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Textiles Collection (page 4)

"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin

Background imageTextiles Collection: Client: Monsanto Textiles - Brand: Reldan Sportswear

Client: Monsanto Textiles - Brand: Reldan Sportswear - Shoot at Holland Park - Models: Linda Miles and Vicky Stevens - Shoot date: July 1, 1969 Date: 1969

Background imageTextiles Collection: Client: Monsanto Textiles - Brand: Reldan Sportswear

Client: Monsanto Textiles - Brand: Reldan Sportswear - Shoot at Holland Park - Models: Linda Miles and Vicky Stevens - Shoot date: July 1, 1969 Date: 1969

Background imageTextiles Collection: Client: Monsanto Textiles - Brand: Reldan Sportswear

Client: Monsanto Textiles - Brand: Reldan Sportswear - Shoot at Holland Park - Models: Linda Miles and Vicky Stevens - Shoot date: July 1, 1969 Date: 1969

Background imageTextiles Collection: Client: Monsanto Textiles - Model: Diane Loach

Client: Monsanto Textiles - Model: Diane Loach - Shoot date: April 14, 1970. Date: 1970

Background imageTextiles Collection: Client: Monsanto Textiles - Brand: Reldan Sportswear

Client: Monsanto Textiles - Brand: Reldan Sportswear - Shoot at Holland Park - Models: Linda Miles and Vicky Stevens - Shoot date: July 1, 1969 Date: 1969

Background imageTextiles Collection: Client: Monsanto Textiles - Model: Diane Loach

Client: Monsanto Textiles - Model: Diane Loach - Shoot date: April 14, 1970. Date: 1970

Background imageTextiles Collection: Client: Monsanto Textiles - Model: Diane Loach

Client: Monsanto Textiles - Model: Diane Loach - Shoot date: April 14, 1970. Date: 1970

Background imageTextiles Collection: Client: Monsanto Textiles - Model: Diane Loach

Client: Monsanto Textiles - Model: Diane Loach - Shoot date: April 14, 1970. Date: 1970

Background imageTextiles Collection: Client: Monsanto Textiles - Model: Diane Loach

Client: Monsanto Textiles - Model: Diane Loach - Shoot date: April 14, 1970. Date: 1970

Background imageTextiles Collection: Smoking cap, c. 1880 (embroidered velvet lined with machine-quilted silk)

Smoking cap, c. 1880 (embroidered velvet lined with machine-quilted silk)
3084444 Smoking cap, c.1880 (embroidered velvet lined with machine-quilted silk) by English School, (19th century); 6.5x19 cm; The Geffrye Museum of the Home, London

Background imageTextiles Collection: Colourful hat for sale, Shakhrisabz, Uzbekistan

Colourful hat for sale, Shakhrisabz, Uzbekistan
Uzbekistan, Shakrisabz, Colourful hat for sale

Background imageTextiles Collection: Local girls modelling Crysede silk dresses, St Ives, Cornwall. Around 1927

Local girls modelling Crysede silk dresses, St Ives, Cornwall. Around 1927
Phyllis Hicks, later manageress of the St Ives shop and married to Tom Firth, one time chief dyer, is second from left. Designs include Dancing Flower (left)

Background imageTextiles Collection: Luddites smash weaving machinery

Luddites smash weaving machinery in a Nottingham textile factory. The Luddites were a movement of radical group of English textile workers

Background imageTextiles Collection: Hand Made Texitiles For Sale, Saquisili Market, Saquisili, Ecuador, Coropaxi Province

Hand Made Texitiles For Sale, Saquisili Market, Saquisili, Ecuador, Coropaxi Province

Background imageTextiles Collection: Ghana, Kumasi, Akwasidae festival. Colorful dresses and gold jewellery esposed at

Ghana, Kumasi, Akwasidae festival. Colorful dresses and gold jewellery esposed at the festival

Background imageTextiles Collection: Colourful crafts for sale in Chichicastenango, Guatemala, Central America

Colourful crafts for sale in Chichicastenango, Guatemala, Central America

Background imageTextiles Collection: Saturday Handicraft Market, Plaza de los Ponchos, Otavalo, Imbabura Province, Ecuador

Saturday Handicraft Market, Plaza de los Ponchos, Otavalo, Imbabura Province, Ecuador

Background imageTextiles Collection: Weaving cloth for the people, propaganda poster from the Chinese Cultural Revolution

Weaving cloth for the people, propaganda poster from the Chinese Cultural Revolution, 1970 (colour litho)
RDA78533 Weaving cloth for the people, propaganda poster from the Chinese Cultural Revolution, 1970 (colour litho) by Chinese School (20th century) ; Private Collection; (add.info)

Background imageTextiles Collection: Japanese workers feeding silk worms

Japanese workers feeding silk worms
3788317 Japanese workers feeding silk worms; (add.info.: Japanese workers feeding silk worms, late Meiji period (1868-1912)

Background imageTextiles Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background imageTextiles Collection: Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

Background imageTextiles Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)

Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
XOS5885321 Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot) by Turkish School, (17th century); 172.1x104.1 cm; Cleveland Museum of Art, OH

Background imageTextiles Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background imageTextiles Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)

Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
1068377 Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber) by South American School; 190.5x154.94x cm; Dallas Museum of Art, Texas

Background imageTextiles Collection: Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

Background imageTextiles Collection: The Death of Dido, 1679 (tapestry weave: silk and wool)

The Death of Dido, 1679 (tapestry weave: silk and wool)
XOS5886561 The Death of Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 414x466.5 cm; Cleveland Museum of Art, OH

Background imageTextiles Collection: Dido and Aeneas, 1679 (tapestry weave: silk and wool)

Dido and Aeneas, 1679 (tapestry weave: silk and wool)
XOS5886546 Dido and Aeneas, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Cleveland Museum of Art, OH

Background imageTextiles Collection: Japanese workers feeding silk worms mulberry leaves

Japanese workers feeding silk worms mulberry leaves
3788322 Japanese workers feeding silk worms mulberry leaves; (add.info.: Japanese workers feeding silk worms mulberry leaves, late Meiji era (1868-1912)

Background imageTextiles Collection: Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)

Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)
XOS5886549 Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool) by Romanelli

Background imageTextiles Collection: Japanese workers chopping Mulberry leaves

Japanese workers chopping Mulberry leaves
3788318 Japanese workers chopping Mulberry leaves; (add.info.: Japanese workers chopping Mulberry leaves, late Meiji era (1868-1912)

Background imageTextiles Collection: Old woman (witch or fairy) spinning, 1547 (engraving)

Old woman (witch or fairy) spinning, 1547 (engraving)
532886 Old woman (witch or fairy) spinning, 1547 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); (add.info)

Background imageTextiles Collection: Japanese workers selecting silk worm cocoons

Japanese workers selecting silk worm cocoons
3788323 Japanese workers selecting silk worm cocoons; (add.info.: Japanese workers selecting silk worm cocoons, late Meiji era (1868-1912)

Background imageTextiles Collection: Women maturing Silk worm cocoons

Women maturing Silk worm cocoons
3788311 Women maturing Silk worm cocoons; (add.info.: Women maturing Silk worm cocoons. Throughout the Meiji era (1868-1912)

Background imageTextiles Collection: Silk factory

Silk factory
3790035 Silk factory; (add.info.: Silk factory, Chinkiang, China. Early 20th century. postcard); Lebrecht History

Background imageTextiles Collection: Japanese workers gathering Mulberry leaves

Japanese workers gathering Mulberry leaves
3788319 Japanese workers gathering Mulberry leaves; (add.info.: Japanese workers chopping Mulberry leaves, late Meiji era (1868-1912)

Background imageTextiles Collection: Fashion Plate (Fashionable Walking Dresses in Dec. 1807) M.86.266.61

Fashion Plate (Fashionable Walking Dresses in Dec. 1807) M.86.266.61

Background imageTextiles Collection: Plate of knitted cakes

Plate of knitted cakes

Background imageTextiles Collection: Silk and multi-gem evening bag, by Cartier, c.1935 (silk, jade, onyx & diamond)

Silk and multi-gem evening bag, by Cartier, c.1935 (silk, jade, onyx & diamond)
7574659 Silk and multi-gem evening bag, by Cartier, c.1935 (silk, jade, onyx & diamond) by Cartier, Louis (1875-1942); Private Collection; (add.info)

Background imageTextiles Collection: Still Life, 1875 (painting)

Still Life, 1875 (painting)
7432253 Still Life, 1875 (painting) by Backer, Harriet (1845-1932); 140x106 cm; (add.info.: Harriet Backer (1845-1932)); Photo © O. Vaering

Background imageTextiles Collection: Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)

Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)
8434450 Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace) by English School, (17th century)

Background imageTextiles Collection: Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)

Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)
8434412 Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace) by English School, (17th century)

Background imageTextiles Collection: Spinning and weaving in 17th century. (print)

Spinning and weaving in 17th century. (print)
7419879 Spinning and weaving in 17th century. (print) by Vliet, Jan Gillisz van (1605-85) (after); (add.info.: A weaver at work on his loom and a man spinning in the 17th century)

Background imageTextiles Collection: Woman's skirt (lau pahudu), 19th century (homespun cotton)

Woman's skirt (lau pahudu), 19th century (homespun cotton)
1069074 Woman's skirt (lau pahudu), 19th century (homespun cotton) by Indonesian; 154.9403x67.31x cm; Dallas Museum of Art, Texas, USA; (add.info.: From the Sumba islands)

Background imageTextiles Collection: Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)

Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)
8434541 Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace) by English School, (17th century)

Background imageTextiles Collection: Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)

Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace)
8434376 Silver Tissue Dress, 1660s (silver woven silk & metal thread decorated with parchment lace) by English School, (17th century)

Background imageTextiles Collection: Industry. The Silkworm. - I am only an insect, a simple caterpillar, A worm and nothing more; but

Industry. The Silkworm. - I am only an insect, a simple caterpillar, A worm and nothing more; but, thanks to my work
8600280 Industry. The Silkworm. - I am only an insect, a simple caterpillar, A worm and nothing more; but, thanks to my work, I am regarded as equal to the most illustrious animals

Background imageTextiles Collection: Ceremonial cloth (pua sungkit), 19th century (homespun cotton)

Ceremonial cloth (pua sungkit), 19th century (homespun cotton)
1069799 Ceremonial cloth (pua sungkit), 19th century (homespun cotton) by Malaysian School (19th century); 213.3604x95.25x cm; Dallas Museum of Art, Texas

Background imageTextiles Collection: Man's shoulder or hip cloth (hinggi), 20th century (cotton)

Man's shoulder or hip cloth (hinggi), 20th century (cotton)
1069073 Man's shoulder or hip cloth (hinggi), 20th century (cotton) by Indonesian; 264.7955x114.93x cm; Dallas Museum of Art, Texas, USA; (add.info.: From the Sumba islands)



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"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin: A mysterious textile that has captivated believers and skeptics alike, believed by some to be the burial cloth of Jesus Christ. Paris, France: A fashion capital known for its exquisite textiles and haute couture, where designers weave their creativity into stunning garments. Bayeux Tapestry (1066-1077): Depicting scenes from the Battle of Hastings, this iconic textile offers a glimpse into medieval warfare and Norman conquest in Europe. Hand block printing at Crysede Island Works: Witnessing craftsmanship from the 1930s in St Ives, Cornwall, as artisans meticulously create intricate patterns on fabrics using traditional techniques. A Street Scene in Cairo: Charles Robertson's painting transports us to Egypt's bustling markets filled with vibrant textiles that reflect the region's rich cultural heritage. Muslim Prayer Carpet: An embodiment of devotion and artistry from Palestine, this intricately designed carpet serves as a sacred space for prayer in the Middle East. Cotton Dye Works: Unveiling the behind-the-scenes process of transforming raw cotton fibers into colorful fabrics through dyeing techniques perfected over centuries. Dressmakers Workshop: Stepping into a world where skilled hands bring fabric to life; witness seamstresses crafting garments with precision and passion. Building Ships in Preparation for War (Bayeux Tapestry): Normandy's historical tapestry showcases how textiles played a role even beyond clothing - aiding shipbuilding during times of conflict. Death of King Harold (Bayeux Tapestry): This poignant scene reminds us how they are immortalize history; an arrow piercing King Harold's eye forever etched onto fabric threads. Clash between Norman Cavalry and Harolds Foot Soldiers (Bayeux Tapestry).