Queen Consort Collection (page 3)

S. A. R. la Princesse Maud de Galles, c1900. Creator: Paul Dujardin
S.A.R. la Princesse Maud de Galles, c1900. Portrait of Princess Maud of Wales (1869-1938), daughter of King Edward VII and granddaughter of Queen Victoria

Anne Hyde, Duchess of York, (early-mid 19th century). Creator: Peter Lightfoot
Anne Hyde, Duchess of York, (early-mid 19th century). Portrait of Lady Anne Hyde, Duchess of York (1637-1671), first wife of King James II of England (they were married in 1660)

Queen Caroline, 1820, (1928). Creators: Unknown, Thomas A Woolnoth
Queen Caroline, 1820, (1928). Portrait of Caroline of Brunswick (1768-1821), queen consort of King George IV. From a drawing by Wageman. Engraving dated June 28th, 1820

Anna Von Oesterreich, (1933). Creator: Unknown
Anna Von Oesterreich, (1933). Portrait of Anne of Austria (1601-1666), the wife of Louis XIII, queen consort of France and Navarre, and mother of Louis XIV

Marie Therese Von Spanien, (1933). Creator: Unknown
Marie Therese Von Spanien, (1933). Portrait of Maria Theresa of Spain (1638-1683), wife of King Louis XIV, Queen consort of France and Navarre. After a miniature by Jean Petitot

Francoise D Aubigne Marquise De Maintenon, (1933). Creator: Unknown
Franc oise D Aubigne Marquise De Maintenon, (1933). Portrait of Francoise d Aubigne (1635-1719), second wife of King Louis XIV of France

Anna Von Danemark, (1933). Creator: Unknown
Anna Von Da nemark, (1933). Portrait of Anne of Denmark (1574-1619), Queen consort of Scotland, England, and Ireland by marriage to King James VI and I. After a miniature by Isaac Oliver

Karoline, (1933). Creator: Unknown
Karoline, (1933). Portrait of Caroline of Baden (1776-1841), Queen consort of Bavaria, with one of her children - possibly a son, Maximilian (1800-1803), or one of her six daughters

Elisabeth Von Bayern, (1933). Creator: Unknown
Elisabeth Von Bayern, (1933). Portrait of Elisabeth Ludovika, Princess of Bavaria and Queen consort of Prussia (1801-1873). After a painting by Joseph Stieler

Luise, (1933). Creator: Unknown
Luise, (1933). Portrait of Duchess Louise of Mecklenburg-Strelitz (1776-1810), Queen consort of Prussia as the wife of King Frederick William III

Allegory on the Coronation of Empreror Alexander III, 1883. Private Collection

Katarzyna Jagiellonka of Poland, c. 1553-56 (oil on copper)
CZA228928 Katarzyna Jagiellonka of Poland, c.1553-56 (oil on copper) by Cranach, Lucas the Younger (1515-86) (studio of); 19.7x17.8 cm; Czartoryski Museum, Cracow

Allegorical Portrait of Marie de Medici (1575-1642) as Bellona, 1622
Allegorical Portrait of Marie de Me dici (1575-1642) as Bellona, 1622. Found in the Collection of Museum Heylshof, Worms

Bust of Queen Mary, consort of King George V, 1914. Artist: George Frampton
Bust of Queen Mary, consort of King George V, 1914

Scene in the Hanover Square Rooms, Westminster, London, 1833. Prospectus of the Hanover Square Rooms, when Her Majesty took the Private View of the Fancy Fair in aid of foreigners in distress

Mother Cole, 1821. An inebriated Queen Caroline is shown slumped in an armchair with a glass of brandy in her hand; behind her stands a servile

Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Carlton House, Westminster, London, 1821. Artist: J Sidgwick
Carlton House, Westminster, London, 1821. View of Carlton House with the coach of Queen Caroline, consort of George IV, in procession surrounded by a crowd

How to get un-married, ay, theres the rub!, 1820. Artist: JL Marks
How to get un-married, ay, theres the rub!, 1820. George IV and Queen Caroline are tied back to back; the Queens hand is held by the figure of Justice; Lord Brougham stands on the left; the King is

The Unexpected Visit or more free than welcome, 1820. George IV, seated on a cushion in the Brighton Royal Pavilion, throwing up his arms in horror at the entry of the Queen closely followed by

King Henry VIII, act II, scene iv, c1820. Artist
King Henry VIII, act II, scene iv, c1820. A performance of the play. George IV, as Henry VIII, sits on the dais under a canopy; two cardinals gape at Queen Caroline who, as Catherine of Aragon

Ghost as seen in the Hamlet of St Stephens Chapel, 1820. A scene in the House of Lords at the trial of Queen Caroline; the Queen throws up her arms in terror at the appearance of the first witness

St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

Anne of Denmark, wife of James I of England, (1799). Anne (1574-1619) married James, then King of Scotland, in 1589. Their second son succeeded James as King Charles I in 1625

Henrietta Maria, Queen of King Charles I of England, with two of their children, c1630s (1880s). The youngest daughter of Henry IV of France, Henrietta Maria (1609-1669) married Charles I in 1625

Katherine Parr, sixth wife and Queen of Henry VIII, (1825). Portrait of Katherine (1512-1548) as a widow. The last of Henrys six wives, she outlived the king by a year and a half

Catherine of Braganza, 1935. Catherine of Braganza. Catarina de Braganca (1638-1705) was queen consort of King Charles II of England

Caroline of Ansbach, 1935. Queen Caroline. Margravine Wilhelmina Charlotte Caroline of Brandenburg-Ansbach (or Anspach, 1683-1737)

Catherine of Aragon, 1935. Catherine, (in Spanish, Catalina de Aragon, 1485-1536) was queen consort of England as Henry VIII of Englands first wife

Henrietta Maria, 1935. Henrietta Maria of France, Queen Consort of King Charles I of England. The youngest daughter of Henry IV of France and Marie de Medici

Anne Boleyn, 1935. Anne, Marchioness of Pembroke (c1507-1536), also called Ann Bolin and Anne Bullen, (the original medieval English pronunciation)

Empress Anna and her Court, 1907. Private Collection

The edict of Empress Anna Ioannovna (1693-1740), 1733. Found in the collection of Russian State Archives of Ancient Documents (RGADA)

Grand Duchess Maria Fyodorovna with son, Nicholas Alexandrovich, 1872. Found in the collection of Russian State Film and Photo Archive, Krasnogorsk

Tsesarevna Maria Feodorovna (1847-1928), later Empress of Russia, and the Princess of Wales (1844-19)
Tsesarevna Maria Feodorovna (1847-1928), later Empress of Russia, and the Princess of Wales (1844-1925), later Queen Alexandra, c. 1874

Empress Maria Fyodorovna with children, Nicholas Alexandrovich, George Alexandrovich and Xenia Alexandrovna, ca. 1883. Found in the collection of Russian State Film and Photo Archive, Krasnogorsk

Grand Duchess Maria Fyodorovna, Princess Dagmar of Denmark (1847-1928) with Daughter Xenia Alexandrovna, ca 1878. Found in the collection of Russian State Film and Photo Archive, Krasnogorsk

Consecration of the Cathedral of Christ the Saviour. Coronation of Alexander III (Tchaikovskys 1812)
Consecration of the Cathedral of Christ the Saviour. Coronation of Alexander III (Tchaikovskys 1812 Overture to event dedicated, 1883. Found in the Collection of State P)

Portrait of Marie de Medici (1575-1642). Found in the Collection of Palazzo Pitti, Florence

Public festivities following the coronation of Emperor Alexander III on Khodynka Field (From the Cor Artist: Makovsky)
Public festivities following the coronation of Emperor Alexander III on Khodynka Field (From the Coronation Album), 1883. Found in the collection of State History Museum, Moscow

The imperial couple leaving the Cathedral of Christ the Saviour (From the Coronation Album), 1883. Found in the collection of State History Museum, Moscow

The coronation feast in Sokolniki (From the Coronation Album), 1883. Artist: Savitsky
The coronation feast in Sokolniki (From the Coronation Album), 1883. Found in the collection of State History Museum, Moscow

The consecration of the flags of the Preobrazhensky and Semenovsky Regiments (From the Coronation Al Artist: Makovsky)
The consecration of the flags of the Preobrazhensky and Semenovsky Regiments (From the Coronation Album), 1883. Found in the collection of State History Museum, Moscow

All Professionally Made to Order for Quick Shipping

"Captivating and Powerful: The Legacy of Queen Consorts" From the scandalous tale of Catherine Howard in 1935 to the regal beauty of Tiy, an Ancient Egyptian queen from the 14th century BC, this collection of captivating portraits showcases the diverse roles and influences of queen consorts throughout history. Intriguingly captured by artist Winifred Mabel Brunton in 1926, Tetisheri and Nefertiti transport us back to ancient Egypt, where these powerful women held immense sway over their dynasties. Their striking images remind us that even centuries ago, queens played pivotal roles in shaping empires. Moving forward to more recent times, we witness the grandeur of Westminster Abbey as it crowns new queen consorts in 1937. This momentous occasion symbolizes a union between love and duty as these women step into their royal roles with grace and elegance. The study of Lady Elizabeth Bowes-Lyon by John Singer Sargent in 1923 captures her timeless beauty before she became known as Queen Elizabeth The Queen Mother. Her poise foreshadows her influential reign alongside King George VI during World War II. Anne of Warwick's portrait from 1851 transports us to medieval England when loyalty was tested amidst political turmoil. As wife to King Richard III, she navigated treacherous waters with strength and resilience. Queen Mary's visit to a Welsh colliery in 1935 demonstrates how queen consorts connected with their people on a personal level. With compassion for those working tirelessly underground, she showed solidarity with her subjects during challenging times. Queen Adelaide's image reminds us that not all queens consort were born into royalty; some rose through marriage like Adelaide did when she wedded King William IV. Her quiet dignity exemplifies the importance of support behind every great king.