Duncan dancers, between 1915 and 1923. Creator: Arnold Genthe
Isadora Duncan dancers, between 1915 and 1923

Isadora Duncan dancer, between 1915 and 1923. Creator: Arnold Genthe
Isadora Duncan dancer, between 1915 and 1923

T'nez, v'la encore M'sieu Godard... 19th century. Creator: Honore Daumier
T'nez, v'la encore M'sieu Godard... 19th century. Whatever you want -

Vois comme ils m'avaient abimé... 19th century. Creator: Honore Daumier
Vois comme ils m'avaient abime... 19th century. Landlords and tenants. Property owner: Look how they've ruined my walls with [the smoke from] their fireplaces - tenants shouldn't be

Le Tentateur, 19th century. Creator: Honore Daumier
Le Tentateur, 19th century. The Tempter. [Satire on the Temptation of Christ]: If you agree to be mine, this Empire will be yours

J'veux monter tout de suite la-dedans avec toi papa... 19th century. Creator: Honore Daumier
J'veux monter tout de suite la-dedans avec toi papa... 19th century. I want to go up in that with you Papa, because my nanny said that the flood will come again

Diana and Callisto, 1657-1705. Creator: Johannes van Haensbergen
Diana and Callisto, 1657-1705

Aspect de salon le jour de l'ouverture... 19th century. Creator: Honore Daumier
Aspect de salon le jour de l'ouverture... 19th century. The Salon of 1857. Scene on the opening day - nothing but genuine connoisseurs, sixty thousand people in all

Vois-tu, le petit estancelin comme il parle... 19th century. Creator: Honore Daumier
Vois-tu, le petit Estancelin comme il parle... 19th century. Physiognomy of the Assembly. Woman to her son: Look at little Estancelin, how he already speaks so well for his age

Le Role de la Cavalerie; Dans la Somme, par un matin de brouillard, hussards francais, 1914. Creator: Unknown
'Le Role de la Cavalerie; Dans la Somme, par un matin de brouillard, un peloton de hussards francais surveille le mouvement de l'avance ennemie, 1914

The Plaster Cast Collection in the Royal Academy of Fine Arts, 1843. Creator: Julius Exner
The Plaster Cast Collection in the Royal Academy of Fine Arts, 1843

Langebro, Copenhagen, in the Moonlight with Running Figures, 1836. Creator: CW Eckersberg
Langebro, Copenhagen, in the Moonlight with Running Figures, 1836

A fisherman shows his daughter a boat sailing away, 1854. Creator: Christen Dalsgaard
A fisherman shows his daughter a boat sailing away, 1854

Laughing Girl Showing a Small Picture of a Nude Woman Seen from Behind, 1618-1671

The Raffenberg Family, 1830. Creator: Wilhelm Bendz
The Raffenberg Family, 1830. (Marie Raffenberg was engaged to the artist)

Vois-tu, c'est l'éclipse qui commence... 19th century. Creator: Honore Daumier
Vois-tu, c'est l'eclipse qui commence... 19th century. Whatever you want - You see, the eclipse begins

Un renseignement, 19th century. Creator: Honore Daumier
Un renseignement, 19th century. Hunting sketch by Daumier - information

Mr. Albert Sterner, portrait photograph, 1918 Feb. 8. Creator: Arnold Genthe
Mr. Albert Sterner, portrait photograph, 1918 Feb. 8. American painter, illustrator, printmaker, lithographer. Poster: US Navy...Over There - American sailor

The Kitchen Clock, between 1910 and 1920. Creator: Harris & Ewing. The Kitchen Clock, between 1910 and 1920
The Kitchen Clock, between 1910 and 1920. USA. Children dressed as kitchen utensils

Portrait of Red Rodney, 400 Restaurant(?), New York, N.Y. ca. June 1946. Creator: William Paul Gottlieb
Portrait of Red Rodney, 400 Restaurant(?), New York, N.Y. ca. June 1946

Portrait of Louis Jordan, Paramount Theater(?), New York, N.Y. ca. July 1946. Creator: William Paul Gottlieb
Portrait of Louis Jordan, Paramount Theater(?), New York, N.Y. ca. July 1946

We Wish You a Merry Christmas, [193-]. Creator: Unknown
We Wish You a Merry Christmas, [193-]. We Wish You and Members of the Federal Theatre Project A Merry Christmas and a Happy New Year'. The Federal Theatre Project, created by the U.S

Sketch for the Saint-Joseph church (11th arrondissement of Paris): the Sacred Heart, 1874. Creator: Savinien Petit
Sketch for the Saint-Joseph church (11th arrondissement of Paris): the Sacred Heart, 1874. (Esquisse pour l'eglise Saint-Joseph : Le Sacre-Coeur)

The Drunkard, 1837. Creator: Hippolyte Bellangé
The Drunkard, 1837. (L'Ivrogne)

Saint Thomas d'Aquin prêchant la confiance en Dieu pendant la tempête, 1823. Creator: Ary Scheffer
Saint Thomas d'Aquin prechant la confiance en Dieu pendant la tempete, 1823. St Thomas Aquinas declares his confidence in God during the storm

La Paix, between 1740 and 1750. Creator: Unknown
La Paix, between 1740 and 1750. Peace. Allegorical figure of peace, crowned with laurel, sets fire to the attributes of the war. At her feet, a man tries to break his chains

A Magician, c. 1826. Creator: George Hayter
A Magician, c. 1826

Miranda fait une partie d'échec avec Ferdinand qu'elle accuse, en plaisantant, de tricher, 1822
Miranda fait une partie d'echec avec Ferdinand qu'elle accuse, en plaisantant, de tricher, 1822. Miranda plays chess with Ferdinand who she jokingly accuses of cheating

Van Dyck peignant son premier tableau, 1819. Creator: Louis Ducis
Van Dyck peignant son premier tableau, 1819. Van Dyck painting his first picture. Allegory of painting. The Flemish artist Anthony van Dyck is represented in his workshop in front of a large

Le Marchand d'orviétan ou l'opérateur Barri, c.1743. Creator: Etienne Jeaurat
Le Marchand d'orvietan ou l'operateur Barri, c.1743. The Doctor's Visit, or "The Charlatan". Orvietan was a concoction of partially toxic herbs, wine, and dissolved honey

Christ Tells His Disciples of the Last Judgment, published 1630. Creator: Christoph Maurer
Christ Tells His Disciples of the Last Judgment, published 1630

Gilpin, Charles, Mrs. and baby, portrait photograph, 1921 Oct. 23. Creator: Arnold Genthe
Gilpin, Charles, Mrs. and baby, portrait photograph, 1921 Oct. 23

MacKaye, Percy, daughter of, standing outdoors, 1913 Sept. Creator: Arnold Genthe
MacKaye, Percy, daughter of, standing outdoors, 1913 Sept

Lamartine refusant le drapeau rouge devant l'Hôtel de Ville, c.1848. Creator: Felix Henri Emmanuel Philippoteaux
Lamartine refusant le drapeau rouge devant l'Hotel de Ville, c.1848. Lamartine rejecting the red flag in front of the Hotel de Ville. Revolution of 1848, Paris

Portrait of Brick Fleagle, Sandy Williams, and Mrs. Brick Fleagle, Nola's, N.Y. ca. Feb. 1947
Portrait of Brick Fleagle, Sandy Williams, and Mrs. Brick Fleagle, Nola's, New York, N.Y. ca. Feb. 1947

Portrait of Tony Parenti, Wild Bill Davison, and Eddie Condon, Eddie Condon's, N.Y. ca. June 1946
Portrait of Tony Parenti, Wild Bill Davison, and Eddie Condon, Eddie Condon's, New York, N.Y. ca. June 1946

Portrait of Frankie Laine, New York, N.Y. 1946. Creator: William Paul Gottlieb
Portrait of Frankie Laine, New York, N.Y. 1946

Portrait of Sy Oliver, New York, N.Y. ca. Sept. 1946. Creator: William Paul Gottlieb
Portrait of Sy Oliver, New York, N.Y. ca. Sept. 1946

Transport sur la place Louis-le-Grand (actuelle place Vendôme) de la statue de Louis
Transport sur la place Louis-le-Grand (actuelle place Vendome) de la statue de Louis XIV de Girardon, before 1697

Portrait de Constant Coquelin, dit Coquelin aîné, dans le rôle de Cyrano de Bergerac, 1901. Creator: Theobald Chartran
Portrait de Constant Coquelin, dit Coquelin aine (1841-1909), dans le role de Cyrano de Bergerac, 1901

Milton, Desha, Miss, 1918 Creator: Arnold Genthe
Milton, Desha, Miss, 1918

Mon Caporal, je n'ai pu avons que ça, 1823. Creator: Emile Jean-Horace Vernet
Mon Caporal, je n'ai pu avons que ca, 1823

Mon Caporal, Je n'ai pu avons que ça, 1823. Creator: Emile Jean-Horace Vernet
Mon Caporal, Je n'ai pu avons que ca, 1823

Happy the State (valentine), c. 1842. Creator: Unknown
Happy the State (valentine), c. 1842....when souls congenial burn / With mutual fires, and love for love return. / When each new day Love's growing charms beholds

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"Pointing: A Powerful Gesture of Expression" Throughout history, it has served as a potent tool to convey messages and evoke emotions. From political campaigns to wartime propaganda, this simple gesture has left an indelible mark on society. In 1960, an anti-Nixon poster emerged, questioning the trustworthiness of Republican presidential candidate Richard Nixon. With the caption "Would YOU buy a used car from this man?", it pointed directly at the public's skepticism towards his character. Another iconic image that employed pointing was the Kitchener Poster - "Your Country Needs You. " This powerful recruitment poster during World War I urged men to join the army and defend their nation. Lord Kitchener's stern finger commanded attention and instilled a sense of duty in countless individuals. The Compass Drill on Training Ship Arethusa in Greenhithe, Kent showcased how they are be utilized for practical purposes. Instructors guided young sailors with precise gestures, teaching them navigation skills essential for maritime exploration. Even historical figures like Sir William Wallace have been immortalized through statues depicting their commanding presence. Their outstretched arms seem to point towards bravery and resilience, inspiring generations to stand up for what they believe in. Across continents, North Korea's painting of Kim Jong Il and Kim Il Sung showcases how they are be used as a symbol of reverence and authority. The leaders' fingers guide their people towards unity and loyalty under their regime. Artistic expressions also utilize pointing effectively. Nicolas Poussin's masterpiece "Et in Arcadia Ego" portrays shepherds gathered around a tombstone with one figure subtly gesturing towards mortality—a reminder that even paradise is not exempt from death's touch. From Italy's Vatican City to Liverpool's Albert Dock, statues continue to capture moments frozen in time through extended hands or index fingers directing our gaze or commemorating legends like singer-songwriter Billy Fury by Tom Murphy’s sculpture near Albert Dock—a tribute to his lasting impact on music.