Salvation Collection (page 4)

Woman in Salvation Army uniform and little boy
A woman wearing a Salvation Army uniform poses with a sweet little boy who looks like hes trying to stifle a giggle. Date: c.1910

Tower building with evangelical message, North America
A tower building with a forceful evangelical message, somewhere in North America -- Prepare To Meet Thy God! Date: circa 1930

Nyoirin Kannon, Kamakura Period (bronze)
1150085 Nyoirin Kannon, Kamakura Period (bronze) by Japanese School; 23.5x15.2x11.4 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: The distinct seated pose, known as " royal ease)

Evangeline Booth, Salvation Army, by Ira L Hill
Portrait of Evangeline Booth of the Salvation Army (daughter of William Booth, founder), by Ira L Hill. Used for her 1919 lecture tour, The Secret of the Salvation Armys Success. circa 1919

Salvation Army - People You See. From Teddy Bear (18 December 1965). Original artwork loaned for scanning by the Illustration Art Gallery. Date: 1965

The Finding of Moses (oil on canvas) (pair to 430289)
CH430288 The Finding of Moses (oil on canvas) (pair to 430289) by Beschey, Balthasar (1708-76); 43.2x33 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Dante and Beatrice, 1915 (oil on canvas)
CH402038 Dante and Beatrice, 1915 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

Shadrach, The Fiery Furnace, West Window, 1870 (stained glass)
3475464 Shadrach, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

The Fiery Furnace, 1881-83 (stained glass)
3475446 The Fiery Furnace, 1881-83 (stained glass) by Holiday, Henry (1839-1927); The Church of St Editha, Tamworth, Staffordshire, UK; (add.info.: James Powell & Sons); eAlastair Carew-Cox; English

The Saved, detail from The Last Judgement, 1860 (stained glass)
3474690 The Saved, detail from The Last Judgement, 1860 (stained glass) by Clayton, John Richard (1827-1913); Church of St.Mary, Hanley Castle, Worcestershire

Paradise, c. 1598 (oil on copper)
3618033 Paradise, c.1598 (oil on copper) by Saraceni, Carlo (c.1580-1620); 53 x 46.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: In Paradise)

Synagogue from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)
3597172 Synagogue from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 86x81 cm; Kunstmuseum, Basel

The Last Judgment, c. 1540 (fresco)
3472324 The Last Judgment, c.1540 (fresco) by Buonarroti, Michelangelo (1475-1564); 1, 370x1, 220 cm; Vatican Museums and Galleries, Vatican City; (add.info.: In Christian belief)

Last Judgment, c. 1492 (fresco)
3702475 Last Judgment, c.1492 (fresco) by Canavesio, Giovanni (fl.1450-1500); Notre-Dame des Fontaines, La Brigue, France; (add.info)

Last Judgment, c. 1500 (oil on panel)
3709964 Last Judgment, c.1500 (oil on panel) by German School, (15th century); 149x175 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Christ on a rainbow with Mary and John the Baptist)

Moses and the Brazen Serpent, 1640 (oil on panel)
DAY235422 Moses and the Brazen Serpent, 1640 (oil on panel) by Nieulandt, Adriaen I van (1587-1658); 99x123.2 cm; The Dayton Art Institute, Dayton, Ohio

Steps leading to the Celestial City, copy of an illustration from
STC202531 Steps leading to the Celestial City, copy of an illustration from Liber de Ascensu by Raymond Lully (c.1232-1315) 1512 used in a History of Magic

Last Judgement, c. 1435 (tempera on oak)
JLJ4690625 Last Judgement, c.1435 (tempera on oak) by Lochner, Stephan (fl.1442-1451); Wallraf Richartz Museum, Cologne, Germany; (add.info)

The Return of the Dove to the Ark, 1851 (oil on canvas)
1217354 The Return of the Dove to the Ark, 1851 (oil on canvas) by Millais, John Everett (1829-96); 88.2x54.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

"Hopeful helps Christian to cross the river"from The Pilgrim
5615815 " Hopeful helps Christian to cross the river" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

"Now, now look how the holy Pilgrims ride, Clouds are their Chariots
5615792 " Now, now look how the holy Pilgrims ride, Clouds are their Chariots, Angels are their Guide" from The Pilgrims Progress From This World

Basin with the Gathering of Manna, probably Urbino, c. 1600-20 (maiolica)
2634804 Basin with the Gathering of Manna, probably Urbino, c.1600-20 (maiolica) by Patanazzi Workshop (16th-17th centuries); 14.2x38.7 cm; Ashmolean Museum, University of Oxford

The Miraculous Feeding of Saint Anthony and Saint Paul the Hermit (mixed media on wood)
3740440 The Miraculous Feeding of Saint Anthony and Saint Paul the Hermit (mixed media on wood) by Swiss School, (15th century); 133.5 x 77.5 cm; Kunstmuseum, Basel

Saint Bartholomew from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)
3597171 Saint Bartholomew from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 99.5x69.5 cm; Kunstmuseum, Basel

The Fiery Furnace, 1870 (stained glass)
3475463 The Fiery Furnace, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire, UK; (add.info.: Shadrach)

Salvation by Faith (engraving)
2800264 Salvation by Faith (engraving) by English School, (19th century); Private Collection; (add.info.: Salvation by Faith)

Diptych with the Coronation of the Virgin and the Last Judgement, c. 1260-70 (ivory)
XBP391897 Diptych with the Coronation of the Virgin and the Last Judgement, c.1260-70 (ivory) by French School, (13th century); 12.7x13.1.9 cm; The Cloisters, Metropolitan Museum of Art

Noah Entering the Ark (oil on panel)
491567 Noah Entering the Ark (oil on panel) by Jordaens, Hans III (1595-1643/44); 49.2x70 cm; Private Collection; Haldane Fine Art; Flemish, out of copyright

Knights of Columbus, 1917 (colour litho)
698997 Knights of Columbus, 1917 (colour litho) by Kerr, William Balfour (1877-1918); Private Collection; (add.info.: American poster showing a priest looking heavenward and raising a crucifix)

"The Messenger comes to Christiana"from The Pilgrim
5615825 " The Messenger comes to Christiana" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

"Whos this? The Pilgrim"from The Pilgrim
5615782 " Whos this? The Pilgrim" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

English gentleman receiving a letter from his family, 1817 (engraving)
5912753 English gentleman receiving a letter from his family, 1817 (engraving) by Rowlandson, Thomas (1756-1827); (add.info)

Harrowing of Hell, 1512 (engraving)
1070548 Harrowing of Hell, 1512 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 11.4x7.3 cm; Dallas Museum of Art, Texas, USA; Anonymous Gift; German, out of copyright

Saint Sebastian of Aparicio Receiving Food from Angels, late 18th century (oil on canvas)
829403 Saint Sebastian of Aparicio Receiving Food from Angels, late 18th century (oil on canvas) by Spanish School, (18th century); 60.6x38.4 cm; Private Collection; Photo eChristies Images; Spanish

A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an
827841 A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an Angel, (oil on canvas) by Liss or Lis or von Lys

Tableau de la Vie (engraving)
3644278 Tableau de la Vie (engraving) by French School, (19th century); Private Collection; (add.info.: Tableau de la Vie. Illustration for Le Magasin Pittoresque (1844)

Abischai before David from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)
3597173 Abischai before David from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 101.5x81 cm; Kunstmuseum, Basel

Ecclesia from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)
3597169 Ecclesia from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 86.5x80.5 cm; Kunstmuseum, Basel

Abednigo, The Fiery Furnace, West Window, 1870 (stained glass)
3475467 Abednigo, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

A young woman holding a skull, 1640s (oil on canvas)
LST379817 A young woman holding a skull, 1640s (oil on canvas) by Olis, Jan (c.1610-76); 69.8x59.6 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Dutch, out of copyright

An Angel Protecting a Soul from the Devil (oil on panel)
CH401054 An Angel Protecting a Soul from the Devil (oil on panel) by Arpo, Guariento di (fl.1350-1400); Private Collection; Photo eChristies Images; Italian, out of copyright

Junos geese save the Capitol (litho)
STC358056 Junos geese save the Capitol (litho) by Motte, Henri-Paul (1846-1922) (after); Private Collection; (add.info.: In the Roman era)

General William Booth (1829-1912) evangelical social worker
535678 General William Booth (1829-1912) evangelical social worker, founder of the Salvation Army. Edward Linley Sambourne Fancy Portrait From Punch (London 27 October 1883). Wood engraving

The Last Judgement, c. 1451 (oil on panel) (see 20547-50, 20552 and 21041)
MAE20546 The Last Judgement, c. 1451 (oil on panel) (see 20547-50, 20552 and 21041) by Weyden, Rogier van der (1399-1464); Musee de l Hotel-Dieu, Beaune, France; (add.info.: St)

Detail of the Resurrection from the Dead, from The Last Judgement, c
MAE170073 Detail of the Resurrection from the Dead, from The Last Judgement, c.1445-50 (oil on panel) (see 20546 and 148829) by Weyden, Rogier van der (1399-1464); Hotel Dieu, Beaune

The National Parachute, or John Bull conducted to Plenty and Emancipation
NCO190421 The National Parachute, or John Bull conducted to Plenty and Emancipation, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray

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"Finding the Path to Salvation: Navigating the Broad and Narrow Way" In religious concepts, often depicted as a journey along two contrasting paths - one leading to heaven and the other to hell. The Novgorod Icon of the Last Judgement, with its vivid tempera on wood painting, serves as a reminder of this eternal choice we must make. The Salvation Army has long been at the forefront of campaigns for social justice and compassion. From their impactful work during World War I to their involvement in riots at Worthing, Sussex, they have tirelessly fought for those in need. Even Dunmore House Salvation Army Maternity Home in Bradninch offered solace and support for vulnerable mothers. Amidst tragedy, stories of survival emerge like that of the Empress of Ireland survivors who found hope through salvation. The uplifting melodies played by brass bands such as those from 1910 echoed throughout communities, spreading joy and faith. General William Booth's leadership from Salvation Army Headquarters inspired countless individuals to join their cause. His dedication engraved his name into history alongside images capturing Cub Scouts cleaning fire engines or even an elevator bearing the emblematic red shield symbolizing help for all. Salvation transcends time and place; it touches hearts across generations. Let us remember that salvation is not limited to any particular organization or company but rather a universal concept that offers redemption and hope to all who seek it earnestly.