Pre Raphaelite Collection

The Light of the World, c1851-1853. Artist: William Holman Hunt
The Light of the World, c1851-1853. From the collection of Keble College, Oxford. A print from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London, c1900-1920)

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

Choosing The Red and White Roses in the Temple Garden, 1910. Creator: Henry Payne
Choosing The Red and White Roses in the Temple Garden, 1910

Chatterton (The Death of Chatterton), 1856. Creator: Henry Wallis
Chatterton (The Death of Chatterton), 1856. Thomas Chatterton (1752-1770) was an unsuccessful poet whose suicide became a symbol of blighted artistic genius

The Light of the World, c. 1852 (oil on canvas)
MAN62951 The Light of the World, c.1852 (oil on canvas) by Hunt, William Holman (1827-1910); 49.8x26.1 cm; Manchester Art Gallery

Jesus as Light of World
Jesus of Nazareth, religious leader of Jewish origin who preached Christianity, depicted here as The Light of the World, knocking at the door of the human soul

BURNE-JONES: ADAM & EVE. When Adam delved and Eve span. Pen-and-ink drawing by Edward Burne-Jones for William Morriss A Dream of John Ball, 1888

Choosing the Red and White Roses in the Temple Garden, 1910 (fresco)
XCF22468 Choosing the Red and White Roses in the Temple Garden, 1910 (fresco) by Payne, Henry A. (Harry) (1868-1940); Houses of Parliament, Westminster, London, UK; (add.info.: Shakespeares Henry VI)

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Parable Of The Wise And Foolish Virgins, 1899. Creator: William John Wainwright
Parable Of The Wise And Foolish Virgins, 1899

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Pomona, 1872. Creator: Julia Margaret Cameron
Pomona, 1872. The twenty-year-old Alice Liddell (1852-1934) as the embodiment of fruitful abundance, Pomona, Roman goddess of gardens and fruit trees

The Day Dream, 1880 By Dante Gabriel Rossetti (1828-1882). English poet, illustrator and painter. Victoria and Albert Museum. London. England. United Kingdom

La Ghirlandata, 1873. Artist: Dante Gabriel Rossetti
La Ghirlandata, 1873. A red-haired woman with sensuous red lips plays a harp garlanded with flowers. She looks dreamily into the distance, framed by angels, modelled by May Morris

John William Waterhouse (6 April 1849 A

The Wild Swans (The Twelve Brothers Turned Into Swans), 1928. Re re-telling of the Grimm Brothers fairy tale

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)
XJF438485 Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print) by Parsons, John R. (fl.1860s); Private Collection; (add.info)

The Lady of Shalott, 1862 (oil on canvas)
XYC152742 The Lady of Shalott, 1862 (oil on canvas) by Crane, Walter (1845-1915); 24.1x29.2 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Convent Thoughts, 1850-51 (oil on canvas)
AMO98746 Convent Thoughts, 1850-51 (oil on canvas) by Collins, Charles Alston (1828-73); 84x59 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)
XJF438480 Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print) by Parsons, John R. (fl.1860s); Private Collection; (add.info)

Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print)
XJF438486 Jane Morris, posed by Dante Gabriel Rossetti, 1865 (albumen print) by Parsons, John R. (fl.1860s); Private Collection; (add.info)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)
MAN198054 Work, 1852-65 (oil on canvas) (see also 3927271 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Water Nymphs, 1927 (oil on canvas)
HTL226376 Water Nymphs, 1927 (oil on canvas) by Bussiere, Gaston (1862-1929); Private Collection; By courtesy of Julian Hartnoll; French, out of copyright

Biddulph Grange, James Powell & Sons, John William Brown (1842-1928), Water, 1903
3475977 Biddulph Grange, James Powell & Sons, John William Brown (1842-1928), Water, 1903, Art Nouveau by Brown, John William (1842-1928); Biddulph Grange, Staffordshire

The Hireling Shepherd, 1851, (1948). Creator: William Holman Hunt
The Hireling Shepherd, 1851, (1948). A shepherd neglects his flock and woos a young woman with a lamb on her lap. Behind them, two bloated sheep lie on the ground poisoned by the corn

A Royal Palace in Morocco
BAL7173 A Royal Palace in Morocco by Constant, (Jean Joseph) Benjamin (1845-1902); Roy Miles Fine Paintings; French, out of copyright

Hylas and the Nymphs, 1896. Oil on canvas. John William Waterhouse (1849-1917) English painter. Greek mythology, Hylas, son of King Theiodamas of the Dryopians

Naomi and Ruth, 1887 (oil on canvas)
1199590 Naomi and Ruth, 1887 (oil on canvas) by Morgan, Evelyn De (1855-1919); 94x59.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Annunciation (w / c with gouache on paper)
BIR451282 The Annunciation (w/c with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 37.4x52.4 cm; Birmingham Museums and Art Gallery; English, out of copyright

Diana of the Hunt, 1901 (w / c on paper)
PNH371952 Diana of the Hunt, 1901 (w/c on paper) by Shaw, John Byam Liston (1872-1919); 76x54 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Study for Clyties of the Mist (chalk on paper)
Ma199080 Study for Clyties of the Mist (chalk on paper) by Draper, Herbert James (1864-1920); 74x54 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Peacock, 1864 (stained glass)
3474833 Peacock, 1864 (stained glass) by Westlake, Nathaniel (1833-1921); St John The Baptist, Cookham Dean, UK; (add.info.: Manufactured by Lavers & Barraud); eAlastair Carew-Cox; English

Study for Nymphs Finding the Head of Orpheus, c. 1900 (oil on canvas)
CH19529 Study for Nymphs Finding the Head of Orpheus, c.1900 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x104.1 cm; Private Collection; Photo eChristies Images; English

Ashton Under Lyne, Albion Congregational Church, Morris & Co
3475708 Ashton Under Lyne, Albion Congregational Church, Morris & Co. Edward Burne-Jones, South Transept, 1896 by Burne-Jones, Edward Coley (1833-98); Albion Congregational Church, Ashton Under Lyne

Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper)
AMO136294 Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper) by Ruskin, John (1819-1900); 47.6x45.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Female Head, 1890 (pastel on paper)
CMN95599 Female Head, 1890 (pastel on paper) by Burne-Jones, Edward Coley (1833-98); 37.8x29.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured
XCF869991 The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured chalk on paper) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow

Study for The Blessed Damozel, c. 1876 (graphite on paper)
XJF417334 Study for The Blessed Damozel, c.1876 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; (add.info)

The Child
BAL12446 The Child by Mostyn, Thomas Edwin (1864-1930); Charles Young Fine Paintings, London, UK; English, out of copyright

Oh Whats That in the Hollow? (w / c on paper)
RWS137238 Oh Whats That in the Hollow? (w/c on paper) by Hughes, Edward Robert (1851-1914); Trustees of the Royal Watercolour Society, London, UK; © Royal Watercolour Society

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Bacchus, 1867 (w / c & bodycolour on paper)
CH343569 Bacchus, 1867 (w/c & bodycolour on paper) by Solomon, Simeon (1840-1905); Private Collection; Photo eChristies Images; English, out of copyright

Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)
3956045 Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 76.8 x 44.5 cm; Yale University Art Gallery, New Haven, CT

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"Pre-Raphaelite: Capturing the Beauty and Symbolism of the Divine" The Pre-Raphaelite movement, which emerged in the mid-19th century, sought to revive the artistic spirit of medieval times. Artists like William Holman Hunt embraced this vision with his masterpiece "The Light of the World. " Painted between 1851 and 1853, it depicts Jesus as the radiant Light of the World, illuminating a darkened door. Another prominent Pre-Raphaelite artist was Edward Burne-Jones, whose work "Adam & Eve" explores biblical themes. Inspired by John Milton's Paradise Lost, this painting portrays Adam delving into earth while Eve spins thread. It symbolizes their fall from grace and humanity's struggle for redemption. In Arthurian legend-inspired works like "The Attainment, " Sir Galahad, Sir Bors, and Sir Percival embark on a quest for the Holy Grail. The painting captures their awe-inspiring moment when they finally lay eyes upon this sacred relic. A captivating fresco titled "Choosing the Red and White Roses in the Temple Garden" showcases an allegorical scene painted by Evelyn De Morgan in 1910. It represents spiritual choices faced by individuals within a temple garden setting – red roses symbolizing earthly desires while white roses represent purity and virtue. William John Wainwright's creation called "Parable Of The Wise And Foolish Virgins" brings forth a moral lesson through vivid imagery. This piece illustrates five wise virgins who prepared themselves with oil lamps versus five foolish ones who neglected their duty – reminding viewers to be vigilant in their spiritual lives. John Everett Millais' paintings also made significant contributions to Pre-Raphaelitism. In "My First Sermon, " he portrays a young girl engrossed in her first religious experience—a poignant reflection on innocence and faith that resonates deeply with viewers.