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Pre Restoration Collection

Discover the captivating world of art through these pre-restoration masterpieces

Background imagePre Restoration Collection: Girl with a Pearl Earring, c. 1665-6 (oil on canvas)

Girl with a Pearl Earring, c. 1665-6 (oil on canvas)
XOS1109249 Girl with a Pearl Earring, c.1665-6 (oil on canvas) by Vermeer, Jan (Johannes) (1632-75); 44.5x39 cm; Mauritshuis, The Hague

Background imagePre Restoration Collection: Virgin and Child with St. Anne, c. 1510 (oil on panel)

Virgin and Child with St. Anne, c. 1510 (oil on panel)
XIR505 Virgin and Child with St. Anne, c.1510 (oil on panel) by Vinci, Leonardo da (1452-1519); 168x130 cm; Louvre, Paris, France; (add.info.: La Vierge)

Background imagePre Restoration Collection: Madonna of the Goldfinch, c. 1506 (oil on panel) (pre restoration)

Madonna of the Goldfinch, c. 1506 (oil on panel) (pre restoration)
XIR30270 Madonna of the Goldfinch, c.1506 (oil on panel) (pre restoration) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 107x77 cm; Galleria degli Uffizi, Florence

Background imagePre Restoration Collection: Study of a Nude Young Man, 1836 (oil on canvas)

Study of a Nude Young Man, 1836 (oil on canvas)
XIR192432 Study of a Nude Young Man, 1836 (oil on canvas) by Flandrin, Hippolyte (1809-64); 59x72 cm; Musee Bonnat, Bayonne, France; (add.info.: Etude de Jeune Homme Nu; ); French, out of copyright

Background imagePre Restoration Collection: St Bartholomews Hospital, London - Staircase

St Bartholomews Hospital, London - Staircase
St Bartholomews Hospital, Farringdon, City of London - Staircase with wall painting by Hogarth - now extensively restored to its former glory. Date: circa 1907

Background imagePre Restoration Collection: Detail of the Virgin and St. Anne from The Virgin and Child with St. Anne, c. 1510 (oil on panel)

Detail of the Virgin and St. Anne from The Virgin and Child with St. Anne, c. 1510 (oil on panel)
PWI108517 Detail of the Virgin and St. Anne from The Virgin and Child with St. Anne, c.1510 (oil on panel) by Vinci, Leonardo da (1452-1519); Louvre, Paris

Background imagePre Restoration Collection: Evening Conversation, 1910 (oil on canvas)

Evening Conversation, 1910 (oil on canvas)
BAL153689 Evening Conversation, 1910 (oil on canvas) by Kalinitchenko, Jakoff Jakovlevitch (1869-1938); 68x51 cm; Art Museum of Ryasan

Background imagePre Restoration Collection: Edward IV, c. 1510-1540 (oil on panel) (see also 711008)

Edward IV, c. 1510-1540 (oil on panel) (see also 711008)
SOA235435 Edward IV, c.1510-1540 (oil on panel) (see also 711008) by English School, (16th century); 32x20 cm; Society of Antiquaries of London

Background imagePre Restoration Collection: Resurrection of Lazarus (oil on canvas) (also see 232098, 94, 95)

Resurrection of Lazarus (oil on canvas) (also see 232098, 94, 95)
XIR238777 Resurrection of Lazarus (oil on canvas) (also see 232098, 94, 95) by Caravaggio, Michelangelo Merisi da (1571-1610); Museo Regionale, Messina, Sicily

Background imagePre Restoration Collection: Medusa, painted on a leather jousting shield, c. 1596-98 (oil on canvas attached to wood

Medusa, painted on a leather jousting shield, c. 1596-98 (oil on canvas attached to wood
SCP50197 Medusa, painted on a leather jousting shield, c.1596-98 (oil on canvas attached to wood) (pre restoration) by Caravaggio

Background imagePre Restoration Collection: St. Peter Distributing the Common Goods of the Church and the Death of Ananias, c

St. Peter Distributing the Common Goods of the Church and the Death of Ananias, c
BEN57194 St. Peter Distributing the Common Goods of the Church and the Death of Ananias, c.1427 (fresco) by Masaccio, Tommaso (1401-28); Chiesa di Santa Maria del Carmine, Florence

Background imagePre Restoration Collection: The Madonna del Parto, c. 1460 (fresco) (pre-restoration) (see also 169194)

The Madonna del Parto, c. 1460 (fresco) (pre-restoration) (see also 169194)
BEN75561 The Madonna del Parto, c.1460 (fresco) (pre-restoration) (see also 169194) by Francesca, Piero della (c.1415-92); 260x203 cm; Chapel of the Cemetery, Monterchi

Background imagePre Restoration Collection: The Trinity, 1427-28 (fresco) (detail)

The Trinity, 1427-28 (fresco) (detail)
BBC200126 The Trinity, 1427-28 (fresco) (detail) by Masaccio, Tommaso (1401-28); Santa Maria Novella, Florence, Italy; Italian, out of copyright

Background imagePre Restoration Collection: Relief of the Apotheosis of Emperor Antoninus Pius and his Wife, Faustina

Relief of the Apotheosis of Emperor Antoninus Pius and his Wife, Faustina
BAL26160 Relief of the Apotheosis of Emperor Antoninus Pius and his Wife, Faustina, 161 AD (marble) by Roman, (2nd century AD); Vatican Museums and Galleries

Background imagePre Restoration Collection: The Verification of the True Cross, c. 1452-59 (fresco) (detail)

The Verification of the True Cross, c. 1452-59 (fresco) (detail)
LEE241050 The Verification of the True Cross, c.1452-59 (fresco) (detail) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Background imagePre Restoration Collection: View of Scheveningen Sands, c. 1630 (oil on panel) (pre-conservation; see also 1112739)

View of Scheveningen Sands, c. 1630 (oil on panel) (pre-conservation; see also 1112739)
3702402 View of Scheveningen Sands, c.1630 (oil on panel) (pre-conservation; see also 1112739) by Anthonissen, Hendrik van (1606-55); 56.8x102.8 cm; Fitzwilliam Museum, University of Cambridge

Background imagePre Restoration Collection: Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas)

Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas)
3250821 Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas) by Piombo, Sebastiano del (S)

Background imagePre Restoration Collection: The Verification of the True Cross, completed 1464 (fresco) (detail)

The Verification of the True Cross, completed 1464 (fresco) (detail)
LEE241048 The Verification of the True Cross, completed 1464 (fresco) (detail) by Francesca, Piero della (c.1415-92); Basilica San Francesco, Arezzo, Tuscany

Background imagePre Restoration Collection: Altarpiece of the Madonna of the Snow, c. 1430-32 (tempera on panel)

Altarpiece of the Madonna of the Snow, c. 1430-32 (tempera on panel)
SCP50376 Altarpiece of the Madonna of the Snow, c.1430-32 (tempera on panel) by Sassetta (Stefano di Giovanni di Consolo) (c.1392-1450); 240x256 cm; Galleria degli Uffizi, Florence, Tuscany

Background imagePre Restoration Collection: The Creation of Adam, detail from the Sistine Ceiling, 1511-12 (fresco)

The Creation of Adam, detail from the Sistine Ceiling, 1511-12 (fresco)
PHD310 The Creation of Adam, detail from the Sistine Ceiling, 1511-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Background imagePre Restoration Collection: The Annunciation, 1472-75 (oil on panel) (pre restoration)

The Annunciation, 1472-75 (oil on panel) (pre restoration)
BEN31530 The Annunciation, 1472-75 (oil on panel) (pre restoration) by Vinci, Leonardo da (1452-1519); 98x217 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Photo eRaffaello Bencini; Italian

Background imagePre Restoration Collection: The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529381 The Drunkenness of Noah, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives

Background imagePre Restoration Collection: Isaiah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

Isaiah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529379 Isaiah, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives, Florence

Background imagePre Restoration Collection: Persian Sibyl, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

Persian Sibyl, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529378 Persian Sibyl, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives, Florence

Background imagePre Restoration Collection: Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration)

Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration)
ALI53521 Sistine Chapel: The Last Judgement, 1538-41 (fresco) (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari

Background imagePre Restoration Collection: Sketch for Paris, a Rainy Day, 1877 (oil on canvas)

Sketch for Paris, a Rainy Day, 1877 (oil on canvas)
MMT26053 Sketch for Paris, a Rainy Day, 1877 (oil on canvas), pre-restoration (see 181504) by Caillebotte, Gustave (1848-94); 54x65 cm; Musee Marmottan Monet, Paris, France; (add.info.: Rue de Paris)

Background imagePre Restoration Collection: Zachariah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

Zachariah, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529385 Zachariah, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives, Florence

Background imagePre Restoration Collection: God Separating the Waters, detail from the Sistine Chapel ceiling, 1508-12 (fresco)

God Separating the Waters, detail from the Sistine Chapel ceiling, 1508-12 (fresco)
3529383 God Separating the Waters, detail from the Sistine Chapel ceiling, 1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Alinari Archives

Background imagePre Restoration Collection: Adoration of the Shepherds, Pre-conservation, 1510 (oil on canvas)

Adoration of the Shepherds, Pre-conservation, 1510 (oil on canvas)
3248483 Adoration of the Shepherds, Pre-conservation, 1510 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 124.2x161.3 cm; Fitzwilliam Museum, University of Cambridge

Background imagePre Restoration Collection: Crypt of the Church of St. Anne, Jerusalem, 1872 (w / c & pencil on paper)

Crypt of the Church of St. Anne, Jerusalem, 1872 (w / c & pencil on paper)
PEF316718 Crypt of the Church of St. Anne, Jerusalem, 1872 (w/c & pencil on paper) by Simpson, William Crimea (1823-99); Palestine Exploration Fund, London, UK; (add.info.: Church of St)

Background imagePre Restoration Collection: The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco)

The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco)
ALI218248 The Sistine Chapel: The Last Judgement, detail of one of the damned, 1538-41 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Background imagePre Restoration Collection: The Crystal Ball, 1902 (oil on canvas)

The Crystal Ball, 1902 (oil on canvas)
CH368183 The Crystal Ball, 1902 (oil on canvas) by Waterhouse, John William (1849-1917); 120.7x78.7 cm; Private Collection; (add.info.: Pre-restoration); Photo eChristies Images; English

Background imagePre Restoration Collection: Sistine Chapel Ceiling: Libyan Sibyl, c. 1508-10 (fresco) (pre restoration)

Sistine Chapel Ceiling: Libyan Sibyl, c. 1508-10 (fresco) (pre restoration)
PHD183086 Sistine Chapel Ceiling: Libyan Sibyl, c.1508-10 (fresco) (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Background imagePre Restoration Collection: The Trinity, 1427-28 (fresco) (detail) (see also 173689-91, 200125-200130)

The Trinity, 1427-28 (fresco) (detail) (see also 173689-91, 200125-200130)
BBC200130 The Trinity, 1427-28 (fresco) (detail) (see also 173689-91, 200125-200130) by Masaccio, Tommaso (1401-28); Santa Maria Novella, Florence, Italy; Italian, out of copyright

Background imagePre Restoration Collection: Antalya, Southern Turkey - Hadrians Gate or Uckapilar

Antalya, Southern Turkey - Hadrians Gate or Uckapilar
The Hadrians Gate or Uckapilar (" The Three Gates" ) - a triumphal arch located in Antalya, Turkey, built in the name of the Roman emperor Hadrian, who visited the city in the year 130

Background imagePre Restoration Collection: The Dispute with Simon Mago (Nero Enthroned), lower tier of the wall to the right of the altar, c

The Dispute with Simon Mago (Nero Enthroned), lower tier of the wall to the right of the altar, c
XIR57197 The Dispute with Simon Mago (Nero Enthroned), lower tier of the wall to the right of the altar, c.1484-85 (fresco) by Lippi, Filippino (c.1457-1504); Brancacci Chapel

Background imagePre Restoration Collection: Las Meninas or The Family of Philip IV, detail of the artist at his easel, c. 1656

Las Meninas or The Family of Philip IV, detail of the artist at his easel, c. 1656
XIR218730 Las Meninas or The Family of Philip IV, detail of the artist at his easel, c.1656 (oil on canvas) (see 405) by Velazquez, Diego Rodriguez de Silva y (1599-1660); Prado, Madrid

Background imagePre Restoration Collection: Sistine Chapel Ceiling: The Prophet Isaiah (fresco) (pre restoration)

Sistine Chapel Ceiling: The Prophet Isaiah (fresco) (pre restoration)
BAL183085 Sistine Chapel Ceiling: The Prophet Isaiah (fresco) (pre restoration) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries, Vatican City; Italian, out of copyright

Background imagePre Restoration Collection: The Righteous Drawn up to Heaven, detail from The Last Judgement, in the Sistine Chapel

The Righteous Drawn up to Heaven, detail from The Last Judgement, in the Sistine Chapel
BAL183074 The Righteous Drawn up to Heaven, detail from The Last Judgement, in the Sistine Chapel, c.1508-12 (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

Background imagePre Restoration Collection: St. Francis Renounces all Worldly Goods, detail of Pietro di Bernardone, 1297-99 (fresco)

St. Francis Renounces all Worldly Goods, detail of Pietro di Bernardone, 1297-99 (fresco)
XIR179446 St. Francis Renounces all Worldly Goods, detail of Pietro di Bernardone, 1297-99 (fresco) by Giotto di Bondone (c.1266-1337); San Francesco, Upper Church, Assisi

Background imagePre Restoration Collection: Allegory of Justice, c. 1305 (fresco)

Allegory of Justice, c. 1305 (fresco)
XIR102748 Allegory of Justice, c.1305 (fresco) by Giotto di Bondone (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Italian, out of copyright


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Discover the captivating world of art through these pre-restoration masterpieces. From the enigmatic gaze of the 'Girl with a Pearl Earring' to the tender embrace in 'Virgin and Child with St. Anne, ' each stroke on canvas tells a story frozen in time. Step into history as you admire the intricate details of the 'Madonna of the Goldfinch, ' its vibrant colors still shining despite its age. Delve into artistic anatomy with the alluring 'Study of a Nude Young Man, ' capturing beauty and vulnerability in one brushstroke. Zoom in on every delicate feature, like the mesmerizing eyes of Mary and St. Anne, showcased in a stunning detail from 'The Virgin and Child with St. Anne. ' Marvel at architectural grandeur as you ascend St Bartholomew's Hospital staircase, where echoes from centuries past linger. Immerse yourself in an evening conversation depicted by skilled hands on canvas, transporting you to 1910's atmosphere filled with intrigue and charm. Gaze upon divine devotion within 'The Adoration of Mystic Lamb, ' where faith is brought to life through meticulous brushwork. Witness Edward IV's regal presence captured for eternity, his essence emanating from this timeless portrait. Relive London's tumultuous past as flames dance across 'The Great Fire of London, ' immortalized on canvas. Experience Lazarus' miraculous resurrection unfold before your eyes, his rebirth painted vividly onto canvas that has weathered years but retained its power to inspire awe. Behold Medusa's terrifying visage adorning a jousting shield – her mythological allure preserved on leather for generations to come. These pre-restoration treasures offer glimpses into our collective heritage, reminding us that art transcends time itself.