Studies Collection (page 8)

Recto: The Infant Christ and other Studies, WA1855. 91 (pen & brown ink over leadpoint
3959911 Recto: The Infant Christ and other Studies, WA1855.91 (pen & brown ink over leadpoint, on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum

The Miraculous Mass at Bolsena, WA1846. 273 (pen & brown ink with grey wash heightened
3959905 The Miraculous Mass at Bolsena, WA1846.273 (pen & brown ink with grey wash heightened with bodycolour) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum

Verso: Study for a Figure of the Almighty, WA1846. 207 (red chalk over blind stylus)
3959894 Verso: Study for a Figure of the Almighty, WA1846.207 (red chalk over blind stylus) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Verso: Studies for two kneeling Women, WA1846. 198 (black chalk)
3959881 Verso: Studies for two kneeling Women, WA1846.198 (black chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

The Head of a Horse, WA1846. 197 (black chalk or charcoal
3959879 The Head of a Horse, WA1846.197 (black chalk or charcoal, the outlines pricked for transfer, on brown discoloured paper made up of posssibly six joined sheets)

Recto: The Judgement of Solomon, WA1846. 196 (metalpoint on pale green prepared paper)
3959877 Recto: The Judgement of Solomon, WA1846.196 (metalpoint on pale green prepared paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Recto: Studies of a Head and a Hand. Verso: Rough draft of the sonnets
3959865 Recto: Studies of a Head and a Hand. Verso: Rough draft of the sonnets Come non podde dir and Amor tu m envesscati

Verso: Figure Studies and a draft sonnet, WA1846. 186 (black chalk and pen & black ink)
3959864 Verso: Figure Studies and a draft sonnet, WA1846.186 (black chalk and pen & black ink) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Recto: Study for the Drapery of a Man in back view (Study for the Disputa), WA1846
3959863 Recto: Study for the Drapery of a Man in back view (Study for the Disputa), WA1846.186 (black chalk and charcoal with some white heightening (possibly white chalk)

Verso: Adam tempted, WA1846. 180 (pen & brown ink over some leadpoint)
3959854 Verso: Adam tempted, WA1846.180 (pen & brown ink over some leadpoint) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Verso: Rough Sketches of kneeling Figures, WA1846. 174 (black chalk)
3959845 Verso: Rough Sketches of kneeling Figures, WA1846.174 (black chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Verso: Study of the Body of Christ in a Pieta, WA1846. 171 (pen & brown ink)
3959841 Verso: Study of the Body of Christ in a PietA, WA1846.171 (pen & brown ink) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Verso: Two Female Heads and a Sketch of a Woman squatting, WA1846. 168 (black chalk)
3959836 Verso: Two Female Heads and a Sketch of a Woman squatting, WA1846.168 (black chalk) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Recto: Study for St Catherine, WA1846. 168 (pen & brown ink on white paper)
3959835 Recto: Study for St Catherine, WA1846.168 (pen & brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Recto: A Man writing in a Book, WA1846. 167 (pen & brown ink on white paper)
3959833 Recto: A Man writing in a Book, WA1846.167 (pen & brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Recto: Four standing soldiers;, WA1846. 164 (pen & brown ink
3959828 Recto: Four standing soldiers;, WA1846.164 (pen & brown ink, possibly with some later reworking, on paper discoloured by pouncing) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Recto: The Virgin and Child and St John, WA1846. 162 (pen & brown ink on buff paper)
3959824 Recto: The Virgin and Child and St John, WA1846.162 (pen & brown ink on buff paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Verso: Architectural detail of a niche, WA1846. 159 (pen & brown ink over some blind
3959820 Verso: Architectural detail of a niche, WA1846.159 (pen & brown ink over some blind stylus) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Studies for "Oliver Twist Asking for More"(engraving)
3628079 Studies for " Oliver Twist Asking for More" (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info)

Studies of Figures, c. 1836-43 (graphite on wove paper)
3526151 Studies of Figures, c.1836-43 (graphite on wove paper) by Clonney, James Goodwin (1812-67); 17.8x27.9 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Double Study for Earthbound - recling female figure, 1897 (chalk on paper)
5242754 Double Study for Earthbound - recling female figure, 1897 (chalk on paper) by Morgan, Evelyn De (1855-1919); 48.2x73.3 cm; De Morgan Collection

A note in the handwriting of Michelangelo (etching)
5236256 A note in the handwriting of Michelangelo (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: A note in the handwriting of Michelangelo)

Samson and Delilah (etching)
5236244 Samson and Delilah (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Samson and Delilah)

Study of several figures for the bottom part of THe Last Judgement (etching)
5236240 Study of several figures for the bottom part of THe Last Judgement (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info)

A female portrait in profile (etching)
5236238 A female portrait in profile (etching) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: A female portrait in profile)

Caricature of a Man with Bushy Hair, c. 1495 (pen and brown ink)
5242266 Caricature of a Man with Bushy Hair, c.1495 (pen and brown ink) by Vinci, Leonardo da (1452-1519); 6.6x5.4 cm; J. Paul Getty Museum, Los Angeles, USA; Italian, out of copyright

Study of bird in flight and plant, 19th century (woodblock print)
6198596 Study of bird in flight and plant, 19th century (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); 23.5x17.5 cm; The McManus, Dundee

Studies for a Picture, 1862-63 (pencil & ink)
6198415 Studies for a Picture, 1862-63 (pencil & ink) by Herdman, Robert (1829-88); 19.1x31.2 cm; The McManus, Dundee, UK; (add.info)

Studies in freehand piping in colours, on cake (colour litho)
5998356 Studies in freehand piping in colours, on cake (colour litho) by English School, (20th century); Private Collection; (add.info.: Studies in freehand piping in colours, on cakes)

Mountain study, c. 1929 (tempera on canvas laid on cardboard)
5642800 Mountain study, c.1929 (tempera on canvas laid on cardboard) by Roerich, Nicholas (1874-1947); 13.8A--14.6 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian

Chandra River, study, 1931 (tempera on paper)
5642642 Chandra River, study, 1931 (tempera on paper) by Roerich, Nicholas (1874-1947); 22.8A--30.8 cm; Nicholas Roerich Museum, New York; eNicholas Roerich Museum; Russian, out of copyright

Study of the Head of the Angel Gabriel in Filippo Lippis
6263793 Study of the Head of the Angel Gabriel in Filippo Lippis The Announcing Angel, 28 June 1870 (graphite, w/c and bodycolour on blue wove paper) by Ruskin

The Gryphon bearing the north Shaft of the west Entrance of the Duomo, Verona
6263790 The Gryphon bearing the north Shaft of the west Entrance of the Duomo, Verona, 18-28 June 1869 (w/c and bodycolour over graphite on wove paper) by Ruskin

Page from a sketchbook, 1928-30 (pencil, w / c & gouache on paper)
6331030 Page from a sketchbook, 1928-30 (pencil, w/c & gouache on paper) by Chekhonin, Sergei Vasil evich (1878-1936); 17.4x10.5 cm; Private Collection; (add.info)

Study sheet (recto), eighteenth century (red chalk on paper) [see 5938286]
5938219 Study sheet (recto), eighteenth century (red chalk on paper) [see 5938286] by Solimena, Francesco (1657-1747); 29x20.5 cm; Fitzwilliam Museum, University of Cambridge

Transmitted light photograph of the verso of Group of Vintagers, c. 1505-07
5940995 Transmitted light photograph of the verso of Group of Vintagers, c.1505-07 by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Studies of Drapery for the Figure of Death in Time, Death and Judgement
5889111 Studies of Drapery for the Figure of Death in Time, Death and Judgement, 1865-66 (pencil & white chalk on paper) by Watts

Anatomical Study: Human Musculature, in Contrapposto (pencil & wash on paper)
5889001 Anatomical Study: Human Musculature, in Contrapposto (pencil & wash on paper) by Bathe, John (1849-1874); 71.1x49.5 cm; Private Collection; (add.info)

Anatomical Study: the Human Skeleton, in Contrapposto, 1870 (pencil, pen
5889000 Anatomical Study: the Human Skeleton, in Contrapposto, 1870 (pencil, pen, ink & wash on paper) by Bathe, John (1849-1874); 70.5x49.5 cm; Private Collection; (add.info)

Study of apples, possibly for the background of Arthur in Avalon
5888982 Study of apples, possibly for the background of Arthur in Avalon, number 2 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 59.1x43.2 cm; Private Collection; Photo eThe Ms Gallery

Study for Tristram and Yseult, c. 1901 (black & white chalk on paper)
5888933 Study for Tristram and Yseult, c.1901 (black & white chalk on paper) by Draper, Herbert James (1864-1920); 54x29.8 cm; Private Collection; Photo eThe Ms Gallery, London; English

In the Great North-West with the Marquis of Lorne, XIII (engraving)
1054775 In the Great North-West with the Marquis of Lorne, XIII (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info)

Studies at Suburban Races (engraving)
1058597 Studies at Suburban Races (engraving) by English School, (19th century); Private Collection; (add.info.: Studies at Suburban Races)

Study for Chagford (a Moorland Scene), 1878 (oil on board)
5889178 Study for Chagford (a Moorland Scene), 1878 (oil on board) by Brett, John (1831-1902); 19.1x36.8 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Brown Study (oil on canvas)
5889041 Brown Study (oil on canvas) by Miles, George Frank (1852-91); 50.8x61 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Giuseppe Moto, Violinist (charcoal on paper)
5889018 Giuseppe Moto, Violinist (charcoal on paper) by Sheilds, Frederick James (1833-1911); 33x24.8 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Studies of Life and Character at a Railway Station (engraving)
1038323 Studies of Life and Character at a Railway Station (engraving) by English School, (19th century); Private Collection; (add.info.: Studies of Life and Character at a Railway Station)

Study for Cimabues Celebrated Madonna, 1853
1631828 Study for Cimabues Celebrated Madonna, 1853 (pencil on tracing paper laid on card) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

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"Exploring the World of Studies: From Suntop English Setters to Timbuktu" Step into the captivating world of studies, where knowledge and creativity intertwine. In this diverse collection, we delve into various subjects that have fascinated scholars throughout history. Let's begin with Olimpio Fusco's enchanting painting "Suntop English Setters. " With masterful strokes, John Singer Sargent captures the grace and elegance of these majestic dogs, inviting us to ponder their beauty. Moving on to Georges-Pierre Seurat's "Study for A Sunday on La Grande Jatte, " we witness his meticulous technique known as pointillism. Each dot meticulously placed creates a vibrant scene filled with leisurely Parisian life. Leonardo da Vinci's notes take us back in time as we glimpse into the mind of a true Renaissance genius. His sketches and writings reveal his insatiable curiosity about anatomy, inventions, and artistry – a testament to his boundless intellect. A Madame Yevonde portrait introduces us to Baba Beaton, an enigmatic figure captured by the lens. The photograph exudes mystery while showcasing both Madame Yevonde's skill behind the camera and Baba Beaton's intriguing persona. The youthful face staring back at us from WA1846 is shrouded in anonymity but holds an air of self-reflection. Is it a self-portrait? We can only wonder about its origins while admiring its timeless appeal. Next up is an X symbolizing countless untold stories waiting to be discovered through diligent study. It represents all those who seek knowledge beyond boundaries – forever curious souls yearning for enlightenment. Flipping through pages of ancient Greek-Latin dictionaries takes our imagination on a linguistic journey across centuries. These invaluable resources offer glimpses into civilizations long gone but still echoing through words preserved within their pages. Sherlock Holmes' iconic silhouette emerges amidst swirling thoughts – Sherlock Holmes Thinking.