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Shakespearean Collection (page 3)

"Exploring the Shakespearean World: From Bees to Theatres" "Delve into the enchanting world of Shakespeare with 'Shakespeares Bees' by Pauline Baynes

Background imageShakespearean Collection: Edmund Kean as Richard III, 1815-1833. Creator: John Byrne

Edmund Kean as Richard III, 1815-1833. Creator: John Byrne
Edmund Kean as Richard III, 1815-1833

Background imageShakespearean Collection: Mr. Henderson in the Character of Macbeth, 1787. Creator: John Jones

Mr. Henderson in the Character of Macbeth, 1787. Creator: John Jones
Mr. Henderson in the Character of Macbeth, 1787

Background imageShakespearean Collection: Falstaff at Hernes Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5), May 30, 1793

Falstaff at Hernes Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5), May 30, 1793. Creator: Michele Beneditti
Falstaff at Hernes Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5), May 30, 1793

Background imageShakespearean Collection: Antony and Cleopatra, Act 1, Scene 2: Charmian-'Good Sir, give me good fortune', January 1, 1817

Antony and Cleopatra, Act 1, Scene 2: Charmian-"Good Sir, give me good fortune", January 1, 1817
Antony and Cleopatra, Act 1, Scene 2: Charmian-" Good Sir, give me good fortune", January 1, 1817

Background imageShakespearean Collection: Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2), June 1, 1792

Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2), June 1, 1792. Creator: John Chapman
Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2), June 1, 1792

Background imageShakespearean Collection: Lord Capulet supports his dying son Tybalt after he was wounded by Romeo (chromolitho)

Lord Capulet supports his dying son Tybalt after he was wounded by Romeo (chromolitho)
2783010 Lord Capulet supports his dying son Tybalt after he was wounded by Romeo (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageShakespearean Collection: Tybalt killed by Romeo, scene from William Shakespeares Romeo and Juliet, Act III, Scene 1

Tybalt killed by Romeo, scene from William Shakespeares Romeo and Juliet, Act III, Scene 1
2654795 Tybalt killed by Romeo, scene from William Shakespeares Romeo and Juliet, Act III, Scene 1, from The Works of William Shakespeare, published 1896 (engraving) by Browne

Background imageShakespearean Collection: A scene from William Shakespeares play Othello Act V, Scene 2, Desdemona: 'Talk you of killing

A scene from William Shakespeares play Othello Act V, Scene 2, Desdemona: "Talk you of killing
2654841 A scene from William Shakespeares play Othello Act V, Scene 2, Desdemona: " Talk you of killing?" Othello: " Ay I do", from The Works of William Shakespeare

Background imageShakespearean Collection: The Merchant of Venice, 1890 (litho)

The Merchant of Venice, 1890 (litho)
KW428137 The Merchant of Venice, 1890 (litho) by Gilbert, John (1817-97); Private Collection; (add.info.: The Merchant of Venice by William Shakespeare (c.1564-1616)

Background imageShakespearean Collection: Tybalt is fatally wounded by Romeo, illustration from Romeo and Juliet

Tybalt is fatally wounded by Romeo, illustration from Romeo and Juliet, from The Illustrated Library Shakespeare
KW469551 Tybalt is fatally wounded by Romeo, illustration from Romeo and Juliet, from The Illustrated Library Shakespeare, published London 1890 (litho) by English School

Background imageShakespearean Collection: Piano setting by Edouard Dorn for Rossinis Otello (colour litho)

Piano setting by Edouard Dorn for Rossinis Otello (colour litho)
619507 Piano setting by Edouard Dorn for Rossinis Otello (colour litho) by English School, (19th century); Private Collection; (add.info.: Front cover showing Othello about to kill Desdemona)

Background imageShakespearean Collection: Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles

Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho)
STC308588 Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), first published 1800; reissued 1852

Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), first published 1800; reissued 1852. Creator: James Parker
Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), first published 1800; reissued 1852

Background imageShakespearean Collection: Miss O Neill as Juliet, May 29, 1815. Creator: James Godby

Miss O Neill as Juliet, May 29, 1815. Creator: James Godby
Miss O Neill as Juliet, May 29, 1815

Background imageShakespearean Collection: Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), 1794. 1794

Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), 1794. 1794. Creator: James Fittler
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), 1794

Background imageShakespearean Collection: The Banquet (Shakespeare, Macbeth, Act 3, Scene 3), October 10, 1786. Creator: John Baldrey

The Banquet (Shakespeare, Macbeth, Act 3, Scene 3), October 10, 1786. Creator: John Baldrey
The Banquet (Shakespeare, Macbeth, Act 3, Scene 3), October 10, 1786

Background imageShakespearean Collection: Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), June 4, 1794

Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), June 4, 1794. Creator: James Neagle
Falstaff Rising Slowly (Shakespeare, First Part of King Henry IV, Act 5, Scene 4), June 4, 1794

Background imageShakespearean Collection: The Feast vanished away, The Tempest Act III, Scene 3, illustration from Tales from Shakespeare by

The Feast vanished away, The Tempest Act III, Scene 3, illustration from Tales from Shakespeare by Charles
STC308579 The Feast vanished away, The Tempest Act III, Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Titania sleeps, Midsummer Nights Dream, Act II Scene 2, illustration from Tales from Shakespeare

Titania sleeps, Midsummer Nights Dream, Act II Scene 2, illustration from Tales from Shakespeare by Charles
STC308592 Titania sleeps, Midsummer Nights Dream, Act II Scene 2, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles

The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308583 The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: A Morning Song, illustration from The Book of Old English Songs and Ballads

A Morning Song, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c
IL314814 A Morning Song, illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Background imageShakespearean Collection: The Gentle Katherine, The Taming of the Shrew, Act II Scene 1

The Gentle Katherine, The Taming of the Shrew, Act II Scene 1, illustration from Tales from Shakespeare by Charles
STC308584 The Gentle Katherine, The Taming of the Shrew, Act II Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Lyn Harding as Prospero, 1904 (oil on canvas)

Lyn Harding as Prospero, 1904 (oil on canvas)
3963644 Lyn Harding as Prospero, 1904 (oil on canvas) by Buchel, Charles A. (1872-1950); 49x34.5 cm; Newport Museum and Art Gallery

Background imageShakespearean Collection: Illustration for The New Temple Shakespeare, edited by M R Ridley (lithograph)

Illustration for The New Temple Shakespeare, edited by M R Ridley (lithograph)
6000926 Illustration for The New Temple Shakespeare, edited by M R Ridley (lithograph) by Gill, Eric (1882-1940); Private Collection; (add.info.: Illustration for The New Temple Shakespeare)

Background imageShakespearean Collection: Illustration for the poem Mans Love by Shakespeare, from the book Palgraves Golden Treasury of

Illustration for the poem Mans Love by Shakespeare, from the book Palgraves Golden Treasury of Songs and Lyrics
2607880 Illustration for the poem Mans Love by Shakespeare, from the book Palgraves Golden Treasury of Songs and Lyrics, published 1919 (colour litho) by Fortescue-Brickdale

Background imageShakespearean Collection: Imogens Bed Chamber, Cymbeline, Act II Scene 2, illustration from Tales from Shakespeare by

Imogens Bed Chamber, Cymbeline, Act II Scene 2, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308581 Imogens Bed Chamber, Cymbeline, Act II Scene 2, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles

Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308582 Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: I dare thee but to breathe upon my love, Two Gentlemen of Verona, Act V Scene 4

I dare thee but to breathe upon my love, Two Gentlemen of Verona, Act V Scene 4
STC308580 I dare thee but to breathe upon my love, Two Gentlemen of Verona, Act V Scene 4, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Costume design for the theatre play Romeo and Juliet by William Shakespeare

Costume design for the theatre play Romeo and Juliet by William Shakespeare, 1921 (tempera on cardboard)
BAL329108 Costume design for the theatre play Romeo and Juliet by William Shakespeare, 1921 (tempera on cardboard) by Exter, Alexandra Alexandrovna (1882-1949); Tretyakov Gallery, Moscow, Russia

Background imageShakespearean Collection: She loved me for the dangers that had passed, Othello, Act I Scene 3

She loved me for the dangers that had passed, Othello, Act I Scene 3, illustration from Tales from Shakespeare by
STC308590 She loved me for the dangers that had passed, Othello, Act I Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: But we will draw the curtains and show you the picture, Twelfth Night, Act I Scene 5

But we will draw the curtains and show you the picture, Twelfth Night, Act I Scene 5
STC308587 But we will draw the curtains and show you the picture, Twelfth Night, Act I Scene 5, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Isabels pleading, Measure for Measure, Act II Scene 2, illustration from Tales from Shakespeare by

Isabels pleading, Measure for Measure, Act II Scene 2, illustration from Tales from Shakespeare by Charles
STC308586 Isabels pleading, Measure for Measure, Act II Scene 2, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageShakespearean Collection: Desdemona, 1849 (oil on panel)

Desdemona, 1849 (oil on panel)
5310905 Desdemona, 1849 (oil on panel) by Chasseriau, Theodore (1819-56); 16.5x11.4 cm; Private Collection; (add.info.: Chasseriau, Theodore (1819-56)

Background imageShakespearean Collection: Titlepage Design for The Savoy No. 3, 1896. Creator: Aubrey Beardsley

Titlepage Design for The Savoy No. 3, 1896. Creator: Aubrey Beardsley
Titlepage Design for The Savoy No. 3, 1896. Alternative title: Puck on Pegasus....drawing was afterwards adopted by [Leonard] Smithers as one of his trade marks and reproduced...on covers of books

Background imageShakespearean Collection: Shakespeare Ewer and Basin, England, Ewer: 1873, Basin: 1871. Creator: Minton

Shakespeare Ewer and Basin, England, Ewer: 1873, Basin: 1871. Creator: Minton
Shakespeare Ewer and Basin, England, Ewer: 1873, Basin: 1871

Background imageShakespearean Collection: Shakespeares Seven Ages (of Man) (Furnishing Fabric), England, c. 1805. Creator: Unknown

Shakespeares Seven Ages (of Man) (Furnishing Fabric), England, c. 1805. Creator: Unknown
Shakespeares Seven Ages (of Man) (Furnishing Fabric), England, c. 1805. Engraved by John Slack after paintings by Robert Smirke

Background imageShakespearean Collection: David Garrick as King Lear, c. 1815. Creator: Richard Westall

David Garrick as King Lear, c. 1815. Creator: Richard Westall
David Garrick as King Lear, c. 1815

Background imageShakespearean Collection: Miss O Neill as Juliet, May 30, 1816. Creator: Frederick Christian Lewis

Miss O Neill as Juliet, May 30, 1816. Creator: Frederick Christian Lewis
Miss O Neill as Juliet, May 30, 1816

Background imageShakespearean Collection: Richard the Third as performed at Washington with the most brilliant success by a company

Richard the Third as performed at Washington with the most brilliant success by a company
AQS332031 Richard the Third as performed at Washington with the most brilliant success by a company of amateurs, c.1834 (litho) by American School

Background imageShakespearean Collection: Miranda - The Tempest, 1916 (oil on canvas)

Miranda - The Tempest, 1916 (oil on canvas)
876439 Miranda - The Tempest, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 100.4x137.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageShakespearean Collection: Portrait of Lawrence Barrett as Hamlet, c. 1887 (photo)

Portrait of Lawrence Barrett as Hamlet, c. 1887 (photo)
3666800 Portrait of Lawrence Barrett as Hamlet, c.1887 (photo) by Sarony, Napoleon (1821-96); Private Collection; (add.info)

Background imageShakespearean Collection: Falstaff and His Friends (engraving)

Falstaff and His Friends (engraving)
3622625 Falstaff and His Friends (engraving) by Leslie, Charles Robert (1794-1859) (after); Private Collection; (add.info.: Falstaff and His Friends)

Background imageShakespearean Collection: The Queen tries to comfort Hamlet, from Hamlet by William Shakespeare

The Queen tries to comfort Hamlet, from Hamlet by William Shakespeare
IL388120 The Queen tries to comfort Hamlet, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Background imageShakespearean Collection: Polonius tests Hamlets sanity while the the King and Queen observe

Polonius tests Hamlets sanity while the the King and Queen observe
IL388118 Polonius tests Hamlets sanity while the the King and Queen observe, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Background imageShakespearean Collection: Ophelia, from Hamlet by William Shakespeare, edition published by Hodder

Ophelia, from Hamlet by William Shakespeare, edition published by Hodder
IL388117 Ophelia, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

Background imageShakespearean Collection: Madame Celeste as the Princess Katherine in Henry V, Act V, Scene II (engraving)

Madame Celeste as the Princess Katherine in Henry V, Act V, Scene II (engraving)
971694 Madame Celeste as the Princess Katherine in Henry V, Act V, Scene II (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageShakespearean Collection: King Henry IV, Part I, Act II, Scene III (engraving)

King Henry IV, Part I, Act II, Scene III (engraving)
971688 King Henry IV, Part I, Act II, Scene III (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: King Henry IV, Part I, Act II, Scene III)

Background imageShakespearean Collection: Antony and Cleopatra, Act IV, Scene X (engraving)

Antony and Cleopatra, Act IV, Scene X (engraving)
971681 Antony and Cleopatra, Act IV, Scene X (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Antony and Cleopatra, Act IV, Scene X)



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"Exploring the Shakespearean World: From Bees to Theatres" "Delve into the enchanting world of Shakespeare with 'Shakespeares Bees' by Pauline Baynes, a captivating illustration that unveils the hidden wonders within his works. " "Step back in time with a handbill advertising a performance of Hamlet at the Theatre, Leeds, transporting you to an era where Shakespeare's words echoed through grand halls. " "A heartfelt message adorned with a Shakespeare quotation on a greetings card captures the timeless beauty and profound impact of his words on our lives. " "Immerse yourself in history as Falstaff enacts Henry IV in this stunning oil painting by c. 1834, capturing both the essence of Shakespeare's character and the artist's skillful brushstrokes. " "Anthony Hopkins mesmerizes audiences as he takes on Antony and Cleopatra at London's National Theatre in 1987, bringing to life one of Shakespeare's most passionate love stories. " "Luke Fildes' masterpiece 'Jessica' beautifully portrays one of Shakespeare's beloved characters from The Merchant of Venice, showcasing her strength and complexity through artistry. " "Even during Christmas festivities, William Shakespeare continues to inspire us with his presence on greeting cards, reminding us that his legacy transcends time and seasons. " "'A Midsummer Night's Dream, ' Act 4 Scene 1 comes alive in November 1857 through an exquisite portrayal that transports viewers into the magical realm created by Shakespeare himself. " "Henry James Townsend captures Ariel from 'The Tempest' in this remarkable artwork from c1870, allowing us to glimpse into the ethereal world inhabited by spirits under Prospero’s command. " "Intriguing cartoon featuring Henry Irving and F B Chatterton brings humor while paying homage to two legendary figures who brought countless Shakespearian characters to life. "