Sketchy Collection

The Last Stand of the Imperial Guards at Waterloo. General Hill calling on upon the Enemy to Surrender.Print by Riddle and Goughman after the painting by Robert Hillingford

Sketch for Le Peintre, by Jean-Louis-Ernest Meissonier (1815-1891). The artist leans back to view his work, resting his head on a womans shoulder

A Messy Beautiful Life
Elaine Field

The Hug
Frederic Belaubre

Blue sunflower
Ania Zwara

The Magere Brug In Amsterdam - 09-11-23
Corné Akkers

Young Man in the style of a Romantic, 1857 (pencil on paper)
CH251462 Young Man in the style of a Romantic, 1857 (pencil on paper) by Monet, Claude (1840-1926); 47.6x28.9 cm; Private Collection; (add.info)

Mt. Hood, 1904 (watercolour, gouache and charcoal on tan paper)
466525 Mt. Hood, 1904 (watercolour, gouache and charcoal on tan paper) by Hassam, Childe Frederick (1859-1935); 13.6 x 19.8 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Head of a Youth, seen from below (red & black chalk on paper)
AMO254095 Head of a Youth, seen from below (red & black chalk on paper) by Fosse, Charles de la (1636-1716); 22.8x20.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Portrait of Drouet, 1859 (etching and drypoint)
1066856 Portrait of Drouet, 1859 (etching and drypoint) by Whistler, James Abbott McNeill (1834-1903); 22.7x15.2 cm; Dallas Museum of Art, Texas

The Scotsman with a Pipe, 1857 (pencil & pastel on paper)
CH251474 The Scotsman with a Pipe, 1857 (pencil & pastel on paper) by Monet, Claude (1840-1926); 47.6x29 cm; Private Collection; (add.info.: Ecossais a la Pipe; ); Photo eChristies Images; French

Landscape from the Dniepr River, c. 1878-89 (oil on canvas)
AGR252113 Landscape from the Dniepr River, c.1878-89 (oil on canvas) by Rodakowski, Henryk Hipolit (1823-94); 29x34 cm; Private Collection; Agra Art, Warsaw, Poland; Polish, out of copyright

Untitled (lithograph)
1066741 Untitled (lithograph) by Ibels, Henri-Gabriel (1867-1936); 37.783x24.765x cm; Dallas Museum of Art, Texas, USA; gift of Carnegie Inc.; French, out of copyright

The Profile of a Standing Dancer, 1887 (oil on wood)
XIR901500 The Profile of a Standing Dancer, 1887 (oil on wood) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: Danseuse debout de profil); French

Magnificent Pavilion Lagoon recto Grand Canal
Artokoloro

Self-Portrait Iconography ca 1630 Etching first state
Artokoloro

La Revue Blanche, 1895 (oil on card)
XIR901519 La Revue Blanche, 1895 (oil on card) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: La Revue Blanche); French, out of copyright

The Back of a Man in a Long Shirt, 1888 (oil on wood)
XIR901503 The Back of a Man in a Long Shirt, 1888 (oil on wood) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: Un homme en chemise de dos ); French

A Standing Gentleman Lighting his Cigar, 1885 (oil on wood)
XIR901498 A Standing Gentleman Lighting his Cigar, 1885 (oil on wood) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi

Suzanne at the Baths (oil on canvas)
XIR897487 Suzanne at the Baths (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); Musee Saint-Denis, Reims, France; (add.info.: Suzanne au bain); French, out of copyright

Kloof on Table Mountain, 1801 (pencil on paper)
XJF439202 Kloof on Table Mountain, 1801 (pencil on paper) by Westall, William (1781-1850); Private Collection; (add.info)

Head of a Woman, called Ruth Herbert, 1876 (red & black chalk on paper)
XYC249720 Head of a Woman, called Ruth Herbert, 1876 (red & black chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); 39.1x31.1 cm; Yale Center for British Art, Paul Mellon Collection

John Sell Cotman (1782-1842), 1810 (graphite on paper)
XYC249722 John Sell Cotman (1782-1842), 1810 (graphite on paper) by Varley, John (1778-1842); 18.8x14.9 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Preparation For the Firework Display Held at Piazza Navona, Rome, to Celebrate the
XIR349726 Preparation For the Firework Display Held at Piazza Navona, Rome, to Celebrate the Birth of the Dauphin, 1729 (oil on canvas) (detail of 91023) by Pannini or Panini

A Mountainous View, North Wales, c. 1818 (w / c & graphite on paper)
XYC249716 A Mountainous View, North Wales, c.1818 (w/c & graphite on paper) by Cox, David (1783-1859); 20x29.1 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Studies of a Turkey (w / c & graphite on wove paper)
XYC249712 Studies of a Turkey (w/c & graphite on wove paper) by Hills, Robert (1769-1844); 5.7x16.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Peacock at Capel Curig, c. 1845 (black chalk on wove paper)
XYC249710 Peacock at Capel Curig, c.1845 (black chalk on wove paper) by Cox, David (1783-1859); 14.3x22.9 cm; Yale Center for British Art, Paul Mellon Collection

Study Sheet with different figures, David Bles, Joseph Hartogensis, 1856

Legend to accompany the prints of the Battle of Kamperduin, 1797 Camperduin, The Netherlands

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"Unveiling the Enigmatic: A Glimpse into Sketchy Artistry" Step into a world where imagination and mystery intertwine, as we explore the captivating realm of "sketchy. " From historical battles to romantic portraits, from majestic landscapes to intricate lithographs, each piece unveils a unique story waiting to be deciphered. "The Last Stand of the Imperial Guards at Waterloo" immerses us in the chaos and bravery of war. Brushstrokes capture the intensity of this pivotal moment, leaving us in awe of their sacrifice. In "Sketch for Le Peintre, " Jean-Louis-Ernest Meissonier's talent shines through his meticulous strokes. The young man depicted in "Young Man in the style of a Romantic" exudes passion and emotion, transporting us back to an era defined by artistic rebellion. Nature takes center stage with "Mt. Hood, " its watercolor hues blending seamlessly on tan paper. We can almost feel the crisp mountain air as we gaze upon this breathtaking scene. A different perspective emerges with "Head of a Youth, " viewed from below. Red and black chalk dance across paper, revealing hidden depths within this enigmatic figure. "Drouet's Portrait" captivates with its etching and drypoint technique; every line tells a tale that lingers long after our eyes have moved on. Meanwhile, "The Scotsman with a Pipe" invites us into an intimate moment frozen in time - pastel shades breathing life into this charming character. Traveling afar brings us face-to-face with grandeur; "Landscape from the Dniepr River" transports us to distant lands painted with oil on canvas. Its vibrant colors evoke emotions only nature can awaken within our souls. An untitled lithograph sparks curiosity - what secrets lie behind these intricate lines? It beckons viewers to unravel its mysteries one stroke at a time. Lastly, we find ourselves immersed in the grandeur of "Anne of Cleves Funeral Panorama.