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Primaticcio Francesco Collection

"Primaticcio Francesco: A Master of Renaissance Art" Primaticcio Francesco, an Italian painter and sculptor

Background imagePrimaticcio Francesco Collection: Ulysses and Polyphemus, 1701-1780. Creator: John Baptist Jackson

Ulysses and Polyphemus, 1701-1780. Creator: John Baptist Jackson
Ulysses and Polyphemus, 1701-1780

Background imagePrimaticcio Francesco Collection: Fortitude (Study for the 'Cabinet du roi' [King's Study]), 1541/45. Creator: Francesco Primaticcio

Fortitude (Study for the "Cabinet du roi" [King's Study]), 1541/45. Creator: Francesco Primaticcio
Fortitude (Study for the "Cabinet du roi" [King's Study]), 1541/45

Background imagePrimaticcio Francesco Collection: Jupiter and Callisto, 1560/70. Creators: Domenico Vito, Francesco Primaticcio

Jupiter and Callisto, 1560/70. Creators: Domenico Vito, Francesco Primaticcio
Jupiter and Callisto, 1560/70

Background imagePrimaticcio Francesco Collection: Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown

Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown
Seated Male Nude with Outstretched Left Arm, n.d

Background imagePrimaticcio Francesco Collection: The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere

The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere
The Banquet of Alexander, 1540-50

Background imagePrimaticcio Francesco Collection: Classical Female Figure (Diana or Venus) with Two Infants, ca. 1539-42

Classical Female Figure (Diana or Venus) with Two Infants, ca. 1539-42

Background imagePrimaticcio Francesco Collection: Juno (from The Muses and the Three Great Goddesses), 1540-56. 1540-56. Creator: Anon

Juno (from The Muses and the Three Great Goddesses), 1540-56. 1540-56. Creator: Anon
Juno (from The Muses and the Three Great Goddesses), 1540-56

Background imagePrimaticcio Francesco Collection: Thalia, ca. 1540-45. ca. 1540-45. Creator: Anon

Thalia, ca. 1540-45. ca. 1540-45. Creator: Anon
Thalia, ca. 1540-45

Background imagePrimaticcio Francesco Collection: Melpomene, ca. 1540-45. ca. 1540-45. Creator: Anon

Melpomene, ca. 1540-45. ca. 1540-45. Creator: Anon
Melpomene, ca. 1540-45

Background imagePrimaticcio Francesco Collection: Calliope, ca. 1540-45. ca. 1540-45. Creator: Anon

Calliope, ca. 1540-45. ca. 1540-45. Creator: Anon
Calliope, ca. 1540-45

Background imagePrimaticcio Francesco Collection: Polyhymnia, ca. 1540-45. ca. 1540-45. Creator: Anon

Polyhymnia, ca. 1540-45. ca. 1540-45. Creator: Anon
Polyhymnia, ca. 1540-45

Background imagePrimaticcio Francesco Collection: The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone

The Trojans hauling the wooden horse into Troy, 1545. Creator: Giulio Bonasone
The Trojans hauling the wooden horse into Troy, 1545

Background imagePrimaticcio Francesco Collection: The Banquet of Alexander the Great, 1544 / 46. Creator: Domenico del Barbiere

The Banquet of Alexander the Great, 1544 / 46. Creator: Domenico del Barbiere
The Banquet of Alexander the Great, 1544/46

Background imagePrimaticcio Francesco Collection: The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone

The Trojans pulling the wooden horse into the city, 1545. Creator: Giulio Bonasone
The Trojans pulling the wooden horse into the city, 1545

Background imagePrimaticcio Francesco Collection: Cadmus Founding Thebes, ca. 1543-44. Creator: Master of the Story of Cadmus

Cadmus Founding Thebes, ca. 1543-44. Creator: Master of the Story of Cadmus
Cadmus Founding Thebes, ca. 1543-44

Background imagePrimaticcio Francesco Collection: Apelles Painting Alexander and Campaspe. Creator: Master IQV

Apelles Painting Alexander and Campaspe. Creator: Master IQV
Apelles Painting Alexander and Campaspe

Background imagePrimaticcio Francesco Collection: Women spinning, weaving and sewing, 1540-50. Creator: Master FG

Women spinning, weaving and sewing, 1540-50. Creator: Master FG
Women spinning, weaving and sewing, 1540-50

Background imagePrimaticcio Francesco Collection: Alexander welcoming Thalestris and the Amazons, mid-16th century. Creator: Master FG

Alexander welcoming Thalestris and the Amazons, mid-16th century. Creator: Master FG
Alexander welcoming Thalestris and the Amazons, mid-16th century

Background imagePrimaticcio Francesco Collection: Vulcans Forge. Creator: Master FG

Vulcans Forge. Creator: Master FG
Vulcans Forge

Background imagePrimaticcio Francesco Collection: The Wounded Paris Carried from the Field of Battle. Creator: Master FG

The Wounded Paris Carried from the Field of Battle. Creator: Master FG
The Wounded Paris Carried from the Field of Battle

Background imagePrimaticcio Francesco Collection: Mars Seated Amid Trophies, 1540-56. Creator: Leon Davent

Mars Seated Amid Trophies, 1540-56. Creator: Leon Davent
Mars Seated Amid Trophies, 1540-56

Background imagePrimaticcio Francesco Collection: Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco P

Hercules, Bacchus, Pan, and Saturn, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imagePrimaticcio Francesco Collection: Three Muses and a putto above with a lyre, from a series of eight compositions after Fran

Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imagePrimaticcio Francesco Collection: Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after France

Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imagePrimaticcio Francesco Collection: Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco P

Pluto, Neptune, Minerva and Apollo, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s

Background imagePrimaticcio Francesco Collection: Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions af

Venus and Cupid, Two Other Goddesses, and a Putto, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Ulysses Gallery (destroyed 1738-39)

Background imagePrimaticcio Francesco Collection: Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight comp

Three Muses and a Putto with a Lyre, a cruciform composition, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39)

Background imagePrimaticcio Francesco Collection: Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight com

Three Muses and a Putto with Cymbals, a cruciform composition, from a series of eight compositions after Francesco Primaticcios designs for the ceiling of the Gallery of Ulysses (destroyed 1738-39)

Background imagePrimaticcio Francesco Collection: The Mystic Marriage of St. Catherine, ca. 1555-56. Creator: Giorgio Ghisi

The Mystic Marriage of St. Catherine, ca. 1555-56. Creator: Giorgio Ghisi
The Mystic Marriage of St. Catherine, ca. 1555-56. After Francesco Primaticcio

Background imagePrimaticcio Francesco Collection: Search through the Luggage of Josephs Brother, ca. 1545. Creator: Unknown

Search through the Luggage of Josephs Brother, ca. 1545. Creator: Unknown
Search through the Luggage of Josephs Brother, ca. 1545. After Francesco Primaticcio

Background imagePrimaticcio Francesco Collection: Jupiter and Callisto, 1537-40. Creator: Pierre Milan

Jupiter and Callisto, 1537-40. Creator: Pierre Milan
Jupiter and Callisto, 1537-40

Background imagePrimaticcio Francesco Collection: Concourse of the Gods on Mount Olympus, 1565. Creator: Cornelis Cort

Concourse of the Gods on Mount Olympus, 1565. Creator: Cornelis Cort
Concourse of the Gods on Mount Olympus, 1565

Background imagePrimaticcio Francesco Collection: Hercules dressed as a woman, 1540-45. Creator: Antonio Fantuzzi

Hercules dressed as a woman, 1540-45. Creator: Antonio Fantuzzi
Hercules dressed as a woman, 1540-45

Background imagePrimaticcio Francesco Collection: Muses at the Foot of Mount Parnassus, 1540-45. Creator: Antonio Fantuzzi

Muses at the Foot of Mount Parnassus, 1540-45. Creator: Antonio Fantuzzi
Muses at the Foot of Mount Parnassus, 1540-45

Background imagePrimaticcio Francesco Collection: Cadmus Tilling the Field Where He Sowed the Dragons Teeth, 1540-45

Cadmus Tilling the Field Where He Sowed the Dragons Teeth, 1540-45

Background imagePrimaticcio Francesco Collection: Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi

Jupiter and Antiope, 1540-45. Creator: Antonio Fantuzzi
Jupiter and Antiope, 1540-45

Background imagePrimaticcio Francesco Collection: A Sibyl, 1540-45. Creator: Antonio Fantuzzi

A Sibyl, 1540-45. Creator: Antonio Fantuzzi
A Sibyl, 1540-45

Background imagePrimaticcio Francesco Collection: Woman Full Face, Her Head Slightly to the Left, ca. 1543. Creator: Antonio Fantuzzi

Woman Full Face, Her Head Slightly to the Left, ca. 1543. Creator: Antonio Fantuzzi
Woman Full Face, Her Head Slightly to the Left, ca. 1543

Background imagePrimaticcio Francesco Collection: Woman Turned to the Right, 1540-45. Creator: Antonio Fantuzzi

Woman Turned to the Right, 1540-45. Creator: Antonio Fantuzzi
Woman Turned to the Right, 1540-45

Background imagePrimaticcio Francesco Collection: Melpomene, from the Mattei sarcophagus, Rome, 1540-45. Creator: Antonio Fantuzzi

Melpomene, from the Mattei sarcophagus, Rome, 1540-45. Creator: Antonio Fantuzzi
Melpomene, from the Mattei sarcophagus, Rome, 1540-45

Background imagePrimaticcio Francesco Collection: The Daughters of Minyas, 1545. Creator: Antonio Fantuzzi

The Daughters of Minyas, 1545. Creator: Antonio Fantuzzi
The Daughters of Minyas, 1545

Background imagePrimaticcio Francesco Collection: A Grotto, ca. 1545. Creator: Antonio Fantuzzi

A Grotto, ca. 1545. Creator: Antonio Fantuzzi
A Grotto, ca. 1545. [A Cryptoportico]

Background imagePrimaticcio Francesco Collection: The Fall of Phaeton, 1545. Creator: Antonio Fantuzzi

The Fall of Phaeton, 1545. Creator: Antonio Fantuzzi
The Fall of Phaeton, 1545

Background imagePrimaticcio Francesco Collection: Three Standing Figures, 16th century. Creator: Unknown

Three Standing Figures, 16th century. Creator: Unknown
Three Standing Figures, 16th century

Background imagePrimaticcio Francesco Collection: Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study

Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d Ulysee, Chateau de Fontainebleau, 1555-60



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"Primaticcio Francesco: A Master of Renaissance Art" Primaticcio Francesco, an Italian painter and sculptor, was a prominent figure in the art world during the 16th century. His works showcased his immense talent and creativity, leaving a lasting impact on the art scene. One of his notable creations is "The Banquet of Alexander, " painted between 1540-50 by Domenico del Barbiere. This masterpiece depicts a lavish feast attended by Alexander the Great and his companions, showcasing Primaticcio's ability to capture grandeur and opulence. In another artwork titled "Classical Female Figure with Two Infants, " created around 1539-42, Primaticcio portrays either Diana or Venus accompanied by two infants. The delicate brushstrokes and attention to detail highlight his mastery in depicting classical mythology. Juno, from "The Muses and the Three Great Goddesses" series (1540-56), showcases an anonymous artist's collaboration with Primaticcio. This piece captures Juno's regal presence through intricate details that bring her character to life. Thalia (ca. 1540-45) is another example of Primaticcio's skillful portrayal of Greek mythology. This muse of comedy exudes joy and laughter through her expressive features, demonstrating Primaticcio's ability to evoke emotions through art. Melpomene (ca. 1540-45), one of the nine muses representing tragedy, showcases Primaticcio's versatility as he effortlessly transitions from capturing comedic figures to somber ones like Melpomene. Calliope (ca. Known as the muse of epic poetry, is yet another testament to Primaticcio's artistic range. Through this work, he pays homage to ancient literature while infusing it with his unique style. People Fleeing a Burning City (16th century) demonstrates how Primaticcio's talent extended beyond mythological subjects.