Fraud Blocker Skip to main content

Publius Ovidius Naso Collection (page 2)

Publius Ovidius Naso, commonly known as Ovid, was a renowned Roman poet who lived during the Silver Age

Background imagePublius Ovidius Naso Collection: Cupid and Psyche, 1573-74. Creator: Giorgio Ghisi

Cupid and Psyche, 1573-74. Creator: Giorgio Ghisi
Cupid and Psyche, 1573-74. After Giulio Romano

Background imagePublius Ovidius Naso Collection: Plate 2: The Creation of Man (Hominis creatio), from Ovids Metamorphoses, 1606

Plate 2: The Creation of Man (Hominis creatio), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia)

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transfor

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 20, Published after 1606

Background imagePublius Ovidius Naso Collection: Plate 7: The Flood (Diluvium. ), from Ovids Metamorphoses, 1606

Plate 7: The Flood (Diluvium. ), from Ovids Metamorphoses, 1606
Plate 7: The Flood (Diluvium.), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Plate 3: The Age of Gold (Aetas aurea), from Ovids Metamorphoses, 1606

Plate 3: The Age of Gold (Aetas aurea), from Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: Lucretia and her handmaids spinning, 1537-45. Creator: Antonio Fantuzzi

Lucretia and her handmaids spinning, 1537-45. Creator: Antonio Fantuzzi
Lucretia and her handmaids spinning, 1537-45. [...Lucretia, before whose bed were baskets full of soft wool. By a dim light the handmaids were spinning their allotted stints of yarn

Background imagePublius Ovidius Naso Collection: Le Trasformationi, 1558. 1558. Creator: Giovanni Antonio Rusconi

Le Trasformationi, 1558. 1558. Creator: Giovanni Antonio Rusconi
Le Trasformationi, 1558

Background imagePublius Ovidius Naso Collection: Jupiter Fighting the Giants. 1540-96. Creator: Jacopo Zucchi

Jupiter Fighting the Giants. 1540-96. Creator: Jacopo Zucchi
Jupiter Fighting the Giants. 1540-96

Background imagePublius Ovidius Naso Collection: Pyramus and Thisbe, ca. 1580. Creator: Anon

Pyramus and Thisbe, ca. 1580. Creator: Anon
Pyramus and Thisbe, ca. 1580

Background imagePublius Ovidius Naso Collection: Venus Discovering the Death of Adonis, 17th century. Creator: Anon

Venus Discovering the Death of Adonis, 17th century. Creator: Anon
Venus Discovering the Death of Adonis, 17th century

Background imagePublius Ovidius Naso Collection: The Morning After He Greatly Daring Dined, 1843-47

The Morning After He Greatly Daring Dined, 1843-47
The Morning After " He Greatly Daring Dined", 1843-47

Background imagePublius Ovidius Naso Collection: Envy from Ovids House of Envy (Book II, lines 760-796) (recto)... 1770-80

Envy from Ovids House of Envy (Book II, lines 760-796) (recto)... 1770-80
Envy from Ovids " House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso), 1770-80

Background imagePublius Ovidius Naso Collection: Diana in the Straw, or A Treat for Quornites, January 1, 1804. January 1, 1804

Diana in the Straw, or A Treat for Quornites, January 1, 1804. January 1, 1804
Diana in the Straw, or A Treat for Quornites, January 1, 1804

Background imagePublius Ovidius Naso Collection: Ovid among the Scythians, 1862. Creator: Eugene Delacroix

Ovid among the Scythians, 1862. Creator: Eugene Delacroix
Ovid among the Scythians, 1862

Background imagePublius Ovidius Naso Collection: Atalanta and Meleager, ca. 1616. Creator: Peter Paul Rubens

Atalanta and Meleager, ca. 1616. Creator: Peter Paul Rubens
Atalanta and Meleager, ca. 1616

Background imagePublius Ovidius Naso Collection: The Golden Age, 1605. Creator: Joachim Anthonisz Wtewael

The Golden Age, 1605. Creator: Joachim Anthonisz Wtewael
The Golden Age, 1605

Background imagePublius Ovidius Naso Collection: Medea Rejuvenating Aeson, ca. 1760. Creator: Corrado Giaquinto

Medea Rejuvenating Aeson, ca. 1760. Creator: Corrado Giaquinto
Medea Rejuvenating Aeson, ca. 1760

Background imagePublius Ovidius Naso Collection: Ovid, (43BC- c18AD), 1830. Creator: Unknown

Ovid, (43BC- c18AD), 1830. Creator: Unknown
Ovid, (43BC- c18AD), 1830. Publius Ovidius Naso (43BC- c18AD) known as Ovid, Roman poet and contemporary of Virgil and Horace in Latin literature

Background imagePublius Ovidius Naso Collection: Portrait of Ovid, ca. 1505-1510. Creator: Ortolano (Benvenuti), Giovanni Battista (c

Portrait of Ovid, ca. 1505-1510. Creator: Ortolano (Benvenuti), Giovanni Battista (c
Portrait of Ovid, ca. 1505-1510. Private Collection

Background imagePublius Ovidius Naso Collection: Ovid, 1890. Creator: Unknown

Ovid, 1890. Creator: Unknown
Ovid, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier. [Cassell and Company, Limited, London, Paris and Melbourne, 1890]

Background imagePublius Ovidius Naso Collection: A Bas-Relief to Ovid, c1780-1848. Artist: Edward Francis

A Bas-Relief to Ovid, c1780-1848. Artist: Edward Francis
A Bas-Relief to Ovid, c1780-1848. Study for a medallion with the profile head of the Roman poet set in a central cartouche

Background imagePublius Ovidius Naso Collection: Venus and Adonis, 1560. Artist: Titian

Venus and Adonis, 1560. Artist: Titian
Venus and Adonis, 1560. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imagePublius Ovidius Naso Collection: The Feast of the Gods, 1514-1529. Artist: Giovanni Bellini

The Feast of the Gods, 1514-1529. Artist: Giovanni Bellini
The Feast of the Gods, 1514-1529. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imagePublius Ovidius Naso Collection: Shakespeares First Published Work - 1st Edition of Venus and Adonis, 1593, (1946)

Shakespeares First Published Work - 1st Edition of Venus and Adonis, 1593, (1946). Venus and Adonis is a poem by William Shakespeare (1564-1616), written between 1592

Background imagePublius Ovidius Naso Collection: Pan and Syrinx

Pan and Syrinx. Illustration of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

Background imagePublius Ovidius Naso Collection: Pan and Syrinx. Artist: P Vanderbank

Pan and Syrinx. Artist: P Vanderbank
Pan and Syrinx. Illustration of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

Background imagePublius Ovidius Naso Collection: The Cerastae changed into bulls, and the Propoetides into rocks. Artist: Martin Bouche

The Cerastae changed into bulls, and the Propoetides into rocks. Artist: Martin Bouche
The Cerastae changed into bulls, and the Propoetides into rocks. A scene from Ovids Metamorphoses

Background imagePublius Ovidius Naso Collection: Apullia in Search of Appullus, c1814. Artist: JMW Turner

Apullia in Search of Appullus, c1814. Artist: JMW Turner
Apullia in Search of Appullus, c1814. A scene from Ovids Metamorphoses. Apullia is shown the olive tree into which her husband has been transformed for mocking the wood nymphs

Background imagePublius Ovidius Naso Collection: The Bay of Baiae, with Apollo and the Sibyl, c1823. Artist: JMW Turner

The Bay of Baiae, with Apollo and the Sibyl, c1823. Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823. This scene from Ovids Metamorphoses was the first Mediterranean landscape that Turner produced after his first visit to Rome

Background imagePublius Ovidius Naso Collection: Apollo and Diana kill Niobes Children with their arrows: she is turned to stone, 1655

Apollo and Diana kill Niobes Children with their arrows: she is turned to stone, 1655. Artist: Michel de Marolles
Apollo and Diana kill Niobes Children with their arrows: she is turned to stone, 1655. A plate from Michel de Marolless Tableaux du Temple des Muses, Paris, 1655

Background imagePublius Ovidius Naso Collection: Diana and her Nymphs Surprised by the Fauns, 1638-1640. Artist: Peter Paul Rubens

Diana and her Nymphs Surprised by the Fauns, 1638-1640. Artist: Peter Paul Rubens
Diana and her Nymphs Surprised by the Fauns, 1638-1640. Located at the Prado, Madrid, Spain

Background imagePublius Ovidius Naso Collection: Glaucus turned into a sea god, 1733. Artist: Bernard Picart

Glaucus turned into a sea god, 1733. Artist: Bernard Picart
Glaucus turned into a sea god, 1733. A plate from Le Temple des Muses, Amsterdam, 1733. Found in the collection of Jean Claude Carriere

Background imagePublius Ovidius Naso Collection: Pan and Syrinx, 1759. Artist: Francois Boucher

Pan and Syrinx, 1759. Artist: Francois Boucher
Pan and Syrinx, 1759. This painting illustrates a story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan. From the collection of the National Gallery, London

Background imagePublius Ovidius Naso Collection: Birth of Adonis, Ovid: Metamorpheses X, Italian Earthenware Dish, 1541. Artist: Francesco Durantino

Birth of Adonis, Ovid: Metamorpheses X, Italian Earthenware Dish, 1541. Artist: Francesco Durantino
Birth of Adonis, Ovid: Metamorpheses X, Italian Earthenware Dish, 1541. Theias strikes a tree with an arrow, which bursts open and Adonis emerges

Background imagePublius Ovidius Naso Collection: Italian earthenware plate showing the birth of Adonis, c. 16th century

Italian earthenware plate showing the birth of Adonis, c. 16th century
Depiction of the birth of Adonis (Ovids Metamorphoses X) on an Italian earthenware plate from Urbino, c.16th century

Background imagePublius Ovidius Naso Collection: Italian earthenware plate, Erysichthon felling a tree in grove of Ceres, 16th century

Italian earthenware plate, Erysichthon felling a tree in grove of Ceres, 16th century
Depiction of Erysichthon felling a tree in the sacred grove of Ceres (Ovids Metamorphoses VIII), on an Italian earthenware plate, from the V&As collection, 16th century

Background imagePublius Ovidius Naso Collection: Titlepage to Ovids Metamorphoses, 1606. Creator: Antonio Tempesta

Titlepage to Ovids Metamorphoses, 1606. Creator: Antonio Tempesta
Titlepage to Ovids Metamorphoses, 1606

Background imagePublius Ovidius Naso Collection: P?blius Ovidius N?s?, 43 BC - 17 / 18 AD, aka Ovid. Roman poet

P?blius Ovidius N?s?, 43 BC - 17 / 18 AD, aka Ovid. Roman poet. From Cassells Illustrated Universal History
P?blius Ovidius N?s?, 43 BC - 17/18 AD, aka Ovid. Roman poet. From Cassells Illustrated Universal History, published 1883

Background imagePublius Ovidius Naso Collection: Allegorical title page various scenes metamorphoses

Allegorical title page various scenes metamorphoses
Allegorical title page with various scenes from the metamorphoses of Ovidius and his portrait Title page for: P. Ovidius Naso, Me tamorphoses, 1732

Background imagePublius Ovidius Naso Collection: Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur)

Plate 58: Apollo Killing Marsyas (Marsyas victus ab Apolline excoriatur), from Ovids Metamorphoses, 1606



All Professionally Made to Order for Quick Shipping

Publius Ovidius Naso, commonly known as Ovid, was a renowned Roman poet who lived during the Silver Age. His works have left an indelible mark on art and literature throughout history. In Lucas Cranach the Elder's painting "The Silver Age, " we catch a glimpse of this influential period. Ovid's masterpiece, "Metamorphoses, " inspired countless artists to bring his stories to life. Randolph Rogers' sculpture "The Lost Pleiade" captures the tragic tale of seven sisters transformed into stars. Meanwhile, in Claude Lorrain's painting "Coast View with Perseus and the Origin of Coral, " we witness another metamorphosis unfold before our eyes. Theseus and the Minotaur is one of Ovid's most famous myths, depicted in various artworks like Sebastien Bourdon's captivating piece. The hero triumphs over the fearsome creature within a labyrinthine maze—a testament to Ovid's ability to captivate audiences through storytelling. In Aeneas made immortal by Venus, we see how love can transcend mortality itself. This second-half 17th-century oil painting portrays Venus granting immortality upon her son Aeneas—yet another example of Ovid exploring themes such as transformation and divine intervention. Aesculapius, engraved in Metamorphoses by Ovid, showcases his skillful use of words to depict vivid imagery. The story comes alive through intricate engravings that breathe life into ancient tales. But it seems revenge also played its part in some narratives from Metamorphoses—as seen in an intriguing copper engraving aptly titled "Ovid’s Revenge. " It reminds us that even great poets may seek retribution when wronged. Vertumnus and Pomona tell us yet another fascinating story from Ovid’s repertoire: Vertumnus transforming himself into a pruner to win over Pomona’s heart.