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Theatrical Collection (page 4)

Step into the world of theatrical wonders, where imagination takes center stage

Background imageTheatrical Collection: Storm of The Battle of Tinderley Down by C K Monro

Storm of The Battle of Tinderley Down by C K Monro
Promotional postcard for Storm or The Battle of Tinderley Down by C. K. Monro. First produced at the Ambassadors Theatre, 13th August 1924. The title refers to the expression storm in a tea-cup

Background imageTheatrical Collection: Design Magic Flute Hall Stars Palace Queen Night

Design Magic Flute Hall Stars Palace Queen Night
Artokoloro

Background imageTheatrical Collection: Half Past Eight by P Rubens and C H Bovill

Half Past Eight by P Rubens and C H Bovill
Promotional postcard for Half Past Eight, One of those Musical Things by Paul Rubens & C. H. Bovill; music Paul Rubens. First produced at the Comedy Theatre on 10th August 1916

Background imageTheatrical Collection: Oxford: the Old Ashmolean, the Sheldonian Theatre, from Broad Street

Oxford: the Old Ashmolean, the Sheldonian Theatre, from Broad Street

Background imageTheatrical Collection: Thomas Killigrew, engraved by J. J Van den Bergh (engraving)

Thomas Killigrew, engraved by J. J Van den Bergh (engraving)
XJF362986 Thomas Killigrew, engraved by J.J Van den Bergh (engraving) by Harding, S. (18th century) (after); Private Collection; (add.info)

Background imageTheatrical Collection: Alec ( Sir Affable ) Knowles - Theatrical Journalist

Alec ( Sir Affable ) Knowles - Theatrical Journalist
Alec (" Sir Affable" ) Knowles (1851-1917) - Theatrical Journalist and member of Londons notorious Pelican Club

Background imageTheatrical Collection: Wardrobe Department

Wardrobe Department
Ladies in the Wardrobe Department of the Royal Shakespeare Company (RSC), Stratford-upon-Avon, Warwickshire, England. Date: 1960s

Background imageTheatrical Collection: Britannia and Eve magazine, March 1940

Britannia and Eve magazine, March 1940
Front cover illustration featuring a glamorous 1930s woman wearing a red backless dress, red and white bangles and holding a white mask

Background imageTheatrical Collection: The Lighthouse; Rudyerds Eddystone Lighthouse

The Lighthouse; Rudyerds Eddystone Lighthouse
An engraving of The Lighthouse, a painting by Clarkson Stanfield, R.A. for some private theatrical events at Campden-House

Background imageTheatrical Collection: Nicolas Ii / Costume / 1890

Nicolas Ii / Costume / 1890
ELIZABETH FEODOROVNA - Russian Grand Duchess with the future Czar, Nicholas II in theatrical costume (for the play Eugenie Onegin)

Background imageTheatrical Collection: Review in the Tatler

Review in the Tatler
A theatrical review in The Tatler of the play Roberts Wife featuring cartoons by Tom Titt of Owen Nares, Edith Evans and Robert Holmes

Background imageTheatrical Collection: Dalys Theatre / Broadway

Dalys Theatre / Broadway
Augustin Daly, American theatrical manager & dramatist, opened his first theatre on Broadway in 1869. This picture shows a full house enjoying a performance

Background imageTheatrical Collection: Bartholomew Fair / 1828

Bartholomew Fair / 1828
A theatrical sideshow at Bartholomew Fair

Background imageTheatrical Collection: View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688

View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688
XIR187832 View of the Salle de Bal with a Performance of Rinaldo and Armida, 1688 (oil on canvas) by Cotelle, Jean the Younger (1642-1708); 200x140 cm; Chateau du Grand Trianon, Versailles

Background imageTheatrical Collection: Pathelin and the Draper and Pathelin before the Judge, illustration from The

Pathelin and the Draper and Pathelin before the Judge, illustration from The
XIR157707 Pathelin and the Draper and Pathelin before the Judge, illustration from The Farce of Master Pathelin, c.1489 (engraving) (b/w photo) by French School

Background imageTheatrical Collection: Privates Progress (1956) publicity

Privates Progress (1956) publicity
The cover of the campaign book for the promotion of the film in 1956 in the UK

Background imageTheatrical Collection: Mr. John Cooper as Clement Cleveland in 'The Pirate' at the Theatre Royal Drury Lane

Mr. John Cooper as Clement Cleveland in "The Pirate" at the Theatre Royal Drury Lane
FLO4594898 Mr. John Cooper as Clement Cleveland in "The Pirate" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael

Background imageTheatrical Collection: Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in ' Monsieur Tonson'' the Theatre

Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in " Monsieur Tonson"" the Theatre Royal
FLO4594932 Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in " Monsieur Tonson"" the Theatre Royal Drury Lane

Background imageTheatrical Collection: Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket

Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket
FLO4594929 Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck

Background imageTheatrical Collection: Mr. Charles Young in 'The Stranger' at the Theatre Royal Covent Garden

Mr. Charles Young in "The Stranger" at the Theatre Royal Covent Garden
FLO4594926 Mr. Charles Young in "The Stranger" at the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp

Background imageTheatrical Collection: Mr. William Dowton as Doctor Cantwell in 'The Hypocrite' at the Theatre Royal Drury Lane

Mr. William Dowton as Doctor Cantwell in "The Hypocrite" at the Theatre Royal Drury Lane
FLO4594879 Mr. William Dowton as Doctor Cantwell in "The Hypocrite" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel

Background imageTheatrical Collection: Mr. Edward Knight as Hodge in the opera 'Love in a Village' at the Theatre Royal Drury Lane

Mr. Edward Knight as Hodge in the opera "Love in a Village" at the Theatre Royal Drury Lane
FLO4594851 Mr. Edward Knight as Hodge in the opera "Love in a Village" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by

Background imageTheatrical Collection: Miss Frances Copeland as Fanny in 'Maid or Wife' the Theatre Royal Drury Lane

Miss Frances Copeland as Fanny in "Maid or Wife" the Theatre Royal Drury Lane
FLO4594958 Miss Frances Copeland as Fanny in "Maid or Wife" the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de

Background imageTheatrical Collection: Sarah Booth as Christine in 'Love in Humble Life' the Theatre Royal Covent Garden

Sarah Booth as Christine in "Love in Humble Life" the Theatre Royal Covent Garden
FLO4594936 Sarah Booth as Christine in "Love in Humble Life" the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William

Background imageTheatrical Collection: Mr. George Smith as Robin in 'No Song No Supper' at the Theatre Royal Drury Lane

Mr. George Smith as Robin in "No Song No Supper" at the Theatre Royal Drury Lane
FLO4594901 Mr. George Smith as Robin in "No Song No Supper" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde

Background imageTheatrical Collection: Mr. James Pimbury Wilkinson as Michael in ' Free and Easy' at the Theatre Royal English Opera

Mr. James Pimbury Wilkinson as Michael in " Free and Easy" at the Theatre Royal English Opera House, Strand
FLO4594887 Mr. James Pimbury Wilkinson as Michael in " Free and Easy" at the Theatre Royal English Opera House, Strand

Background imageTheatrical Collection: Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third

Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third
FLO4594838 Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeare's " Richard III" at the Theatre Royal Drury Lane

Background imageTheatrical Collection: Francois Joseph Talma, 1763 - 1826

Francois Joseph Talma, 1763 - 1826
3083231 Francois Joseph Talma, 1763 - 1826.; Private Collection; (add.info.: French actor and theatrical company manager. Hand writing sample and signature.).

Background imageTheatrical Collection: A page of the manuscript from the play entitled The Dancing Girl, by Henry Arthur Jones

A page of the manuscript from the play entitled The Dancing Girl, by Henry Arthur Jones, ffrom The Strand Magazine
3432565 A page of the manuscript from the play entitled The Dancing Girl, by Henry Arthur Jones, ffrom The Strand Magazine, Vol I January to June, 1891 (print) by English School

Background imageTheatrical Collection: Marion Bessie Terry, from The Strand Magazine, Vol I January to June, 1891 (engraving)

Marion Bessie Terry, from The Strand Magazine, Vol I January to June, 1891 (engraving)
3432555 Marion Bessie Terry, from The Strand Magazine, Vol I January to June, 1891 (engraving) by English School, (19th century); Private Collection; (add.info.: Marion Bessie Terry, 1853-1930)

Background imageTheatrical Collection: Mr. Edward Fitzwilliam as Looney Macwolter in 'The Review' at the Theatre Royal Drury Lane

Mr. Edward Fitzwilliam as Looney Macwolter in "The Review" at the Theatre Royal Drury Lane
FLO4594885 Mr. Edward Fitzwilliam as Looney Macwolter in "The Review" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by

Background imageTheatrical Collection: Mr. John Pritt Harley as Caleb Quotem in 'The Review' at the Theatre Royal Drury Lane

Mr. John Pritt Harley as Caleb Quotem in "The Review" at the Theatre Royal Drury Lane
FLO4594844 Mr. John Pritt Harley as Caleb Quotem in "The Review" at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael

Background imageTheatrical Collection: Miss Harriet Constance Smithson as Miss Dorrillon in 'Wives as They Were

Miss Harriet Constance Smithson as Miss Dorrillon in "Wives as They Were
FLO4594957 Miss Harriet Constance Smithson as Miss Dorrillon in "Wives as They Were and Maids as They Are" the Theatre Royal Drury Lane

Background imageTheatrical Collection: Mr. Samuel Simmons as Baron Munchausen in the pantomime ' Harlequin Munchausen' at the Theatre

Mr. Samuel Simmons as Baron Munchausen in the pantomime " Harlequin Munchausen" at the Theatre Royal Covent
FLO4594914 Mr. Samuel Simmons as Baron Munchausen in the pantomime " Harlequin Munchausen" at the Theatre Royal Covent Garden

Background imageTheatrical Collection: Costume design for a standard bearer from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69)

Costume design for a standard bearer from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69)
XIR164957 Costume design for a standard bearer from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69) 1906-08 (w/c on paper) by Pinchon

Background imageTheatrical Collection: Francesca Bertini in 'Piu che la gloria l'amore', postcard (b/w photo)

Francesca Bertini in 'Piu che la gloria l'amore', postcard (b/w photo)
2656615 Francesca Bertini in 'Piu che la gloria l'amore', postcard (b/w photo); Private Collection; (add.info)

Background imageTheatrical Collection: Miss Felicite Hullin, dancer, in the ballet ' La Paysanne Supposee' at the Italian Opera House

Miss Felicite Hullin, dancer, in the ballet " La Paysanne Supposee" at the Italian Opera House Haymarket
FLO4594977 Miss Felicite Hullin, dancer, in the ballet " La Paysanne Supposee" at the Italian Opera House Haymarket

Background imageTheatrical Collection: Miss Lise Noblet, dancer, in the ballet 'La Paysanne Supposee' at the Italian Opera House Haymarket

Miss Lise Noblet, dancer, in the ballet "La Paysanne Supposee" at the Italian Opera House Haymarket
FLO4594962 Miss Lise Noblet, dancer, in the ballet "La Paysanne Supposee" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting

Background imageTheatrical Collection: Mr. Giuseppe de Begnis as Don Geronio in 'Il Turco in Italia' at the Italian Opera House Haymarket

Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket
FLO4594915 Mr. Giuseppe de Begnis as Don Geronio in "Il Turco in Italia" at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting

Background imageTheatrical Collection: Mr. Henry Gattie as Monsieur Morbleu in the farce ' Monsieur Tonson' at the Theatre Royal Drury Lane

Mr. Henry Gattie as Monsieur Morbleu in the farce " Monsieur Tonson" at the Theatre Royal Drury Lane
FLO4594874 Mr. Henry Gattie as Monsieur Morbleu in the farce " Monsieur Tonson" at the Theatre Royal Drury Lane

Background imageTheatrical Collection: Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane

Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by
FLO4594827 Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Harlowe. From D

Background imageTheatrical Collection: A theatrical performer on an outdoor stage shooting at a balloon

A theatrical performer on an outdoor stage shooting at a balloon
2623686 A theatrical performer on an outdoor stage shooting at a balloon; (add.info.: Chromolithograph print depicting a theatrical performer on an outdoor stage shooting at a balloon)

Background imageTheatrical Collection: Costume design for Faust from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69)

Costume design for Faust from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69) 1906-08 (w/c on paper)
XIR164955 Costume design for Faust from 'La Damnation de Faust' (1846) by Hector Berlioz (1803-69) 1906-08 (w/c on paper) by Pinchon

Background imageTheatrical Collection: The Wreck, from 'The Tempest', 1908 (w/c, gouache & pencil) 88;in copyright until 2024; scene

The Wreck, from 'The Tempest', 1908 (w/c, gouache & pencil) 88;in copyright until 2024; scene from 'The
CH378624 The Wreck, from 'The Tempest', 1908 (w/c, gouache & pencil) 88;in copyright until 2024; scene from 'The Tempest' by william Shakespeare (1564-1616) by Dulac

Background imageTheatrical Collection: Stone carving of ancient Greek theatrical mask representing comedy. 3rd century BC (sculpture)

Stone carving of ancient Greek theatrical mask representing comedy. 3rd century BC (sculpture)
536065 Stone carving of ancient Greek theatrical mask representing comedy. 3rd century BC (sculpture); Universal History Archive/UIG.

Background imageTheatrical Collection: Pepper's Ghost: a method of projecting a 'ghost' onto the stage

Pepper's Ghost: a method of projecting a 'ghost' onto the stage
527287 Pepper's Ghost: a method of projecting a 'ghost' onto the stage. 'Ghost' under stage is light and reflected by mirror on to sheet of glass in frotn of stage

Background imageTheatrical Collection: Tournament at the Fête de Diane. Creator: Per Hillestrom

Tournament at the Fête de Diane. Creator: Per Hillestrom
Tournament at the Fete de Diane

Background imageTheatrical Collection: Horsewoman, 1919. Creator: Gosta von Hennigs

Horsewoman, 1919. Creator: Gosta von Hennigs
Horsewoman, 1919



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Step into the world of theatrical wonders, where imagination takes center stage. From the captivating Sherlock Holmes theatre poster to George Bernard Shaw's Pygmalion, each production offers a glimpse into a different realm. In this vibrant collage of artistry, even cartoons like Rev Stewart Headlam's creation come alive with their own dramatic flair. The Black and White Minstrels add rhythm and melody to the theatrical tapestry, while Madame Sarah Bernhardt mesmerizes as Theodora in an enchanting photograph by Downey. The Mikado by W. S. Gilbert and Arthur Sullivan transports us to a whimsical land filled with laughter and song. A portrait captures the elegance of a geisha holding an ornate umbrella, showcasing both beauty and tradition. A handbill advertising Hamlet at the Theatre in Leeds beckons audiences to witness Shakespearean brilliance unfold before their eyes. Meanwhile, the Waldorf Theatre in London stands tall as a beacon of entertainment for all who seek escape from reality. Graham Moffatt's A Scrape of the Pen delves into thought-provoking narratives that challenge societal norms. La Poupee by Arthur Sturgess invites us into a world where dolls hold secrets waiting to be discovered. Across continents, in St. Petersburg Russia, ballet dancers grace the stage during Tchaikovsky's Swan Lake performance - their movements embodying grace and passion. These glimpses behind-the-scenes remind us that theater is not just about what happens on stage but also about capturing moments that transcend time itself, and is through these theatrical hints that we are transported to worlds unknown – where dreams become reality and emotions run wild.