Sir William Blake Richmond Collection

Hermes, 1886. Artist: Jonnard
Hermes, 1886. The Greek god Hermes with winged helmet and sandals. From The Magazine of Art. [Cassell & Company, London, 1886]

Dionysus and the Maenads, 1901. A print from The Magazine of Art, Cassell and Company, Limited, 1901

Sarpedon, c. 1875-76 (oil on canvas)
1199612 Sarpedon, c. 1875-76 (oil on canvas) by Richmond, William Blake (1842-1921); 244.5x92.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

An Allegorical Female Figure, (oil on panel)
658334 An Allegorical Female Figure, (oil on panel) by Richmond, William Blake (1842-1921); 183.5x104.2 cm; Private Collection; (add.info.: An Allegorical Female Figure)

An Audience in Athens During [the Representation of] Agamemnon by Aeschylus, 1884

Venus and Anchises, c1889-1890, (c1930). Creator: Sir William Blake Richmond
Venus and Anchises, c1889-1890, (c1930). Illustration to the " Epipsychidion", a poem by Percy Bysshe Shelley, depicting the illicit meeting of Venus, goddess of love

Venus and Anchises, c1889, (c1915). Artist: Sir William Blake Richmond
Venus and Anchises, c1889, (c1915). Held by National Museums Liverpool. From Famous Pictures of the World, c1900

The Crown of Peace, c1882, (1914). Artist: Sir William Blake Richmond
The Crown of Peace, c1882, (1914). From King Alberts Book. [The Daily Telegraph, London, 1914]

Study of a head, 1901. A print from The Magazine of Art, Cassell and Company, Limited, 1901

Sir William Blake Richmond KCB, RA, English artist, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Sir William Blake Richmond (British, 1842 - 1921), Trees at Box Hill, 1860, black chalk and graphite heightened with white on blue wove paper

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Sir William Blake Richmond, a renowned English artist of the late 19th and early 20th century, left an indelible mark on the art world with his diverse range of works. From his mesmerizing depiction of Hermes in 1886 by Jonnard to his captivating portrayal of Dionysus and the Maenads in 1901, Richmond's talent knew no bounds. One cannot overlook Sarpedon, created between 1875-76, where he masterfully captured raw emotion on canvas. His Allegorical Female Figure is equally enchanting, showcasing his ability to bring mythical beings to life through oil on panel. Richmond's passion for history shines through in An Audience in Athens During [the Representation of] Agamemnon by Aeschylus from 1884. The attention to detail transports viewers back in time as they witness this historical event unfold before their eyes. In Venus and Anchises, created around c1889-1890 (c1930), Richmond explores themes of love and desire with great finesse. This piece showcases his ability to capture human emotions and relationships beautifully. Similarly, Venus and Anchises from c1889 (c1915) further exemplifies Richmond's mastery over depicting intimate moments between mythological figures. The Crown of Peace from c1882 (1914) is a testament to Richmond's dedication towards promoting harmony and tranquility through art. Its symbolism resonates even today as we strive for peace amidst chaos. Richmond's Study of a Head in 1901 demonstrates his meticulous attention to detail while capturing the essence of human expression. It serves as a reminder that sometimes simplicity can be just as impactful as grandeur. As an esteemed artist hailing from England, Sir William Blake Richmond was recognized for his contributions throughout history. In fact, he was bestowed with the title KCB (Knight Commander Order Bath) along with being elected RA (Royal Academician).