Rugendas Collection

The coast near Bahia. From "Voyage pittoresque dans le Brésil", 1835
The coast near Bahia. From "Voyage pittoresque dans le Bresil", 1835. Private Collection

View of Rio de Janeiro. From "Voyage pittoresque dans le Brésil", 1835
View of Rio de Janeiro. From "Voyage pittoresque dans le Bresil", 1835. Private Collection

Vues de Bresil, c. 1829-1835 (woodblock print in colours)
990891 Vues de Bresil, c.1829-1835 (woodblock print in colours) by Rugendas, Johann Moritz (1802-58) (after); 185x652 cm; Private Collection; (add.info.: Vues de Bresil)

Costumes of Bahia, from Picturesque Voyage to Brazil
986011 Costumes of Bahia, from Picturesque Voyage to Brazil, 1835 (lithographed plate with contemporary hand-colouring) by Rugendas

Portrait of Emperor Peter II of Brazil (1825-1891), 1846. Found in the collection of Instituto Cultural Itau

Virgin Forest Near Manqueritipa. From "Malerische Reise in Brasilien", 1835
Virgin Forest Near Manqueritipa. From " Malerische Reise in Brasilien", 1835. Private Collection

The Battle of Leipzig, 19 October 1813, (1921). Creator: Unknown
The Battle of Leipzig, 19 October 1813, (1921). La Bataille des Nations pres de Leipzig. The Battle of Leipzig, also known as the Battle of the Nations, was fought from 16 to 19 October 1813

Conversation between 7 nations involved in the war in a cafe, 1757. Artist: Rugendas
Conversation between 7 nations involved in the war in a cafe, 1757. From a private collection

The Battle of Ratisbon on 23 April 1809, 1809. Artist: Rugendas, Johann Lorenz, the Younger
The Battle of Ratisbon on 23 April 1809, 1809. From a private collection

Napoleon Bonaparte on the island of Saint Helena. Artist: Rugendas, Johann Lorenz
Napoleon Bonaparte on the island of Saint Helena. From a private collection

Death of the Duke Frederick William of Brunswick - Oels at Quatre Bras the 16th June 1815. Coloured aquatint, artist unknown, contemporary, published by J Lorenz Rugendas, 1815 (c)

Georg Philipp Rugendas, 1666 - 1742. German Battle And Military Genre Artist, Painter And Engraver. From Histoire Des Peintres, ECole Allemande, Published 1875

Rue Droite in Rio de Janeiro. Private Collection

The encounter between the Native Americans and Europeans. From Malerische Reise in Brasilien. Found in the Collection of Biblioteca Nacional, Brasil

The Battle of Wagram. Artist: Rugendas, Johann Lorenz, the Younger (1775-1826)
The Battle of Wagram. From a private collection

The Battle of the Nations. Artist: Rugendas, Johann Lorenz, the Younger (1775-1826)
The Battle of the Nations. Private Collection

After the Battle of the Nations: Prince Schwarzenberg bringing news of victory on October 18, 1813. Private Collection

A Wedding in Camp, c1850, (1903). Artist: Johann Moritz Rugendas
A Wedding in Camp, c1850, (1903). From Social England, Volume IV, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Retreat of the Grande Armee from Moscow in 1812, 1813. Artist: Rugendas, Lorenz (1775-1826)
Retreat of the Grande Armee from Moscow in 1812, 1813. Found in the collection of the A. Pushkin Memorial Museum, St. Petersburg

People of the Plains, after sketches by Johann Moritz Rugendas (1802-58), plate 8 from Volume I of The Fiscal and Political History of Chile, pub. by Lemercier, c.1854, Laemlein, Alexandre (1813-71)

Drawings Prints, Print, Fete, Ornament & Architecture, Catafalque, Artist, Jeremias
Drawings and Prints, Print, Fete, Ornament & Architecture, Catafalque, Artist, Jeremias Gottlob Rugendas, German, 1711-1772, Rugendas, Jeremias Gottlob, 1711, 1772, 18th century

MEXICO: MARKET, 1833. The Queen of the Market, Mexico City: oil sketch, 1833, by Johann Moritz Rugendas

MEXICO: JUNGLE, 1831. Ferns in a gorge between Xalapa and Cordoba, Mexico: oil on board, 1831, Johann Moritz Rugendas

RUINS OF XOCHICALCO, 1832. Oil on cardboard, 1832, by Johann Moritz Rugendas

DENMARK: SEPTEMBER 1807. The burning of Copenhagen, September 1807, seen from the British lines. Oil on canvas by Johann Lorenz Rugendas

Fountain in Alameda Park, Mexico City. Oil on cardboard, 1833, by Johann Moritz Rugendas
RUGENDAS: PARK, 1833. Fountain in Alameda Park, Mexico City. Oil on cardboard, 1833, by Johann Moritz Rugendas

Burning of Valpara�(March 15, 1843). 1854
Burning of Valpara� (March 15, 1843). 1854. Lithography based on a painting by J. M. Rugendas. Litography

Chile (1854). Santiago de Chile. Engraving after a drawing by Rugendas. Etching

RUGENDAS, Johann Moritz (1802-1858). View of Lima with ladies and lords strolling along the Rimac River. Romanticism

Bullfight arena of San Carlos, Mexico City. Oil on canvas, 1833, by Johann Moritz Rugendas
MEXICO: BULLFIGHT, 1833. Bullfight arena of San Carlos, Mexico City. Oil on canvas, 1833, by Johann Moritz Rugendas

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Rugendas, a renowned artist of the 19th century, captured the essence of diverse cultures and landscapes through his vivid artworks. From depicting historical events like "The Death of the Duke Frederick William of Brunswick" to showcasing cultural encounters in "Meeting of the Indians with European Explorers, " Rugendas's works provide glimpses into Brazil's rich history. In his series "Picturesque Voyage to Brazil, " Rugendas beautifully portrayed various aspects of Brazilian life. The vibrant woodblock prints in "Vues de Bresil" showcased stunning costumes from Bahia, while his handcoloured lithograph titled "Captain of the Forest with a Prisoner" depicted an intriguing narrative. Not only did Rugendas focus on people, but he also highlighted natural wonders such as the lush virgin forests near Manqueritipa. His attention to detail was evident in pieces like "Preparation of mandioca roots, " which showcased everyday activities that shaped Brazilian culture. Rugendas's art wasn't limited to Brazil alone; he also ventured into other territories. In his portrait titled "Emperor Peter II of Brazil, " he immortalized a significant figure who played a crucial role in shaping the country's future. Furthermore, Rugendas explored themes related to slavery and race through artworks like "Black women from Rio de Janeiro. " By capturing their strength and beauty, he shed light on their lives during that era. While some may associate Rugendas solely with Brazil, it is worth noting that he also delved into different subjects. For instance, his depiction of "The Battle of Leipzig" demonstrated his versatility as an artist beyond geographical boundaries. One cannot overlook Rugenda’s contribution to documenting industrial processes either. In pieces like “The Sugar Mill, ” he provided insight into important economic activities prevalent at that time.