Score Collection (page 16)

The piano player, 1913. Private Collection

Lady Playing the Harp. Found in the Collection of Nationalmuseum Stockholm

Symphony. Private Collection

Interior with a Man holding a Lyre and a Woman with a Music Score. Artist: Gerard, Marguerite (1761-1837)
Interior with a Man holding a Lyre and a Woman with a Music Score. Private Collection

Antonio Vivaldi, Italian Baroque composer, Catholic priest, and virtuoso violinist, 1725. Artist: Peter La Cave
Antonio Vivaldi, Italian Baroque composer, Catholic priest, and virtuoso violinist, 1725. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948. (Colorised black and white print)

Jack Hylton (1892-1965), English band leader, 1935. He was an impresario who rose to prominence during the British dance band era

Jean-Marie Leclair the Elder, Baroque violinist and composer
Jean-Marie Leclair the Elder (1697-1764), French Baroque violinist and composer. He is considered to have founded the French violin school

Francois Couperin, French Baroque composer, organist and harpsichordist, 1735. Artist: J Flippart
Francois Couperin (1668- 1733), French Baroque composer, organist and harpsichordist, 1735. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948

Arcangelo Corelli (1653-1713) was an Italian violinist and composer of the Baroque era. Artist: H Howard
Arcangelo Corelli (1653 ? 1713) was an Italian violinist and composer of the Baroque era. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948

Josquin des Prez, Franco-Flemish composer of the Renaissance. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948

Francesco Landino playing a portative organ, 1325 - 1397
Francesco Landino (c1325 or 1335 - 1397) playing a portative organ, 1325 - 1397. Landino was an Italian composer, organist, singer, poet and instrument maker

Personification of music, with the auxiliaries, the poet and musicians, 1508, (1870). Facsimile of a wood engraving from the Margarita Philosophica Nova

The Singer Faustina Bordoni (1697-1781) with a Musical Score, c. 1725. Artist: Carriera, Rosalba Giovanna (1657-1757)
The Singer Faustina Bordoni (1697-1781) with a Musical Score, c. 1725. Found in the collection of the Dresden State Art Collections

The Musicians, c1595. Artist: Michelangelo Caravaggio
The Musicians, c1595. One of a number of realistic paintings of half-length figures painted in Rome for aristocratic patrons

Mozart working on the overture for Don Giovanni, 1787, (1906). Wolfgang Amadeus Mozart (1756-1791) wrote the overture on the night of 28 October 1787 ready for its first performance at the National

Wolfgang Amadeus Mozart (1756-1791), c1790. The music below the portrait is the beginning of his song Das Veilchen (The Violet) dated 8 June 1789

Mozart working on his opera The Magic Flute, 1791, (1906). Austrian composer Wolfgang Amadeus Mozart (1756-1791), and Emanuel Schikaneder (1751-1812), the librettist

Aaron Copland (1900-1990), American composer
Aaron Copland, (1900-1990) American composer

Jean Philippe Rameau (1683-1764), French composer

The National Anthem and Rule, Britannia, 18th century. Artist: Thomas Arne
The National Anthem and Rule, Britannia, 18th century. A hand-written score of the National Anthem by Thomas Arne, 1745, and Rule, Britannia, also by Arne with words by James Thomson

Alan Shearer Newcastle celebrates after a January 1998 goal during the Newcastle United v Stevenage FA Cup fourth round replay

Young couple singing, man playing piano, (B&W)

187 brass bands competing at Crystal Palace. 29 September 1934

Musical Instruments and Sheet Music

Violin, Sheet Music, and Rose

Arts Collage

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"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives, and timeless masterpieces. From the enchanting melodies of Giacomo Puccini's "Madame Butterfly" to the heart-wrenching arias in "La Boheme Opera Score, " these scores transport us to ethereal realms where passion and artistry intertwine. But scores extend beyond opera houses and concert halls. They find their place in history as well. Just like Bach's Prelude Score resonates with harmonious precision, Jackie Robinson's legacy echoes through time. As he fearlessly stole home under catcher Andy Seminick's tag during that fateful game against the Philadelphia Phillies in 1950, Robinson etched his name into baseball lore forever. Edward Elgar composed more than just musical notes; his Salut D'Amour score became an emblem of affectionate sentiments shared between lovers. Similarly, when France clashed with Ireland on the rugby field, their fierce rivalry was transcribed onto a different kind of score—one filled with tackles, tries, and triumphs and can also be wielded as tools for propaganda or calls for peace. Soviet propaganda posters declaring "We want Peace" carried messages that reverberated far beyond their visual impact. Meanwhile, cricketing records from 1932 remind us how numbers can immortalize sporting achievements while Wagner's compositions echo alongside Balestrieri's craftsmanship. Even great composers themselves have been captured within scores—Beethoven immortalized by Jk Stieler’s portrait while Schubert breathed life into Goethe’s chilling tale through his Erlkonig composition. Finally, we witness George Mutch scoring for Preston North End at the FA Cup Final—a momentous occasion etched into football folklore forevermore.