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The Hours Collection

"The Hours: A Glimpse into Medieval Art and Devotion" Step back in time as we delve into the captivating world of "The Hours

Background imageThe Hours Collection: Principal Greek gods on Mount Olympus

Principal Greek gods on Mount Olympus
6340157 Principal Greek gods on Mount Olympus by Freschi, Roberto (19th century); (add.info.: Principal Greek gods on Mount Olympus)

Background imageThe Hours Collection: Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)

Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)
986340 Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum) by German School, (16th century); 15.2x10.2 (approx.) cm; Private Collection; (add.info.: Folio 55)

Background imageThe Hours Collection: St. John of Patmos, from a Book of Hours made for Francois I, c

St. John of Patmos, from a Book of Hours made for Francois I, c
986206 St.John of Patmos, from a Book of Hours made for Francois I, c.1532-1540 (illuminated manuscript on vellum) by French School, (16th century); 20x13.5 cm; Private Collection; (add.info.: St)

Background imageThe Hours Collection: David in Prayer, c. 1460 (paint on vellum)

David in Prayer, c. 1460 (paint on vellum)
986050 David in Prayer, c.1460 (paint on vellum) by Besancon School (15th century); 22x16. cm; Private Collection; (add.info.: David in Prayer (f.84)

Background imageThe Hours Collection: The Madonna and Child with Four Angels, (tempera on panel)

The Madonna and Child with Four Angels, (tempera on panel)
987174 The Madonna and Child with Four Angels, (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 97 cm; Private Collection; (add.info)

Background imageThe Hours Collection: Adoration of the Magi, c. 1450 (paint and ink on vellum)

Adoration of the Magi, c. 1450 (paint and ink on vellum)
986371 Adoration of the Magi, c.1450 (paint and ink on vellum) by Netherlandish School, (15th century); 21x14.5 cm; Private Collection; (add.info.: Adoration of the Magi)

Background imageThe Hours Collection: Nativity, c. 1430-1440 (paint and ink on vellum)

Nativity, c. 1430-1440 (paint and ink on vellum)
986370 Nativity, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Nativity)

Background imageThe Hours Collection: The Nativity, ca. 1440 (manuscript on vellum)

The Nativity, ca. 1440 (manuscript on vellum)
1195478 The Nativity, ca.1440 (manuscript on vellum) by French School, (15th century); 22x15 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageThe Hours Collection: Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen

Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen
986381 Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen, Standing in Front of a Gothic Church, c.1470 (hand-painted vellum leaf) by Unknown Artist

Background imageThe Hours Collection: The Virgin Praying, c. 1500 (paint and ink on vellum)

The Virgin Praying, c. 1500 (paint and ink on vellum)
986372 The Virgin Praying, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: The Virgin Praying)

Background imageThe Hours Collection: Crowned Virgin, c. 1430-1440 (paint and ink on vellum)

Crowned Virgin, c. 1430-1440 (paint and ink on vellum)
986369 Crowned Virgin, c.1430-1440 (paint and ink on vellum) by Master of the Munich Golden Legend (1389-1410) (& workshop); 21.5x16.2 cm; Private Collection; (add.info.: Crowned Virgin)

Background imageThe Hours Collection: A Blessing before the Bull Fight, (oil on canvas)

A Blessing before the Bull Fight, (oil on canvas)
828401 A Blessing before the Bull Fight, (oil on canvas) by Kemm, Robert (1837-95); 71.1x91.4 cm; Private Collection; (add.info.: A Blessing before the Bull Fight. Robert Kemm (1837-1885)

Background imageThe Hours Collection: The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)

The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)
986374 The Coronation of the Virgin by the Holy Trinity, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info)

Background imageThe Hours Collection: Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)

Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)
1196952 Views of Mecca and Medina, c.1794-5 (paint, gilt and ink on paper) by Ottoman School, (18th century); 14x9.5 cm; Private Collection; Photo eChristies Images; Turkish, out of copyright

Background imageThe Hours Collection: Royal Academy Prizes (engraving)

Royal Academy Prizes (engraving)
1101599 Royal Academy Prizes (engraving) by English School, (19th century); Private Collection; (add.info.: Royal Academy Prizes)

Background imageThe Hours Collection: A miniature from a Book of Hours, in Latin and French, depicting the Trinity enthroned

A miniature from a Book of Hours, in Latin and French, depicting the Trinity enthroned
985687 A miniature from a Book of Hours, in Latin and French, depicting the Trinity enthroned with angels, c.1485 (illuminated manuscript on vellum, liquid gold) by French School

Background imageThe Hours Collection: Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink

Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink
986281 Woman in a death-bed scene with John the Baptist, c.1475-1500 (ink, paints and gold leaf on vellum) by French School

Background imageThe Hours Collection: Bathsheba, c. 1490 (paint and ink on gold ground on vellum)

Bathsheba, c. 1490 (paint and ink on gold ground on vellum)
986271 Bathsheba, c.1490 (paint and ink on gold ground on vellum) by Master of the Dresden Prayer Book (fl.c.1460-1520); 9.7x6.5 cm; Private Collection; (add.info.: Bathsheba, from Book of Hours)

Background imageThe Hours Collection: Annunciation to the Shepherds, from a Book of Hours made for Francois I, c

Annunciation to the Shepherds, from a Book of Hours made for Francois I, c
986205 Annunciation to the Shepherds, from a Book of Hours made for Francois I, c.1532-1540 (illuminated manuscript on vellum) by French School

Background imageThe Hours Collection: King David with a Harp, from a Book of Hours made for Francois I, c

King David with a Harp, from a Book of Hours made for Francois I, c
986204 King David with a Harp, from a Book of Hours made for Francois I, c.1532-1540 (illuminated manuscript on vellum) by French School

Background imageThe Hours Collection: Annunciation, from a Book of Hours made for Francois I, c

Annunciation, from a Book of Hours made for Francois I, c
986203 Annunciation, from a Book of Hours made for Francois I, c.1532-1540 (illuminated manuscript on vellum) by French School

Background imageThe Hours Collection: The Annunciation of the Shepherds, c. 1480 (paint on vellum)

The Annunciation of the Shepherds, c. 1480 (paint on vellum)
986051 The Annunciation of the Shepherds, c.1480 (paint on vellum) by Vrelant, Willem (15th century) (follower of); 26.8 19 cm; Private Collection; (add.info)


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"The Hours: A Glimpse into Medieval Art and Devotion" Step back in time as we delve into the captivating world of "The Hours, " a collection of exquisite illuminated manuscripts that offer a window into the religious and artistic practices of the past. These miniature masterpieces, created between the 15th and 16th centuries, transport us to an era where ink, paint, gold leaf, and vellum were meticulously crafted to depict profound stories. One such piece is the hauntingly beautiful "Massacre of the Innocents" from around 1450. With its intricate details painted on vellum using ink, paint, and gold leaf, it tells a tragic tale from biblical times. Another rendition from c. 1490 showcases this heart-wrenching event with vibrant colors against a golden background. Venturing beyond biblical narratives brings us to Mount Olympus itself—home to principal Greek gods depicted in all their glory on vellum pages adorned with rich illuminations. The divine power emanating from these illustrations is truly awe-inspiring. Moving forward in time, we encounter folio 55—a mesmerizing depiction of "The Feeding of the Five Thousand" dating back to 1551. This illuminated manuscript on vellum captures Jesus' miracle with meticulous attention to detail that transports viewers straight into this sacred moment. Amongst these treasures lies St. John's revelation captured within a Book of Hours made for Francois I during his reign—an extraordinary testament to both faith and artistry. The delicate brush strokes bring St. John's vision alive before our eyes. David finds solace through prayer in another stunning artwork painted on vellum around 1460. His devotion radiates through every stroke as he seeks guidance from above—a powerful reminder of human vulnerability amidst divinity. "The Madonna and Child with Four Angels" presents an ethereal scene rendered in tempera on panel—a harmonious blend of colors and textures that evokes a sense of serenity.