Silk Collection (page 9)

Dinner dress, 1884-86 (silk)
7336765 Dinner dress, 1884-86 (silk) by American School, (19th century); Metropolitan Museum of Art, New York, USA; (add.info.: The bustle was at its greatest extension by 1885)

Ball gown, c. 1872 (silk)
7336198 Ball gown, c.1872 (silk) by French School; Metropolitan Museum of Art, New York, USA; (add.info.: designed by Charles Frederick Worth ( 1825-1895))

Silk production in Europe in the 16th century (print)
7315199 Silk production in Europe in the 16th century (print) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

Waistcoat, 1747 (silk, wool & metallic)
7336605 Waistcoat, 1747 (silk, wool & metallic) by English School, (18th century); Metropolitan Museum of Art, New York, USA

Walking ensemble, c. 1835 (silk)
7335850 Walking ensemble, c.1835 (silk) by American School, (19th century); Metropolitan Museum of Art, New York, USA

Woman with Mirror (oil on panel)
490078 Woman with Mirror (oil on panel) by Willems, Florent (1823-1905); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Dress, c. 1760 (silk, linen & cotton)
7336620 Dress, c.1760 (silk, linen & cotton) by English School, (18th century); Metropolitan Museum of Art, New York, USA

Detail of a Waistcoat, 1747 (silk, wool & metallic)
7336604 Detail of a Waistcoat, 1747 (silk, wool & metallic) by English School, (18th century); Metropolitan Museum of Art, New York, USA

Dress, c. 1870 (silk)
7336520 Dress, c.1870 (silk) by English School, (19th century); Metropolitan Museum of Art, New York, USA

Corset, 1891 (silk)
7336394 Corset, 1891 (silk) by French School, (19th century); Metropolitan Museum of Art, New York, USA

Doublet, early 1620s (silk)
7336259 Doublet, early 1620s (silk) by French School, (17th century); Metropolitan Museum of Art, New York, USA

Detail of a Jacket, c. 1616 (linen, silk & metal)
7336201 Detail of a Jacket, c. 1616 (linen, silk & metal) by English School, (17th century); Metropolitan Museum of Art, New York, USA

Detail of a Waistcoat, 1747 (silk, wool & metallic)
7336603 Detail of a Waistcoat, 1747 (silk, wool & metallic) by English School, (18th century); Metropolitan Museum of Art, New York, USA

Round gown, c. 1795 (silk & linen)
7336598 Round gown, c.1795 (silk & linen) by Italian School, (18th century); Metropolitan Museum of Art, New York, USA

Jacket, c. 1616 (linen, silk & metal)
7336202 Jacket, c. 1616 (linen, silk & metal) by English School, (17th century); Metropolitan Museum of Art, New York, USA

Silk production in Europe in the 16th century (print)
7315151 Silk production in Europe in the 16th century (print) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

Woman's brown silk calash with pink silk lining, c. 1760s (silk)
7309893 Woman's brown silk calash with pink silk lining, c.1760s (silk) by European School, (18th century); Fashion Museum Bath; © Fashion Museum Bath

Woman's brown silk calash with pink silk lining, c. 1760s (silk)
7309895 Woman's brown silk calash with pink silk lining, c.1760s (silk) by European School, (18th century); Fashion Museum Bath; © Fashion Museum Bath

Back view of woman's brown silk calash with pink silk lining, c. 1760s (silk)
7309892 Back view of woman's brown silk calash with pink silk lining, c.1760s (silk) by European School, (18th century); Fashion Museum Bath; © Fashion Museum Bath

Cope called of the parrots (silk)
7292597 Cope called of the parrots (silk) by Sicilian School, (13th Century); Museo Diocesano, Vicenza, Italy; (add.info.: by Sicilian manufacture, second quarter of the 13th century)

Green hydrangea and pear
Lydia Jacobs

Silk lady
Bruno Lavi

In Blue Silk
Jan Slotboom

Marchesa Brigida Spinola Doria, 1606 (oil on canvas)
7295985 Marchesa Brigida Spinola Doria, 1606 (oil on canvas) by Rubens, Peter Paul (1577-1640); 152.5 x 99 cm; National Gallery of Art, Washington DC

Instructor explaining the operation of a parachute to student pilots, Fort Worth, Tex. 1942. Creator: Arthur Rothstein
Instructor explaining the operation of a parachute to student pilots, Meacham field, Fort Worth, Texas

The water stretching machine of an eastern parachute manufacturer... Manchester, Conn. 1942. Creator: William Rittase
The water stretching machine of an eastern parachute manufacturer stretches shroud lines so as to make them more adaptable to the finished product, Manchester, Conn

Madam Morensi, between 1855 and 1865. Creator: Unknown
Madam Morensi, between 1855 and 1865. [Aka Madame Morenci? Opera singer?]

Rev. Maxwell, between 1855 and 1865. Creator: Unknown
Rev. Maxwell, between 1855 and 1865

Clara L. Kellogg, between 1861 and 1870. Creator: Unknown
Clara L. Kellogg, between 1861 and 1870. [American operatic soprano]

L. Boschetti, between 1855 and 1865. Creator: Unknown
L. Boschetti, between 1855 and 1865

Emily Jordon, between 1855 and 1865. Creator: Unknown
Emily Jordon, between 1855 and 1865

Rev. Peter Stryker, between 1855 and 1865. Creator: Unknown
Rev. Peter Stryker, between 1855 and 1865

Professor E. D. Owens, between 1855 and 1865. Creator: Unknown
Prof. E.D. Owens, between 1855 and 1865

Professor Charles Anthon, between 1855 and 1865. Creator: Unknown
Prof. Chas. i.e. Charles Anthon, between 1855 and 1865. [Classical scholar; headmaster of the Columbia Grammar & Preparatory School]

Lady Napier and her sons, between 1855 and 1865. Creator: Unknown
Lady Napier and her sons, between 1855 and 1865. [Wife and sons of Lord Francis Napier, British Minister to the United States: Anne Jane Charlotte Lockwood Napier, William John George Napier

Miss Chesney, between 1855 and 1865. Creator: Unknown
Miss Chesney, between 1855 and 1865

Title Plate from "The Introduction of the Silkworm"[Vermis Sericus], ca. 1595 Creator: Karel van Mallery
Title Plate from " The Introduction of the Silkworm" [Vermis Sericus], ca. 1595

The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm"[... ca. 1595
The Incubation of the Silkworm Eggs, Plate 3 from " The Introduction of the Silkworm" [Vermis Sericus], ca. 1595

The Gathering of Mulberry Leaves and the Feeding of the Silkworms, Plate 5 from "The I... ca. 1595
The Gathering of Mulberry Leaves and the Feeding of the Silkworms, Plate 5 from " The Introduction of the Silkworm" [Vermis Sericus], ca. 1595

The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm"[Vermis Sericus], ... ca. 1595
The Reeling of Silk, Plate 6 from " The Introduction of the Silkworm" [Vermis Sericus], ca. 1595

Beaded Silk Bag, c. 1938. Creator: Carmel Wilson
Beaded Silk Bag, c. 1938

Silk Couch Cover, c. 1938. Creator: Carmel Wilson
Silk Couch Cover, c. 1938

Silk Kerchief, c. 1937. Creator: Percival Jenner
Silk Kerchief, c. 1937

Silk-straw Reticule, 1935 / 1942. Creator: Dolores Haupt
Silk-straw Reticule, 1935/1942

Needlework Panel, Portugal, Late 17th century. Creator: Unknown
Needlework Panel, Portugal, Late 17th century. Pastoral scene: goatherds with goats, a lady with sheet music and a gentleman playing the guitar, huntsman with dogs, women in a formal garden

Buzi (Court Rank Badge), China, 1825 / 50, Qing dynasty(1644-1911). Creator: Unknown
Buzi (Court Rank Badge), China, 1825/50, Qing dynasty(1644-1911)

Panel (Dress Fabric), China, 18th century, Qing dynasty (1644-1911). Creator: Unknown
Panel (Dress Fabric), China, 18th century, Qing dynasty (1644-1911). Detail from a larger artwork

Part of a Skirt, India, Late 19th century. Creator: Unknown
Part of a Skirt, India, Late 19th century. Detail from a larger artwork

All Professionally Made to Order for Quick Shipping

Silk, the epitome of elegance and luxury, has a rich history that spans across continents and centuries. From the Map of the Empire of King Alexander the Great to The Royal Bride, it has adorned royalty throughout time, symbolizing opulence and refinement. In Fashions for 1954, silk took center stage as it draped gracefully on women with impeccable style. Just like a Twenties flapper girl sitting at a cocktail bar exuding confidence and allure, silk dresses accentuated their every move. The timeless beauty was captured in Reading Aloud by Albert Joseph Moore in 1884. Its delicate threads whispered stories from generations past while Working drawings by William Morris showcased intricate patterns woven into this luxurious fabric. Fred Archer's mastery behind the lens immortalized Burmese women donning their native attire made from vibrant silks. Their colorful garments reflected their culture's vibrancy and traditions. A red-headed girl seated in a sheer red dress evoked passion and sensuality through her choice of clothing. Silk clung to her curves like second skin, leaving little to the imagination but everything to desire. As Aphra Farquhar walked down the aisle wearing her wedding dress designed by Worth, all eyes were captivated by its ethereal beauty. Silk cascaded around her like a cloud of pure enchantment as she embarked on her journey towards eternal love. Good Morning. David Wright's artwork depicted an elegant woman wrapped in silk sheets as she greeted each day with grace and poise. The softness against her skin mirrored the gentle embrace of morning light. Even historical figures such as Henry Fiennes Pelham Clinton (1750-1778), Earl of Lincoln - Gainsborough Dupont recognized silk's allure when they chose it for their portraits. It became synonymous with power and prestige during those times. Silk is not merely a fabric; it embodies artistry, craftsmanship, and sophistication that transcends time.