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Sash Collection (page 7)

"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society

Background imageSash Collection: Fragment (Trouser Band), China, Qing dynasty (1644-1911), 1875 / 1900. Creator: Unknown

Fragment (Trouser Band), China, Qing dynasty (1644-1911), 1875 / 1900. Creator: Unknown
Fragment (Trouser Band), China, Qing dynasty (1644-1911), 1875/1900

Background imageSash Collection: Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya

Portrait of General JoseManuel Romero, c. 1810. Creator: Francisco Goya
Portrait of General Jose Manuel Romero, c. 1810

Background imageSash Collection: Ceremonial Waist Sashes (ikak pinggang), Sumatra, 19th century. Creator: Unknown

Ceremonial Waist Sashes (ikak pinggang), Sumatra, 19th century. Creator: Unknown
Ceremonial Waist Sashes (ikak pinggang), Sumatra, 19th century

Background imageSash Collection: Ceremonial Waist Sash (ikak pinggang), Sumatra, 19th century. Creator: Unknown

Ceremonial Waist Sash (ikak pinggang), Sumatra, 19th century. Creator: Unknown
Ceremonial Waist Sash (ikak pinggang), Sumatra, 19th century

Background imageSash Collection: Marshal Pelissier, 1855. Creator: Roger Fenton

Marshal Pelissier, 1855. Creator: Roger Fenton
Marshal Pelissier, 1855. A work made of salted paper print, plate 19 from the album " photographs taken in the crimea" (1856)

Background imageSash Collection: Judith with the Head of Holofernes, c. 1615 (oil on canvas)

Judith with the Head of Holofernes, c. 1615 (oil on canvas)
BEN79578 Judith with the Head of Holofernes, c.1615 (oil on canvas) by Allori, Cristofano (1577-1621); Palazzo Pitti, Florence

Background imageSash Collection: Portrait of Paulin des Hours Farel, 1793 (oil on canvas)

Portrait of Paulin des Hours Farel, 1793 (oil on canvas)
XIR203274 Portrait of Paulin des Hours Farel, 1793 (oil on canvas) by Gros, Baron Antoine Jean (1771-1835); 74x98 cm; Musee des Beaux-Arts, Rennes, France; French, out of copyright

Background imageSash Collection: Warrior of Solor Island, Lesser Sunda Islands, Indonesia

Warrior of Solor Island, Lesser Sunda Islands, Indonesia
6339131 Warrior of Solor Island, Lesser Sunda Islands, Indonesia by Belgian School, (19th century); (add.info.: Warrior of Solor Island, Lesser Sunda Islands, Indonesia)

Background imageSash Collection: Man and woman of Murcia, Spain, 1818

Man and woman of Murcia, Spain, 1818
6338134 Man and woman of Murcia, Spain, 1818 by English School, (18th century); (add.info.: Man and woman of Murcia, Spain, 1818)

Background imageSash Collection: Charles, 2nd Earl and 1st Marquis Cornwallis, c. 1795 (oil on canvas)

Charles, 2nd Earl and 1st Marquis Cornwallis, c. 1795 (oil on canvas)
1144255 Charles, 2nd Earl and 1st Marquis Cornwallis, c.1795 (oil on canvas) by Copley, John Singleton (1738-1815); height: 145 cm; London Metropolitan Archives

Background imageSash Collection: Colonel John May, 1789 (oil on canvas)

Colonel John May, 1789 (oil on canvas)
AQS256859 Colonel John May, 1789 (oil on canvas) by Gullager, Christian (1759-1826); American Antiquarian Society, Worcester, Massachusetts

Background imageSash Collection: An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852)

An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852)
1766877 An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852), in full dress uniform, Wearing the Order of the Golden Fleece and the Star

Background imageSash Collection: Portrait of Prince Albert, 1842 (oil on canvas)

Portrait of Prince Albert, 1842 (oil on canvas)
1772125 Portrait of Prince Albert, 1842 (oil on canvas) by Lucas, John (1807-74); 101.7x87.6 cm; Private Collection; (add.info.: Portrait of Prince Albert. John Lucas (1807-1874). Oil on canvas

Background imageSash Collection: The Lesson, (oil on canvas)

The Lesson, (oil on canvas)
989545 The Lesson, (oil on canvas) by Zuber-Buhler, Fritz (1822-96); 40.7x31.4 cm; Private Collection; (add.info.: The Lesson. Fritz Zuber-Buhler (1822-1896). Oil on canvas

Background imageSash Collection: Pomona, 1882 (oil on canvas)

Pomona, 1882 (oil on canvas)
CH377717 Pomona, 1882 (oil on canvas) by Millais, John Everett (1829-96); 103.4x74.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSash Collection: Portrait of Mrs. Vere (oil on canvas)

Portrait of Mrs. Vere (oil on canvas)
CH262783 Portrait of Mrs. Vere (oil on canvas) by Dance-Holland, Nathaniel (1734-1811); 127x101.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageSash Collection: Prince Charles Edward Stuart (Bonnie Prince Charlie) (w / c on vellum)

Prince Charles Edward Stuart (Bonnie Prince Charlie) (w / c on vellum)
CH433446 Prince Charles Edward Stuart (Bonnie Prince Charlie) (w/c on vellum) by Kamm, John Daniel (b.1702); width: 6.3 cm; Private Collection; (add.info)

Background imageSash Collection: Portrait of a Gentleman, Probably the Grand Duke Peter Fedorovich, Later Czar Peter III

Portrait of a Gentleman, Probably the Grand Duke Peter Fedorovich, Later Czar Peter III
659290 Portrait of a Gentleman, Probably the Grand Duke Peter Fedorovich, Later Czar Peter III, Standing Three-Quarter Length, Wearing a Red Embroidered Jacket

Background imageSash Collection: The Sutton Sisters, 1871 (oil on canvas)

The Sutton Sisters, 1871 (oil on canvas)
658680 The Sutton Sisters, 1871 (oil on canvas) by Cabanel, Alexandre (1823-89); 73x58.5 cm; Private Collection; (add.info.: The Sutton Sisters. Alexandre Cabanel (1824-1889). Oil on canvas

Background imageSash Collection: Portrait of Prince Stanislaw Poniatowski (oil on canvas)

Portrait of Prince Stanislaw Poniatowski (oil on canvas)
496175 Portrait of Prince Stanislaw Poniatowski (oil on canvas) by Lampi, Johann Baptist I (1751-1830) (attr. to); 90.2x78 cm; Private Collection; (add.info)

Background imageSash Collection: Portrait of the Comte d Evreux, with a marshals baton

Portrait of the Comte d Evreux, with a marshals baton
478171 Portrait of the Comte d Evreux, with a marshals baton and the sash of the Order of the Saint Esprit (oil on canvas) by Rigaud

Background imageSash Collection: Portrait of the Vernon Children, the Little Girl Standing Full Length in a White Dress

Portrait of the Vernon Children, the Little Girl Standing Full Length in a White Dress
824271 Portrait of the Vernon Children, the Little Girl Standing Full Length in a White Dress Tied with a Blue Sash, Holding a Doll, the Little Boy in a Red Jacket and Breeches

Background imageSash Collection: Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a

Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a
824243 Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a White Collar and Red Sash, 1647 (oil on canvas) by English School

Background imageSash Collection: A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses

A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses
824203 A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses with Blue Sashes, (oil on canvas) by Gainsborough

Background imageSash Collection: Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress

Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress
652180 Portrait of Mrs. Ellen Morewood, Standing Full Length, in a Yellow Dress, Blue Sash and Mauve Wrap, Leaning Her Left Arm on a Pedestal, (oil on canvas) by Romney

Background imageSash Collection: The Four Seasons (oil on canvas)

The Four Seasons (oil on canvas)
827960 The Four Seasons (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632) (follower of); 68.2x58 cm; Private Collection; (add.info.: The Four Seasons. Follower of Abraham Janssens)

Background imageSash Collection: Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas)

Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas)
827783 Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas) by Loo, Louis Michel van (1707-71) (after); 73.3x59.2 cm; Private Collection; (add.info)

Background imageSash Collection: The Goddess Nike awarding the Sash of Victory to three laurel crowned winners c

The Goddess Nike awarding the Sash of Victory to three laurel crowned winners c
3959717 The Goddess Nike awarding the Sash of Victory to three laurel crowned winners c.1796 (copper engraving) by Tischbein

Background imageSash Collection: Louis de Bourbon, Dauphin of France, 1749-50 (pastel on paper)

Louis de Bourbon, Dauphin of France, 1749-50 (pastel on paper)
4071450 Louis de Bourbon, Dauphin of France, 1749-50 (pastel on paper) by Liotard, Jean-Etienne (1702-89); 60.4x49.9 cm; Rijksmuseum, Amsterdam

Background imageSash Collection: Portrait of a Member of the Haarlem Civic Guard, c. 1636-8 (oil on canvas)

Portrait of a Member of the Haarlem Civic Guard, c. 1636-8 (oil on canvas)
4073425 Portrait of a Member of the Haarlem Civic Guard, c.1636-8 (oil on canvas) by Hals, Frans (1582/3-1666); 86 x 69 cm; National Gallery of Art, Washington DC

Background imageSash Collection: Repairing armour (chromolitho)

Repairing armour (chromolitho)
3643597 Repairing armour (chromolitho) by English School, (19th century); Private Collection; (add.info.: Repairing armour. Illustration for The Boys Own Annual, 1893.); © Look and Learn

Background imageSash Collection: Schoolboys on playing fields (b / w photo)

Schoolboys on playing fields (b / w photo)
3643431 Schoolboys on playing fields (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Schoolboys on playing fields)

Background imageSash Collection: A Victorian Christmas card of children playing blindsman buff, c

A Victorian Christmas card of children playing blindsman buff, c
3603752 A Victorian Christmas card of children playing blindsman buff, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

Background imageSash Collection: A Victorian greeting card of two children wearing bonnets about to enter a front door, c

A Victorian greeting card of two children wearing bonnets about to enter a front door, c
3603677 A Victorian greeting card of two children wearing bonnets about to enter a front door, c.1880 (colour litho) by English School

Background imageSash Collection: A Victorian New Year card of a child lifting a net curtail to look at a jester

A Victorian New Year card of a child lifting a net curtail to look at a jester
3603600 A Victorian New Year card of a child lifting a net curtail to look at a jester and ball on the floor, c.1880 (colour litho) by English School

Background imageSash Collection: A Victorian Christmas card of a little girl opening a wicker basket

A Victorian Christmas card of a little girl opening a wicker basket
3603441 A Victorian Christmas card of a little girl opening a wicker basket and looking at two kittens in it, c.1880 (colour litho) by English School

Background imageSash Collection: A Victorian religious card of a woman clinging onto a cross entwined with flowers, c

A Victorian religious card of a woman clinging onto a cross entwined with flowers, c
3603336 A Victorian religious card of a woman clinging onto a cross entwined with flowers, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English

Background imageSash Collection: Victorian greeting card with two angels scattering roses, c. 1880 (colour litho)

Victorian greeting card with two angels scattering roses, c. 1880 (colour litho)
3603202 Victorian greeting card with two angels scattering roses, c. 1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

Background imageSash Collection: A Victorian Paper Scrap Relief of an angel holding a laurel branch, c. 1880 (colour litho)

A Victorian Paper Scrap Relief of an angel holding a laurel branch, c. 1880 (colour litho)
3605481 A Victorian Paper Scrap Relief of an angel holding a laurel branch, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

Background imageSash Collection: Portrait of a Boy with a Falcon (oil on canvas)

Portrait of a Boy with a Falcon (oil on canvas)
3493084 Portrait of a Boy with a Falcon (oil on canvas) by Vaillant, Wallerant (1623-77); 75.6x63.5 cm; Metropolitan Museum of Art, New York, USA; Dutch, out of copyright

Background imageSash Collection: The Archangel Gabriel, 1913 (stained glass)

The Archangel Gabriel, 1913 (stained glass)
3475530 The Archangel Gabriel, 1913 (stained glass) by Brown, John William (1842-1928); St Brendan, Brendon, Devon, UK; (add.info.: Foreacre & Watson); eAlastair Carew-Cox; out of copyright

Background imageSash Collection: The little model by Kate Greenaway

The little model by Kate Greenaway
3779376 The little model by Kate Greenaway. by Greenaway, Kate (1846-1901); (add.info.: The little model by Kate Greenaway. Victorian girl wearing large blue hat, carrying flowers (carnation)

Background imageSash Collection: Miss Elizabeth Hoare, 1826 (oil on canvas)

Miss Elizabeth Hoare, 1826 (oil on canvas)
3743834 Miss Elizabeth Hoare, 1826 (oil on canvas) by Barber, Thomas (1768-1843) (attr.to); 74.9x62.2 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Background imageSash Collection: Young Woman in a Blue Dress (oil on canvas)

Young Woman in a Blue Dress (oil on canvas)
3744720 Young Woman in a Blue Dress (oil on canvas) by English School, (18th century); 81.2x68.7 cm; Nottingham City Museums and Galleries (Newstead Abbey)

Background imageSash Collection: 6th Lord Byron, c. 1825 (oil on canvas)

6th Lord Byron, c. 1825 (oil on canvas)
3744663 6th Lord Byron, c.1825 (oil on canvas) by Westall, Richard (1765-1836) (attr. to); 26x21 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info.: Study of the poet)

Background imageSash Collection: A Girl with a Racquet (oil on canvas)

A Girl with a Racquet (oil on canvas)
3744303 A Girl with a Racquet (oil on canvas) by Belleroche, Albert de (1864-1944); 73.7x60.3 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageSash Collection: Diogenes Looking for an Honest Man, 1652 (oil on canvas)

Diogenes Looking for an Honest Man, 1652 (oil on canvas)
5863931 Diogenes Looking for an Honest Man, 1652 (oil on canvas) by Everdingen, Cesar Boetius van (c.1616/17-78); 75.9x103.6 cm; Mauritshuis, The Hague



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"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society. From Queen Elizabeth II, the beloved monarch of the United Kingdom and Commonwealth, to influential figures like Gen C Gordon and Col Lith, this accessory holds great significance. In 1953, Queen Elizabeth II donned her coronation robes with a majestic sash draped across her shoulder. The artist Sterling Henry Nahum Baron captured this iconic moment that symbolized her reign as a powerful leader. The suffragette movement led by Pankhurst in Manchester Docks fought tirelessly for women's rights. Their determination was embodied in their symbolic sashes proudly displayed during protests. Mustafa Kemal Ataturk, known as the father of modern Turkey, wore a sash that represented his vision for progress and reform. Similarly, Reza Shah Pahlavi of Iran used his regal sash to signify authority during his transformative rule. Even fictional characters found themselves adorned with significant sashes. In Hannah Humphrey's depiction of "The King of Brobdingnag" from Gulliver's Travels published in 1803, we see how even imaginary realms recognize the power behind this accessory. The military also embraces the importance of tradition and honor through their use of ceremonial sashes. As they celebrate the birthday of their queen or pay homage to Field Marshal Lord Roberts' leadership during South Africa's conflicts in 1902 - these symbols serve as reminders of duty and loyalty. Portraits throughout history capture distinguished individuals wearing magnificent sashes; Nelson exuding bravery on panel canvas or Queen Victoria radiating elegance circa 1880 – all showcasing how these adornments elevate one's stature. Lastly but not leastly is Princess Elizabeth herself before she ascended to become Queen Elizabeth II.