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Powell Collection (page 4)

"Exploring the Legacy of Powell: From Chief Scout Lord Baden Powell to Music Covers and Festivals" Step into the world of Powell, where history intertwines with music

Background imagePowell Collection: The Gene Genie

The Gene Genie Ridden By B.Powell 29 March 1999 Date: 29 March 1999

Background imagePowell Collection: Garrison Savannah

Garrison Savannah Ridden By B Powell 29 April 1995 Date: 29 April 1995

Background imagePowell Collection: Brendan Powell

Brendan Powell Jockey 26 October 1993 Date: 26 October 1993

Background imagePowell Collection: Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Background imagePowell Collection: Boat House, 1840 / 1900. Creator: Miss T. Powell

Boat House, 1840 / 1900. Creator: Miss T. Powell
Boat House, 1840/1900. Albumen print

Background imagePowell Collection: Circular Slide Rule, William J. Powell, 1935. Creator: Unknown

Circular Slide Rule, William J. Powell, 1935. Creator: Unknown
During the 1920s William J. Powell led a small group of black air enthusiasts in Los Angeles. He established the Bessie Coleman Flying Club in 1929

Background imagePowell Collection: Slide Rule, William J. Powell, ca. 1930s. Creator: Keuffel & Esser Co

Slide Rule, William J. Powell, ca. 1930s. Creator: Keuffel & Esser Co
During the 1920s William J. Powell led a small group of black air enthusiasts in Los Angeles. He established the Bessie Coleman Flying Club in 1929

Background imagePowell Collection: Drafting pen owned by William J. Powell, ca. 1920s. Creator: Unknown

Drafting pen owned by William J. Powell, ca. 1920s. Creator: Unknown
Drafting pen owned by William J. Powell, ca. 1920s. During the 1920s, African-American engineer, soldier, civil aviator and author William J

Background imagePowell Collection: Policeman on traffic duty, London

Policeman on traffic duty, London
Policeman directs traffic in Central London during rush hour. Date: circa 1930s

Background imagePowell Collection: Two film photographs: top left an ensemble shot

Two film photographs: top left an ensemble shot
Two film photographs: top left ensemble shot from Gold Diggers of Broadway featuring Ann Pennigton and top right William Powell and Evelyn Brent in Interference, a Paramount talkie (1930). Date: 1930

Background imagePowell Collection: Eleanor Powell in Joe Cooks Fine and Dandy, 1930

Eleanor Powell in Joe Cooks Fine and Dandy, 1930 Date: 1930

Background imagePowell Collection: Barnardo s, Barkingside - Brownies with Lady Baden Powell

Barnardo s, Barkingside - Brownies with Lady Baden Powell
The Brownie Pack at Barnardos Girls Village Home, Barkingside, with Lady Baden Powell. Date: 1930s

Background imagePowell Collection: Lavinia, 1874-c. 1919 (w / c on vellum)

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePowell Collection: Homage to Pugin, a stained glass window design, c. 1850 (ink and wash)

Homage to Pugin, a stained glass window design, c. 1850 (ink and wash)
1194890 Homage to Pugin, a stained glass window design, c.1850 (ink and wash) by Powell, John Hardman (1827-95); 120x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imagePowell Collection: Martin Powell, puppet showman

Martin Powell, puppet showman
Martin Powell (?-1729), puppet showman, often featuring a Punch character, in Bath, London and elsewhere. 1715

Background imagePowell Collection: Powell, The Master of Modern Magic, Advertisement (litho)

Powell, The Master of Modern Magic, Advertisement (litho)
5236360 Powell, The Master of Modern Magic, Advertisement (litho) by American School, (19th century); Private Collection; (add.info.: Powell, The Master of Modern Magic, Advertisement)

Background imagePowell Collection: William Powell and Rosalind Russell in Rendezvous (1935)

William Powell and Rosalind Russell in Rendezvous (1935) with Russells costume by Dolly Tree Date: 1935

Background imagePowell Collection: Scenes from Escapade (1935) from Film Kurier magazine

Scenes from Escapade (1935) from Film Kurier magazine featuring Virginia Bruce, Luise Rainer, Mady Christians and William Powell with all the women wearing Dolly Tree Creations Date: 1935

Background imagePowell Collection: Eleanor Powell in a cruise dress designed by Dolly Tree

Eleanor Powell in a cruise dress designed by Dolly Tree in 1938 at MGM, illustrating her belief at the time in ?simplicity as well as extreme sophistication?

Background imagePowell Collection: Eleanor Powell in one of the dance numbers in Rosalie

Eleanor Powell in one of the dance numbers in Rosalie (1937) wearing a Dolly Tree costume Date: 1937

Background imagePowell Collection: Plume offerings made at the shrine of Pai yat yamo

Plume offerings made at the shrine of Pai yat yamo, God of Music, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology

Background imagePowell Collection: Altar of Ma tke Tsan nakwe, Little Fire Fraternity

Altar of Ma tke Tsan nakwe, Little Fire Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Altar of Pe shatsilo kwe, Cimex Fraternity, Zuni nation

Altar of Pe shatsilo kwe, Cimex Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Altar of Shu maakwe, Zuni nation

Altar of Shu maakwe, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of the Shumai koli of the Zenith, Zuni nation

Mask of the Shumai koli of the Zenith, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Sword swallowers of the Ma tke Thlan nakwe

Sword swallowers of the Ma tke Thlan nakwe, Great Fire Fraternity, Zuni nation. Lithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington

Background imagePowell Collection: Altar of Ma tke Thlan nakwe, Great Fire Fraternity

Altar of Ma tke Thlan nakwe, Great Fire Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of Great God of the Great Fire Fraternity, Zuni Nation

Mask of Great God of the Great Fire Fraternity, Zuni Nation
Mask of Kok ko Thlann a, Great God, of Ma tke Thlan nakwe, Great Fire Fraternity, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American

Background imagePowell Collection: Boxes of the Thle wekwe, Sword Swallower Fraternity

Boxes of the Thle wekwe, Sword Swallower Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Sword of the Thle wekwe, Sword Swallower Fraternity

Sword of the Thle wekwe, Sword Swallower Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Altar of the Ne wekwe, Galaxy Fraternity, Zuni nation

Altar of the Ne wekwe, Galaxy Fraternity, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of Kok ko Thlan na (Great God) of Ne wekwe

Mask of Kok ko Thlan na (Great God) of Ne wekwe and mask of Mi totasha, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology

Background imagePowell Collection: Dry painting in front of the Altar of Shi wannakwe

Dry painting in front of the Altar of Shi wannakwe, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mili Insignia of the Order of O naya natkia

Mili Insignia of the Order of O naya natkia
Mili (ear of corn covered with plumes) Insignia of the Order of O naya natkia, Life Givers, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of

Background imagePowell Collection: Men and corn maidens performing the Pleasure

Men and corn maidens performing the Pleasure
Men and corn maidens in feather headdress performing the Pleasure Dance, Zuni nation. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of

Background imagePowell Collection: Man performing the Dog Dance, Zuni nation

Man performing the Dog Dance, Zuni nation
Man in feather headdress performing the Dog Dance, Zuni nation. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology

Background imagePowell Collection: Zuni men imitating the Dance of the Ye bi chai

Zuni men imitating the Dance of the Ye bi chai Gods of the Navahos. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology

Background imagePowell Collection: Masks of god and goddesses accompanying He mishikwe

Masks of god and goddesses accompanying He mishikwe
Mask of god accompanying He mishikwe, and masks of goddesses accompanying He mishikwe, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of

Background imagePowell Collection: Mask of the He mishiikwe with tablet, Zuni Nation

Mask of the He mishiikwe with tablet, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of the Muluktatkia, Zuni nation

Mask of the Muluktatkia, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of Na tashku and Na wisho, Zuni Nation

Mask of Na tashku and Na wisho, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of the U wannami, Rain Makers, Zuni Nation

Mask of the U wannami, Rain Makers, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Ko yemshi Gods in Plaza, Zuni nation

Ko yemshi Gods in Plaza, Zuni nation
Ko yemshi Gods in masks and blankets in the plaza, Zuni nation. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology

Background imagePowell Collection: Altar of Tsaniakiakwe, Hunter Fraternity, Zuni Nation

Altar of Tsaniakiakwe, Hunter Fraternity, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Altar of Uhuhukwe, Eagle Down Fraternity, Zuni nation

Altar of Uhuhukwe, Eagle Down Fraternity, Zuni nation. The altar is decorated with figures of cougar, bear, bison, badger and white wolf, medicine stone, and bears feet

Background imagePowell Collection: Mask of Salimobiya, Warrior of the Nadir, Zuni Nation

Mask of Salimobiya, Warrior of the Nadir, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Mask of Salimobiya, Warrior of the Zenith, Zuni Nation

Mask of Salimobiya, Warrior of the Zenith, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904

Background imagePowell Collection: Masks of Ya mukakto (a) and Hu tutu (b, c), Zuni Nation

Masks of Ya mukakto (a) and Hu tutu (b, c), Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904



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"Exploring the Legacy of Powell: From Chief Scout Lord Baden Powell to Music Covers and Festivals" Step into the world of Powell, where history intertwines with music, nature, and adventure. Chief Scout Lord Baden Powell, a name synonymous with leadership and outdoor exploration, laid the foundation for generations to come. His vision inspired millions of scouts worldwide. In the realm of entertainment, Powell's influence extended beyond scouting. The iconic music cover of "Seven Brides for Seven Brothers" showcased his enduring impact on popular culture. The Festival of Britain in 1951 marked a significant moment as The Skylon graced London's South Bank. A symbol of progress and innovation, it stood tall as a testament to British creativity during that time. Lord Baden-Powell's House in the Woods stands as a sanctuary amidst Buddon Wood in Mountsorrel, Swithland, Leicestershire. It serves as a reminder of his connection to nature and his belief in its transformative power. Venturing further into Buddon Wood at Kinchley Hill reveals another facet of Powell's legacy. Here lies an enchanting forest that echoes with whispers from the past—a place where memories are made and adventures unfold. From forests to collieries—Cwmpennar Colliery in Glamorgan witnessed the industrious spirit that defined Wales' mining heritage. Even here, Powell's influence found its way through stories shared by those who worked tirelessly underground. Traveling across continents brings us to Colorado's Green River in 1871—an awe-inspiring sight known as Triplet Falls within Lodore Canyon. Nature’s grandeur mirrored Powell’s appreciation for wilderness beauty. Powell's reach extended beyond Earth itself; he even captured astronomers' attention like Edwin Hubble—the US astronomer whose discoveries expanded our understanding of space and time. Girl Guides Princesses Elizabeth and Margaret sent couriers bearing messages—a testament to Powell's impact on empowering young women and fostering leadership skills.