Rafters Collection
From carpentry to firefighting, attics to ancient garrets, rafters hold stories of craftsmanship and resilience
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From carpentry to firefighting, attics to ancient garrets, rafters hold stories of craftsmanship and resilience. In a house carpenter's workshop, the rhythmic sound of planing boards on a bench fills the air, as each stroke brings precision and artistry to life. Meanwhile, at Eccleston Place in Victoria, London SW1, brave firefighters battle against roaring flames with unwavering determination. In the attic of Kelmscott Manor in Oxfordshire, captured through a timeless black and white photograph from The English Country House collection, history whispers through every beam. A glimpse into Mary Arden's House in Stratford-upon-Avon reveals The Solar - an enchanting space where dreams may have been woven amidst sunlight filtering through rafters. Journeying further back in time within Kelmscott Manor's ancient garret takes us deeper into the secrets held by these sturdy structures. From Great Chart in Kent comes The White House with its attic steeped in mystery and hidden treasures waiting to be discovered. Across borders we travel to Maison des Consuls in Mirepoix, Ariege nestled among the Pyrenees mountains of France. Here lies a bookshop adorned with carved arcade rafters that seem to whisper tales from centuries past. Yet not all moments tied to they can serene; some bear witness to tragedy like the collapse within a mosque depicted vividly through colour lithography. However, even amidst chaos and destruction there is hope for rebuilding and renewal. Artistic expressions also find their place intertwined with rafters: a 17th-century painting portrays goats frolicking alongside a boy playing the recorder within a rustic barn setting. And then we delve into grandeur as we witness stage machinery being meticulously constructed for operas at San Salvatore theatre in Venice or during the building process of Paris Opera itself captured forever within an evocative black and white photograph.