Romanticist Collection

View of Bristol from Clifton Wood, 1837 (oil on canvas)
2829459 View of Bristol from Clifton Wood, 1837 (oil on canvas) by Muller, William James (1812-45); 91.4x172.7 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Dedham Lock and Mill, 1820 (oil on canvas)
BAL8312 Dedham Lock and Mill, 1820 (oil on canvas) by Constable, John (1776-1837); 53.7x76.2 cm; Victoria & Albert Museum, London, UK; English, out of copyright

The Young Martyr, 1855 (oil on canvas)
XIR83595 The Young Martyr, 1855 (oil on canvas) by Delaroche, Hippolyte (Paul) (1797-1856); 170.5x148 cm; Louvre, Paris, France; French, out of copyright

Monk by the Sea, 1808-10 (oil on canvas)
XJL211848 Monk by the Sea, 1808-10 (oil on canvas) by Friedrich, Caspar David (1774-1840); 110z171.5 cm; Alte Nationalgalerie, Berlin, Germany; (add.info.: Der MAonch am Meer); German

Mount Vesuvius in Eruption, 1817 (w / c on paper)
XYC144698 Mount Vesuvius in Eruption, 1817 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.6x39.7 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 (engraving)
XJF472263 I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 (engraving) by Blake, William (1757-1827); Private Collection; English, out of copyright

View of a folly in Roundhay Park (albumen print)
5043510 View of a folly in Roundhay Park (albumen print) by Wormald, Edward (fl.1858-88); 27.9x21 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; (add.info.: Roundhay Park)

The Wanderer above the Sea of Fog, 1818 (oil on canvas)
XKH141316 The Wanderer above the Sea of Fog, 1818 (oil on canvas) by Friedrich, Caspar David (1774-1840); 98.4x74.8 cm; Hamburger Kunsthalle, Hamburg

View Near Otford, Kent, 1846 (oil on panel)
2829549 View Near Otford, Kent, 1846 (oil on panel) by Hilder, Richard (1813-52); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Frederick John Nettlefold

The Ancient of Days - Urizen measuring out the material world - Urizen measuring
XEE4162477 The Ancient of Days - Urizen measuring out the material world - Urizen measuring the material world. Illustration of the frontispiece of the book " Europe

Chepstow Castle, 1840 (oil on canvas)
2830927 Chepstow Castle, 1840 (oil on canvas) by Horlor, Joseph (1809-87); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Alfred Jones of Bath, 1918.; British

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Roundhay Park, Leeds (colour litho)
5043509 Roundhay Park, Leeds (colour litho) by English School, (19th century); 56x44.1 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; (add.info.: Roundhay Park)

Culzean Castle from the Sea, c. 1816 (oil on canvas)
3115277 Culzean Castle from the Sea, c.1816 (oil on canvas) by Nasmyth, Alexander (1758-1840); 148x217 cm; Culzean Castle, Maybole

Combe Martin, Devonshire, c. 1824 (watercolour over graphite with pen and black ink)
1217269 Combe Martin, Devonshire, c.1824 (watercolour over graphite with pen and black ink) by Turner, Joseph Mallord William (1775-1851); 14.6x23.2 cm; Ashmolean Museum, University of Oxford

The Tree of Crows, 1822 (oil on canvas)
XIR15999 The Tree of Crows, 1822 (oil on canvas) by Friedrich, Caspar David (1774-1840); 59x73.7 cm; Louvre, Paris, France; (add.info.: inspired by a Hun tumulus on the Baltic sea)

Landscape in the Riesengebirge, 1810-11 (oil on canvas)
XIR78976 Landscape in the Riesengebirge, 1810-11 (oil on canvas) by Friedrich, Caspar David (1774-1840); 45x58.3 cm cm; Pushkin Museum, Moscow, Russia; German, out of copyright

Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)
XYC203476 Corsica, (Monaco?) c.1830-35 (w/c on brown paper) by Turner, Joseph Mallord William (1775-1851); 13.8x18.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper)
XYC201202 Mountainous Landscape with Town in Valley, c.1840 (graphite & grey wash on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x29.4 cm; Yale Center for British Art

The Morning After the Storm, c.1840-45 (oil on canvas)
NGW185738 The Morning After the Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 32.6x54.4 cm; National Museum Wales; National Museums & Galleries of Wales

Flint Castle, c.1834 (w/c with scratching out on paper)
NGW238933 Flint Castle, c.1834 (w/c with scratching out on paper) by Turner, Joseph Mallord William (1775-1851); 27.7x40.1 cm; National Museum Wales; National Museums & Galleries of Wales

A Sailing Boat off Deal, c.1835 (oil on millboard)
NGW185739 A Sailing Boat off Deal, c.1835 (oil on millboard) by Turner, Joseph Mallord William (1775-1851); 22.6x30.3 cm; National Museum Wales; National Museums & Galleries of Wales

Transept of Ewenny Priory, Glamorganshire, c.1797 (w/c over pencil on paper)
NGW238932 Transept of Ewenny Priory, Glamorganshire, c.1797 (w/c over pencil on paper) by Turner, Joseph Mallord William (1775-1851)

The Storm, c.1840-45 (oil on canvas)
NGW185740 The Storm, c.1840-45 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); National Museum Wales; National Museums & Galleries of Wales

The Morning after the Wreck, c.1835-40 (oil on canvas)
NGW186838 The Morning after the Wreck, c.1835-40 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 38.7x61.8 cm; National Museum Wales; National Museums & Galleries of Wales

The Rising of the Skylark (oil on board)
NGW184296 The Rising of the Skylark (oil on board) by Palmer, Samuel (1805-81); 30.8x24.5 cm; National Museum Wales; National Museums & Galleries of Wales

Snowdon (oil on canvas)
NGW186835 Snowdon (oil on canvas) by Whaite, Henry Clarence (1828-1912); 145.4x245 cm; National Museum Wales; National Museums & Galleries of Wales

B1978.43.1498
For Children. The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

A naked man with a long white beard is seated on the ground with his knees up
XYC309883 A naked man with a long white beard is seated on the ground with his knees up and his eyes closed, plate 12 from The First Book of Urizen, 1794 (relief etching with w/c) by Blake

Monument to Victor Hugo, 1890. Sculpture by Auguste Rodin
Auguste Rodin (1840-1917). French sculptor. Monument to Victor Hugo, 1890. Bronze. Garden of Sculptures. Rodin Museum. Paris. France. Date: 2008

Gustav Mahler conducting, from Der Morgen, 12th September 1910 (litho)
GIA3525704 Gustav Mahler conducting, from Der Morgen, 12th September 1910 (litho) by German School, (20th century); (add.info.: Gustav Mahler (1860 - 1911)); © Giancarlo Costa

Seascape at Villerville, 1876 (oil on panel)
5838742 Seascape at Villerville, 1876 (oil on panel) by Daubigny, Charles Francois (1817-78); 33x56.7 cm; Glasgow Museums

Don Quixote and Sancho Panza, c. 1864-65 (oil on canvas)
3956655 Don Quixote and Sancho Panza, c.1864-65 (oil on canvas) by Daumier, Honore (1808-79); 32.4x24.1 cm; Burrell Collection, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

B1992. 8. 1(18)
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The Death of Albine, 1898 (oil on canvas)
5979729 The Death of Albine, 1898 (oil on canvas) by Collier, John (1850-1934); 137.2x182.9 cm; Glasgow Museums, UK; (add.info)

Gustav Mahler conducting, caricature from Fliegenden Blattern, March 1901 (litho)
GIA3525706 Gustav Mahler conducting, caricature from Fliegenden Blattern, March 1901 (litho) by German School, (20th century); Private Collection; (add.info)

Brecon Bridge and Castle, c. 1795 (w/c on paper)
495781 Brecon Bridge and Castle, c.1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x34 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

East and West Looe, Cornwall, c. 1816 (w/c on paper)
495767 East and West Looe, Cornwall, c.1816 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 15.6x23.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Linlithgow Palace, 1821 (w/c & bodycolour on paper)
MAN278079 Linlithgow Palace, 1821 (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 17.2x25.8 cm; Manchester Art Gallery, UK; (add.info.: birthplace of James V)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Facade of The Doge's Palace, Venice - The Vine Angle, c. 1870 (w/c, ink & pencil on paper)
5243163 Facade of The Doge's Palace, Venice - The Vine Angle, c.1870 (w/c, ink & pencil on paper) by Ruskin, John (1819-1900); 49.6x33.7 cm; Manchester Art Gallery

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

View from Hampstead Heath, looking towards Harrow, 1821 (oil on paper)
5933865 View from Hampstead Heath, looking towards Harrow, 1821 (oil on paper) by Constable, John (1776-1837); 25x29.8 cm; Manchester Art Gallery

Near Via Reggio, where Shelley's Body was Found, 1876 (oil on canvas)
2634797 Near Via Reggio, where Shelley's Body was Found, 1876 (oil on canvas) by Richmond, William Blake (1842-1921); 91.5x228.8 cm; Manchester Art Gallery

Francois Marie Arouet de Voltaire, c. 1800 (tempera on canvas)
1772306 Francois Marie Arouet de Voltaire, c.1800 (tempera on canvas) by Blake, William (1757-1827); 51x79 cm; Manchester Art Gallery

Geoffrey Chaucer, c. 1800 (tempera on canvas)
1772296 Geoffrey Chaucer, c.1800 (tempera on canvas) by Blake, William (1757-1827); 53x74 cm; Manchester Art Gallery, UK; (add.info.: Geoffrey Chaucer (c)

Dunwich, Suffolk, c. 1827 (w/c on paper)
2647541 Dunwich, Suffolk, c.1827 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 18x26 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Mr James Thomas Blair bequest, 1917

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"Exploring the Romanticist Movement: A Journey through Art and Emotion" Step into the world of Romanticism, where emotions run wild and nature takes center stage. Dedham Lock and Mill, 1820, a captivating oil on canvas by John Constable, transports us to a serene riverside scene, evoking feelings of tranquility and nostalgia. In contrast, Mount Vesuvius in Eruption, 1817, William Turner's watercolor on paper masterpiece captures the raw power of nature as fire engulfs the sky. The vibrant hues ignite our senses with awe and wonder. Moving forward in time to explore photography's role in Romanticism, we encounter View of a folly in Roundhay Park. This albumen print showcases the beauty found within man-made structures amidst lush greenery—a testament to human creativity harmonizing with nature. The Young Martyr by Paul Delaroche tells a tragic tale through his skillful brushstrokes. Painted in 1855 with oils on canvas, this artwork portrays an innocent figure surrounded by darkness—an embodiment of sacrifice for one's beliefs. Blake's engraving I Want. I Want. From For the Sexes: The Gates of Paradise (1793) delves into desire and longing. Its intricate details depict humanity yearning for fulfillment beyond material possessions—a timeless theme that resonates even today. Caspar David Friedrich's Monk by the Sea (1808-10) invites contemplation as we witness a solitary figure standing before an expansive ocean landscape—symbolic of mankind's insignificance against nature’s vastness. The Wanderer above the Sea of Fog (1818), painted by Caspar David Friedrich once again mesmerizes viewers with its enigmatic portrayal. Here we see a lone figure gazing out at an ethereal mist-covered landscape—inviting introspection about life's mysteries. William Blake returns with The Ancient of Days - Urizen measuring out the material world, a captivating depiction of divine creation.