Sculture Collection

Boxer of Quirinal, also known as the Terme Boxer
Greek Art. Hellenistic. Boxer of Quirinal or the Terme Boxer. Bronze sculpture of the Hellenistic period (1st century B.C.). Boxer sitting at rest, with metal and leather dressings used for combat

The Mesmer sculpture at Meersburg, Germany
The elaborate sculpture of Franz Anton Mesmer at Meersburg, Baden-Wurttemberg, Germany

The superbly-carved Obsidian Head of Pharoah Senusret III - Egypt, Middle Kingdom, 12th dynasty (ca. 1860 BC). Date: circa 1860 BC

Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ
4066188 Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ, located on the left shutter

Panel of the main bronze door of the Milan Cathedral designed by Lodovico Pogliaghi: The Marriage of the Virgin Mary
4066190 Panel of the main bronze door of the Milan Cathedral designed by Lodovico Pogliaghi: The Marriage of the Virgin Mary, located on the right shutter

The latest work of British sculptor Antony Gormley, a statue entitled "Iron
The latest work of British sculptor Antony Gormley, a statue entitled " Iron : Man" is officially unveiled in Victoria Square, central Birmingham

Terra Cotta Mask
A Terra cotta mask sculture of an unknown head of a man. Just below his chin, the letters MAEV are inscribed. Date: circa 1930

Graduation Portrait (painted plaster)
700234 Graduation Portrait (painted plaster) by Gillick, Ernest George (1874-1951); 44x52x27.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; English

A Sculptors Studio, 1706 (oil on canvas)
TW427300 A Sculptors Studio, 1706 (oil on canvas) by Bossche, Balthasar van den (1681-1715); 58.5x82.9 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: In this studio scene)

Costumes of kings of the Sassanian Empire. Sassanid founder Ardashir I and Ahura Mazda hold a crown, while their horses stamp on the bodies of Artabanus and Ahriman (top)

Pothos, Roman Copy (marble)
3433295 Pothos, Roman Copy (marble) by Skopas of Paros, (4th century) (after); Palazzo dei Conservatori, Musei Capitolini, Rome; (add.info.: Copy in marble of Pothos attributed to Scopas (330 BC)

Head of a God or Priest, c. 450-425 BC (Limestone with traces of pigment)
3576915 Head of a God or Priest, c.450-425 BC (Limestone with traces of pigment) by Cypriot School, (5th century BC); 38.7x22.9x24.1 cm; North Carolina Museum of Art, Raleigh

Beauty and misshapennes in the female body (colour litho)
3097106 Beauty and misshapennes in the female body (colour litho) by German School, (19th century); Private Collection; (add.info.: Beauty and misshapennes in the female body)

Herakles the Archer, 1909 (bronze with gold patina)
CH378433 Herakles the Archer, 1909 (bronze with gold patina) by Bourdelle, Emile-Antoine (1861-1929); Private Collection; (add.info.: cast later; ); Photo eChristies Images; French, out of copyright

Back of stela B, Copan, Late Classic Period, 731 AD (stone)
JPC310182 Back of stela B, Copan, Late Classic Period, 731 AD (stone) by Mayan; Copan, Honduras, Central America; (add.info.: Main plaza, Copan, Honduras; stele; ); out of copyright

RR
Jörg Vollrath

British sculptor Antony Gormley stands beside his latest work, a statue entitled " Iron : Man" which has been just lifted onto its foundation in Victoria Square, central Birmingham

EyeUbiquitous_20107553
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107564
Italy, Lazio, Rome, Display of tourist souvenir gifts beside the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107554
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107561
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107562
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107551
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107552
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107560
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107555
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107563
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107559
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107558
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107556
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

EyeUbiquitous_20107557
Italy, Lazio, Rome, Piazza di Trevi, the baroque Trevi Fountain by Nicola Salvi 1762 against the Palazzo Poli

Art; Arts; Auberge; Bronze; Castile; Destination; George B Oliver; Horizontal; Malta; Maltese
Malta, Valletta, Castile Square, Auberge of Castile and George B Oliver statue

Artemis. Sculpture. 1st century AD. Roman work after Greek o
Artemis. Goddes of the Hunt. Daughter of Zeus and sister of Apollo. Roman equivalent is Diana. Sculpture. 1st century AD. Roman work after Greek originals. A richly decorated diadem. Glyptothek

Con istrumenti lume adattato simile operazione
Con istrumenti e lume adattato a simile operazione; tavola XIII nella quale vien dimostrato alcune porzioni di sculture da restaurarsi, suoi ordegni confacenti a tale operazione

Rio de Janeiro, Brazil - Christ the Redeemer statue, an immense art deco creation by the French sculptor Paul Landowski. The face was created by the Romanian artist Gheorghe Leonida

Roman antefix. Terracotta. Goddess Diana. From Tarragona. 1s
Roman antefix. Terracotta. Figure of god Diana. From Tarragona. 1st century. Episcopal Museum of Vic. Catalonia. Spain

Prehistory. The wooden idol from Pohjankuru. Finland, ca. 30
The wooden idol from Pohjankuru. Southern Finland, dates from ca. 3000 BC and is the oldest known portrait of an inhabitant of Finland. The National Museum of Finland. Helsinki

Sculpture. The ancient torso (Artemis statue). Was restored
Artemis. Goddes of the Hunt. Daughter of Zeus and sister of Apollo. Roman equivalent is Diana. The ancient torso (roman sculpture after an Artemis statue of the 4th century BC)

A scultured relief from the walls of the North West Palace in Nimrud the Assyrian capital in northern Iraq. The relef shows an attack on an enemy town with a vulture plucking at the body of a dead

Louis XIV of France (1638-1715). House of Bourbon. Sculpture
Louis XIV of France (1638-1715). Monarch of the House of Bourbon. Sculpture. Paris. France

Early Classical. Satyr hunting wils Animasl. Freezes. Panthe
Early Classical. Late Archaic. Satyr hunting wils animals. Panther. From the animal frieze that used to run around the top of the podium suporting Building G. Acropolis Xanthos. Lycia. Turkey

Early Classical. Satyr wielding a tree branch. 5th BC. Lyci
Early Classical. Late Archaic. Satyr wielding a tree branch. Frieze block carved in relief, from the animal frieze that used to run around the top of the podium suporting Building G

Early Classical. Guardian Sphinxes. 5th BC. Lycian. Xanthos
Early Classical. Late Archaic. Guardian Sphinxes. Limestone. 470BC-450BC. Lycian. Xanthos, building H. Turkey. British Museum. London. England. United Kingdom

Africa. Pipe in the form of a seated female figure. Made of wood. Republic of Congo. British Museum. London. England. United Kingdom

Statuette of Mars, god of war. Roman. Bronze. From Rome. 2nd-3rd century. Episcopal Museum of Vic. Catalonia. Spain

John VI of Nassau-Dillenburg (1536-1606). Count of Nassau-Di
John VI of Nassau-Dillenburg (1536-1606). Count of Nassau in Dillenburg. Principal author of the Union of Utrecht. Memorial. Utrecht. Netherlands

Alonso de Ercilla y Zuniga (15331594). Spanish nobleman, so
Alonso de Ercilla y Zu?niga (1533-1594). Spanish nobleman, soldier and epic poet. While in Chile (155663) he fought against the Araucanians (Mapuche), and there he began the epic poem La Araucana

Arabic peninsula. Male statue. Limestone. Tarut. National Mu
Arabic peninsula. Male statue. With typical Mesopotamian features Mid-3rd millenium BC. (Early Dynastic II ?). Limestone. H. 94 cm. Tarut. National Museum, Riyadh. Saudi Arabian

All Professionally Made to Order for Quick Shipping

"From ancient masterpieces to modern marvels, the world of sculpture captivates with its timeless beauty and intricate craftsmanship. The Boxer of Quirinal, also known as the Terme Boxer, stands as a testament to the strength and resilience of the human spirit. In Meersburg, Germany, The Mesmer sculpture mesmerizes viewers with its enigmatic aura and mysterious allure. A Terra Cotta Mask transports us back in time, offering a glimpse into ancient rituals and traditions. Meanwhile, the superbly-carved Obsidian Head of Pharaoh Senusret III from Egypt's Middle Kingdom showcases the regal splendor that once graced this majestic civilization. In Rio de Janeiro, Brazil, Christ the Redeemer stretches his arms wide in an eternal embrace of love and compassion for all humanity. Prehistory comes alive through Finland's wooden idol from Pohjankuru - a silent witness to our ancestors' beliefs and aspirations. The ancient torso of Artemis statue reveals both fragility and strength; restored with care to preserve its ethereal grace. A Roman work after Greek origins brings us closer to understanding classical artistry at its finest. As we ponder "What are we coming to, " an engraving challenges us to reflect on our ever-changing society. Graduation Portrait immortalizes moments of achievement in painted plaster while A Sculptor's Studio offers a glimpse into 18th-century artistic endeavors. Sculpture transcends time and space; it is an expression of human creativity that continues to inspire awe and wonder.