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Sabre Collection (page 9)

"Sabre: A Symbol of Power, Precision, and Legacy" From the battlefields of Waterloo to the elegant art of fencing

Background imageSabre Collection: Costumes of the Vietnamese, circa 1800

Costumes of the Vietnamese, circa 1800
Costumes of the Vietnamese: woman in layered tunics of various colors at left, man with parasol, woman in conical hat with pipe, soldier with sabre and shield, etc

Background imageSabre Collection: Arms and armour of the Mamluks

Arms and armour of the Mamluks including armour, sabre, mace, arrow, helmet, sword, quiver, arrows, shield, musket, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrarios

Background imageSabre Collection: Ottoman Turkish Pasha and Bey

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrarios Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli)

Background imageSabre Collection: Uniform of a Marine of the Guard, Marin de

Uniform of a Marine of the Guard, Marin de la Garde, Napoleonic era. Handcoloured lithograph by Leopold Massard from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la France

Background imageSabre Collection: Napoleon Bonaparte, General en Chef, 1800

Napoleon Bonaparte, General en Chef, 1800
Napoleon Bonaparte, General en Chef, in uniform of General of the Army of Italy, Napoleonic Wars. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la France

Background imageSabre Collection: Sabre (engraving)

Sabre (engraving)
2807492 Sabre (engraving) by English School, (19th century); Private Collection; (add.info.: Sabre. Illustration for An Illustrated Vocabulary For The Use Of The Deaf And Dumb (SPCK)

Background imageSabre Collection: Dragoon of the Legion de Flandres in 1763-1766, 1901 (w / c & gouache on paper)

Dragoon of the Legion de Flandres in 1763-1766, 1901 (w / c & gouache on paper)
3503170 Dragoon of the Legion de Flandres in 1763-1766, 1901 (w/c & gouache on paper) by Detaille, Jean-Baptiste Edouard (1848-1912); Private Collection; Photo eDon Troiani; French, out of copyright

Background imageSabre Collection: Spencer Compton Cavendish, 8th Duke of Devonshire, as Emperor Charles V

Spencer Compton Cavendish, 8th Duke of Devonshire, as Emperor Charles V
3060313 Spencer Compton Cavendish, 8th Duke of Devonshire, as Emperor Charles V, The Duchess of Devonshires Diamond Jubilee Ball at Devonshire House

Background imageSabre Collection: Pattern 1796, Light Cavalry Officers sword, 15th Hussars, used in the Battle of Waterloo

Pattern 1796, Light Cavalry Officers sword, 15th Hussars, used in the Battle of Waterloo
1268444 Pattern 1796, Light Cavalry Officers sword, 15th Hussars, used in the Battle of Waterloo, 1815 (steel with leather grip) by English School, (19th century); National Army Museum

Background imageSabre Collection: Col. Harneys brilliant charge at the Battle of Cerro Gordo, pub. c

Col. Harneys brilliant charge at the Battle of Cerro Gordo, pub. c
2630661 Col. Harneys brilliant charge at the Battle of Cerro Gordo, pub. c.1848 (hand coloured litho) by American School, (19th century); Private Collection; (add.info)

Background imageSabre Collection: The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt

The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt
2630676 The Capture of General Vega, in the act of discharging a cannon, by the gallant Capt. May of the US Army, during the engagement of the 9th of May, pub

Background imageSabre Collection: America - Charles Lee Captured By The British

America - Charles Lee Captured By The British
Major General Charles Lee is Captured By The British At Basking Ridge, New Jersey 12 December 1776

Background imageSabre Collection: Saddle and Sabre (engraving)

Saddle and Sabre (engraving)
1046016 Saddle and Sabre (engraving) by Small, William (1843-1931) (after); Private Collection; (add.info.: Saddle and Sabre)

Background imageSabre Collection: Saddle and Sabre (engraving)

Saddle and Sabre (engraving)
1046186 Saddle and Sabre (engraving) by Small, William (1843-1931) (after); Private Collection; (add.info.: Saddle and Sabre)

Background imageSabre Collection: The Princess an the Snake, illustration from The Brown Fairy Book

The Princess an the Snake, illustration from The Brown Fairy Book
2907429 The Princess an the Snake, illustration from The Brown Fairy Book by Andrew Laing, 1904 (colour litho) by Ford, Henry Justice (1860-1941)

Background imageSabre Collection: Red Lancer of the Imperial Guard (oil on canvas)

Red Lancer of the Imperial Guard (oil on canvas)
703013 Red Lancer of the Imperial Guard (oil on canvas) by Gericault, Theodore (1791-1824); Private Collection; French, out of copyright

Background imageSabre Collection: At Bay, British soldiers during the Second Anglo-Afghan War

At Bay, British soldiers during the Second Anglo-Afghan War
PNP314558 At Bay, British soldiers during the Second Anglo-Afghan War, 1880 (colour litho) by Overend, William Heysham (1851-98) (after); Private Collection; (add.info)

Background imageSabre Collection: Civilisation of the Indian, c. 1833 (colour litho)

Civilisation of the Indian, c. 1833 (colour litho)
PNP245662 Civilisation of the Indian, c.1833 (colour litho) by Catlin, George (1796-1872); Private Collection; (add.info)

Background imageSabre Collection: Mameluck standard bearer (colour litho)

Mameluck standard bearer (colour litho)
STC259089 Mameluck standard bearer (colour litho) by Vernet, Antoine Charles Horace (Carle) (1758-1836) (after); Private Collection; The Stapleton Collection; French, out of copyright

Background imageSabre Collection: The 164th New York Volunteers at General McMahons Headquarters

The 164th New York Volunteers at General McMahons Headquarters
STC354305 The 164th New York Volunteers at General McMahons Headquarters, 1861-65 (sepia photo) by Brady, Mathew (1823-96) & studio; Private Collection; (add.info.: General Martin T)

Background imageSabre Collection: Russian Cossacks Charge The German Deaths Head Hussars, 1914-19 (litho)

Russian Cossacks Charge The German Deaths Head Hussars, 1914-19 (litho)
STC359727 Russian Cossacks Charge The German Deaths Head Hussars, 1914-19 (litho) by English School, (20th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSabre Collection: Duke of Sermoneta offering King Victor Emmanuel II (1820-78

Duke of Sermoneta offering King Victor Emmanuel II (1820-78
REV287631 Duke of Sermoneta offering King Victor Emmanuel II (1820-78) the Rome plebiscite at Palazzo Pitti, Florence, 1870

Background imageSabre Collection: Bonaparte (1769-1821) 1er Consul, from a painting of Andrea Appiani (1754-1817

Bonaparte (1769-1821) 1er Consul, from a painting of Andrea Appiani (1754-1817
PLT238262 Bonaparte (1769-1821) 1er Consul, from a painting of Andrea Appiani (1754-1817) engraved by J.J.F. Tafsaert (coloured engraving) by Hennequin

Background imageSabre Collection: Gendarme mounted on a horse, 1807 (colour engraving)

Gendarme mounted on a horse, 1807 (colour engraving)
PLT224573 Gendarme mounted on a horse, 1807 (colour engraving) by French School, (19th century); Musee de l Armee, Brussels, Belgium; ePatrick Lorette; French, out of copyright

Background imageSabre Collection: Hand-to-hand combat between Mr. Shore and the Goojur, illustration from Cassell

Hand-to-hand combat between Mr. Shore and the Goojur, illustration from Cassell
STC394714 Hand-to-hand combat between Mr. Shore and the Goojur, illustration from Cassells Illustrated History of England (engraving) by English School

Background imageSabre Collection: A Tatar of the Crimea, 1780 (coloured engraving)

A Tatar of the Crimea, 1780 (coloured engraving)
468787 A Tatar of the Crimea, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info.: Illustration from Recueil d estampes repreIusentant les grades)

Background imageSabre Collection: The Battle of Blenheim, c. 1910 (litho)

The Battle of Blenheim, c. 1910 (litho)
IL433765 The Battle of Blenheim, c.1910 (litho) by Payne, Henry A. (Harry) (1868-1940); Private Collection; (add.info.: The Battle of Blenheim)

Background imageSabre Collection: Francois Athanase Charette de la Contrie (1763-96), 1836 (colour litho)

Francois Athanase Charette de la Contrie (1763-96), 1836 (colour litho)
CHT184936 Francois Athanase Charette de la Contrie (1763-96), 1836 (colour litho) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageSabre Collection: A Noble Tcherkesse, etched by the artist, published 1804 (colour litho)

A Noble Tcherkesse, etched by the artist, published 1804 (colour litho)
STC169213 A Noble Tcherkesse, etched by the artist, published 1804 (colour litho) by Atkinson, John Augustus (1775-1831); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSabre Collection: Sabre Dance (pencil on paper)

Sabre Dance (pencil on paper)
1769843 Sabre Dance (pencil on paper) by Gerome, Jean Leon (1824-1904); 27.9x22.9 cm; Private Collection; (add.info.: Sabre Dance. Jean Leon Gerome (1824-1904). Pencil on paper

Background imageSabre Collection: Japanese print: Portrait of a Samurai. Painting by Toyokuni Utagawa, 1769 - 1825)

Japanese print: Portrait of a Samurai. Painting by Toyokuni Utagawa, 1769 - 1825)
JLJ4594562 Japanese print: Portrait of a Samurai. Painting by Toyokuni Utagawa, 1769 - 1825), 19th century. Rennes, Musee des Beaux Arts

Background imageSabre Collection: Polish horsemen walk in a wood. Painting by Roelant (Roelandt) Savery (1576-1639), 1614

Polish horsemen walk in a wood. Painting by Roelant (Roelandt) Savery (1576-1639), 1614
JLJ4598873 Polish horsemen walk in a wood. Painting by Roelant (Roelandt) Savery (1576-1639), 1614. Oil on canvas. Dim: 0.34 X 0.40m. by Savery, Roelandt Jacobsz

Background imageSabre Collection: Representation of a kabuki actor, actor Ichikawa Komazo III

Representation of a kabuki actor, actor Ichikawa Komazo III
JLJ4564684 Representation of a kabuki actor, actor Ichikawa Komazo III, in the role of Minase in the play " The Divine Spirit on the Yaguchi Basin", 1794

Background imageSabre Collection: A theatre actor Japanese print of the 19th century. Paris, Guimet Museum

A theatre actor Japanese print of the 19th century. Paris, Guimet Museum
JLJ4564719 A theatre actor Japanese print of the 19th century. Paris, Guimet Museum, Asian Arts Museum by Japanese School, (19th century); Musee Guimet, Paris

Background imageSabre Collection: Third Crusade: Siege of Saint-Jean-d Acre (Saint Jean d Acre)

Third Crusade: Siege of Saint-Jean-d Acre (Saint Jean d Acre)
JLJ4649434 Third Crusade: Siege of Saint-Jean-d Acre (Saint Jean d Acre), " La ville de Ptolemais handed over to Philippe-Auguste (Philippe Auguste) and Richard Coeur de Lion, July 13

Background imageSabre Collection: Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931

Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931
JLJ4640852 Jacques Marie Gaston Onfroy de Breville dit JOB (1858-1931) - Outfit of the French troops at all times: The arms of the States Majors, regulation of the Year XII

Background imageSabre Collection: Officer of Hunters on Horseback of the Imperial Guard Charge Painting by Theodore

Officer of Hunters on Horseback of the Imperial Guard Charge Painting by Theodore
JLJ4654525 Officer of Hunters on Horseback of the Imperial Guard Charge Painting by Theodore Gericault (1791-1824) 19th century Sun

Background imageSabre Collection: Cover of 'The Men of the Day', circa 1906 - Illustration by

Cover of "The Men of the Day", circa 1906 - Illustration by
ICA4933285 Cover of " The Men of the Day", circa 1906 - Illustration by Aristide Delannoy (1874-1911): Sword, swords, Foreign Affairs - Delcasse Theophile (1852-1923) by Delannoy

Background imageSabre Collection: Greek Independence War against the Ottoman Empire: the banner rises to Salona by

Greek Independence War against the Ottoman Empire: the banner rises to Salona by
JLJ4677787 Greek Independence War against the Ottoman Empire: the banner rises to Salona by Nickolaki Mitropolos after the uprising of 25/03/1821. Lithograph of 1821

Background imageSabre Collection: La Baionnette, Satirical in Colours, 1917_6_7: War of 14 -18

La Baionnette, Satirical in Colours, 1917_6_7: War of 14 -18
ICA4852161 La Baionnette, Satirical in Colours, 1917_6_7: War of 14 -18, Belligerants and symbols - William II - Illustration by Gerda Wegener (1889-1940) by Wegener

Background imageSabre Collection: Captain Bones routs Black Dog: One last tremulous cut would have split him had it not

Captain Bones routs Black Dog: One last tremulous cut would have split him had it not
1218838 Captain Bones routs Black Dog: One last tremulous cut would have split him had it not been intercepted by our big signboard (colour litho) by Wyeth

Background imageSabre Collection: The Old Dragoons of 1850, modeled 1905, cast 1905-09 (bronze with black patina)

The Old Dragoons of 1850, modeled 1905, cast 1905-09 (bronze with black patina)
2969060 The Old Dragoons of 1850, modeled 1905, cast 1905-09 (bronze with black patina) by Remington, Frederic (1861-1909); 73x119.3x43.8 cm; The Art Institute of Chicago, IL, USA; George F

Background imageSabre Collection: Umeer Dost Mohammed Khan, from Characters and Costumes of Afghuanistan

Umeer Dost Mohammed Khan, from Characters and Costumes of Afghuanistan
STC161821 Umeer Dost Mohammed Khan, from Characters and Costumes of Afghuanistan written by Captain Lockyer Willis Hart, published 1843 (colour litho) by Hague

Background imageSabre Collection: Detail from an Ethiopian fresco in a Coptic church, c. 5th-7th century (fresco)

Detail from an Ethiopian fresco in a Coptic church, c. 5th-7th century (fresco)
BAL100878 Detail from an Ethiopian fresco in a Coptic church, c.5th-7th century (fresco) by Ethiopian; Aksum (Axum) Ethiopia, East Africa; Ethiopian, out of copyright



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"Sabre: A Symbol of Power, Precision, and Legacy" From the battlefields of Waterloo to the elegant art of fencing, the sabre has left an indelible mark throughout history. Scotland for Ever. The charge of the Scots Greys at Waterloo on 18 June 1815 stands as a testament to their bravery and skill wielding this iconic weapon. In the realm of fencing, it is all about finesse and agility. Fencers adopt various positions, each one showcasing their mastery over the sabre. With swift movements reminiscent of Napoleonic Wars' cuirassiers in the French Army's heavy cavalry, they engage in exhilarating duels that captivate spectators. But it doesn't stop there; aviation enthusiasts will recognize names like Napier Sabre VII installation on Hawker Fury LA610 or Napier Heston Racer G-AFOK with Sabre I. These powerful engines propelled aircraft through skies with unmatched speed and reliability. The connection between clan Fraser and the sabre runs deep. Just as these Scottish warriors defended their honor fiercely, so does this weapon represent strength and loyalty within their lineage. Let us not forget Smilodon fatalis - the mighty saber-toothed cat whose fearsome fangs inspired awe in prehistoric times. Its name echoes that of its modern counterpart - a blade known for its sharpness and lethal precision. As we delve into history further, we encounter studies for figures like Sergeant Ewart from Scots Greys who immortalized his heroism on canvas using his trusted sabre as a symbol of courage against adversity. Even motorcycles have felt its influence; Dave Saville & Dave Hall (Sabre) raced fearlessly during Sidecar TT in 1988 while riding atop machines powered by sheer determination matched only by their roaring engines. And finally, let us remember Hawker Tempest V powered by a Saber IIB NV768 - an embodiment of engineering marvel and a testament to the enduring legacy of the sabre.