Study Collection (page 20)

A Seated Nude. Creator: Unknown
A Seated Nude

ReneDescartes. Creator: Unknown
Rene Descartes

The Letter, c1885-1947. Artist: Pelle Swedlund
The Letter, 1865-1947. Private Collection

Picture No. 12480245
Great Grey Owl, wearing glasses and mortar board Date:

Fall / Rough Collie / 1955
WHATASTAR OF WEARMOUTH Head study. Owner: Stothard Date: 1955

Fall / Border Terrier / 1932
CHAMPION HAPPY MOOD Owned by Renton. Head study. Date: 1932

Study of the Legs of a Man Lunging to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Legs of a Man Lunging to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to Right, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Perspective machine, 1525, (1936). Artist: Albrecht Durer
Perspective machine, 1525, (1936). Draughsman making a perspective drawing of a woman. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Horses, c1490-1510. Artist: Leonardo da Vinci
Horses, c1490-1510. Left: Three Horses, c1508-1510; right: Two Horses, c1490, both studies for the Trivulzio Monument and found in the collection of the Royal Library, Windsor Castle, Windsor, England

Learning with the master
Gunarto Song

With magic light
Erhard Batzdorf

Home office
Petra Holíková

Reading time
Yasuhiro Ujiie

Studio portrait: the model (a young peasant girl) is shown half-length, in profile. Behind her a preparatory sketch acts as backdrop Abruzzo. Date of Photograph:1890-1900 ca

Drawing by Giulio Romano of a mask. Date of Photograph:1865 ca

Sketch by Guido Reni of two seated women and a putto. Date of Photograph:1865 ca

Study by Coriolano, probably for an architectural detail, with a draped female figure at the center, raising her arms, and two figures at the side, one male and one female

Drawing by Pietro Cattani of vases. Date of Photograph:1865 ca

Drawing by Gentile Bellini of a design for candelabra. Date of Photograph:1865 ca

Sketch by Justus Sustermans of a female figure and a dove. Date of Photograph:1865 ca

Drawing by Puttino da Bologna of a group of female figures. It is probably a sketch for a wall painting. Date of Photograph:1865 ca

Drawing by Gerolamo Corti known as Dentone, probably a sketch for a wall painting. Date of Photograph:1865 ca

Drawing by Annibale Carracci of two masks. Date of Photograph:1865 ca

Drawing for a wall painting, by Francesco Salviati de Rossi, known as Cecchino Salviati. Date of Photograph:1865 ca

Drawing by Giorgio Vasari Ofan idea for a wall painting with a few figures and coats of arms. Date of Photograph:1865 ca

Drawing for a fountain, by Baccio del Bianco. Date of Photograph:1865 ca

Drawing of a project for a vase with allegorical figures by Polidoro da Caravaggio. Date of Photograph:1865 ca

Study by Michelangelo for a Deposition. Date of Photograph:1865 ca

Sketch by Pietro Bonaccorsi known as Perin del Vaga of three heroic male figures, with michelangeiolesque forms, in the foreground, and a few heads in the upper part. Date of Photograph:1865 ca

Study by Amico Aspertini for an architectural decoration. Note the floral ornamental motifs, a cupid at the center and two lions. Date of Photograph:1865 ca

Drawing by Alessandro Algardi, whose name appears in a plaque in the upper part and on the base of the chalice shown. Two birds of prey and a crown comopose the lid

Preparatory sketch by Antonio Allegri know as Correggio of a group of figures and cherubs. Date of Photograph:1865 ca

Titian's drawing in profile for the study of a helmet, Drawings and Prints Collection at the Uffizi Gallery in Florence

Drawing of a study for Titian's Statue Day, Drawings and Prints Collection at the Uffizi Gallery in Florence. Florence The Uffizi Gallery, Drawings and Prints Collection Drawing High Renaissance

Detail of the decoration of the throne the anatomical theatre, built on a project by Antonio Levanti, Archiginnasio, Bologna, headquarters of the Bologna studio from 1563 to 1803

Bust of Arnolfo di Cambio inside a medallion by Ulisse Cambi, Cathedral of Santa Maria del Fiore, Florence Florence Cathedral of Santa Maria del Fiore, interior Low Relief, Basrelief

The crimson rosella (Platycercus elegans) is a parrot native to eastern and south eastern Australia which has been introduced to New Zealand and Norfolk Island

Conus Aulicus, Chain-spotted Brunette Cone Coloured Plate from The Naturalist's repository, or, Monthly miscellany of exotic natural history by Donovan, E

sulphur-breasted parakeet (Aratinga maculata), or sulphur-breasted conure [Here as Psittacus maculatus Spotted-Breasted Parrakeet ] Coloured Plate from The Naturalist's repository, or

Mountain Hare from the The royal natural history edited by Richard Lydekker, Volume III published in 1893

Botanical illustrations depicting the Linnean classification system. Carl Linnaeus (1707–1778) was a Swedish botanist, zoologist, taxonomist, and physician who formalised binomial nomenclature

Lisdiyanto Suhardjo

Richard Sickert and wife in his litter-ary studio
Walter Richard Sickert and his wife seen in his studio at Broadstairs, the state of which brings new meaning to the word, untidy. Date: 1938

A portrait of the concert dancer Martha Graham by Soichi Sunami, 1930. Graham was sometimes called the Picasso of Dance Date: 1930

The Great Lafayette in his study, 1911
Sigmund Neuberger (or Newburger) (1871-1911), otherwise known as illusionist The Great Lafayette. Seen here in his study at 55 Tavistock Square, London, which was decorated with pictures, colour

Elsie Speicher [verso], 1920. Creator: George Wesley Bellows
Elsie Speicher [verso], 1920

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"Exploring the Depths of Knowledge: A Glimpse into Famous Study Spaces" Step into the captivating world spaces, where great minds have delved deep into their creative realms. From Charles Dickens to Leonardo da Vinci, these iconic figures found solace and inspiration within the walls of their studies. In Charles Dickens' study at Gadshill, one can almost feel the presence of his vivid characters coming to life. Surrounded by books and manuscripts, this room served as a sanctuary for his literary genius. Leonardo da Vinci's Head of a Bear painting adorns his study walls, showcasing his artistic prowess even in moments of respite from scientific exploration. The intricate details reveal da Vinci's meticulous nature and thirst for knowledge. Albrecht Durer's Praying Hands artwork exudes devotion and contemplation - a constant reminder that studying is not just about acquiring information but also about seeking enlightenment through introspection. The Rowing Boat Eight hanging on Coco Chanel's study wall symbolizes her relentless pursuit of perfection in both fashion design and business strategy. This space witnessed her revolutionary ideas taking shape before they transformed the world. Daphne du Maurier found inspiration amidst the serene beauty of Menabilly, her Cornish home. Her study became an escape where she weaved tales that continue to captivate readers today. A Young Hare by Durer serves as a testament to the artist's keen observation skills - reminding us that studying often involves closely examining our surroundings with curiosity and attention to detail. Queen Victoria sought refuge at her desk when burdened with responsibilities beyond measure. In this intimate space, she penned letters, made decisions that shaped history, and showcased resilience in times of adversity. Karl Marx immersed himself in political philosophy within his scholarly haven. His study was filled with volumes upon volumes dissecting societal structures - a testament to his unwavering dedication towards understanding human nature.