Rivalry Collection (page 9)

Roman warrior holding between his teeth the head of an enemy warrior, 1862
LRI4641569 Roman warrior holding between his teeth the head of an enemy warrior, 1862 (mould of the bas-reliefs of the column of Trajan) by Roman; Museo della Civilta Romana, Rome

Dalmatian pelicans (Pelecanus crispus) fighting for fish. Lake Kerkini, Greece. February. Vulnerable species

Duel with the sword of Francois de La Chataigneraie against Guy de Jarnac; Jarnac fatally injured his opponent by
XEE4415489 Duel with the sword of Francois de La Chataigneraie against Guy de Jarnac; Jarnac fatally injured his opponent by cutting his shank; in 1547, engraving of the 19th century

La Resa dei Conti, 1912 (oil on panel)
823457 La Resa dei Conti, 1912 (oil on panel) by Torre, Giulio Del (1856-1932); 34x45 cm; Private Collection; (add.info.: La Resa dei Conti. Giulio Del Torre (1856-1932). Oil on panel

Battle of the sea-gods (pen & brown ink on white paper)
CTS366761 Battle of the sea-gods (pen & brown ink on white paper) by Mantegna, Andrea (1431-1506) (workshop of); 25.7x38 cm; The Devonshire Collections

Two roosters fighting in a barn yard below an eagle. 1811 (etching)
7235827 Two roosters fighting in a barn yard below an eagle. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: Two roosters fighting in a barn yard while an eagle hovers above)

A tortoise overtakes a sleeping hare in a race. 1811 (etching)
7235836 A tortoise overtakes a sleeping hare in a race. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A tortoise overtakes a sleeping hare in a race. The hare and the tortoise)

Confrontation in space, 1928 (painting)
885190 Confrontation in space, 1928 (painting) by Schlemmer, Oskar (1888-1943); Niedersachsisches Landesmuseum, Hanover, Germany; (add.info.: by Oskar Schlemmer (1888-1943))

A vixen and a lioness discuss the size of their broods. 1811 (etching)
7235823 A vixen and a lioness discuss the size of their broods. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A vixen and a lioness discuss the size of their broods of cubs)

A fox hound berating a mastiff chained to a kennel. 1811 (etching)
7235844 A fox hound berating a mastiff chained to a kennel. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A mastiff chained to a kennel arguing with a hunting hound)

The origin of the division between the black and white Guelfi clans (Guelfi bianchi e neri)
ELD4850418 The origin of the division between the black and white Guelfi clans (Guelfi bianchi e neri) comes from a fight in a tavern between two half-brothers to the meres named Bianca and Nera

The king of Sicily Manfred I leaving his wife Helene (Elena) and his children to go to fight against his rival Charles
ELD4850336 The king of Sicily Manfred I leaving his wife Helene (Elena) and his children to go to fight against his rival Charles I of Anjou in 1266 (Manfred)

Roman Antiquite, Second Punic War (218-207 BC): the head of Carthaginian soldier Hasdrubal Barca (245-207 BC)
ELD4853221 Roman Antiquite, Second Punic War (218-207 BC): the head of Carthaginian soldier Hasdrubal Barca (245-207 BC) is thrown into the camp of his brother Hannibal in 207 BC (Second punic war)

Cicero in Catilinam, March 17, 1785. Creator: James Sayers
Cicero in Catilinam, March 17, 1785

Rivalry, from "Illustrated Times", September 12, 1857. Creator: Henry Duff Linton
Rivalry, from " Illustrated Times", September 12, 1857

Naval Action Between the British and the French in Pondicherry Roads, c1891. Creator: James Grant
Naval Action Between the British and the French in Pondicherry Roads, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant

Focus. Creator: Viet Chu
Focus

Two Grey heron (Ardea cinerea) fighting over a fish, Pusztaszer reserve, Hungary. May

A Dispute in Cairo, 1844-91 (Watercolour)
7261450 A Dispute in Cairo, 1844-91 (Watercolour) by Robertson, Charles (1844-91); 17.5x24 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: A Dispute in Cairo)

BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)
7262213 BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving) by Tegg, Thomas (1776-1845); Bromley Museum, Orpington, UK; (add.info.: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!)

Peasants ducking for apples in a barrel, 18th century. 1906 (lithograph)
7236711 Peasants ducking for apples in a barrel, 18th century.1906 (lithograph) by English School, (18th century); Private Collection; (add.info.: Peasants ducking for apples in a barrel)

Teams in boats jousting on the River Seine, Paris. 1906 (lithograph)
7236707 Teams in boats jousting on the River Seine, Paris. 1906 (lithograph) by Berthault, Pierre-Gabriel (1737-1831); Private Collection; (add.info.: Teams in boats jousting on the River Seine)

Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743)
YOU4419362 Before the costume ball, Oil Painting on Canvas by Nicolas Lancret (1690-1743). Photography, KIM Youngtae, Nantes, Musee des Beaux Arts de Nantes

Police Station in Ireland, 1881 (engraving)
1721751 Police Station in Ireland, 1881 (engraving) by Irish School, (19th century); (add.info.: Police station in Ireland, 1881, engraving)

Rivalry. Illustration for Le Rire (colour litho)
2786215 Rivalry. Illustration for Le Rire (colour litho) by Poulbot, Francisque (1879-1946); Private Collection; (add.info.: Rivalry. Illustration for Le Rire, 9 December 1905.); © Look and Learn

Q. Quarreller
6523709 Q. Quarreller by Henreaux, Lucien L. (pseudonym LSH) (active 1904); Private Collection; (add.info.: in " Silhouettes -- Alphabet. Publisher unknown, 1904 (legal depot BNF)

Death of King Edward the Confessor and coronation of Harold. 1856 (chromolithograph)
7233827 Death of King Edward the Confessor and coronation of Harold. 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

Count Guy I of Ponthieu leads the captured Harold Godwinson to B, 1856 (chromolithograph)
7233813 Count Guy I of Ponthieu leads the captured Harold Godwinson to B, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

After a voyage, Harold Godwinson is seized by Count Wido. 1856 (chromolithograph)
7233812 After a voyage, Harold Godwinson is seized by Count Wido. 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

King Edward the Confessor and Harold Godwinson. 1856 (chromolithograph)
7233810 King Edward the Confessor and Harold Godwinson. 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

History of France: The knight Bayard (Pierre Terrail) (1476-1524) fatally injured Rebec on 29 April 1524 while covering
XEE4170874 History of France: The knight Bayard (Pierre Terrail) (1476-1524) fatally injured Rebec on 29 April 1524 while covering the retreat of the French army of Francois I

The greatest speakers of 1911 (litho)
7201327 The greatest speakers of 1911 (litho) by Trier, Walter (1890-1951); Private Collection; (add.info.: The greatest speakers of 1911)

Francis I of France and the Emperor Charles V, 1519-1547 (colour litho)
5207736 Francis I of France and the Emperor Charles V, 1519-1547 (colour litho) by Girard, Joseph (fl.1930-50); Private Collection; (add.info.: Francis I of France and the Emperor Charles V)

L Assiette au Beurre, number 404, Satirique en N & B, 1908_12_26: Colonization, America, Europe
ICA4909705 L Assiette au Beurre, number 404, Satirique en N & B, 1908_12_26: Colonization, America, Europe, Maritime Marine Seaside, Latin America, Caracas - Uncle Sam

Les deux chevres - The Two Goats (Collection 3, Book 12, fable 4) - engraving from "A Hundred Fables of La
XEE4161983 Les deux chevres - The Two Goats (Collection 3, Book 12, fable 4) - engraving from " A Hundred Fables of La Fontaine" Illustrated by Percy J

Portrait of William, Duke of Normandy, with his banner. 1856 (chromolithograph)
7233870 Portrait of William, Duke of Normandy, with his banner. 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info.: Portrait of William)

Scene of carnage from the Battle of Hastings. 1856 (chromolithograph)
7233861 Scene of carnage from the Battle of Hastings. 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

The deaths of Harolds brothers Gurth and Leofwin at the Battle, 1856 (chromolithograph)
7233859 The deaths of Harolds brothers Gurth and Leofwin at the Battle, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

Norman cavalry charge the English infantry at the Battle of Hast, 1856 (chromolithograph)
7233856 Norman cavalry charge the English infantry at the Battle of Hast, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

The Norman cavalry and archers attack the English army at the Ba, 1856 (chromolithograph)
7233854 The Norman cavalry and archers attack the English army at the Ba, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

The Norman army under William, Duke of Normandy, foraging for fo, 1856 (chromolithograph)
7233840 The Norman army under William, Duke of Normandy, foraging for fo, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

King Harold of England sends a ship with news to WIlliam, Duke o, 1856 (chromolithograph)
7233829 King Harold of England sends a ship with news to WIlliam, Duke o, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

Conan II, Duke of Brittany, surrenders the keys to the castle to, 1856 (chromolithograph)
7233821 Conan II, Duke of Brittany, surrenders the keys to the castle to, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info.: Conan II)

Duke William of Normandy and his army pursue Conan II, Duke of B, 1856 (chromolithograph)
7233819 Duke William of Normandy and his army pursue Conan II, Duke of B, 1856 (chromolithograph) by Stothard, Charles Alfred (1786-1821) (after); Private Collection; (add.info)

Barcelona: Antigua Puerta de la Diputacion (b / w photo)
7189345 Barcelona: Antigua Puerta de la Diputacion (b/w photo) by Busquets, Fernando Rus (1871-1914); Private Collection; (add.info.: Antigua Puerta de la Diputacion)

A girl flirting with a soldier on Portsouth Point. 1831 (engraving)
7234796 A girl flirting with a soldier on Portsouth Point. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

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"Unleashing the Spirit of Rivalry: From Playful Predators to Noble Knights" African wild dogs (Lycaon pictus) juveniles playing with the leg of an impala, trying: In the untamed savannah, even fierce predators engage in friendly rivalry as they hone their hunting skills through playful encounters. Illustration of two knights competing in a medieval jousting tournament: Amidst grand tournaments and chivalrous displays, noble knights clash in thrilling rivalries that test their strength and honor. Tour De France, August 1951: The world's greatest cyclists pedal relentlessly across challenging terrains, fueled by an intense rivalry for glory and the coveted yellow jersey. Met Police cadets giving a display: Aspiring law enforcement officers showcase their skills with precision and discipline, driven by a healthy rivalry to excel in serving and protecting communities. The Battle Between Cribb and Molineaux, September 28, 1811 - October 3, 1811: In history's boxing ring, two pugilists embody determination as they face off against each other in an epic rivalry that captivates spectators' hearts. St Georges Battle with the Dragon, wood engraving published 1882: Legend intertwines with artistry as St George confronts a fearsome dragon—a timeless symbol of good versus evil—in an eternal battle fueled by ancient rivalries. Art / Hogarth / The Times: Satirical illustrations capture society's rival factions vying for power or mocking societal norms—Hogarth's brush revealing hidden truths beneath witty strokes. Two Strings To Her Bow (1887/1938). Artist: John Pettie): A captivating painting portrays Victorian-era women defying expectations—each seeking love or success independently—a subtle rebellion against societal conventions born out of romantic rivalries. CM6 3859 Four flow through the chicane.