Position Collection (page 18)

Fourth Position Front, on the Left Leg, modeled c. 1880s, cast 1919-21 (bronze)
CLK339977 Fourth Position Front, on the Left Leg, modeled c.1880s, cast 1919-21 (bronze) by Degas, Edgar (1834-1917); 58.4x37.9x35.7 cm; Sterling and Francine Clark Art Institute, Williamstown

Machine Gun, attended (sepia photo)
STC331800 Machine Gun, attended (sepia photo) by German Photographer (20th Century); Private Collection; The Stapleton Collection; German, out of copyright

Plaque to Captain J J Crowe VC, Nieuwkerke Hospice
The final German attempt to break through to the Channel ports, known as the Fourth Battle of Ypres, had initial success

Ms 1044 Fol. 74 The Wheel of Fortune, from Ovide Moralise written by Chretien Legouais
XIR177844 Ms 1044 Fol.74 The Wheel of Fortune, from Ovide Moralise written by Chretien Legouais (vellum) by French School, (14th century); Bibliotheque Municipale, Rouen

On Leave, 1883 (oil on canvas)
BAL34296 On Leave, 1883 (oil on canvas) by Zimmer, Wilhelm (1853-1937); 71x109.5 cm; Josef Mensing Gallery, Hamm-Rhynern, Germany; German, out of copyright

A pair of Montelupo armorial two-handled oviform vases and a wet-drug jar (ceramic)
1766866 A pair of Montelupo armorial two-handled oviform vases and a wet-drug jar (ceramic) by Italian School, (16th century); Private Collection; (add.info)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)

Miyanokoshi, Station 27, from the series, Sixty-Nine Stations of the Kisokaido (colour woodblock print)
1766586 Miyanokoshi, Station 27, from the series, Sixty-Nine Stations of the Kisokaido (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Private Collection; (add.info.: Miyanokoshi)

Dark Genius; Dunkler Genius, 1891-2 (pencil on oaper over canvas)
1766397 Dark Genius; Dunkler Genius, 1891-2 (pencil on oaper over canvas) by Hodler, Ferdinand (1853-1918); 43x25 cm; Private Collection; (add.info.: Dark Genius; Dunkler Genius)

Tiger, 1934 (hanging scroll, ink and colour on paper)
1764904 Tiger, 1934 (hanging scroll, ink and colour on paper) by Zhang Shanzi (1882-1940); 135.5x67.5 cm; Private Collection; (add.info.: Tiger. Zhang Shanzi (1882-1940)

A Louis XV Sevres tray decorated with three exotic birds in a landscape
1764839 A Louis XV Sevres tray decorated with three exotic birds in a landscape, forming the top of a table a cafe, 1761 (painted porcelain) by French School

A boxed set of Cymric silver spoons with enamelled finials designed by Archibald Knox
1764748 A boxed set of Cymric silver spoons with enamelled finials designed by Archibald Knox (1864-1933), 1904 (silver, enamel) by Knox, Archibald (1864-1933); 9.5

Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph)
986061 Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Grey-Headed Flying Fox (Pteropus Poliocephalus)

Holy Thursday, 1789 (hand-coloured relief-etching, watercolour)
985823 Holy Thursday, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Holy Thursday. Plate 8 from Songs of Innocence)

My Wife, Emeline, in a Garden, (oil on canvas)
985446 My Wife, Emeline, in a Garden, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 71.7x61.6 cm; Private Collection; (add.info.: My Wife, Emeline, in a Garden)

The Trail Over the Pass, 1910 (oil on canvas)
985382 The Trail Over the Pass, 1910 (oil on canvas) by Farny, Henry Francois (1847-1916); 41x61 cm; Private Collection; (add.info.: The Trail Over the Pass. Henry Francois Farny (1847-1916)

Place de la Concorde, (watercolour and pencil on paper)
985375 Place de la Concorde, (watercolour and pencil on paper) by Robinson, Florence Vincent (1874-1937); 35.7x47.1 cm; Private Collection; (add.info.: Place de la Concorde)

Along the Shore, 1870 (oil on canvas)
985366 Along the Shore, 1870 (oil on canvas) by Richards, William Trost (1833-1905); 36.5x67 cm; Private Collection; (add.info.: Along the Shore. William Trost Richards (1833-1905). Oil on canvas

Jersey City with a Glimpse of New York From the Bergen Canal, 1854 (watercolour
985356 Jersey City with a Glimpse of New York From the Bergen Canal, 1854 (watercolour, pencil and gouache on paper) by Miller

New York Crossing (oil on canvas)
985260 New York Crossing (oil on canvas) by Davis, Warren B. (1865-1928); 40.5x55.8 cm; Private Collection; (add.info.: New York Crossing. Warren Davis (1865-1928). Oil on canvas

Lady with a Parasol, c. 1905 (oil on canvas)
985188 Lady with a Parasol, c.1905 (oil on canvas) by Frieseke, Frederick Carl (1874-1939); 82x64.8 cm; Private Collection; (add.info.: Lady with a Parasol. Frederick Carl Frieseke (1874-1939)

Cap Noir, St. Pierre, 1902 (oil on canvas)
985138 Cap Noir, St. Pierre, 1902 (oil on canvas) by Glackens, William James (1870-1938); 63.5x76.2 cm; Private Collection; (add.info.: Cap Noir, St. Pierre. William James Glackens (1870-1938)

Woman Along Canal, (oil on canvas)
985137 Woman Along Canal, (oil on canvas) by Hitchcock, George (1850-1913); 88.9x61 cm; Private Collection; (add.info.: Woman Along Canal. George Hitchcock (1850-1913). Oil on canvas

The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)
985116 The Battery and Harbour, New York, c.1811-1812 (oil on canvas) by Birch, Thomas (1779-1851); 73x103.5 cm; Private Collection; (add.info.: The Battery and Harbour, New York)

Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper)
984923 Above Lake Garda (at San Vigilio), 1913 (watercolour and gouache on paper) by Sargent, John Singer (1856-1925); 34.9x53.4 cm; Private Collection; (add.info.: Above Lake Garda (at San Vigilio)

A Shady Corner, (oil on canvas)
1199499 A Shady Corner, (oil on canvas) by Clausen, George (1852-1944); 62.2x51.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Horses and Carts in Front of the Fishing Harbour, Dieppe
1196282 Horses and Carts in Front of the Fishing Harbour, Dieppe, at Low Tide; Chevaux et charrettes devant la darse de peche, Dieppe, maree basse, 1902 (oil on canvas) by Pissarro

Lutf Ali Khan (c, c. 1750-1800 (oil on canvas)
1196966 Lutf Ali Khan (c, c.1750-1800 (oil on canvas) by Persian School, (18th century); 97.7x49.5 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Sufis Visiting their Pir, c. 1650 (w / c & gilt on paper)
1196761 Sufis Visiting their Pir, c.1650 (w/c & gilt on paper) by Indian School, (17th century); 19x13.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

A Street in Newlyn, (oil on panel)
657590 A Street in Newlyn, (oil on panel) by Langley, Walter (1852-1922); Private Collection; (add.info.: A Street in Newlyn. Walter Langley (1852-1922). Oil on panel

The Little Brown House, Passy, c. 1928 (oil on canvas-board)
657402 The Little Brown House, Passy, c.1928 (oil on canvas-board) by Wood, Christopher (1901-30); Private Collection; (add.info.: The Little Brown House, Passy. Christopher Wood (1901-1930)

Rogation Day, Cornwall, (oil on canvas)
657213 Rogation Day, Cornwall, (oil on canvas) by Titcomb, William Holt Yates (1858-1930); Private Collection; (add.info.: Rogation Day, Cornwall. William Holt Yates Titcomb (1858-1930)

Behind the Blind, (oil on canvas)
657156 Behind the Blind, (oil on canvas) by Gore, Spencer Frederick (1878-1914); 48.26x38.10 cm; Private Collection; (add.info.: Behind the Blind. Spencer Frederick Gore (1878-1914). Oil on canvas

Arranging the Lilac, 1906 (oil on canvas)
656894 Arranging the Lilac, 1906 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; (add.info.: Arranging the Lilac. Albert Chevallier Tayler (1862-1925). Oil on canvas

House in the Trees, Auvers; Maison Dans Les Arbres, Auvers, 1879 (oil on canvas)
656821 House in the Trees, Auvers; Maison Dans Les Arbres, Auvers, 1879 (oil on canvas) by Cezanne, Paul (1839-1906); 92.5x72.8 cm; Private Collection; (add.info.: House in the Trees)

The Gate; Le Portail, (oil on canvas)
656492 The Gate; Le Portail, (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 84.3x68.6 cm; Private Collection; (add.info.: The Gate; Le Portail. Henri Le Sidaner (1862-1939)

The Ford; Cows on the Edge of a Ford; Le Gue; Vaches au Bord du Gue, c
656325 The Ford; Cows on the Edge of a Ford; Le Gue; Vaches au Bord du Gue, c.1870-1873 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 56x81.3 cm; Private Collection; (add.info)

Les Pavillons, Paris Exposition Internationale, 1900, 1900 (oil on canvas)
656181 Les Pavillons, Paris Exposition Internationale, 1900, 1900 (oil on canvas) by Maufra, Maxime Emile Louis (1861-1918); 60x73 cm; Private Collection; (add.info.: Les Pavillons)

Cat on the Edge of the Window; La Chatte sur le Bord de la Fenetre, (oil on canvas)
655874 Cat on the Edge of the Window; La Chatte sur le Bord de la Fenetre, (oil on canvas) by Tarkhoff, Nikolai Alexandrovich (1871-1930); 105x80 cm; Private Collection; (add.info)

Des Caresses, (coloured crayons heightened with white on grey paper)
653540 Des Caresses, (coloured crayons heightened with white on grey paper) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Des Caresses. Fernand Khnopff (1858-1921)

The House below the Church; La Maison sous L Eglise, 1935 (oil on canvas)
653325 The House below the Church; La Maison sous L Eglise, 1935 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 100x81 cm; Private Collection; (add.info)

The Three Graces; Les Trois Graces, 1917 (oil on canvas)
652792 The Three Graces; Les Trois Graces, 1917 (oil on canvas) by Petitjean, Hippolyte (1854-1929); 73x59 cm; Private Collection; (add.info.: The Three Graces; Les Trois Graces)

Jerusalem (looking South), 1860 (oil on canvas)
828484 Jerusalem (looking South), 1860 (oil on canvas) by Roberts, David (1796-1864); 122.5x183.5 cm; Private Collection; (add.info.: Jerusalem (looking South). David Roberts (1796-1864)

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

Fishing Craft with the Rivere degli Schiavoni, Venice, beyond, (oil on canvas)
828399 Fishing Craft with the Rivere degli Schiavoni, Venice, beyond, (oil on canvas) by Hunt, E. Aubrey (1855-1922); 193x131.4 cm; Private Collection; (add.info)

A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)
828300 A Bird s-Eye View of the Docks at Buenos Aires, (watercolour) by Martino, Eduardo de (1838-1912); 60.9x91.4 cm; Private Collection; (add.info.: A Bird s-Eye View of the Docks at Buenos Aires)

A Butchers Stall with Cats and Kittens playing and a Butcher holding a Boar
827876 A Butchers Stall with Cats and Kittens playing and a Butcher holding a Boars Head (oil on canvas) by Snyders, Frans (1579-1657) & Vos

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

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"Position: A Tapestry of Time and Place" In the intricate threads of history, positions define our past, present, and future. From the strategic Map of the Battle of Waterloo in 1815 to Marie Curie's groundbreaking scientific position, we witness moments that shaped humanity. Just as fencing positions demand precision and skill, so do life's challenges require us to find our stance. In Glenariff valley's serene beauty or amidst Greenan Castle's ancient walls, we discover our place within Ireland's majestic landscapes. Within Westminster Abbey's hallowed halls lies a map depicting the coronation ritual—a testament to power and authority held by those who ascend their rightful position. And like Taki Katei's exquisite artwork capturing Flowers and Birds in 19th-century Japan, we too can create beauty from where we stand. The iconic Forth Bridge stands tall as a symbol of engineering prowess—an architectural marvel that exemplifies strength in its structural position. Similarly, Geishas embody grace while reminding us to see no evil, hear no evil, speak no evil—finding harmony through their poised presence. Castlerock Beach whispers tales of Northern Ireland’s coastal wonders—a meeting point between land and sea where nature finds its perfect positioning. Meanwhile, Rifle Brigade soldiers on the Western Front during WWI demonstrate unwavering determination as they hold their ground against adversity. And just like the timeless elegance exuded by a 1959 Ford Thunderbird cruising down an open road—we are reminded that sometimes it is not about reaching a destination but reveling in every moment along the way. In this vast tapestry woven with diverse positions across time and space—let us embrace our own unique place with courage and conviction. For it is through finding our footing that we leave an indelible mark upon this world.