Quattordicesimo Secolo Collection

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St
LRI4608561 The miracle of the child grabs between the fangs of a wolf. Part of the triptych History of Hermit of St. Augustine (Tempera on wood, 1325-1328) by Martini

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas)
LRI4608298 Spiritual marriage of Christ with Saint Mary Magdalene, detail. (circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Visions of the ascension of Saint Francis of Assisi: the friar Augustine getting up
LRI4572455 Visions of the ascension of Saint Francis of Assisi: the friar Augustine getting up from his bed whereas the bishop is still lying in the near room

Polyptych of the life of Beata Umilta - Detrempe on wood, 1316
LRI4573002 Polyptych of the life of Beata Umilta - Detrempe on wood, 1316 by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

The miracle of the child falls from his cradle: the three women talking at the bottom of
LRI4608576 The miracle of the child falls from his cradle: the three women talking at the bottom of the scene. Part of the triptych History of Hermit of St

Virgin and Child (tempera on wood, 1321)
LRI4608536 Virgin and Child (tempera on wood, 1321) by Martini, Simone (1284-1344); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: Madonna di Lucignano. Virgin and Child (Madonna)

The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti
LRI4607953 The Virgin and Child between Saint John and Saint Francois Fresco by Pietro Lorenzetti (1280-1348) in Assisi (Assisi), Lower Basilica, Orsini Chapel

Entry of Christ into Jerusalem - Fresco by Pietro Lorenzetti (1280-1348), 1335
LRI4607946 Entry of Christ into Jerusalem - Fresco by Pietro Lorenzetti (1280-1348), 1335. Lower church of the Basilica of Saint Francois of Assisi

Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei)
GIA745748 Purgatorio, Canto 5 : Dante speaks with Pia de Tolomei (Tolommei), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 5 : The late repenters singing the Miserere
GIA745746 Purgatorio, Canto 5 : The late repenters singing the Miserere, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy
GIA745743 Inferno, Canto 1 : The she-wolf appears, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy
GIA745732 Inferno, Canto 5 : Paolo and Francesca, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 3 : The doomed souls embarking to cross the Acheron
GIA745725 Inferno, Canto 3 : The doomed souls embarking to cross the Acheron, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from
GIA745721 Inferno, Canto 12 : Nessus (Nessos) and the centaurs, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from
GIA745704 Inferno, Canto 17 : Geryon, symbol of deceit, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 29 : The forgers tormented in the valley
GIA745685 Inferno, Canto 29 : The forgers tormented in the valley, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory
GIA745659 Purgatorio, Canto 9 : Dante and Virgil at the portals of Purgatory, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 27 : Dantes dream of Leah in the meadow
GIA745639 Purgatorio, Canto 27 : Dantes dream of Leah in the meadow, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from
GIA745638 Purgatorio, Canto 33 : Dante drinks of the River Eunoe, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been
GIA745632 Paradiso, Canto 3 : The first realm : Piccarda Donati and the souls whose vows had been broken, illustration from The Divine Comedy by Dante Alighieri

Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321)
GIA745615 Paradiso, Canto 31 : The queen of heaven - by Dante Alighieri (1265-1321), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 28 : The scintillating host of heaven, illustration from
GIA745612 Paradiso, Canto 28 : The scintillating host of heaven, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre
XEE556517 Portrait of Joan I of Navarre (1273-1305) queen regnant of Navarre and queen consort of France. by French School

Guidoriccio da Fogliano. Guido Riccio da Fogliano (died 1352)
LRI4622950 Guidoriccio da Fogliano. Guido Riccio da Fogliano (died 1352), commander (condottiero) of the army of Siena, during the capture of the castle of Montemassi in Maremma (Maremma) in 1328

Polyptych of the life of Beata Umilta (detail of the Beata) - Detrempe on wood, 1316
LRI4572999 Polyptych of the life of Beata Umilta (detail of the Beata) - Detrempe on wood, 1316 by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

Fresco of the life of Saint Martin. The miraculous mass of Saint Martin of Tours
LRI4608642 Fresco of the life of Saint Martin. The miraculous mass of Saint Martin of Tours. To reward him for the gift of his mantle made to a poor man

Fresco of the life of Saint Martin. Saint Martin is a knight, detail
LRI4608621 Fresco of the life of Saint Martin. Saint Martin is a knight, detail. The eveque Saint Martin de Tours and the musicians. Painting by Simone Martini (1280-1344). Fresco, 1315-1317

Virgin and Child between St. Nicholas and St. Elijah. Central panel
LRI4607944 Virgin and Child between St. Nicholas and St. Elijah. Central panel, Altarpiece of Carmel (Tempera on wood, 1328-1329) by Lorenzetti, Pietro (c.1280-1348); Pinacoteca Nazionale, Siena

Madonna and the child on the throne with angels (Tempera on wood, 1315)
LRI4607915 Madonna and the child on the throne with angels (Tempera on wood, 1315) by Lorenzetti, Pietro (c.1280-1348); Galleria degli Uffizi, Florence, Tuscany

Saint Paul. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood
LRI4607873 Saint Paul. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood. Roccalbegna (Grosseto), Chiesa dei Santi Pietro e Paolo by Lorenzetti

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil
GIA745750 Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 6 : The gluttons battered by eternal rain
GIA745735 Inferno, Canto 6 : The gluttons battered by eternal rain, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

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"Quattordicesimo secolo: A Journey Through Dante's Divine Comedy and Medieval Art" Step back in time to the 14th century, a period of profound artistic and literary achievements. In Paradiso, Canto 31, we witness the celestial beauty as the saintly throng forms a magnificent rose in the empyrean. This ethereal scene captures the essence of divine perfection. In Inferno, Canto 4, we encounter Homer, poets, and heroes residing in Limbo. These great minds from antiquity find solace amidst their eternal exile. Their presence reminds us of the timeless power of literature and its impact on human civilization. Moving forward to Inferno, Canto 19, we witness Dante fearlessly rebuking Pope Nicholas III in the fourth bolgia. This bold act showcases his unwavering commitment to truth and justice even when confronting powerful figures. Inferno continues to captivate our imagination in Canto 22 as Ciampolo cunningly escapes the demon Alichino in the fifth bolgia. The suspenseful chase keeps us on edge while highlighting Dante's ability to craft thrilling narratives. The visual arts also flourished during this era with masterpieces like "The resurrection of the dead child. " Painted with tempera on wood around 1330, it depicts a miraculous event that fills our hearts with hope and wonder. Another remarkable artwork is "Decapitation of St. Columba, " created around 1340 using tempera on panel. This vivid portrayal transports us into an episode from St. Columba's life filled with bravery and sacrifice for his faith. "The miracle of the child grabbed between fangs of a wolf" is part of "History of Hermit Saint Augustine, " painted between 1325-1328 using tempera on wood. It illustrates an extraordinary moment where divine intervention saves an innocent soul from perilous danger.