Simoni Michelangelo Di Lodovico Buonarroti Collection

Speculum Romanae Magnificentiae: St. Peter s, 16th century. 16th century
Speculum Romanae Magnificentiae: St. Peter s, 16th century

"Cupid", by Michael Angelo, in the South Kensington Museum, 1862. Creator: Unknown
"Cupid", by Michael Angelo, in the South Kensington Museum, 1862. The god is represented as a youth of sixteen or seventeen years old

The Crucifixion of Saint Peter, after Michelangelos frescoes in the Pauline Chapel, Vatican Palace, 1550-60

The Climbers: three naked men, one seen from behind climbing onto a river-bank, soldiers emerge from the forest in the background, 1510

Naked archers shooting at a target attached to a herm, Cupid sleeping below, possibly an allegory related to vice, ca. 1540-60

Naked man viewed from behind climbing a river bank, after Michelangelo, ca. 1509. Creator: Marcantonio Raimondi
Naked man viewed from behind climbing a river bank, after Michelangelo, ca. 1509

Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to... c. 1800. Creator: Henry Fuseli
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso), c. 1800

Untitled (Trees in Rome), c. 1857. Creator: Robert MacPherson
Untitled (Trees in Rome), c. 1857. A work made of albumen print, from " photographs of views of rome" (c. 1857)

Last Judgment; after Michelangelos fresco in the Sistine Chapel, ca. 1545

The Cumaean Sibyl after the fresco by Michelangelo in the Sistine Chapel, 1784-90

The ancestors of Christ flanking an inscribed tablet, an arched top composition, 1531-76

Pieta under the Cross of Golgatha, 1547. Creator: Giulio Bonasone
Pieta under the Cross of Golgatha, 1547

The creation of Eve who emerges from behind Adam, ca. 1530-70. Creator: Giulio Bonasone
The creation of Eve who emerges from behind Adam, ca. 1530-70

A Blessed Spirit, 1591. Creator: Cherubino Alberti
A Blessed Spirit, 1591

Saint John the Baptist, 1591. Creator: Cherubino Alberti
Saint John the Baptist, 1591

Bust portrait of Michelangelo facing right, set within a cartouche. 1546

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, 1531-76

Pope Pius VII in the Sistine Chapel, 1814. Creator: Jean-Auguste-Dominique Ingres
Pope Pius VII in the Sistine Chapel, 1814

Mercury, mid-18th century. Creator: Caylus, Anne-Claude-Philippe de
Mercury, mid-18th century

Man Against a Tree, ca. 1543-44. Creator: Master IQV
Man Against a Tree, ca. 1543-44

The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570-75. After Michelangelo Buonarroti

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570-75. After Michelangelo Buonarroti

The Prophet Ezekiel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570-75. After Michelangelo Buonarroti

The Eritrean Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570-75. After Michelangelo Buonarroti

The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel, 1570-75. After Michelangelo Buonarroti

Portrait of Michelangelo, after 1564. Creator: Giorgio Ghisi
Portrait of Michelangelo, after 1564. After painting by Marcello Venusti

Portrait of Michelangelo in profile facing right set within a recess, 1545

Sir Joshua Reynolds, Knight, 1811. Creator: William Bond
Sir Joshua Reynolds, Knight, 1811

Group from the Last Judgment, Angels Carrying the Column of the Flagellation and the Sponge and Ladder of the Crucifixion, 16th century

Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles, 16th century

The Tomb of Giuliano de Medici from The Tombs of the Medici, 1570

Specimen of wood-engraving - the Prophet Jeremiah, from the painting by Michael Angelo, in the Sistine Chapel at Rome, 1844

St. Veronica with the Sudarium, after Michelangelo, 1540-66. 1540-66
St. Veronica with the Sudarium, after Michelangelo, 1540-66

Joseph of Arimathea, after Michelangelos Crucifixion fresco in the Cappella Paolina, Vatican, 1540-66

Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican, ca. 1545-60

The Fall of Phaeton, 1540-66. 1540-66. Creator: Nicolas Beatrizet
The Fall of Phaeton, 1540-66

Michelangelos Last Judgment, 1562. 1562. Creator: Nicolas Beatrizet
Michelangelos Last Judgment, 1562

Trumpeting Angels from The Last Judgment, after Michelangelo, 1530-66. 1530-66
Trumpeting Angels from The Last Judgment, after Michelangelo, 1530-66

Pietawith Angels in Front of the Cross, 1547. 1547. Creator: Nicolas Beatrizet
Pieta with Angels in Front of the Cross, 1547

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment), 1548

Trumpeting Angels and Damned Souls Being Pulled Down by Devils (lower center and right section of the Last Judgment), 1548

Central Door, South Kensington Museum, c1860s, (1881). Creator: Unknown
Central Door, South Kensington Museum, c1860s, (1881). Original bronze front entrance doors to the South Kensington Museum, (later renamed the Victoria & Albert Museum), in London

M. Angelo, (1475-1564), 1830. Creator: Unknown
M. Angelo, (1475-1564), 1830. Michelangelo (1475-1564) Italian sculptor, painter, architect and poet of the High Renaissance. From " Biographical Illustrations", by Alfred Howard

Church of Santa Croce, Florence, 1890. Creator: Unknown
Church of Santa Croce, Florence, 1890. The Basilica di Santa Croce, principal Franciscan church in Florence, is the burial place of Michelangelo, Galileo and Machiavelli

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Simoni Michelangelo di Lodovico Buonarroti, commonly known as Michelangelo, was a renowned Italian artist and sculptor of the Renaissance period. His artistic genius is evident in his various works, including "The Crucifixion of Saint Peter, " which beautifully captures the emotions and agony of this biblical event. Inspired by Michelangelo's frescoes in the Pauline Chapel, Va. , this masterpiece showcases his mastery over composition and human anatomy. Another remarkable piece influenced by Michelangelo is "Naked man viewed from behind climbing a river bank. " Created by Marcantonio Raimondi around 1509, it reflects the influence of Michelangelo's style on other artists during that time. The attention to detail and the dynamic pose demonstrate Raimondi's admiration for Michelangelo's work. Henry Fuseli also drew inspiration from Michelangelo with his artwork titled "Study of Ignudo in Sistine Chapel. " This study captures Fuseli's interpretation of an ignudo seated while showcasing his technical skill and ability to convey emotion through art. Moving away from direct interpretations but still influenced by Michelangelo are Robert MacPherson's "Untitled (Trees in Rome)" from 1857. This landscape painting demonstrates how even centuries later, artists found inspiration in the beauty that surrounded them. Michelangelo’s impact extended beyond paintings; he also left a lasting impression with his fresco in the Sistine Chapel called "Last Judgment. " An artist unknown created an impressive reproduction capturing its grandeur around 1545. "The Cumaean Sibyl" after another one of Michelango’s masterpieces shows how different artists throughout history have been captivated by his work. Created between 1784-90, this reproduction highlights both their admiration for him as well as their own artistic skills.