Fraud Blocker Skip to main content

Sanzio Collection

Raphael, also known as Sanzio, was a renowned Italian painter and architect during the High Renaissance period

Background imageSanzio Collection: The Transfiguration of Christ, 1516-1520, by Raphael (1483-1

The Transfiguration of Christ, 1516-1520, by Raphael (1483-1
Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Transfiguration of Christ, 1516-1520. Pinacoteca Vaticana. Vatican City

Background imageSanzio Collection: The Mond Crucifixion by Raphael

The Mond Crucifixion by Raphael
Raphael (Raffaello Sanzio da Urbino) (1483-1520). Italian painter. The Mond Crucifixion. 1502-1503. National Gallery. London. United Kingdom

Background imageSanzio Collection: Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature

Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco
868145 Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageSanzio Collection: Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, t

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515-27

Background imageSanzio Collection: In the Pitti Palace - Raphaels Madonna of the Chair, Florence, Italy, c1909. Creator: Unknown

In the Pitti Palace - Raphaels Madonna of the Chair, Florence, Italy, c1909. Creator: Unknown
In the Pitti Palace - Raphaels Madonna of the Chair, Florence, Italy, c1909. The Madonna della seggiola by Italian renaissance artist Raphael, dating c1513-1514 in the Palazzo Pitti, Florence

Background imageSanzio Collection: Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). Creator: Unknown

Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). Creator: Unknown
Grotesque paintings from the Vatican loggias, Rome, Italy, (1928). 1517-1519...The Loggie were started in the summer of 1517 and are stated as being completed on 4th May, 1519

Background imageSanzio Collection: Portrait of Raphael, c1505, (c1912). Artist: Raphael

Portrait of Raphael, c1505, (c1912). Artist: Raphael
Portrait of Raphael, c1505, (c1912). Self portrait in the Uffizi Gallery, Florence, Italy. Italian High Renaissance painter and architect Raffaello Sanzio da Urbino (1483-1520), known as Raphael

Background imageSanzio Collection: Putto with Garland, c1510, (c1912). Artist: Raphael

Putto with Garland, c1510, (c1912). Artist: Raphael
Putto with Garland, c1510, (c1912). Fragment of fresco, in the Accademia Nazionale di San Luca, Rome, Italy. Part of a large decorative work in the Raphael Rooms (Italian)

Background imageSanzio Collection: Saint George and the Dragon, c1505. Artist: Raphael

Saint George and the Dragon, c1505. Artist: Raphael
Saint George and the Dragon, c1505. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageSanzio Collection: The Small Cowper Madonna, 1505. Artist: Raphael

The Small Cowper Madonna, 1505. Artist: Raphael
The Small Cowper Madonna, 1505. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageSanzio Collection: Two Nude Male Studies, Given by Raphael to Durer 1515, (1912). Artist: Raphael

Two Nude Male Studies, Given by Raphael to Durer 1515, (1912). Artist: Raphael
Two Nude Male Studies, Given by Raphael to Durer 1515, (1912). A drawing given by Raphael to Durer, with autograph of Raphael, dated 1515 showing the physique of two male figures

Background imageSanzio Collection: The School of Athens, detail of Plato & Aristotle, 1508-1511. Artist: Raphael

The School of Athens, detail of Plato & Aristotle, 1508-1511. Artist: Raphael
The School of Athens, detail of Plato & Aristotle, 1508-1511. The School of Athens was painted by Raphael Sanzio for Pope Julius II (1503-1513)

Background imageSanzio Collection: Raphael (1483-1520). Christ Falling on the Way to Calvary

Raphael (1483-1520). Christ Falling on the Way to Calvary
Raphael (1483-1520). Italian painter and architect of the High Renaissance. Christ Falling on the Way to Calvary, also known as Lo Spasimo or Il Spasimo di Sicilia, (1514-1516)

Background imageSanzio Collection: Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868143 Theology, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageSanzio Collection: Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868144 Poetry, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageSanzio Collection: Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome
868142 Justice, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageSanzio Collection: Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco

Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco
868150 Christ as sol iustitiae, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco

Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco
868151 Christ tempted by the devil, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: The oath of Leo III, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo

The oath of Leo III, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms
868148 The oath of Leo III, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Prophet Isaiah, fresco by Raphael in the basilica di sant Agostino in Campo Marzio in Rome, Italy

Prophet Isaiah, fresco by Raphael in the basilica di sant Agostino in Campo Marzio in Rome, Italy
3558703 Prophet Isaiah, fresco by Raphael in the basilica di sant Agostino in Campo Marzio in Rome, Italy by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Photo © Stefano Baldini

Background imageSanzio Collection: The battle of Ostia, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo

The battle of Ostia, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms
868147 The battle of Ostia, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco

Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco
868153 Christ between mercy and justice, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco

Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco
868152 Creator enthroned among angels and cherubs, 1508, Pietro Vannucci, called the Perugino, fresco, ceiling of the room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: The oath of Leo III, room of the fire in the borgo, 1516-17 (fresco)

The oath of Leo III, room of the fire in the borgo, 1516-17 (fresco)
3558965 The oath of Leo III, room of the fire in the borgo, 1516-17 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Vatican Museums and Galleries

Background imageSanzio Collection: The fire in the borgo, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo

The fire in the borgo, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms
868149 The fire in the borgo, 1516-1517, Raphael, 1483-1520, fresco, room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco

Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums
868141 Philosophy, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageSanzio Collection: The coronation of Charlemagne, 1511, Raphael, fresco, room of the fire in the borgo, Raphael's rooms

The coronation of Charlemagne, 1511, Raphael, fresco, room of the fire in the borgo, Raphael's rooms
868146 The coronation of Charlemagne, 1511, Raphael, fresco, room of the fire in the borgo, Raphael's rooms, vatican museums, Rome

Background imageSanzio Collection: Doorway to the Raphael Loggia at the Vatican, 1772 (hand coloured engraving)

Doorway to the Raphael Loggia at the Vatican, 1772 (hand coloured engraving)
986010 Doorway to the Raphael Loggia at the Vatican, 1772 (hand coloured engraving) by Savorelli, C. (d.1791) & Camporesi

Background imageSanzio Collection: Portrait of Giovanna of Aragon, seated three-quarter length, in her chamber

Portrait of Giovanna of Aragon, seated three-quarter length, in her chamber
990212 Portrait of Giovanna of Aragon, seated three-quarter length, in her chamber, (oil on canvas) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

Background imageSanzio Collection: The Honours paid Raphael after his death, Rome, Italy

The Honours paid Raphael after his death, Rome, Italy
Deathbed scene of Raphael Sanzio (1483-1520), Italian painter and architect, in Rome. 1520

Background imageSanzio Collection: Fire in the Borgo, from the Stanza dell Incendio (Hall of Fire) c

Fire in the Borgo, from the Stanza dell Incendio (Hall of Fire) c
REV209225 Fire in the Borgo, from the Stanza dell Incendio (Hall of Fire) c.1514-17 (fresco) by Raphael (1483-1520) & Giulio Romano (1492/99-1546); 495x728 cm; Vatican Library, Vatican City; Italian

Background imageSanzio Collection: Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)

Study of one of the Quirinal Marble Horses, c. 1515-17 (red chalk)
1766781 Study of one of the Quirinal Marble Horses, c.1515-17 (red chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 21.8x27.2 cm; Private Collection; (add.info)

Background imageSanzio Collection: The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias

The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias
827750 The Mystic Marraige of Saint Catherine with the Archangel Raphael and Tobias, (oil on panel) by Palmezzano, Marco (1458-1539); 258.4x182.2 cm; Private Collection; (add.info)

Background imageSanzio Collection: The Alba Madonna, c. 1510. Creator: Raphael

The Alba Madonna, c. 1510. Creator: Raphael
The Alba Madonna, c. 1510

Background imageSanzio Collection: Four Heads From the Raphael Cartoons at Hampton Court, May 14, 1781

Four Heads From the Raphael Cartoons at Hampton Court, May 14, 1781

Background imageSanzio Collection: Raphael, 1651. Creator: Wenceslaus Hollar

Raphael, 1651. Creator: Wenceslaus Hollar
Raphael, 1651

Background imageSanzio Collection: St. Catherine of Alexandria, 1644-52. Creator: Wenceslaus Hollar

St. Catherine of Alexandria, 1644-52. Creator: Wenceslaus Hollar
St. Catherine of Alexandria, 1644-52

Background imageSanzio Collection: The death of Ananias, surrounded by Apostles, 1518. Creator: Ugo da Carpi

The death of Ananias, surrounded by Apostles, 1518. Creator: Ugo da Carpi
The death of Ananias, surrounded by Apostles, 1518

Background imageSanzio Collection: Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand

Plate 9: the Phrygian Sibyl holding the top of a tablet with her left hand and pointing with her right, from the series of Sibyls, 1609. After Raphael

Background imageSanzio Collection: Christ in Limbo, after Raphael, 1541. Creator: Nicolas Beatrizet

Christ in Limbo, after Raphael, 1541. Creator: Nicolas Beatrizet
Christ in Limbo, after Raphael, 1541

Background imageSanzio Collection: Three putti before a large garland, the one in the middle rides an ostrich, from a

Three putti before a large garland, the one in the middle rides an ostrich, from a series of tapestries made for Leo X, ca. 1530-40

Background imageSanzio Collection: A monkey holding a bound putto standing on a garland in front of which are two winged p

A monkey holding a bound putto standing on a garland in front of which are two winged putti, from a series of tapestries made for Leo X, 1530-60

Background imageSanzio Collection: The wedding of Jason and Creusa, at left Medea takes her children, 1530-60

The wedding of Jason and Creusa, at left Medea takes her children, 1530-60

Background imageSanzio Collection: A phoenix sat atop a tree, wings open, an assortment of animals below, 1530-60

A phoenix sat atop a tree, wings open, an assortment of animals below, 1530-60

Background imageSanzio Collection: Jupiter tumbling from a horse-drawn carriage at right, Ganymede in the form of an eagle

Jupiter tumbling from a horse-drawn carriage at right, Ganymede in the form of an eagle carries a woman in the upper centre, below Venus in he centre flanked at the left by the three Graces, 1530-60

Background imageSanzio Collection: Christ standing at left indicating to a flock of sheep, before him kneels St. Peter hol

Christ standing at left indicating to a flock of sheep, before him kneels St. Peter holding the keys to the church, behind him to the left stand the Apostles, 1530-60

Background imageSanzio Collection: The Transfiguration of Christ who appears upper centre, below him various figures inclu

The Transfiguration of Christ who appears upper centre, below him various figures including the Apostles, 1530-60

Background imageSanzio Collection: Joseph in the centre being sold by his brothers standing above a well

Joseph in the centre being sold by his brothers standing above a well, camels at the right, 1533



All Professionally Made to Order for Quick Shipping

Raphael, also known as Sanzio, was a renowned Italian painter and architect during the High Renaissance period. Born in 1483, he left an indelible mark on the art world with his exceptional talent and innovative techniques. One of Raphael's most famous works is "The Transfiguration of Christ, " created between 1516-1520. This masterpiece showcases his ability to capture divine radiance through vivid colors and intricate details. The painting depicts Jesus' transfiguration on Mount Tabor, where he appears radiant alongside Moses and Elijah. Another notable artwork by Raphael is "The Mond Crucifixion. " Painted with precision and emotion, this piece portrays the crucifixion of Jesus Christ with a sense of solemnity and spiritual depth. In "Pope Leo I, Repulsing Attila, " we witness Raphael's skill in capturing historical events. This detailed depiction shows Pope Leo I persuading Attila the Hun to spare Rome from destruction through his charismatic presence. Raphael's versatility shines through in "Canigiani Holy Family" as well. Created in 1507-1508, it presents a serene scene of Mary holding baby Jesus while Joseph looks on lovingly. The artist's attention to light and shadow adds depth to this religious composition. "Christ Falling on the Way to Calvary" showcases Raphael's ability to convey human suffering with empathy. Through expressive brushstrokes, he captures the moment when Jesus stumbles under the weight of his cross before being crucified. "The Esterhazy Madonna" exemplifies Raphael's mastery in portraying maternal tenderness mixed with gracefulness. In this painting from 1508, Mary cradles baby Jesus against her chest while gazing at him affectionately. Apart from religious themes, Raphael also excelled in portraiture as seen in "Portrait of a Young Man. " With meticulous attention to detail and lifelike representation, he captures the essence of his subject's personality.