The Aeneid Collection

Stories from Virgil - Laocoon and his sons being attacked by the snakes
Laocoon and his sons being attacked by serpents, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A

Stories from Virgil - Iris Appearing to Turnus
Iris appearing to Turnus, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Dido and the False Ascanius
Dido and the False Ascanius in a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Nisus and Euryalus
Nisus and Euryalus - a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Camilla and the Son of Aunus
Camilla and the son of Aunus, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - The Death of Camilla
The death of Camilla, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Vulcan and the Cyclopes
Vulcan and the Cyclopes in a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Charon and the Ghosts
Charon and the Ghosts, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Aeneas and Helen
Aeneas and Helen, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Aeneas and the Body of Lausus
Aeneas and the body of Lausus, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Cerberus
In Greek mythology, Cerberus is the three-headed dog - the Hound of Hades - which guards the gates to the Underworld in order to prevent the dead from leaving

Stories from Virgil - Juno and Aeolus
Juno and Aeolus in a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Aeneas and the shade of Creusa
Aeneas and the Shade of Creusa, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Aeneas and Tiber
Aeneas and Tiber, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Neptune stilling the waves
Neptune stilling the waves, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - The Fury at the Feast
The Fury at the feast, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - The Harpies
The Harpies, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A. with illustrations from the designs of BartolomeoPinelli(1781 - 1835)

Stories from Virgil - Turnus Over the Bodies of Almo and Galaesus
Turnus over the bodies of Almo and Galaesus, a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A

Stories from Virgil - The Mother of Euryalus Receiving the News of His Death
The mother of Euryalus receiving the news of his death - a scene from " Stories From Virgil" by the Reverend Alfred J. Church, M.A

The Aeneid, by Virgil
Vintage engraving of a scene from the Aeneid a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy

Aeneas meets Dido. Dido was the founder and first queen of Carthage. Aeneas - his character is captioned as Eneas in this illustration - was a Trojan hero Dido fell in love with

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"The Aeneid" is an epic tale of love, war, and destiny that captivates readers with its vivid stories. In one gripping scene, we witness the tragic fate of Laocoon and his sons as they are attacked by venomous snakes sent by the gods. The image of their struggle serves as a haunting reminder of the consequences faced by those who defy divine will. Another memorable moment unfolds when Iris, the messenger goddess, appears to Turnus in a dazzling display of her power. This encounter foreshadows the impending clash between Turnus and Aeneas, highlighting the supernatural forces at play in their epic showdown. The heart-wrenching scene where Dido chooses to end her life on a funeral pyre after being abandoned by Aeneas showcases both her despair and unwavering pride. Her sacrifice becomes emblematic of unrequited love's devastating consequences. In another twist, we witness Dido deceived by a false Ascanius—a cruel ploy orchestrated to deepen her heartbreak. This manipulation adds layers to Virgil's exploration of human emotions and exposes how easily trust can be shattered. Camilla's valiant battle against the son of Aunus demonstrates not only her exceptional skill but also highlights themes such as honor and loyalty amidst chaos. However, tragedy strikes when Camilla meets her untimely demise—an event that leaves readers mourning for this courageous warrior. Virgil takes us into Vulcan's fiery forge where Cyclopes tirelessly work under his command—showcasing divine craftsmanship at its finest. This glimpse into their world offers insight into both mythological lore and Virgil's rich storytelling abilities. Charon ferrying souls across the river Styx provides an eerie depiction of death itself—a chilling reminder that all mortals must face their ultimate fate regardless of status or achievements in life. A meeting between Aeneas and Helen—the infamous beauty whose actions sparked Troy’s downfall—creates tension and raises questions about forgiveness, redemption, and the complexities of human nature.