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Score Collection (page 7)

"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives

Background imageScore Collection: Score for La Grotta di Fingallo by Felix Mendelssohn (litho)

Score for La Grotta di Fingallo by Felix Mendelssohn (litho)
GIA3742936 Score for La Grotta di Fingallo by Felix Mendelssohn (litho) by Italian School; Private Collection; (add.info.: Fingals Cave)

Background imageScore Collection: 12 Lieder without words accompanied on piano, by Felix Mendelssohn (litho)

12 Lieder without words accompanied on piano, by Felix Mendelssohn (litho)
GIA3742935 12 Lieder without words accompanied on piano, by Felix Mendelssohn (litho) by German School; Private Collection; (add.info.: 12 Lieder without words accompanied on piano)

Background imageScore Collection: Woman at a Piano, (oil on panel)

Woman at a Piano, (oil on panel)
987374 Woman at a Piano, (oil on panel) by Boldini, Giovanni (1842-1931); 14.9x12.8 cm; Private Collection; (add.info.: Woman at a Piano; Femme Jouant au Piano. Giovanni Boldini (1842-1931)

Background imageScore Collection: The Three Ravens: Design for a Song Book (pencil, pen & grey ink

The Three Ravens: Design for a Song Book (pencil, pen & grey ink
CH378616 The Three Ravens: Design for a Song Book (pencil, pen & grey ink and w/c heightened with white) by Crane, Walter (1845-1915); Private Collection; Photo eChristies Images; English

Background imageScore Collection: Prelude, Fugue and Allegro in E flat BWV 998, c. 1735-40 (pen & ink on paper)

Prelude, Fugue and Allegro in E flat BWV 998, c. 1735-40 (pen & ink on paper)
3531016 Prelude, Fugue and Allegro in E flat BWV 998, c.1735-40 (pen & ink on paper) by Bach, Johann Sebastian (1748-78); 34.5x21.3 cm; Private Collection; Photo eChristies Images; German

Background imageScore Collection: An Augustine Monk reading an Anthiphonary (oil on panel)

An Augustine Monk reading an Anthiphonary (oil on panel)
990048 An Augustine Monk reading an Anthiphonary (oil on panel) by Vergos, Pau (c.1465-95); 106x45.7 cm; Private Collection; (add.info.: An Augustine Monk reading an Anthiphonary. Pau Vergos (c)

Background imageScore Collection: The Choir Boys, (oil on canvas)

The Choir Boys, (oil on canvas)
989891 The Choir Boys, (oil on canvas) by Rico y Cejudo, Jose (1864-1939); 84.5x130.2 cm; Private Collection; (add.info.: The Choir Boys. Jose Rico y Cejudo (b.1864). Oil on canvas

Background imageScore Collection: The Duet, (oil on canvas)

The Duet, (oil on canvas)
658924 The Duet, (oil on canvas) by Firle, Walther (1859-1929); 127x87.5 cm; Private Collection; (add.info.: The Duet. Walter Firle (1859-1929). Oil on canvas

Background imageScore Collection: Lady with a Mandolin, (oil on canvas)

Lady with a Mandolin, (oil on canvas)
658504 Lady with a Mandolin, (oil on canvas) by Portielje, Gerard (1856-1929); 116.5x90 cm; Private Collection; (add.info.: Lady with a Mandolin. Gerard Jozef Portielje (1856-1929). Oil on canvas

Background imageScore Collection: My Heart Ever Faithful (oil on canvas)

My Heart Ever Faithful (oil on canvas)
823182 My Heart Ever Faithful (oil on canvas) by Freer, Frederick Warren (1849-1908); 111x75.5 cm; Private Collection; (add.info.: My Heart Ever Faithful. Frederick Warren Freer (1849-1908)

Background imageScore Collection: The Afternoon Concert - Out of Tune, (oil on canvas)

The Afternoon Concert - Out of Tune, (oil on canvas)
827201 The Afternoon Concert - Out of Tune, (oil on canvas) by Reggianini, Vittorio (1858-1938); 68x91.4 cm; Private Collection; (add.info.: The Afternoon Concert - Out of Tune)

Background imageScore Collection: Illuminated initial with the figure of San Girolamo (Corale 5, c)

Illuminated initial with the figure of San Girolamo (Corale 5, c. 138), for choir book 5 of Santa Maria degli Angeli
3565254 Illuminated initial with the figure of San Girolamo (Corale 5, c. 138), for choir book 5 of Santa Maria degli Angeli by Monaco, Lorenzo (1370-1425); Biblioteca Medicea-Laurenziana, Florence

Background imageScore Collection: Musical Angel, 1876 (stained glass)

Musical Angel, 1876 (stained glass)
3474861 Musical Angel, 1876 (stained glass) by Wooldridge, Harry Ellis (1845-1917); St James, Chipping Campden, UK; (add.info.: Manufactured by James Powell & Sons); eAlastair Carew-Cox; English

Background imageScore Collection: George Frederic Handel monument, Westminster Abbey

George Frederic Handel monument, Westminster Abbey
3849822 George Frederic Handel monument, Westminster Abbey by Roubilliac, Louis Francois (1695-1762); (add.info.: George Frederic Handel monument, , unveiled in 1762. Westminster Abbey, London UK)

Background imageScore Collection: George Frederic Handel monument, Westminster Abbey

George Frederic Handel monument, Westminster Abbey
3849819 George Frederic Handel monument, Westminster Abbey by Roubilliac, Louis Francois (1695-1762); (add.info.: George Frederic Handel monument, Westminster Abbey, London UK)

Background imageScore Collection: 'No one made such a score as Will did'(engraving)

"No one made such a score as Will did"(engraving)
6003632 " No one made such a score as Will did" (engraving) by Copping, Harold (1863-1932); Private Collection; (add.info)

Background imageScore Collection: I ll sing you a song i ve just made up, illustration from

I ll sing you a song i ve just made up, illustration from
616471 I ll sing you a song i ve just made up, illustration from The Frog would a Wooing Go, by Charles H. Bennett, 1916 (colour litho) by Adams, Frank (1871-1944); Private Collection; American

Background imageScore Collection: Choral miniature with St. Benedict preaching to monks (pigment on vellum)

Choral miniature with St. Benedict preaching to monks (pigment on vellum)
703207 Choral miniature with St. Benedict preaching to monks (pigment on vellum) by Italian School; Abbey of Monte Cassino, Cassino, Italy; Italian, out of copyright

Background imageScore Collection: Valentines card, involving Cupid, arrow and musical score (chromolitho)

Valentines card, involving Cupid, arrow and musical score (chromolitho)
982476 Valentines card, involving Cupid, arrow and musical score (chromolitho) by English School, (20th century); Private Collection; (add.info.: Valentines card, involving Cupid)

Background imageScore Collection: Man with a Violin (oil on panel)

Man with a Violin (oil on panel)
450153 Man with a Violin (oil on panel) by Dou, Gerrit or Gerard (1613-75) (after); 36x27.2 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Dutch, out of copyright

Background imageScore Collection: Musical score for Pal-o -Mine, composed and sung by The Great Vance (colour litho)

Musical score for Pal-o -Mine, composed and sung by The Great Vance (colour litho)
585040 Musical score for Pal-o -Mine, composed and sung by The Great Vance (colour litho) by Concanen, Alfred (1835-86); Private Collection; (add.info.: Musical score for Pal-o -Mine)

Background imageScore Collection: Musical score for The Times and Telegraph Galop (colour litho)

Musical score for The Times and Telegraph Galop (colour litho)
586586 Musical score for The Times and Telegraph Galop (colour litho) by Packer, Thomas (19th century); Private Collection; (add.info.: Musical score for The Times and Telegraph Galop)

Background imageScore Collection: Round the Town Lancers by Warwick Williams; musical score (colour litho)

Round the Town Lancers by Warwick Williams; musical score (colour litho)
584944 Round the Town Lancers by Warwick Williams; musical score (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageScore Collection: Musical score for Serpentine Quadrille on popular airs by Carl Burckhardt (colour litho)

Musical score for Serpentine Quadrille on popular airs by Carl Burckhardt (colour litho)
586138 Musical score for Serpentine Quadrille on popular airs by Carl Burckhardt (colour litho) by Brandard, John (1812-63); Private Collection; (add.info)

Background imageScore Collection: Al Fresco Polka, musical score (colour litho)

Al Fresco Polka, musical score (colour litho)
584607 Al Fresco Polka, musical score (colour litho) by Packer, Thomas (19th century); Private Collection; (add.info.: Al Fresco Polka)

Background imageScore Collection: Musical score collecting favourite songs sung at Vauxhall Gardens, London

Musical score collecting favourite songs sung at Vauxhall Gardens, London, composed by Mr Hook (engraving)
584554 Musical score collecting favourite songs sung at Vauxhall Gardens, London, composed by Mr Hook (engraving) by English School

Background imageScore Collection: Musical score featuring Favourite Gipsy Songs from Il Trovatore (colour litho)

Musical score featuring Favourite Gipsy Songs from Il Trovatore (colour litho)
584338 Musical score featuring Favourite Gipsy Songs from Il Trovatore (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageScore Collection: Musical score for Love and Rhino, or The Comical Courtship of Miss Margery Mizzlefig (engraving)

Musical score for Love and Rhino, or The Comical Courtship of Miss Margery Mizzlefig (engraving)
604212 Musical score for Love and Rhino, or The Comical Courtship of Miss Margery Mizzlefig (engraving) by English School

Background imageScore Collection: Musical score for St Jamess Palace Band March (engraving)

Musical score for St Jamess Palace Band March (engraving)
604121 Musical score for St Jamess Palace Band March (engraving) by English School, (19th century); Private Collection; (add.info.: Musical score for St Jamess Palace Band March by G Tolkien)

Background imageScore Collection: John Frederick Lampe, engraved by James McArdell (c. 1729-65), c. 1765 (mezzotint)

John Frederick Lampe, engraved by James McArdell (c. 1729-65), c. 1765 (mezzotint)
DEC418556 John Frederick Lampe, engraved by James McArdell (c.1729-65), c.1765 (mezzotint) by Andrea, S. (18th century) (after); 37.5x27.7 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageScore Collection: Ballad singer (pen & ink on paper)

Ballad singer (pen & ink on paper)
CTS407579 Ballad singer (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageScore Collection: Musical instruments, from a book of engraved plates of Oppenords designs

Musical instruments, from a book of engraved plates of Oppenords designs
468633 Musical instruments, from a book of engraved plates of Oppenords designs, published 1745 (engraving) by French School

Background imageScore Collection: Sorrowful Maiden, from The Three Ravens, song illustration from

Sorrowful Maiden, from The Three Ravens, song illustration from
DGC452030 Sorrowful Maiden, from The Three Ravens, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: The Hunt is Up and it is well nigh day and Harry our King is gone hunting

The Hunt is Up and it is well nigh day and Harry our King is gone hunting
DGC452006 The Hunt is Up and it is well nigh day and Harry our King is gone hunting, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageScore Collection: Opening page of the score of Iphigenie en Tauride by Gluck (print)

Opening page of the score of Iphigenie en Tauride by Gluck (print)
473619 Opening page of the score of Iphigenie en Tauride by Gluck (print) by French School, (18th century); Bibliotheque de l Opera Garnier, Paris

Background imageScore Collection: 'Put him down now, you men, said Bentley;... You ll pull him to bits! '(colour litho)

"Put him down now, you men, said Bentley;... You ll pull him to bits! "(colour litho)
2813689 " Put him down now, you men, said Bentley;... You ll pull him to bits! " (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageScore Collection: Comic postcard, Conductor and band Date: 20th century

Comic postcard, Conductor and band Date: 20th century

Background imageScore Collection: Ta-ra-ra-Boom-de-ay - popular song

Ta-ra-ra-Boom-de-ay - popular song
Ta-ra-ra-Boom-de-ay - the popular song in musical notation, with portraits Date: 1890s

Background imageScore Collection: The Medal and the Maid, musical comedy at the Lyric Theatre, Tom B Daviss company

The Medal and the Maid, musical comedy at the Lyric Theatre, Tom B Daviss company, book by Owen Hall, lyrics by C H Taylor, music by Sidney Jones. Date: 1900s

Background imageScore Collection: Page 418 Jog on, jog on, the footpath way, musical score for

Page 418 Jog on, jog on, the footpath way, musical score for
2613455 Page 418 Jog on, jog on, the footpath way, musical score for The Winters Tale (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageScore Collection: Scene from Tosca (b / w photo)

Scene from Tosca (b / w photo)
3093950 Scene from Tosca (b/w photo) by Italian Photographer, (20th century); Private Collection; (add.info.: Scene from Tosca. Postcard, early 20th century. Signed Griggi.); © Look and Learn

Background imageScore Collection: Mr Cinders, a Barrel of Fun, musical comedy, score by Vivian Ellis and Richard Myers

Mr Cinders, a Barrel of Fun, musical comedy, score by Vivian Ellis and Richard Myers, libretto by Clifford Grey and Greatorex Newman, presented by Macdonald & Young, Pleasure Garden Theatre

Background imageScore Collection: Doll representing a young man in front of a music score

Doll representing a young man in front of a music score to God Save the Queen. Wooden doll dressed by the young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H

Background imageScore Collection: Doll representing Miss Arnold

Doll representing Miss Arnold in poke bonnet, muslin frock, long fichu. Wooden doll dressed by the young Princess Victoria. Color plate after an illustration by Alan Wright from Frances H

Background imageScore Collection: English huntswoman jumping sidesaddle over a fence

English huntswoman jumping sidesaddle over a fence, 19th century. Facey Romford unable to follow Lucy Somersville over a hedge. What matter did it make to him how she rode, confound this ugly place

Background imageScore Collection: Hector Berlioz, after the statue by Alfred Lenoir in Square Vintimille, Paris

Hector Berlioz, after the statue by Alfred Lenoir in Square Vintimille, Paris
XJF342421 Hector Berlioz, after the statue by Alfred Lenoir in Square Vintimille, Paris, 1886 (engraving) by Wilson, Charles Edward (1853-1941); Private Collection; (add.info)

Background imageScore Collection: Frontispiece, illustration from Cryptographia, oder geheime Schrifften

Frontispiece, illustration from Cryptographia, oder geheime Schrifften
CHT345927 Frontispiece, illustration from Cryptographia, oder geheime Schrifften by Johann Balthasar Friderici, engraved by Johan Friedlein (17th century) published in Hamburg



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"Score: A Melodic Tapestry of Triumphs and Tales" In the world of music, a score is not merely a collection of notes on paper; it encapsulates emotions, narratives, and timeless masterpieces. From the enchanting melodies of Giacomo Puccini's "Madame Butterfly" to the heart-wrenching arias in "La Boheme Opera Score, " these scores transport us to ethereal realms where passion and artistry intertwine. But scores extend beyond opera houses and concert halls. They find their place in history as well. Just like Bach's Prelude Score resonates with harmonious precision, Jackie Robinson's legacy echoes through time. As he fearlessly stole home under catcher Andy Seminick's tag during that fateful game against the Philadelphia Phillies in 1950, Robinson etched his name into baseball lore forever. Edward Elgar composed more than just musical notes; his Salut D'Amour score became an emblem of affectionate sentiments shared between lovers. Similarly, when France clashed with Ireland on the rugby field, their fierce rivalry was transcribed onto a different kind of score—one filled with tackles, tries, and triumphs and can also be wielded as tools for propaganda or calls for peace. Soviet propaganda posters declaring "We want Peace" carried messages that reverberated far beyond their visual impact. Meanwhile, cricketing records from 1932 remind us how numbers can immortalize sporting achievements while Wagner's compositions echo alongside Balestrieri's craftsmanship. Even great composers themselves have been captured within scores—Beethoven immortalized by Jk Stieler’s portrait while Schubert breathed life into Goethe’s chilling tale through his Erlkonig composition. Finally, we witness George Mutch scoring for Preston North End at the FA Cup Final—a momentous occasion etched into football folklore forevermore.