Stick Collection (page 20)

The Wonders of the Deep: an Idyll (oil on canvas)
1763732 The Wonders of the Deep: an Idyll (oil on canvas) by Poynter, Edward John (1836-1919); 97.8x138.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Prince Mikhail Alexandrovich Galitzine (1804-1860), 1833 (oil on canvas)
1195778 Portrait of Prince Mikhail Alexandrovich Galitzine (1804-1860), 1833 (oil on canvas) by Kiprensky, Orest Adamovich (1778-1836); 94x136 cm; Private Collection; (add.info.: Kiprensky)

The Curfew Tolls The Knell of the Parting Day, 1912 (oil on canvas)
657025 The Curfew Tolls The Knell of the Parting Day, 1912 (oil on canvas) by Davis, Frederick William (1862-1919); Private Collection; (add.info.: The Curfew Tolls The Knell of the Parting Day)

A Baccante, 1885 (oil on canvas)
652991 A Baccante, 1885 (oil on canvas) by Rae, Henrietta (1859-1928); 127x63.5 cm; Private Collection; (add.info.: A Baccante. Henrietta Rae (1859-1928). Oil on canvas. Signed and dated 1885

Portrait of George Morewood, Standing Full Length, in a Green Coat
652179 Portrait of George Morewood, Standing Full Length, in a Green Coat, Waistcoat and Breeches, Holding a Hat in His Left Hand, a Cane in His Right, (oil on canvas) by Romney

Seaside Gossips, (watercolour)
828431 Seaside Gossips, (watercolour) by Smetham, James (1821-89); 26x35.2 cm; Private Collection; (add.info.: Seaside Gossips. James Smetham (1821-1889). Watercolour

Jules Perrot, study for The Dancer Perrot, sitting, c. 1880
988859 Jules Perrot, study for The Dancer Perrot, sitting, c.1880 (black and brown chalks with white on paper) by Degas, Edgar (1834-1917); 49.5x33.2 cm; Private Collection; (add.info.: Jules Perrot)

Ratapoil, c. 1850 and c. 1960 (bronze with dark brown patina)
988837 Ratapoil, c.1850 and c.1960 (bronze with dark brown patina) by Daumier, Honore (1808-79); 45 cm; Private Collection; (add.info.: Ratapoil. Honore Daumier (1808-1879)

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

Entering the Forest of Marly, (Snow Effect); Entree de la foret de Marly, effet de neige
1768212 Entering the Forest of Marly, (Snow Effect); Entree de la foret de Marly, effet de neige, c.1870 (oil on canvas) by Pissarro

Manila and its Environs: Milksellers (watercolour with bodycolourr)
1767260 Manila and its Environs: Milksellers (watercolour with bodycolourr) by Lozano, Jose Honorato (c.1815-c.85); 34.3x24.7 cm; Private Collection; (add.info.: Manila and its Environs: Milksellers)

Manila and its Environs: Mestizos Going to the Fiesta (watercolour with bodycolour)
1767248 Manila and its Environs: Mestizos Going to the Fiesta (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); 34.3x29.7 cm; Private Collection; (add.info)

An Afternoon Visit, (oil on panel)
827081 An Afternoon Visit, (oil on panel) by Piltz, Otto (1864-1910); 38.5x49.5 cm; Private Collection; (add.info.: An Afternoon Visit. Otto Piltz (1864-1910). Oil on panel

The Lesson (oil on canvas)
823589 The Lesson (oil on canvas) by Scognamiglio, Ettore (late 19th century); 103x71.2 cm; Private Collection; (add.info.: The Lesson. Ettore Scognamiglio (late 19th Century). Oil on canvas

Young Italian boy on the Mountain; Jeune Patre Italien dans le Montagne, c
826516 Young Italian boy on the Mountain; Jeune Patre Italien dans le Montagne, c.1845-55 (oil on panel) by Corot, Jean Baptiste Camille (1796-1875); 31.9x24 cm; Private Collection; (add.info)

Admiring the Baby, (oil on canvas)
827361 Admiring the Baby, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 127x91.5 cm; Private Collection; (add.info.: Admiring the Baby. George Goodwin Kilburne (1839-1924). Oil on canvas

Folio from a miniature Book of Hours, use of Rome, Bruges
492881 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

The Adoration of the Magi: The Virgin in the Grotto, c. 1475-80 (engraving)
659469 The Adoration of the Magi: The Virgin in the Grotto, c.1475-80 (engraving) by Mantegna, Andrea (1431-1506) (school of); 38.5x28.6 cm; Private Collection; Photo eChristies Images; Italian

The Visiting Uncle, (oil on canvas)
658934 The Visiting Uncle, (oil on canvas) by Brozik, Vaclav (Wenzel von) (1851-1901); 94.5x140.5 cm; Private Collection; (add.info.: The Visiting Uncle. Vaclav Brozik (1851-1901). Oil on canvas

St, 1905 (watercolour on board)
651043 St, 1905 (watercolour on board) by La Farge or Lafarge, John (1835-1910); Private Collection; (add.info.: St. Paul Preaching at Athens. Studies for windows at St)

At the Fair; En la Feria, (oil on canvas)
659118 At the Fair; En la Feria, (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 19x22.5 cm; Private Collection; (add.info.: At the Fair; En la Feria)

Through the Binoculars, (oil on canvas)
658938 Through the Binoculars, (oil on canvas) by Garcia Mencia, Antonio (1852-1918); 40.5x33 cm; Private Collection; (add.info.: Through the Binoculars. Antonio Garcia Mencia (1852-1918)

An Elegant Couple, (oil on board)
658721 An Elegant Couple, (oil on board) by Stahl, Friedrich (1863-1940); 25.3x20.3 cm; Private Collection; (add.info.: An Elegant Couple. Friedrich Stahl (1863-1940). Oil on board

Shepherd with Sheep, 1888 (detrempe on linen laid down on canvas)
988886 Shepherd with Sheep, 1888 (detrempe on linen laid down on canvas) by Pissarro, Camille (1830-1903); 22.2x27 cm; Private Collection; (add.info.: Shepherd with Sheep; Berger avec Moutons)

Portrait of a Marechal de France, probably Chretien-Louis de Montmorency-Luxembourg
990135 Portrait of a Marechal de France, probably Chretien-Louis de Montmorency-Luxembourg (1675-1746), half-length, 1740 (oil on canvas) by Nattier

Children on the Beach, c. 1891 (oil on canvas)
826830 Children on the Beach, c.1891 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 45.7x33 cm; Private Collection; (add.info.: Children on the Beach)

News from the Front, 1880 (oil on canvas)
1772166 News from the Front, 1880 (oil on canvas) by Webb, Charles Meer (1830-1895); 91.5x80 cm; Private Collection; (add.info.: News from the Front. Charles Meer Webb (1830-1895). Oil on canvas

Shaking Down Cider Apples (oil on canvas)
1772148 Shaking Down Cider Apples (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 106.7x92.7 cm; Private Collection; (add.info.: Shaking Down Cider Apples)

Blind Christian, study (oil on board)
6108397 Blind Christian, study (oil on board) by Ancher, Michael Peter (1849-1927); 34.7x27 cm; National Museum, Stockholm, Sweden; Danish, out of copyright

Dollys first drawing (engraving)
6007146 Dollys first drawing (engraving) by English School, (19th century); Private Collection; (add.info.: Dollys first drawing)

Scene from Les Miserables, by Victor Hugo: "my two franc piece, sir"(engraving)
5996969 Scene from Les Miserables, by Victor Hugo: " my two franc piece, sir" (engraving) by French School, (19th century); Private Collection; (add.info.: Scene from Les Miserables)

Pretty girl, in knitted jumper, with pearl earrings, holding hockey stick (photo)
6030237 Pretty girl, in knitted jumper, with pearl earrings, holding hockey stick (photo) by English Photographer, (20th century); Private Collection; (add.info.: Pretty girl, in knitted jumper)

The Rombalds Moor Hermit, Old Yorkshire. 1881

Joseph Chamberlain, British Liberal politician
Joseph Chamberlain (1836-1914), British Liberal politician. 1904

Two men with dogs, hunting badgers in a wood. Date: circa 1820

Scene in the Square des Batignolles, Paris, France
Scene in the Square des Batignolles, 17th arrondissement, Paris, France, with a bandstand in the middle. Date: 1900s

Rue Brochant with covered market building, Paris, France
Rue Brochant with covered market building, 17th arrondissement, Paris, France. Date: 1910s

Willie Renfrew, works gatekeeper. circa 1890

Victorian scrap, an old English watchman. circa 1890

Victorian scrap, natives of Pomerania. circa 1890

Victorian scrap, a native of Crete. circa 1890

Studio photo, Lieutenant George, Cape Town, South Africa
Studio photo, Lieutenant George (surname not given), Cape Town, South Africa. 1901

Boy in red suit, waving handkerchief (colour litho)
5236140 Boy in red suit, waving handkerchief (colour litho) by Greenaway, Kate (1846-1901) (after); Private Collection; (add.info.: Boy in red suit, waving handkerchief)

A Pretty Fellow, London Swell

Photographs of Hippodrome Pogo Parade, October 1921
Miss Mona Vivian and her " pogo platoon", performing for the Sketch in the Botanical Gardens although the Pogo Parade was performing at the Hippodrome at the time. Date: 1921

Norwich Thorpe railway station, Norwich, Norfolk
A busy scene in front of Norwich Thorpe railway station, Norwich, Norfolk, which opened in 1844. Date: 1845

Mr Libbys Corned Beef
Libbys Happy Families Card Game, Mr Libbys Corned Beef. circa 1950s

Miss Libbys Red Salmon
Libbys Happy Families Card Game, Miss Libbys Red Salmon. circa 1950s

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"Embracing the Stick: A Journey through Time and Culture" In a world filled with diverse traditions, one common thread unites us all - the stick. From its humble beginnings as a simple tool to its multifaceted roles in various aspects of life, this unassuming object has woven itself into the fabric of our existence. Step back in time to an era when dance crazes swept across nations. "Me and My Girl" taught us how to dance the Lambeth Walk, where sticks became extensions of our limbs, guiding our every move on bustling streets. The rhythm pulsated through Tofino, Vancouver Island, British Columbia (B. C. ), Canada, North America as laughter echoed amidst lively gatherings. But they are not limited to dance floors alone; they have also found their place at gaming tables. The Jolly Joker Playing Card reminds us of countless evenings spent strategizing over card games while holding onto that lucky charm - a trusty stick by our side. Artistic expressions often find inspiration from everyday objects. Disraeli's Vanity Fair caricature captures a moment frozen in time when sticks were wielded as symbols of power and authority. Meanwhile, explosions of vibrant colors burst forth from firecrackers during Chinese New Year celebrations in Paris, France, Europe - each spark illuminating the night sky like tiny brushstrokes derived from coal tar. The sea holds tales untold by many but cherished by old sea dogs who navigate treacherous waters with their trusted companion - a sturdy wooden staff that stands tall against crashing waves. Elgar himself found solace in walking with his stick along serene paths where melodies whispered softly among nature's symphony. History unveils fascinating characters like Black John of Tetcott captured forever on canvas by James Northcote (1746-1831), his weathered face etched with wisdom earned through years spent leaning upon his faithful cane.