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Symbols Collection (page 3)

Symbols have the power to transcend time and culture, carrying profound meanings that resonate with humanity

Background imageSymbols Collection: Madonna with the Christ Child, John the Baptist and St. Wilhelm, St. John the Baptist

Madonna with the Christ Child, John the Baptist and St. Wilhelm, St. John the Baptist
7279630 Madonna with the Christ Child, John the Baptist and St. Wilhelm, St. John the Baptist; Private Collection; (add.info.: Madonna with the Christ Child, John the Baptist and St. Wilhelm, St)

Background imageSymbols Collection: Leo Major and Leo Minor, c.1825 (card, paper, tissue )

Leo Major and Leo Minor, c.1825 (card, paper, tissue )
7340886 Leo Major and Leo Minor, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 20)

Background imageSymbols Collection: Cepheus, c.1825 (card, paper, tissue )

Cepheus, c.1825 (card, paper, tissue )
7340875 Cepheus, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 4)

Background imageSymbols Collection: Cassiopeia, c.1825 (card, paper, tissue )

Cassiopeia, c.1825 (card, paper, tissue )
7340874 Cassiopeia, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 3)

Background imageSymbols Collection: Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue )

Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue )
7340873 Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Background imageSymbols Collection: Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue)

Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue)
7340871 Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); National Maritime Museum, London, UK; (add.info.: Box lid)

Background imageSymbols Collection: 'Saint John the Evangelist', miniature, 9th century

"Saint John the Evangelist", miniature, 9th century
AIS5389288 "Saint John the Evangelist", miniature, 9th century; San Paolo Fuori Le Mura, Rome, Italy; (add.info)

Background imageSymbols Collection: Human Rights, 1789 (poster)

Human Rights, 1789 (poster)
8698417 Human Rights, 1789 (poster); Musee de L'Histoire Vivante, Montreuil, France; (add.info.: History. France, French Revolution. Declaration of the Rights of Man and of the Citizen)

Background imageSymbols Collection: A wallpaper maker, c.1735 (engaving)

A wallpaper maker, c.1735 (engaving)
8698377 A wallpaper maker, c.1735 (engaving) by Engelbrecht, Martin (1684-1756); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Society. Economy. A wallpaper maker)

Background imageSymbols Collection: Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue)

Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue)
7339260 Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 38.5x37.3x33.4 cm; National Maritime Museum, London

Background imageSymbols Collection: Adoration of the Wise Men, right side of a sarcophagus in Luni Marble, end IV century (marble)

Adoration of the Wise Men, right side of a sarcophagus in Luni Marble, end IV century (marble)
7292741 Adoration of the Wise Men, right side of a sarcophagus in Luni Marble, end IV century (marble); Museo Diocesano, Vicenza, Italy; Ghigo Roli.

Background imageSymbols Collection: Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue )

Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue )
7340894 Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Background imageSymbols Collection: Pisces, c.1825 (card, paper, tissue )

Pisces, c.1825 (card, paper, tissue )
7340892 Pisces, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 27)

Background imageSymbols Collection: Capricornus, c.1825 (card, paper, tissue )

Capricornus, c.1825 (card, paper, tissue )
7340890 Capricornus, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 25)

Background imageSymbols Collection: Cancer, c.1825 (card, paper, tissue )

Cancer, c.1825 (card, paper, tissue )
7340885 Cancer, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 19)

Background imageSymbols Collection: Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue)

Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue)
7340881 Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 13)

Background imageSymbols Collection: Gloria Frederich, Andromeda and Triangula, c.1825 (card, paper, tissue )

Gloria Frederich, Andromeda and Triangula, c.1825 (card, paper, tissue )
7340876 Gloria Frederich, Andromeda and Triangula, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Symbolic female figure with an anchor, representing 'Hope', c.1800 (leather, gold)
7340089 Symbolic female figure with an anchor, representing 'Hope', c.1800 (leather, gold) by Unknown Artist, (19th century); 2.7x1.5 cm; National Maritime Museum, London

Background imageSymbols Collection: Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral

Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral. (stained glass)
8711203 Jesus breaks downn the gates of hell and set free Adam and Eve. Strasbourg cathedral. (stained glass); (add.info.: Strasbourg Cathedral. Stained glass)

Background imageSymbols Collection: Humorous postcard card satirising British Freemasonry. 1905

Humorous postcard card satirising British Freemasonry. 1905
5305981 Humorous postcard card satirising British Freemasonry. 1905; Universal History Archive/UIG.

Background imageSymbols Collection: Christmas postcard showing symbols of Freemasonry. 1905

Christmas postcard showing symbols of Freemasonry. 1905
5305979 Christmas postcard showing symbols of Freemasonry. 1905; Universal History Archive/UIG.

Background imageSymbols Collection: Humorous postcard card satirising British Freemasonry. 1905

Humorous postcard card satirising British Freemasonry. 1905
5305978 Humorous postcard card satirising British Freemasonry. 1905; Universal History Archive/UIG.

Background imageSymbols Collection: Humorous postcard card satirising British Freemasonry. 1905

Humorous postcard card satirising British Freemasonry. 1905
5305972 Humorous postcard card satirising British Freemasonry. 1905; Universal History Archive/UIG.

Background imageSymbols Collection: The Empress Elisabeth of Austria, 1861 (engraving)

The Empress Elisabeth of Austria, 1861 (engraving)
5304997 The Empress Elisabeth of Austria, 1861 (engraving); (add.info.: Engraved portrait of the Empress Elisabeth of Austria (1837-1898)); Universal History Archive/UIG.

Background imageSymbols Collection: Portrait of Henry Joseph Masure (painting)

Portrait of Henry Joseph Masure (painting)
7337414 Portrait of Henry Joseph Masure (painting); Musee de folklore et des imagin, Tournai, Hainaut, Belgium; (add.info.: Text: "Henry Joseph MASURE)

Background imageSymbols Collection: The Apotheosis by Horatio Nelson (1758-1805)

The Apotheosis by Horatio Nelson (1758-1805)
MMM5481976 The Apotheosis by Horatio Nelson (1758-1805) by West, Benjamin (1738-1820) (after); National Maritime Museum, London, UK; (add.info.: The apotheosis of Horatio Nelson (1758-1805)

Background imageSymbols Collection: Saucer and tea cup, c.1806 (pottery)

Saucer and tea cup, c.1806 (pottery)
MMM5471401 Saucer and tea cup, c.1806 (pottery); National Maritime Museum, London, UK; (add.info.: Saucer of a tea cup, decorated in various patterns around a ribbon bearing the inscription)

Background imageSymbols Collection: The love tree, ca 1850 (illustration)

The love tree, ca 1850 (illustration)
7422852 The love tree, ca 1850 (illustration); (add.info.: Society. The love tree. Seduction between men and women in the 19th century. Imagery, Epinal (France), ca 1850.); © Archives Charmet.

Background imageSymbols Collection: Chinese Budai: God of Contentment in Asia, Early Twentieth Century (engraved)

Chinese Budai: God of Contentment in Asia, Early Twentieth Century (engraved)
7485457 Chinese Budai: God of Contentment in Asia, Early Twentieth Century (engraved); (add.info.: Chinese Budai (Bu-Tai): god of contentment in Asia

Inside view, the northern side altar, detail, statue of a Madonna and Child on crescent moon, detail, ca 1750
7241973 Inside view, the northern side altar, detail, statue of a Madonna and Child on crescent moon, detail, ca 1750; Brakel, East Flanders

Interior, chapel of 1837, statue Virgin and child, comes from the top of the organ, Pierre le Sieurre ()
7242654 Interior, chapel of 1837, statue Virgin and child, comes from the top of the organ, Pierre le Sieurre (?), 16th century ()

Background imageSymbols Collection: Interior, chapel of 1837, statue Virgin and child, comes from the top of the organ

Interior, chapel of 1837, statue Virgin and child, comes from the top of the organ, Pierre le Sieurre ()
7242651 Interior, chapel of 1837, statue Virgin and child, comes from the top of the organ, Pierre le Sieurre (?), 16th century ()

Background imageSymbols Collection: Bas-relief, Votive painting by Colars d'Avesnes, Jacques d'Avesnes and Catherine de Crespelaines

Bas-relief, Votive painting by Colars d'Avesnes, Jacques d'Avesnes and Catherine de Crespelaines, 1404-1410
7242374 Bas-relief, Votive painting by Colars d'Avesnes, Jacques d'Avesnes and Catherine de Crespelaines, 1404-1410; Tournai

Background imageSymbols Collection: Marseilles' porcelain plate with masonic symbols (porcelain)

Marseilles' porcelain plate with masonic symbols (porcelain)
5669782 Marseilles' porcelain plate with masonic symbols (porcelain); (add.info.: 18th century French 'Marseilles' porcelain plate with masonic symbols.); Universal History Archive/UIG.

Background imageSymbols Collection: Dictionary of weather vanes. Satire of the various governments in France from 1790 to 1815

Dictionary of weather vanes. Satire of the various governments in France from 1790 to 1815, 1815 (engraving)
8672354 Dictionary of weather vanes. Satire of the various governments in France from 1790 to 1815, 1815 (engraving); Private Collection; (add.info)

Background imageSymbols Collection: The Holy Spirit, c1920 (stained glass)

The Holy Spirit, c1920 (stained glass)
8714227 The Holy Spirit, c1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany. A white dove representing the Holy Spirit)

Background imageSymbols Collection: Apotheke / Pharmacy (colour litho)

Apotheke / Pharmacy (colour litho)
8666233 Apotheke / Pharmacy (colour litho) by Christophe (Colomb, Georges) (1856-1945); Private Collection; (add.info.: Apotheke)

Background imageSymbols Collection: Inside view, statue of Our Lady with Child, 1691-1700, polychromed terracotta, detail

Inside view, statue of Our Lady with Child, 1691-1700, polychromed terracotta, detail
7242337 Inside view, statue of Our Lady with Child, 1691-1700, polychromed terracotta, detail; (add.info.: Parish church (Elsegem, Parochiekerk Sint-Maurus), Interior Elsegem

The National Gallery. Madonna with Christ child blessing. 15th century. Ljubljana. Slovenia
7136206 The National Gallery. Madonna with Christ child blessing. 15th century. Ljubljana. Slovenia.; Narodna Galerija, Ljubljana, Slovenia; © Pascal Deloche/Godong.

Background imageSymbols Collection: Page from The Bible Emblem Anniversary Book (colour litho)

Page from The Bible Emblem Anniversary Book (colour litho)
8630686 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Page from The Bible Emblem Anniversary Book (colour litho)
8630685 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Page from The Bible Emblem Anniversary Book (colour litho)
8630681 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Old English Pottery and Porcelain: Worcester (colour litho)
8630630 Old English Pottery and Porcelain: Worcester (colour litho) by English School, (20th century); Private Collection; (add.info.: Worcester)

Background imageSymbols Collection: Old English Pottery and Porcelain: Longton Hall (colour litho)

Old English Pottery and Porcelain: Longton Hall (colour litho)
8630629 Old English Pottery and Porcelain: Longton Hall (colour litho) by English School, (20th century); Private Collection; (add.info.: Longton Hall)

Background imageSymbols Collection: Old English Pottery and Porcelain: Derby (colour litho)

Old English Pottery and Porcelain: Derby (colour litho)
8630626 Old English Pottery and Porcelain: Derby (colour litho) by English School, (20th century); Private Collection; (add.info.: Derby)

Background imageSymbols Collection: Old English Pottery and Porcelain: Chelsea (colour litho)

Old English Pottery and Porcelain: Chelsea (colour litho)
8630622 Old English Pottery and Porcelain: Chelsea (colour litho) by English School, (20th century); Private Collection; (add.info.: Chelsea)

Page from The Bible Emblem Anniversary Book (colour litho)
8630782 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Background imageSymbols Collection: Page from The Bible Emblem Anniversary Book (colour litho)

Page from The Bible Emblem Anniversary Book (colour litho)
8630779 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)



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Symbols have the power to transcend time and culture, carrying profound meanings that resonate with humanity. One such symbol is the icon depicting Abbott Mena with Christ, dating back to the 6th-7th century. This ancient piece of art, painted in tempera on panel, captures a spiritual connection between two figures, representing faith and devotion. In contrast to religious symbolism, palmistry offers a different perspective on symbols. A map of the hand reveals intricate lines and markings believed to hold secrets about an individual's past, present, and future. It serves as a reminder that our destinies may be written in our own hands. Moving from personal symbolism to architectural marvels, St. Mark's Church stands proudly amidst the cobbled streets of Zagreb Square in Croatia. Its grandeur speaks volumes about its historical significance and cultural heritage—a symbol of unity for the people who gather within its walls. Continuing our journey through Europe, we encounter Heiliggeistkirche church in Vienna—home to Joseph Plecnik's masterpiece: a holy spirit dove sculpture. This elegant representation embodies purity and divine guidance while adding beauty to Austria's capital city. Traveling further east brings us face-to-face with another powerful symbol—the Papyrus of Ani or Book of the Dead—an ancient Egyptian text containing spells and rituals guiding souls through judgment after death. This papyrus represents not only beliefs but also acts as a testament to human fascination with life beyond mortality. Walter Crane's Garland takes us into the realm of mythological creatures intertwined within nature-inspired patterns—a symbolic celebration of harmony between humans and their environment. Shifting gears towards political emblems leads us straight into Russia's Imperial Eagle—a majestic bird embodying strength and authority throughout history—an enduring symbol representing imperial power at its height. On Scotland's Isle of Iona stands a replica St John's Cross—an iconic Christian symbol marking sacred ground for centuries—reminding visitors that faith can transcend time and place.