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Stefano Collection

Stefano, a name that echoes through the vibrant streets of Italy

Background imageStefano Collection: ITALY. Siena. Cathedral. Hermes Trismegistus

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Background imageStefano Collection: Official poster for the XX Olympic Winter Games 2006 in Turin. Artist: Riboli, Stefano

Official poster for the XX Olympic Winter Games 2006 in Turin. Artist: Riboli, Stefano
Official poster for the XX Olympic Winter Games 2006 in Turin. Private Collection

Background imageStefano Collection: The three graces, from Game of Mythology (Jeu de la Mythologie), 1644

The three graces, from Game of Mythology (Jeu de la Mythologie), 1644

Background imageStefano Collection: A child and a satyr child playing with a goat, ca. 1657. Creator: Stefano della Bella

A child and a satyr child playing with a goat, ca. 1657. Creator: Stefano della Bella
A child and a satyr child playing with a goat, ca. 1657

Background imageStefano Collection: Cver of the work Dialogo di Galileo Galilei

Cver of the work Dialogo di Galileo Galilei
" Cver of the work " Dialogo di Galileo Galilei Linceo Al Sermo. Ferd. II. Grand. Duca di Toscana". Copy of an engraving by Stefano della Bella (1632). Engraving."

Background imageStefano Collection: Bologna, Italy - Chiese di Santo Stefano & Tour Bus

Bologna, Italy - Chiese di Santo Stefano & Tour Bus
Hotel Tourist Postcard from Bologna, Italy - with a photograph of the Chiesa di Santo Stefano & Tour Bus of the Stella D Italia e Aquila Nera Company (Star of Italy and Black Eagle Co.)

Background imageStefano Collection: Selene and Endymion, 1760s. Artist: Stefano Torelli

Selene and Endymion, 1760s. Artist: Stefano Torelli
Selene and Endymion, 1760s. According to Greek mythology, the Goddess Selene was in love with Endymion, a shepherd. She asked Zeus to grant him eternal sleep so that he would stay young

Background imageStefano Collection: Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Background imageStefano Collection: Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Background imageStefano Collection: Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Italy, Sicily, Santo Stefano Quisquina, Andromeda Theater

Background imageStefano Collection: Screen with Rebus of Fortune, ca. 1639. Creator: Stefano della Bella

Screen with Rebus of Fortune, ca. 1639. Creator: Stefano della Bella
Screen with Rebus of Fortune, ca. 1639

Background imageStefano Collection: Frontispiece for the comedy The Buffoons (Li Buffoni), a set on stage resembling a p

Frontispiece for the comedy The Buffoons (Li Buffoni), a set on stage resembling a public space, various figures dancing around two people in cages in center stage, fifteen spectators below, ca. 1639

Background imageStefano Collection: Salmacis and Hermaphrodite, from Game of Mythology (Jeu de la Mythologie), 1644

Salmacis and Hermaphrodite, from Game of Mythology (Jeu de la Mythologie), 1644

Background imageStefano Collection: The grave of Saint Cecilia - Catacomb of Callixtus

The grave of Saint Cecilia - Catacomb of Callixtus
Rome, Italy - The Catacomb(s) of Callixtus (also known as the Cemetery of Callixtus) is one of the Catacombs of Rome on the Appian Way - the grave of Saint Cecilia

Background imageStefano Collection: The church of Santo Stefano dei Cavalieri, Piazza dei Cavalieri, Pisa, Italy

The church of Santo Stefano dei Cavalieri, Piazza dei Cavalieri, Pisa, Italy

Background imageStefano Collection: Neptune, 1768. Artist: Stefano Torelli

Neptune, 1768. Artist: Stefano Torelli
Neptune, 1768. Found in the collection of the State Open-air Museum Oranienbaum, Russia

Background imageStefano Collection: DDE-90032842

DDE-90032842
Italy, Tuscany, L'Isolotto, Promontorio dell'Argentario. Porto Santo Stefano, town view Date: 30/08/2007

Background imageStefano Collection: DDE-90032843

DDE-90032843
Italy, Tuscany, L'Isolotto, Promontorio dell'Argentario. Porto Santo Stefano, town view Date: 30/08/2007

Background imageStefano Collection: DDE-90032701

DDE-90032701
Italy, Como Province, Menaggio. Town view and Chiesa San Stefano church. Date: 19/05/2006

Background imageStefano Collection: Patrick Gobbo & Stefano Gai Ferrari 458

Patrick Gobbo & Stefano Gai Ferrari 458 Trofeo Pirelli, Silverstone Race Track Trofeo Pirelli Ferrari Challenge Silverstone, England 16 September 2012 Date: 16 September 2012

Background imageStefano Collection: Stefano Brecciaroli

Stefano Brecciaroli 3 Day Eventing, Cross Country Cross Country Athens, Greece 17 August 2004 Date: 17 August 2004

Background imageStefano Collection: Stefano Galvani

Stefano Galvani Italy Wimbledon Championship 2008 Wimbledon, London, England 26 June 2008 Date: 26 June 2008

Background imageStefano Collection: Piazza Santo Stefano Bologna, Italy

Piazza Santo Stefano Bologna, Italy
Vintage 19th century photograph: Piazza Santo Stefano also known as Piazza delle Sette Chiese is a piazza of Bologna, Italy

Background imageStefano Collection: Aerial view of Pompeii

Aerial view of Pompeii showing the large theatre, small theatre, Quadriportico dei Teatri, etc. Chromolithograph after an illustration by S

Background imageStefano Collection: Interior of the Small Theatre or Odeon, Pompeii VIII. 7. 19

Interior of the Small Theatre or Odeon, Pompeii VIII. 7. 19
Interior of the Small Theatre or Odeon, Pompeii VIII.7.19. Chromolithograph after an illustration by S. De Stefano from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)

Background imageStefano Collection: Exterior of the Small Theatre or Odeon, Pompeii VIII. 7. 19

Exterior of the Small Theatre or Odeon, Pompeii VIII. 7. 19
Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S

Background imageStefano Collection: View of the Basilica, near the west corner

View of the Basilica, near the west corner of the Forum, Pompeii. Chromolithograph and illustration by S. De Stefano from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)

Background imageStefano Collection: The Lions Roused At Last by J E Mitchell and J H Lester

The Lions Roused At Last by J E Mitchell and J H Lester
Promotional music sheet for The Lions Roused At Last music hall song of 1878 by J. E. Mitchell and J. H Lester, sung with unbounded applause by Sam Torr

Background imageStefano Collection: Treaty of San Stefano, signing for peace treaty between Turkey and Russia

Treaty of San Stefano, signing for peace treaty between Turkey and Russia, cartoon showing Bismarck, Minister President of Prussia at the time trying to control the winds " confound the easterly

Background imageStefano Collection: St. Lawrence and St. Stephen, low relief sculpture above the north door, c

St. Lawrence and St. Stephen, low relief sculpture above the north door, c
KAB143430 St. Lawrence and St. Stephen, low relief sculpture above the north door, c.1440 (terracotta) by Donatello, (c.1386-1466); Old Sacristy, San Lorenzo, Florence

Background imageStefano Collection: Saints Zenobius, Stephen and Lawrence, detail from the fresco in the Sala dei Gigli, c

Saints Zenobius, Stephen and Lawrence, detail from the fresco in the Sala dei Gigli, c
BEN217197 Saints Zenobius, Stephen and Lawrence, detail from the fresco in the Sala dei Gigli, c.1470 (fresco) by Ghirlandaio

Background imageStefano Collection: The Crucifixion with Virgin, St John and Magdalen, 1470-1523

The Crucifixion with Virgin, St John and Magdalen, 1470-1523

Background imageStefano Collection: Stefano della Bella, 1649. Creator: Wenceslaus Hollar

Stefano della Bella, 1649. Creator: Wenceslaus Hollar
Stefano della Bella, 1649

Background imageStefano Collection: Plate 12: bust of an old Turkish man in a turban, looking towards the left

Plate 12: bust of an old Turkish man in a turban, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 11: bust of a man wearing a cap and looking towards the right

Plate 11: bust of a man wearing a cap and looking towards the right, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Head of a Man without a Beard, Turned in Profile to the Right

Head of a Man without a Beard, Turned in Profile to the Right, from Diverse Heads and Figures (Diverses tetes et figures), plate 10, 1650

Background imageStefano Collection: Plate 9: bust of Minerva, wearing a helmet with feathers, looking towards the left

Plate 9: bust of Minerva, wearing a helmet with feathers, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 7: bust of a bearded soldier wearing armor, facing left in profile

Plate 7: bust of a bearded soldier wearing armor, facing left in profile, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 6: head of an old bearded soldier wearing a helmet facing right

Plate 6: head of an old bearded soldier wearing a helmet facing right, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 5: head of a woman, turned in profile to the right

Plate 5: head of a woman, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 4: head of an old woman with a bonnet, looking left from Various heads

Plate 4: head of an old woman with a bonnet, looking left from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 3: head of a woman with braided hair, turned in profile to the right

Plate 3: head of a woman with braided hair, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 2: head of a man with a moustache and fur cap facing left, an oval composition

Plate 2: head of a man with a moustache and fur cap facing left, an oval composition, from Various heads and figures (Diverses tetes et figures), 1650

Background imageStefano Collection: Plate 16: head of an old man in profile with a cloth tied around his head, from The B

Plate 16: head of an old man in profile with a cloth tied around his head, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Background imageStefano Collection: Plate 14: head of a woman, in profile, from The Book for Learning to Draw (Livre pou

Plate 14: head of a woman, in profile, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Background imageStefano Collection: Plate 11: a Polish bust in profile, turned to the right, another Polish head seen

Plate 11: a Polish bust in profile, turned to the right, another Polish head seen from behind in the background, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Background imageStefano Collection: Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre à

Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre à
Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Background imageStefano Collection: Plate 4: two profiles and three mouths, from The Book for Learning to Draw (Livre po

Plate 4: two profiles and three mouths, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649



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Stefano, a name that echoes through the vibrant streets of Italy. From the enchanting city of Siena with its majestic Cathedral to the historic Chiese di Santo Stefano in Bologna, his presence is felt. But Stefano's influence extends beyond architecture and churches. He is an artist, a master of capturing mythical tales and playful scenes. In his work "The Three Graces, " he transports us to a world where gods and goddesses reign supreme, reminding us of our fascination with ancient mythology. In another masterpiece by Stefano della Bella, we witness the innocence of childhood as a child and satyr child playfully engage with a goat. The artist's attention to detail brings this scene to life, showcasing his talent for storytelling through art. Yet Stefano's creativity knows no bounds. As seen on the cover of Galileo Galilei's Dialogo, he merges science and art seamlessly. His intricate illustrations invite us into Galileo's world of discovery and intellectual curiosity. Moving from canvas to stage, Stefano lends his artistic touch to theater productions like "The Buffoons. " With its elaborate frontispiece resembling a set on stage, it captures the essence of comedic performances that have entertained audiences for centuries. Santo Stefano dei Cavalieri stands tall in Pisa as yet another testament to Stefano's legacy. This church holds stories untold within its walls; whispers from history echoing through time. Stefano Torelli takes up the brush next as he paints Selene and Endymion in their eternal embrace under moonlit skies. Their love story unfolds before our eyes as Torelli skillfully portrays their passion and longing. Not limited to paintings alone, Stefan della Bella also showcases his talent in other forms such as screen designs like "Rebus of Fortune. " Through intricate details woven together flawlessly, he invites us into a riddle-filled world where luck plays its part.