Textiles Collection (page 3)

Wool factory in Bradford, Yorkshire
Scene at a wool factory in Bradford, Yorkshire -- drawing wool at Fosters Mill

Actor Robert Carlyle outside the glasgow film theatre shouting at photographers March 1997

Parasol in point of lace 1868
This beautiful intricate section of a parasol in pointed lace, appointed by The Princess of Wales. 1868

Intricate batik wax resist floral pattern on traditional Javanese sarong, Pekalongan, Java, Indonesia, Southeast Asia, Asia

C12 Weaving
Weaving in 12th century England, while a flock of sheep are there to provide the wool Date: circa 1160

Buddhist prayer flags hanging near the Mahakal Buddhist Monastery, Observatory Hill, Darjeeling, West Bengal, India, Asia

Cotton - Fulling Stocks
Fulling stocks

Textile Collage 1928
A collage of various women and textiles : checks, spots, stripes &c

Rolls of fabric, market day, Salon-de-Provence, Provence, France, Europe

Detail of ikat blanket, Sumba Island, Indonesia, Southeast Asia, Asia

Kelims in souk, Baghdad, Iraq, Middle East

An Indian woman weaving a carpet in small village by Lake Titicaca, Bolivia, South America

Antwerp Exhibition
A selection of handmade laces are shown by a local manufacturer at the Antwerp Exhibition, (Exposition Internationale Coloniale), Belgium

Gobelins Tapestries
Weaving tapestry at the Gobelins works, on the outskirts of Paris

Liebig / Cotton 6
Transporting bales of cotton on steamboats on the Mississippi river, USA

Fur Trimmed Wrap 1928
Blonde model in a fur trimmed wrap / jacket in a highly ornate fabric which like her dress is based on ethnic or archaeological textiles. Her shoes are in silver kid

Industry / Textiles / Wool
Weaving at John Fosters mill, Bradford, Yorkshire, England

Africa, Ghana, Volta Region. In the Kente weavers village

Flag or hanging depicting Ziwei Dadi, 1849 (cotton)
7340527 Flag or hanging depicting Ziwei Dadi, 1849 (cotton) by Unknown Artist, (19th century); 221x284.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional
AIS5385613 Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional, Madrid; © Iberfoto.

Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c
AIS5380086 Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c. 1920 (b/w photo); © Iberfoto.

Mozarabic art: representation of two Mozarabic monks, 9th century (miniature)
AIS5365296 Mozarabic art: representation of two Mozarabic monks, 9th century (miniature); Biblioteca Nacional, Madrid, Spain; (add.info.: Mozarabic art)

Arethusa 1802 (Oil on canvas)
8766661 Arethusa 1802 (Oil on canvas) by West, Benjamin (1738-1820); 54.5--40 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Still Life with Bust of Dante 1883 (Oil on panel)
8766636 Still Life with Bust of Dante 1883 (Oil on panel) by Harnett, William Michael (1848-92); 26.2--35.1 cm; High Museum of Art, Atlanta, Georgia

Chinese pirate flag, c.1849 (cotton)
7339172 Chinese pirate flag, c.1849 (cotton) by Unknown Artist, (19th century); 220.9x284.4 cm; National Maritime Museum, London

Fish-skin helmet, c.1800-1900 (fish skin)
7264988 Fish-skin helmet, c.1800-1900 (fish skin); Manchester Museum, The University of Manchester, England; (add.info.: Helmet made from a large Porcupine fish)

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool)
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

Elizabeth I (the 'Armada Portrait'), c.1588 (oil on oak panel)
7342330 Elizabeth I (the 'Armada Portrait'), c.1588 (oil on oak panel) by English School, (16th century); 112.5x127 cm; National Maritime Museum, London

Royal Naval Uniform, c.1904-19 (doeskin)
7340750 Royal Naval Uniform, c.1904-19 (doeskin) by British School, (20th century) ; 99x56 cm; National Maritime Museum, London

Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass)
7340081 Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass) by British School, (19th century); 118.3x89.2 cm; National Maritime Museum, London

Wall hanging showing two star clusters, 1850-60 (cotton, brass)
7340080 Wall hanging showing two star clusters, 1850-60 (cotton, brass) by British School, (19th century); 89.5x120.5 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339914 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339913 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta)
7339910 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal)
7339909 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha)
7339908 Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha) by Unknown Artist, (19th century); 16x18.5x25 cm; National Maritime Museum, London

A young woman seated, reading, 1802 (graphite)
7339871 A young woman seated, reading, 1802 (graphite) by Baxter, Thomas (1782-1821); 15.4x9.2 cm; National Maritime Museum, London

A group seated at a table, 1802 (pen, ink)
7339867 A group seated at a table, 1802 (pen, ink) by Baxter, Thomas (1782-1821); 12.9x9.3 cm; National Maritime Museum, London

Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend)
7339840 Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century
5311368 An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century; (add.info.: Date: 1836); Universal History Archive/UIG.

A diagram of Arkwright's water frame
5310187 A diagram of Arkwright's water frame; (add.info.: Engraving depicting a diagram Richard Arkwright's water frame)

Typical 17th Century fashion
5305018 Typical 17th Century fashion.; (add.info.: Engraving depicting typical 17th Century fashion.); Universal History Archive/UIG.

James Hargreaves' Spinning Jenny
5311928 James Hargreaves' Spinning Jenny; (add.info.: Engraving depicting James Hargreaves' Spinning Jenny. The spinning jenny is a multi-spindle spinning frame)

Sledge flag with anchor design and embroidered 'Hope On' 'Hope Ever', 1852 (silk, felt, hand sewn)
7295647 Sledge flag with anchor design and embroidered 'Hope On' 'Hope Ever', 1852 (silk, felt, hand sewn) by Franklin, Jane (1792-1875); 60.96x93.98 cm; National Maritime Museum

Sealskin suit, 1875 (sealskin)
7295773 Sealskin suit, 1875 (sealskin); 160x610x880 cm; National Maritime Museum, London, UK; (add.info.: This sealskin suit)

U.S. Merchant ensign 1813 - 1930, 1813-14 (wool, cotton)
7295469 U.S. Merchant ensign 1813 - 1930, 1813-14 (wool, cotton); 193x345.4 cm; National Maritime Museum, London, UK; (add.info.: A USA merchant ensign from 1812-1814)

Etendard gate taken in 1798 by General Desaix a Murad Bey chief of the Mamluks, 1798 (object)
5944664 Etendard gate taken in 1798 by General Desaix a Murad Bey chief of the Mamluks, 1798 (object); Musee d'Art Roger Quilliot

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"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin: A mysterious textile that has captivated believers and skeptics alike, believed by some to be the burial cloth of Jesus Christ. Paris, France: A fashion capital known for its exquisite textiles and haute couture, where designers weave their creativity into stunning garments. Bayeux Tapestry (1066-1077): Depicting scenes from the Battle of Hastings, this iconic textile offers a glimpse into medieval warfare and Norman conquest in Europe. Hand block printing at Crysede Island Works: Witnessing craftsmanship from the 1930s in St Ives, Cornwall, as artisans meticulously create intricate patterns on fabrics using traditional techniques. A Street Scene in Cairo: Charles Robertson's painting transports us to Egypt's bustling markets filled with vibrant textiles that reflect the region's rich cultural heritage. Muslim Prayer Carpet: An embodiment of devotion and artistry from Palestine, this intricately designed carpet serves as a sacred space for prayer in the Middle East. Cotton Dye Works: Unveiling the behind-the-scenes process of transforming raw cotton fibers into colorful fabrics through dyeing techniques perfected over centuries. Dressmakers Workshop: Stepping into a world where skilled hands bring fabric to life; witness seamstresses crafting garments with precision and passion. Building Ships in Preparation for War (Bayeux Tapestry): Normandy's historical tapestry showcases how textiles played a role even beyond clothing - aiding shipbuilding during times of conflict. Death of King Harold (Bayeux Tapestry): This poignant scene reminds us how they are immortalize history; an arrow piercing King Harold's eye forever etched onto fabric threads. Clash between Norman Cavalry and Harolds Foot Soldiers (Bayeux Tapestry).