Scenography Collection

Copernican worldview, 1708
Copernican worldview. This is plate 5 from the 1708 edition of the star atlas Harmonica Macrocosmica by the Dutch-German mathematician and cosmographer Andreas Cellarius (1596-1665)

Aida, by Verdi, 1879 (sketch)
8698381 Aida, by Verdi, 1879 (sketch) by Lacroix, Eugene (1858-1950); Bibliotheque-Musee de l'Opera Garnier, Paris, France; (add.info.: Music)

Baldassarre Peruzzi (1481 - 1536): Scenography project for a theatrical representation
GIM5037872 Baldassarre Peruzzi (1481 - 1536): Scenography project for a theatrical representation, the scene reproduces the palaces and ruins of a city of ancient Rome; (add.info)

Dramatic machinery for a theatre set including flying carriage, boat on moving waves, flats, etc
FLO4591160 Dramatic machinery for a theatre set including flying carriage, boat on moving waves, flats, etc. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal

"The propher" Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864)
ELD4845230 "The propher" Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864), German composer: Jean the prophet dies in the fire of the palace (act V)

The prophete Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864), German composer: Jean de Leiden
ELD4845157 The prophete Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864), German composer: Jean de Leiden, the prophet denying his mother

Illustration for scene 4 of Act I of the comedy " Les litideurs"" by Jean Racine
JEB4865266 Illustration for scene 4 of Act I of the comedy " Les litideurs"" by Jean Racine. Engraving Private Collection; (add.info)

Dramatic machinery for a theatre set. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or
FLO4591164 Dramatic machinery for a theatre set. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst

Central double page of a program of the Folies Bergere in Paris, 1927
PCT4289639 Central double page of a program of the Folies Bergere in Paris, 1927; (add.info.: Extract from the fifth album)

The prophet Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864), German composer: Jean follows the anabaptists
ELD4845153 The prophet Opera by Giacomo Meyerbeer (Jakob Liebmann Beer, 1791-1864), German composer: Jean follows the anabaptists, act II, scene 3

Bartolomeo Ammannati (Ammanati) (1511-1592): Machine projects for moving scenographies during theatrical
GIM5037963 Bartolomeo Ammannati (Ammanati) (1511-1592): Machine projects for moving scenographies during theatrical representations GDSU 7674 A; (add.info)

Set design for Mozart's Magic Flute, 1863 (illustration)
544222 Set design for Mozart's Magic Flute, 1863 (illustration); (add.info.: ('Die Zauberflote'), opera by Wolfgang Amadeus Mozart (1756-1791)

Illustration of a scene of the theatre piece "Elles tirera"by Andre Birabeau (1890-1974)
XEE4143099 Illustration of a scene of the theatre piece " Elles tirera" by Andre Birabeau (1890-1974) and Marcel Hervieu in " La baionnette" " number 124 of November 15

Page from the directing book for The Insect Comedy
7204976 Page from the directing book for The Insect Comedy by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Autograph of K. H)

The Klingsor keep for Richard Wagners "Parsifal II Act". Illustration in "The Living Work of Art"by
LSE4095251 The Klingsor keep for Richard Wagners " Parsifal II Act". Illustration in " The Living Work of Art" by Adolphe Appia (1862-1928) by Appia

Page from the directing book for The Insect Comedy
7204975 Page from the directing book for The Insect Comedy by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Sketch and notes by K. H)

Page from the directing book for Edward II
7204974 Page from the directing book for Edward II by Hilar, Karel Hugo (1885-1935); National Theatre, Prague, Czech Republic; (add.info.: Sketch by K. H)

The Taming of the Shrew (oil on canvas)
7064091 The Taming of the Shrew (oil on canvas) by Sickert, Walter Richard (1860-1942); 51x78 cm; Private Collection; English, out of copyright

Scenography of Luigi Morgari (born in 1857) for the opera "La Boheme"
GIA4803415 Scenography of Luigi Morgari (born in 1857) for the opera " La Boheme" by Giacomo Puccini (1858-1924) 19th century by Unknown Artist

The temple of Irminsul in the opera "Norma"
GIA4769985 The temple of Irminsul in the opera " Norma" by Vincenzo Bellini (1801 - 1835): Scenography by Sanquirico for the performance at the theatre of La Scala in Milan in 1833

Drawing for the decor of scene 3 of Act II of the opera "I Lombardi"or "
GIA4769923 Drawing for the decor of scene 3 of Act II of the opera " I Lombardi" or " The Lombards at the First Crusade" composed by Giuseppe Verdi (1813 - 1901) in 1843

Scenography of Otello, opera by Giuseppe Verdi, 1887
LRI4569188 Scenography of Otello, opera by Giuseppe Verdi, 1887 by Anonymous; Private Collection; (add.info.: Illustration of the opera " Othello" by Italian romantic composer Giuseppe)

Stage set for second act of Semiramide, opera by Gioacchino Rossini, 19th century
LRI4568092 Stage set for second act of Semiramide, opera by Gioacchino Rossini, 19th century by Unknown Artist, (19th century); Private Collection; (add.info)

Illustration for the scene 2, act III of Lohengrin, opera by Wagner
LRI4567769 Illustration for the scene 2, act III of Lohengrin, opera by Wagner by Anonymous; Private Collection; (add.info)

Illustration for the opera Parsifal by Wagner, represented in 1882 at the theatre of
LRI4567749 Illustration for the opera Parsifal by Wagner, represented in 1882 at the theatre of Bayreuth by Anonymous; Private Collection; (add.info)

The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei
LRI4627870 The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei. 1830 (Lithography) by Sanquirico

View of the House of Salustio. Scenography for the opera The Last Day of Pompei
LRI4627858 View of the House of Salustio. Scenography for the opera The Last Day of Pompei. 1830 (Lithography) by Sanquirico

Isolettas cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera
LRI4627754 Isolettas cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera La Straniera by Vincenzo Bellini

The vestibule of the castle of Montolino in Brittany. Scenography in 1829 of the opera La
LRI4627747 The vestibule of the castle of Montolino in Brittany. Scenography in 1829 of the opera La straniera by Vincenzo Bellini

View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru
LRI4628036 View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru. 1830 (lithography) by Sanquirico

View of the gallery decorated with paintings. Scenography for the opera I due figaro by
LRI4627834 View of the gallery decorated with paintings. Scenography for the opera I due figaro by Giuseppe Saverio Raffaele Mercadante

Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris
XEE4408874 Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuvilles drawing the third act, fourth painting, scene IX

Representation of an opera: "Aida"by Giuseppe Verdi (1813-1901)
XEE4168597 Representation of an opera: " Aida" by Giuseppe Verdi (1813-1901). The banks of the Nile (3rd Act). Decor by Jean Louis Cheret (1820-1882)

Act III of the opera by Giuseppe Verdi "Falstaff"
GIA4776947 Act III of the opera by Giuseppe Verdi " Falstaff" : Falstaff and Quickly (" Voi le stregate tutte..." ). Illustration by Hohenstein

Scenography of Philippe Chaperon for the opera Aida by Giuseppe Verdi (1813-1901)
GIA4776892 Scenography of Philippe Chaperon for the opera Aida by Giuseppe Verdi (1813-1901): the temple of Isis 1901. Museo del Teatro alla Scala, Milan

Scenography of Sanquirico for the opera "Anna Bolena"
GIA4776827 Scenography of Sanquirico for the opera " Anna Bolena" by Gaetano Donizetti (1797-1848) represented at the Teatro Carcano in Milan, 1831

Illustration for the last scene of The Mastersingers of Nuremberg by Wagner
LRI4567719 Illustration for the last scene of The Mastersingers of Nuremberg by Wagner, for the representation in Teatro alla scala

The Meistersinger von Nurnberg (Les Maitres Chanteurs de Nuremberg), WWV 96
GIA4804833 The Meistersinger von Nurnberg (Les Maitres Chanteurs de Nuremberg), WWV 96, opera by Richard Wagner created in 1868. Scenography of Ferrario for La Scala in Milan, 1898

The forest of the Sibyl Albunea. Scenography for the opera drama Enea nel Lazio
LRI4627882 The forest of the Sibyl Albunea. Scenography for the opera drama Enea nel Lazio. 1830 (Lithography) by Sanquirico

View of the suburbs of London. Scenography for the opera Giovanna Shore by Carlo Ponti
LRI4627851 View of the suburbs of London. Scenography for the opera Giovanna Shore by Carlo Ponti. 1830 (Lithography) by Sanquirico

The bedroom of the Royal Palace. Scenography in 1828 for the opera Elisabetta
LRI4627735 The bedroom of the Royal Palace. Scenography in 1828 for the opera Elisabetta, Regina d Inghilterra by Gioacchino Rossini

The Pavilion of Muhammad (Act II). Scenography in 1829 for the opera The siege of Corinth
LRI4627721 The Pavilion of Muhammad (Act II). Scenography in 1829 for the opera The siege of Corinth by Gioacchino Rossini

The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni
GIA4702422 The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni Pacini. " The Last Day of Pompei." 1817. Teatro alla Scala de Milan

A delicious place: view from the interior of a temple with statues
LRI4627922 A delicious place: view from the interior of a temple with statues. Scenography for the ballet Ottaviano in Egitto

View of the interior of the temple of Bacchus. Scenography for the opera Alessandro
LRI4627866 View of the interior of the temple of Bacchus. Scenography for the opera Alessandro Nell Indie. 1830 (Lithography) by Sanquirico

View of the hall of the palace of the Duke of Gloucester
LRI4627845 View of the hall of the palace of the Duke of Gloucester. Scenography for the opera Giovanna Shore by Carlo Ponti

View of the entrance to the Royal Palace of Cleophis, mistress of King Poros
LRI4627805 View of the entrance to the Royal Palace of Cleophis, mistress of King Poros. Scenography for opera Alessandro Nell Indie by Metastase

The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by
LRI4627785 The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by Niccolo Antonio Zingarelli

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Scenography is an art form that has evolved over centuries, capturing the essence of various theatrical productions and operas. From the Copernican worldview in 1708 to modern-day masterpieces, it continues to mesmerize audiences with its visual storytelling. One such captivating illustration is found in "Elles tirera" by Andre Birabeau and Marcel Hervieu, featured in "La baionnette" number 124 of November 15. This scene transports us into a world where imagination knows no bounds. In another instance, we delve into the directing book for The Insect Comedy, discovering a page filled with intricate details that bring this whimsical play to life. It's as if we can hear the buzzing of insects and feel their mischievous presence on stage. The Klingsor keep for Richard Wagner's "Parsifal II Act" takes us on a journey through time and space. Adolphe Appia's illustration in "The Living Work of Art" showcases his visionary approach to scenography, creating an immersive experience like no other. Luigi Morgari's scenography for the opera "La Boheme" captures the romance and tragedy within its delicate brushstrokes. We are transported to bohemian Paris, feeling every emotion alongside the characters on stage. From grand temples like Irminsul in the opera "Norma, " designed with meticulous attention to detail, to Giuseppe Verdi's Otello set that immerses us in Shakespearean drama - each production leaves an indelible mark on our hearts. Gioacchino Rossini's Semiramide enthralls us with its opulent stage set during act two. The lavishness exudes from every corner of this masterpiece; it feels as though we have stepped back into a bygone era. Scenography breathes life into these works of art.