Sansculotte Collection

The near in blood, the nearer bloody, Cruikshank, Isaac, 1756?-1811?, artist, engraving 1793, the Duke of Orleans dressed as a ragged sansculotte

A republican beau, a picture of Paris for 1794, Cruikshank, Isaac, 1756?-1811?, artist, engraving, 1794, a man, a sansculotte, in ragged red, white, and blue stripe clothing

A republican belle, a picture of Paris for 1794, Cruikshank, Isaac, 1756?-1811?, artist, engraving 1794, an old woman, a sansculotte, in ragged dress, her arms folded across her chest

Queen Marie Antoinette in the Conciergerie: The Prayer Table, 1856-57 (oil on board)
XKH204868 Queen Marie Antoinette in the Conciergerie: The Prayer Table, 1856-57 (oil on board) by Muller, Charles Louis Lucien (1815-92); 37.7x45 cm; Hamburger Kunsthalle, Hamburg

The Near In Blood, The Nearer Bloody, Cruikshank, Isaac, 1756ja-1811ja, Artist, Engraving 1793, The Duke Of Orleans Dressed As A Ragged Sansculotte

A Republican Beau, A Picture Of Paris For 1794, Cruikshank, Isaac, 1756ja-1811ja, Artist, Engraving, 1794, A Man, A Sansculotte, In Ragged Red, White, And Blue Stripe Clothing

A Republican Belle, A Picture Of Paris For 1794, Cruikshank, Isaac, 1756ja-1811ja, Artist, Engraving 1794, An Old Woman, A Sansculotte, In Ragged Dress, Her Arms Folded Across Her Chest

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"Sansculotte: A Symbol of French Liberty and British Slavery" In the late 18th century, amidst the tumultuous era of revolution, a figure emerged in France known as the sansculotte. Representing the common people who fought for their rights and freedom, this term became synonymous with the ideals of French liberty. The hand-coloured engravings from 1892 vividly depict this struggle between two nations. One such engraving titled "French Liberty - British Slavery" by James Gillray showcases the stark contrast between these opposing forces. It serves as a reminder that while France fought for its independence, Britain remained entrenched in a system characterized by inequality and oppression. Another powerful image is Isaac Cruikshank's "The Near In Blood, " which emphasizes how closely related bloodshed and violence were during those turbulent times. This engraving captures both the intensity and brutality that accompanied revolutionary fervor. Cruikshank's works also include "A Republican Beau" and "A Republican Belle, " offering glimpses into Parisian life in 1794. These illustrations portray individuals who embraced republican values, challenging traditional notions of beauty and fashion while embodying the spirit of liberty. Meanwhile, Queen Marie Antoinette finds herself at odds with these revolutionary ideals in an oil painting titled "Queen Marie Antoinette in the Conciergerie: The Prayer Table. " This poignant portrayal highlights her confinement during her trial before execution—a symbol of how monarchy clashed with aspirations for equality. Through these various artworks—engravings capturing political satire or paintings depicting historical events—the concept emerges as a potent symbol representing not only French liberty but also resistance against British slavery. These images serve as reminders of an era when ordinary citizens rose up to demand their rights, forever changing history's course.