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Samuel Palmer Collection

Samuel Palmer, a renowned artist of the 19th century, captured the essence of nature and spirituality in his beautiful works

Background imageSamuel Palmer Collection: Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer

Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer
Coming from Evening Church, 1830, (1947). Congregation leaving an Evensong service in Shoreham, Kent, with full moon above the church. Painting in the Tate Gallery, London

Background imageSamuel Palmer Collection: In Shoreham Garden by Samuel Palmer

In Shoreham Garden by Samuel Palmer
3850797 In Shoreham Garden by Samuel Palmer by Palmer, Samuel (1805-81); (add.info.: In Shoreham Garden by Samuel Palmer, 1830. Watercolour)

Background imageSamuel Palmer Collection: The Herdsmans Cottage, or Sunset, 1880. Creator: Samuel Palmer

The Herdsmans Cottage, or Sunset, 1880. Creator: Samuel Palmer
The Herdsmans Cottage, or Sunset, 1880

Background imageSamuel Palmer Collection: Christmas, or Folding the Last Sheep, 1850. Creator: Samuel Palmer

Christmas, or Folding the Last Sheep, 1850. Creator: Samuel Palmer
Christmas, or Folding the Last Sheep, 1850

Background imageSamuel Palmer Collection: Sir Guyon with the Palmer Attending, Tempted by Phaedria to Land

Sir Guyon with the Palmer Attending, Tempted by Phaedria to Land upon the Enchanted Islands; Samuel Palmer, English, 1805 - 1881; England, Europe; 1849; Watercolor and bodycolor

Background imageSamuel Palmer Collection: The Setting Sun, c1862. Creator: Samuel Palmer

The Setting Sun, c1862. Creator: Samuel Palmer
The Setting Sun, c1862

Background imageSamuel Palmer Collection: The Willow, 1850. Creator: Samuel Palmer

The Willow, 1850. Creator: Samuel Palmer
The Willow, 1850

Background imageSamuel Palmer Collection: Moeris And Galatea, From Virgil's Eclogues, 1884. Creator: Samuel Palmer

Moeris And Galatea, From Virgil's Eclogues, 1884. Creator: Samuel Palmer
Moeris And Galatea, From Virgil's Eclogues, 1884

Background imageSamuel Palmer Collection: The Morning Of Life, 1860-72. Creator: Samuel Palmer

The Morning Of Life, 1860-72. Creator: Samuel Palmer
The Morning Of Life, 1860-72

Background imageSamuel Palmer Collection: The Herdsman's Cottage, 1850. Creator: Samuel Palmer

The Herdsman's Cottage, 1850. Creator: Samuel Palmer
The Herdsman's Cottage, 1850. From periodical: The Portfolio, 1872

Background imageSamuel Palmer Collection: Evening in Italy—the Deserted Villa, 1845. Creator: Samuel Palmer

Evening in Italy—the Deserted Villa, 1845. Creator: Samuel Palmer
Evening in Italy--the Deserted Villa, 1845

Background imageSamuel Palmer Collection: The Golden Hour, 1865. Creator: Samuel Palmer (British, 1805-1881)

The Golden Hour, 1865. Creator: Samuel Palmer (British, 1805-1881)
The Golden Hour, 1865. Inspired by William Blake, Palmer developed a personal and emotionally charged style of landscape painting that celebrated nature as the product of divine creation

Background imageSamuel Palmer Collection: The Golden Hour, 1865 (w/c and gouache with graphite and scraping)

The Golden Hour, 1865 (w/c and gouache with graphite and scraping)
XOS5884176 The Golden Hour, 1865 (w/c and gouache with graphite and scraping) by Palmer, Samuel (1805-81); 25.6x35.4 cm; Cleveland Museum of Art, OH

Background imageSamuel Palmer Collection: The Rising of the Skylark (oil on board)

The Rising of the Skylark (oil on board)
NGW184296 The Rising of the Skylark (oil on board) by Palmer, Samuel (1805-81); 30.8x24.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSamuel Palmer Collection: B1977. 14. 4102

B1977. 14. 4102
cropped to image

Background imageSamuel Palmer Collection: Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper)

Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper)
MAN364958 Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper) by Palmer, Samuel (1805-81); 19x40.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)

The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)
3928982 The Bright Cloud, 1833-34 (oil & tempera on mahogany panel) by Palmer, Samuel (1805-81); 23.3x32 cm; Manchester Art Gallery

Background imageSamuel Palmer Collection: Conway Castle, 1836 (w/c, bodycolour & chalk on paper)

Conway Castle, 1836 (w/c, bodycolour & chalk on paper)
MAN370314 Conway Castle, 1836 (w/c, bodycolour & chalk on paper) by Palmer, Samuel (1805-81); 37.8x47.5 cm; Manchester Art Gallery, UK; (add.info.: Conwy Castle)

Background imageSamuel Palmer Collection: Study of a Willow Tree, c. 1850 (w/c on paper)

Study of a Willow Tree, c. 1850 (w/c on paper)
3275224 Study of a Willow Tree, c.1850 (w/c on paper) by Palmer, Samuel (1805-81); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: The Bright Cloud, 1833-34 (oil on panel)

The Bright Cloud, 1833-34 (oil on panel)
3055576 The Bright Cloud, 1833-34 (oil on panel) by Palmer, Samuel (1805-81); 23x32 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)

The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)
MAN276850 The Sheepshearers, c.1863 (w/c & bodycolour over traces of pencil on paper) by Palmer, Samuel (1805-81); 19.2x41.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: Samuel Palmer (b / w photo)

Samuel Palmer (b / w photo)
5997918 Samuel Palmer (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Samuel Palmer. Illustration for Dickens and His Illustrators by Frederic G Kitton)

Background imageSamuel Palmer Collection: Ruth returned from gleaning by Samuel Palmer

Ruth returned from gleaning by Samuel Palmer
3850799 Ruth returned from gleaning by Samuel Palmer by Palmer, Samuel (1805-81); (add.info.: Ruth returned from gleaning by Samuel Palmer, c. 1928. Pen and ink and wash, heightened by white)

Background imageSamuel Palmer Collection: The Vine, or Plumpy Bacchus, 1880. Creator: Samuel Palmer

The Vine, or Plumpy Bacchus, 1880. Creator: Samuel Palmer
The Vine, or Plumpy Bacchus, 1880

Background imageSamuel Palmer Collection: Opening the Fold, or Early Morning, 1880. Creator: Samuel Palmer

Opening the Fold, or Early Morning, 1880. Creator: Samuel Palmer
Opening the Fold, or Early Morning, 1880

Background imageSamuel Palmer Collection: The Early Ploughman, 1861. Creator: Samuel Palmer

The Early Ploughman, 1861. Creator: Samuel Palmer
The Early Ploughman, 1861

Background imageSamuel Palmer Collection: The Early Ploughman, or The Morning Spread Upon the Mountains, before 1861

The Early Ploughman, or The Morning Spread Upon the Mountains, before 1861

Background imageSamuel Palmer Collection: The Weary Ploughman, or The Herdsman, or Tardus Bubulcus, begun 1858

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus, begun 1858

Background imageSamuel Palmer Collection: The Herdsmans Cottage, or Sunset, 1850. Creator: Samuel Palmer

The Herdsmans Cottage, or Sunset, 1850. Creator: Samuel Palmer
The Herdsmans Cottage, or Sunset, 1850

Background imageSamuel Palmer Collection: The Sleeping Shepherd; Early Morning, 1857. Creator: Samuel Palmer

The Sleeping Shepherd; Early Morning, 1857. Creator: Samuel Palmer
The Sleeping Shepherd; Early Morning, 1857

Background imageSamuel Palmer Collection: The Shepherd, 1828. Creator: Welby Sherman

The Shepherd, 1828. Creator: Welby Sherman
The Shepherd, 1828

Background imageSamuel Palmer Collection: Portrait of Samuel Palmer, 1884. Creator: Charles West Cope

Portrait of Samuel Palmer, 1884. Creator: Charles West Cope
Portrait of Samuel Palmer, 1884

Background imageSamuel Palmer Collection: Pictures from Italy, 1846. Creator: Samuel Palmer

Pictures from Italy, 1846. Creator: Samuel Palmer
Pictures from Italy, 1846. [The Villa d Este at Tivoli from the Cypress Avenue]

Background imageSamuel Palmer Collection: Samuel Palmer, 1860s. Creator: John & Charles Watkins

Samuel Palmer, 1860s. Creator: John & Charles Watkins
Samuel Palmer, 1860s

Background imageSamuel Palmer Collection: The Sleeping Shepherd, 1857. Creator: Samuel Palmer (British, 1805-1881)

The Sleeping Shepherd, 1857. Creator: Samuel Palmer (British, 1805-1881)
The Sleeping Shepherd, 1857

Background imageSamuel Palmer Collection: The Vine, 1852. Creator: Samuel Palmer (British, 1805-1881)

The Vine, 1852. Creator: Samuel Palmer (British, 1805-1881)
The Vine, 1852

Background imageSamuel Palmer Collection: The Skylark, 1850. Creator: Samuel Palmer (British, 1805-1881)

The Skylark, 1850. Creator: Samuel Palmer (British, 1805-1881)
The Skylark, 1850. Palmer came to printmaking relatively late in his career in 1850 when he was elected to the Etching Club in London

Background imageSamuel Palmer Collection: The Morning of Life, 1860-1861. Creator: Samuel Palmer (British, 1805-1881)

The Morning of Life, 1860-1861. Creator: Samuel Palmer (British, 1805-1881)
The Morning of Life, 1860-1861

Background imageSamuel Palmer Collection: The Lonely Tower. Creator: Samuel Palmer (British, 1805-1881)

The Lonely Tower. Creator: Samuel Palmer (British, 1805-1881)
The Lonely Tower

Background imageSamuel Palmer Collection: The Lonely Tower, 1879. Creator: Samuel Palmer (British, 1805-1881)

The Lonely Tower, 1879. Creator: Samuel Palmer (British, 1805-1881)
The Lonely Tower, 1879

Background imageSamuel Palmer Collection: The Rising Moon, 1857. Creator: Samuel Palmer (British, 1805-1881)

The Rising Moon, 1857. Creator: Samuel Palmer (British, 1805-1881)
The Rising Moon, 1857

Background imageSamuel Palmer Collection: The Sepulchre, 1883. Creator: Samuel Palmer (British, 1805-1881)

The Sepulchre, 1883. Creator: Samuel Palmer (British, 1805-1881)
The Sepulchre, 1883

Background imageSamuel Palmer Collection: The Rising Moon. Creator: Samuel Palmer (British, 1805-1881)

The Rising Moon. Creator: Samuel Palmer (British, 1805-1881)
The Rising Moon

Background imageSamuel Palmer Collection: Moeris and Galatea, 1883. Creator: Samuel Palmer (British, 1805-1881)

Moeris and Galatea, 1883. Creator: Samuel Palmer (British, 1805-1881)
Moeris and Galatea, 1883

Background imageSamuel Palmer Collection: The Early Plowman. Creator: Samuel Palmer (British, 1805-1881)

The Early Plowman. Creator: Samuel Palmer (British, 1805-1881)
The Early Plowman

Background imageSamuel Palmer Collection: The Bellman, 1879. Creator: Samuel Palmer (British, 1805-1881)

The Bellman, 1879. Creator: Samuel Palmer (British, 1805-1881)
The Bellman, 1879. In a highly personal style, Palmer combined minute study of natural details with Gothic features from early Northern art and figure types borrowed from William Blake

Background imageSamuel Palmer Collection: The Early Plowman, before 1861. Creator: Samuel Palmer (British, 1805-1881)

The Early Plowman, before 1861. Creator: Samuel Palmer (British, 1805-1881)
The Early Plowman, before 1861

Background imageSamuel Palmer Collection: The Cypress Grove, 1883. Creator: Samuel Palmer (British, 1805-1881)

The Cypress Grove, 1883. Creator: Samuel Palmer (British, 1805-1881)
The Cypress Grove, 1883



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Samuel Palmer, a renowned artist of the 19th century, captured the essence of nature and spirituality in his beautiful works. In "Coming from Evening Church, " painted in 1830, he transports us to a serene countryside scene where villagers make their way home after an evening service. The warm glow of the setting sun casts a golden hue on the landscape, creating a sense of tranquility. Palmer's love for Christmas is evident in "Christmas, or Folding the Last Sheep" from 1850. This heartwarming painting depicts shepherds gathering their flock as snowflakes gently fall around them. The joyous atmosphere and festive spirit are palpable, reminding us of the beauty and warmth that this holiday brings. "In Shoreham Garden" takes us into Palmer's personal sanctuary - his own garden. With meticulous attention to detail, he portrays lush greenery and vibrant flowers that seem to dance with life under the sunlight, and is a testament to his deep connection with nature and his ability to capture its ethereal beauty. "The Herdsmans Cottage" showcases Palmer's mastery in capturing breathtaking sunsets. Painted in 1880, it portrays a humble cottage bathed in warm hues as daylight fades away. The peacefulness exuded by this scene invites contemplation and reflection on life's simple pleasures. In "Sir Guyon with the Palmer Attending, " we see Palmer exploring themes from Edmund Spenser's epic poem "The Faerie Queene. " Through intricate brushstrokes and vivid colors, he tells tales of knights tempted by enchanting figures like Phaedria while navigating treacherous lands. Palmer also showcased his versatility through different mediums such as pencil drawings and watercolors. His work titled "Sunset over the Gleaning Fields" captures delicate shades blending seamlessly together on paper – an exquisite portrayal of nature’s ever-changing palette. One cannot overlook Palmer's fascination with clouds; they often feature prominently in his works.