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Sari Collection

The sari, a timeless symbol of grace and elegance, has been an integral part of Indian culture for centuries

Background imageSari Collection: Lakshmi, 1894. Creator: Unknown

Lakshmi, 1894. Creator: Unknown
Lakshmi, 1894

Background imageSari Collection: Agra, India - Sitar player

Agra, India - Sitar player
Agra, India - Lady Sitar player

Background imageSari Collection: Painting of a princess listening to female musicians

Painting of a princess listening to female musicians
Painting of a princess with a huqqa listening to female musicians in a palace garden, from Guler in the Punjab, from the V&As collection

Background imageSari Collection: Typical coloured Rajasthani saris

Typical coloured Rajasthani saris, Pushkar, Rajasthan, India, Asia

Background imageSari Collection: Overhead view of the fruit and vegetable market

Overhead view of the fruit and vegetable market, Pushkar, Rajasthan State, India, Asia

Background imageSari Collection: Krishna with Gopis on a Riverbank, 1750-1775. Creator: Unknown

Krishna with Gopis on a Riverbank, 1750-1775. Creator: Unknown
Krishna with Gopis on a Riverbank, 1750-1775. The god Krishna places a water pot on the head of Radha, his beloved. Radha is probably also depicted among the other milkmaids at an earlier moment

Background imageSari Collection: A Parsi woman at a fire altar

A Parsi woman at a fire altar
A Parsi (Zoroastrian) Indian woman at a fire altar, worshipping Zoroaster Date: 1906

Background imageSari Collection: Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s

Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees, 1860s-70s

Background imageSari Collection: Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series, ca

Krishna Subduing Kaliya, the Snake Demon: Folio from a Bhagavata Purana Series, ca. 1785. Krishna battles Kaliya, a hundred-headed serpent (naga) who was poisoning the river Yamuna

Background imageSari Collection: Taj Mahal, Agra

Taj Mahal, Agra, Uttar Pradesh, India

Background imageSari Collection: The Ellora Caves

The Ellora Caves, temples cut into solid rock, near Aurangabad, Maharashtra, India

Background imageSari Collection: A Peep at the Train, India, 1892 (pencil and w / c on paper)

A Peep at the Train, India, 1892 (pencil and w / c on paper)
1197524 A Peep at the Train, India, 1892 (pencil and w/c on paper) by Swoboda, Rudolf Der G. (1859-1914); 94x66.8 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageSari Collection: Third Class / India / 1894

Third Class / India / 1894
Third class passengers. Date: 1894

Background imageSari Collection: Clothing on sale

Clothing on sale, Bangkok, Thailand, Asia

Background imageSari Collection: Pilgrims on road to temple

Pilgrims on road to temple, Tamil Nadu state, India, Asia

Background imageSari Collection: Womans hand being decorated with henna design

Womans hand being decorated with henna design, Rajasthan, India

Background imageSari Collection: Indian tourists at the Taj Mahal

Indian tourists at the Taj Mahal, built by the Moghul emperor Shah Jehan (Jahan), Agra, Uttar Pradesh, India

Background imageSari Collection: Local woman and her child in City of Karauli, Rajasthan, India

Local woman and her child in City of Karauli, Rajasthan, India

Background imageSari Collection: Indian girls in traditional dress, Udaipur, Rajasthan, India, Asia MR

Indian girls in traditional dress, Udaipur, Rajasthan, India, Asia MR

Background imageSari Collection: India, a beautiful woman in a red and yellow sari in front of the Taj Mahal at sunrise

India, a beautiful woman in a red and yellow sari in front of the Taj Mahal at sunrise

Background imageSari Collection: Mrs. Ratan Lata, standing, c1910. Creator: Bain News Service

Mrs. Ratan Lata, standing, c1910. Creator: Bain News Service
Mrs. Ratan Lata, standing, c1910.

Background imageSari Collection: Mother is teacher series - pic - 1

Mother is teacher series - pic - 1
Srikanth Gumma

Background imageSari Collection: Colorful Street

Colorful Street
Saurabh Sirohiya

Background imageSari Collection: A Touch of Colour

A Touch of Colour
Karsten Wrobel

Background imageSari Collection: Costumes de Différents Pays, Bayadere, c1797. Creators: Jacques Grasset de Saint-Sauveur

Costumes de Différents Pays, Bayadere, c1797. Creators: Jacques Grasset de Saint-Sauveur, LF Labrousse
Costumes de Differents Pays, Bayadere, c1797

Background imageSari Collection: A Woman Under a Tree, Late 18th century. Creator: Unknown

A Woman Under a Tree, Late 18th century. Creator: Unknown
A Woman Under a Tree, Late 18th century

Background imageSari Collection: A natural cradle, Tuticorin, Southern India, from a sketch by one of our special artists, 1876

A natural cradle, Tuticorin, Southern India, from a sketch by one of our special artists, 1876. Creator: Unknown
A natural cradle, Tuticorin, Southern India, from a sketch by one of our special artists, 1876....the native women, as our Artist observed

Background imageSari Collection: Rama, Sita, and Lakshmana, Folio from a Ramayana, between c1685 and c1690. Creator: Unknown

Rama, Sita, and Lakshmana, Folio from a Ramayana, between c1685 and c1690. Creator: Unknown
Rama, Sita, and Lakshmana, Folio from a Ramayana, between c1685 and c1690

Background imageSari Collection: Radha's Hidden Endeavors That Indicate Her Preoccupation with Love... between c1650 and c1700

Radha's Hidden Endeavors That Indicate Her Preoccupation with Love... between c1650 and c1700. Creator: Unknown
Radha's Hidden Endeavors That Indicate Her Preoccupation with Love (Prachanna Chesta), Folio from a Rasikapriya (The Connoiseur's Delights), between c1650 and c1700

Background imageSari Collection: Sorathi Ragini, Wife of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), c1750

Sorathi Ragini, Wife of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), c1750. Creator: Unknown
Sorathi Ragini, Wife of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), c1750

Background imageSari Collection: Lady Receiving a Child and Her Maid, c1640. Creator: Unknown

Lady Receiving a Child and Her Maid, c1640. Creator: Unknown
Lady Receiving a Child and Her Maid, c1640

Background imageSari Collection: The Hindu Goddess Durga, Late 17th century. Creator: Unknown

The Hindu Goddess Durga, Late 17th century. Creator: Unknown
The Hindu Goddess Durga, Late 17th century

Background imageSari Collection: Costumes of Western India, Soortan, 1876. Creator: Unknown

Costumes of Western India, Soortan, 1876. Creator: Unknown
Costumes of Western India, Soortan, 1876. Woman in....ordinary attire...belonging to the humbler orders of native society...copied, by permission of Dr

Background imageSari Collection: Costumes of Western India, Mahratta woman, 1876. Creator: Unknown

Costumes of Western India, Mahratta woman, 1876. Creator: Unknown
Costumes of Western India, Mahratta woman, 1876. Woman in....ordinary attire...belonging to the humbler orders of native society...copied, by permission of Dr

Background imageSari Collection: Costumes of Western India, Mahratta woman, 1876. Creator: Unknown

Costumes of Western India, Mahratta woman, 1876. Creator: Unknown
Costumes of Western India, Mahratta woman, 1876. Woman in....ordinary attire...belonging to the humbler orders of native society...copied, by permission of Dr

Background imageSari Collection: Costumes of Western India, Mahar girl, 1876. Creator: Unknown

Costumes of Western India, Mahar girl, 1876. Creator: Unknown
Costumes of Western India, Mahar girl, 1876. Woman in....ordinary attire...belonging to the humbler orders of native society...copied, by permission of Dr

Background imageSari Collection: Costumes of Western India, Purdasi milkwoman, 1876. Creator: Unknown

Costumes of Western India, Purdasi milkwoman, 1876. Creator: Unknown
Costumes of Western India, Purdasi milkwoman, 1876. Woman in....ordinary attire...belonging to the humbler orders of native society...Among the castes who sell milk

Background imageSari Collection: Wedding Procession: Bride Under a Canopy, c1800. Creator: Unknown

Wedding Procession: Bride Under a Canopy, c1800. Creator: Unknown
Wedding Procession: Bride Under a Canopy, c1800

Background imageSari Collection: The Royal Visit to India: waiting for the Shahzadah, Gwalior...1876. Creator: Unknown

The Royal Visit to India: waiting for the Shahzadah, Gwalior...1876. Creator: Unknown
The Royal Visit to India: waiting for the Shahzadah, Gwalior, from a sketch by one of our special artists, 1876....his Royal Highness went to visit Scindia at Gwalior...The townspeople of Lushkur

Background imageSari Collection: Radha's Confidante Meets with Krishna (Arudhayauvana Madhya)... c1635. Creator: Unknown

Radha's Confidante Meets with Krishna (Arudhayauvana Madhya)... c1635. Creator: Unknown
Radha's Confidante Meets with Krishna (Arudhayauvana Madhya), Folio from a Rasikapriya (The Connoisseur's Delights), c1635

Background imageSari Collection: Hermitage of Valmiki, Folio from the 'Nadaun' Ramayana (Adventures of Rama), c1820. Creator: Unknown

Hermitage of Valmiki, Folio from the "Nadaun" Ramayana (Adventures of Rama), c1820. Creator: Unknown
Hermitage of Valmiki, Folio from the "Nadaun" Ramayana (Adventures of Rama), c1820

Background imageSari Collection: Lahula Ragaputra, Son of Dipak Raga, Folio from a Ragamala (Garland of Melodies), c1685-c1690

Lahula Ragaputra, Son of Dipak Raga, Folio from a Ragamala (Garland of Melodies), c1685-c1690. Creator: Unknown
Lahula Ragaputra, Son of Dipak Raga, Folio from a Ragamala (Garland of Melodies), between c1685 and c1690

Background imageSari Collection: Radha Rejecting Krishna, c1760. Creator: Unknown

Radha Rejecting Krishna, c1760. Creator: Unknown
Radha Rejecting Krishna, c1760

Background imageSari Collection: Krishna Embracing the Gopis, between c1700 and c1725. Creator: Unknown

Krishna Embracing the Gopis, between c1700 and c1725. Creator: Unknown
Krishna Embracing the Gopis, between c1700 and c1725

Background imageSari Collection: Tree Worship, between c1730 and c1750. Creator: Unknown

Tree Worship, between c1730 and c1750. Creator: Unknown
Tree Worship, between c1730 and c1750

Background imageSari Collection: Princess with a Hawk, between c1730 and c1740. Creator: Unknown

Princess with a Hawk, between c1730 and c1740. Creator: Unknown
Princess with a Hawk, between c1730 and c1740

Background imageSari Collection: Milkmaids on the Riverbank, Folio from a Rasikapriya (The Connoisseur's Delights), c1650

Milkmaids on the Riverbank, Folio from a Rasikapriya (The Connoisseur's Delights), c1650. Creator: Unknown
Milkmaids on the Riverbank, Folio from a Rasikapriya (The Connoisseur's Delights), c1650

Background imageSari Collection: Jaladhara Ragaputra, Son of Megha Mallar Raga, Folio from a Ragamala... between c1685 and c1690

Jaladhara Ragaputra, Son of Megha Mallar Raga, Folio from a Ragamala... between c1685 and c1690. Creator: Unknown
Jaladhara Ragaputra, Son of Megha Mallar Raga, Folio from a Ragamala (Garland of Melodies), between c1685 and c1690



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The sari, a timeless symbol of grace and elegance, has been an integral part of Indian culture for centuries. This traditional garment is not just a piece of clothing; it embodies the rich heritage and diversity of India. One can trace the origins of the sari back to ancient times, as depicted in the painting "Lakshmi" from 1894. Created by an unknown artist, this masterpiece showcases a princess adorned in a vibrant sari, listening to enchanting melodies played by female musicians. The intricate details on her attire reflect the craftsmanship that goes into making each sari unique. In Agra, India, another captivating scene unfolds with a sitar player draped in a colorful Rajasthani sari. The fabric's hues mirror the vibrancy found at every corner of this bustling city. From overhead views of fruit and vegetable markets to snapshots capturing daily life like "A Peep at the Train, " they are ubiquitous among women from all walks of life. Traveling through time brings us face-to-face with two Hindu women donning elaborate jewelry against palm tree backdrops in the 1860s-70s. Their saris serve as canvases for their individuality and cultural identity. Religious narratives also find expression within saris' folds; one such example is seen in Krishna Subduing Kaliya - where mythology comes alive through vivid illustrations on fabric inspired by Bhagavata Purana Series. No discussion about India would be complete without mentioning its architectural marvels like Taj Mahal. Here too, we witness women gracefully clad in saris paying homage to their heritage amidst breathtaking beauty. Beyond religion and architecture lies social diversity: A Parsi woman stands before a fire altar wearing her intricately patterned sari - representing yet another facet of Indian society's tapestry. Lastly, pilgrims embarking on journeys towards temples wear their humble yet elegant saris while seeking spiritual solace. These saris become a symbol of devotion and faith.