Tiepolo Collection

The Immaculate Conception of the Virgin, 1767-1768. Artist: Tiepolo, Giambattista (1696-1770)
The Immaculate Conception of the Virgin, 1767-1768. Found in the collection of the Museo del Prado, Madrid

TIEPOLO, Giovanni Battista (1696-1770). Eurybates and Talthybius Leading Briseis to Agamemnon. 1757. ITALY. Vicenza. Villa Valmarana. Baroque art. Fresco

Saint Thecla Praying for the Plague-Stricken, 1758-59. Creator: Giovanni Battista Tiepolo
Saint Thecla Praying for the Plague-Stricken, 1758-59

Allegory of the Planets and Continents, 1752. Creator: Giovanni Battista Tiepolo
Allegory of the Planets and Continents, 1752

The Chariot of Aurora, 1760s. Creator: Giovanni Battista Tiepolo
The Chariot of Aurora, 1760s

Carnival Scene or the Minuet by TIEPOLO, Giovanni Domenico (1727-1804). Baroque art. Oil on canvas

Latinus offers Aeneas his daughter Lavinia in marriage, 1753-1754. Creator: Tiepolo, Giambattista (1696-1770)
Latinus offers Aeneas his daughter Lavinia in marriage, 1753-1754. Found in the Collection of the Statens Museum for Kunst, Kopenhagen.

The circumcision, 1725-1726. Creator: Tiepolo, Giambattista (1696-1770)
The circumcision, 1725-1726. Found in the Collection of the Museo Civico, Bassano del Grappa.

Rebecca at the Well, 1751. Creator: Tiepolo, Giambattista (1696-1770)
Rebecca at the Well, 1751. Found in the collection of the Musee du Louvre, Paris

Saint Proculus of Verona visits the Saints Firmus and Rusticus, 1740-1745. Creator: Tiepolo, Giambattista (1696-1770)
Saint Proculus of Verona visits the Saints Firmus and Rusticus, 1740-1745. Found in the collection of the Accademia Carrara, Bergamo

Study of bats and open box, 1790. Creator: Tiepolo, Giandomenico (1727-1804)
Study of bats and open box, 1790. Found in the collection of the Pinacoteca del Castello Sforzesco, Milan

Rinaldo turning in Shame from the Magic Shield, ca 1744. Creator: Tiepolo, Giambattista (1696-1770)
Rinaldo turning in Shame from the Magic Shield, ca 1744. Found in the collection of the National Gallery, London

The Banquet of Cleopatra, 1740s. Creator: Tiepolo, Giambattista (1696-1770)
The Banquet of Cleopatra, 1740s. Found in the collection of the National Gallery, London

Saints Maximus and Oswald, c. 1745. Creator: Tiepolo, Giambattista (1696-1770)
Saints Maximus and Oswald, c. 1745. Found in the collection of the National Gallery, London

A Vision of the Trinity appearing to Pope Saint Clement, ca 1735-1739. Creator: Tiepolo, Giambattista (1696-1770)
A Vision of the Trinity appearing to Pope Saint Clement, ca 1735-1739. Found in the collection of the National Gallery, London

Two Men in Oriental Costume, ca 1743. Creator: Tiepolo, Giambattista (1696-1770)
Two Men in Oriental Costume, ca 1743. Found in the collection of the National Gallery, London

An Allegory with Venus and Time, ca 1756. Creator: Tiepolo, Giambattista (1696-1770)
An Allegory with Venus and Time, ca 1756. Found in the collection of the National Gallery, London

Holy Trinity in Glory Appearing to Saint Pope Clement I, ca 1735. Creator: Tiepolo, Giambattista (1696-1770)
Holy Trinity in Glory Appearing to Saint Pope Clement I, ca 1735. Found in the collection of the Accademia Carrara, Bergamo

Portrait of Giovanni Battista Tiepolo (1696-1770), 1733-1734. Creator: Fra Galgario (Giuseppe Vittore Ghislandi)
Portrait of Giovanni Battista Tiepolo (1696-1770), 1733-1734. Found in the Collection of the Accademia Carrara, Bergamo

Woman and infant satyr in a landscape, the woman twisting to look over her left shoulder, a horned goat striding toward the background, from the series The Capricci, ca. 1740-42

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning

Three figures and a snake coiled around a staff, surrounded by a landscape, the central figure rests his left hand on a shield and leans toward a bearded figure holding a book

The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint, 1696-1770

The Battle of Vercellae, 1725-29. Creator: Giovanni Battista Tiepolo
The Battle of Vercellae, 1725-29

The Last Judgment, 1730s-1740s. Creator: Tiepolo, Giambattista (1696-1770)
The Last Judgment, 1730s-1740s. Found in the Collection of Palazzo Leoni Montanari, Vicenza

Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo
Hovering Angel, 18th century, (1928). Pen and wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Two Boys, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Boys, mid 18th century, (1928). Pencil on paper. At one time known to have been in the collection of G Bellingham Smith, London

The Nile, 1752, (1928). Artist: Giovanni Battista Tiepolo
The Nile, 1752, (1928). River-god resting, chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Nude back, 1751, (1928). Artist: Giovanni Battista Tiepolo
Nude back, 1751, (1928). Seated male nude, back view. Chalk on paper. Staatsgalerie, Stuttgartt, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Nereids and Triton, c1753-1762, (1928). Nereids and a triton with a dolphin, , pen with wash on white paper. British Museum, London

Christ Crowned with Thorns, 1772. Artist: Tiepolo, Giandomenico (1727-1804)
Christ Crowned with Thorns, 1772. Found in the collection of the Museo del Prado, Madrid

Los Madrilenos, (pastel on paper)
990124 Los Madrilenos, (pastel on paper) by Tiepolo, Lorenzo Baldissera (1736-76); 49.2x62.8 cm; Private Collection; (add.info.: Los Madrilenos. Lorenzo Tiepolo (1736-1776). Pastel on paper

A Girl in a pink Dress and white shawl offering Oranges to a Gentleman in a green Cape
827691 A Girl in a pink Dress and white shawl offering Oranges to a Gentleman in a green Cape holding a tricorn Hat observed by a Gentleman with an Eyeglass

A Gentleman in a Phrygian Bonnet being addressed by a Gentleman in a yellow coat
827690 A Gentleman in a Phrygian Bonnet being addressed by a Gentleman in a yellow coat and black tricorn Hat with a Lady in a blue brocade Dress and white Mantilla

A Girl in an Orange Shawl holding Turnips, A Girl in a green Bonnet and Dress
827689 A Girl in an Orange Shawl holding Turnips, A Girl in a green Bonnet and Dress and a Gentleman in black Tricorn Hat, (pastel on paper laid on canvas) by Tiepolo

A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk
827586 A Faun, his Left Arm Outstretched, and a Fauness holding a Tambour, (black chalk, pen and brown ink with brown wash) by Tiepolo

The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink
827557 The Head of Medusa, and the Head of a Satyr, (black chalk, pen and brown ink, brown wash) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 17.2x13.8 cm; Private Collection; (add.info)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Head of a Venetian Patrician, Three-Quarter Face, (red and white chalk on grey-blue paper
659166 Head of a Venetian Patrician, Three-Quarter Face, (red and white chalk on grey-blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Study of the Bust of Giulio Contarini Seen from the Left (recto)
659223 Study of the Bust of Giulio Contarini Seen from the Left (recto), (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

The Vision of Saint Jerome, c. 1720-22 (oil on canvas)
990128 The Vision of Saint Jerome, c.1720-22 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 71.8x56 cm; Private Collection; (add.info.: The Vision of Saint Jerome)

A Gentleman in a tricorn Hat holding a Cane, a Gentleman in a black Phrygian Bonnet
827688 A Gentleman in a tricorn Hat holding a Cane, a Gentleman in a black Phrygian Bonnet and a young woman with a Mouche in a red Dress, (pastel on paper laid on canvas) by Tiepolo

Study of the Head of Venus, After the Antique, (red and white chalk on blue paper)
659224 Study of the Head of Venus, After the Antique, (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 25.2x18.4 cm; Private Collection; (add.info)

Head of an Old Man looking up, (red and white chalk on blue paper)
1197621 Head of an Old Man looking up, (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 27x20 cm; Private Collection; Photo eChristies Images; Italian

Head of a Man looking up, (red and white chalk on grey-blue paper)
1197620 Head of a Man looking up, (red and white chalk on grey-blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 21x16.2 cm; Private Collection; Photo eChristies Images; Italian

Christ Healing the Blind Man, c. 1751 (oil on canvas)
827762 Christ Healing the Blind Man, c.1751 (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 44.5x65.5 cm; Private Collection; (add.info.: Christ Healing the Blind Man)

Apollo and Daphne, 1743-1745. Creator: Tiepolo, Giambattista (1696-1770)
Apollo and Daphne, 1743-1745. Found in the collection of Musee du Louvre, Paris

Scene from Ancient History, c. 1750. Creator: Giovanni Battista Tiepolo
Scene from Ancient History, c. 1750

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Giambattista Tiepolo, a renowned Italian artist of the 18th century, left an indelible mark on the art world with his breathtaking masterpieces. One such masterpiece is "The Immaculate Conception of the Virgin, " painted between 1767 and 1768. In this ethereal work, Tiepolo captures the divine purity and grace of the Virgin Mary as she ascends to heaven. Another notable creation by Giovanni Battista Tiepolo is "Eurybates. " This captivating painting showcases his exceptional talent for depicting human emotions and expressions. The intricate details in Eurybates' face reveal anguish and despair, evoking a sense of empathy from viewers. Tiepolo's versatility shines through in "Saint Thecla Praying for the Plague-Stricken, " completed in 1758-59. Here, he skillfully portrays Saint Thecla's unwavering faith as she beseeches divine intervention during a time of crisis. Through delicate brushstrokes and vibrant colors, Tiepolo conveys both hope and desperation within this poignant scene. "The Chariot of Aurora" transports us to a mythical realm where dawn breaks across an enchanting landscape. Painted in the 1760s, this celestial artwork showcases Tiepolo's ability to create otherworldly atmospheres filled with lightness and beauty. In "Allegory of the Planets and Continents" from 1752, Tiepolo combines mythological figures with geographical representations to symbolize cosmic harmony. Each planet corresponds to a continent, emphasizing their interconnectedness within nature's grand design. It also reveals his playful side in works like "Carnival Scene or the Minuet. " This lively composition captures joyous revelry amidst swirling dancers adorned in vibrant costumes—a celebration frozen in time for all eternity. One cannot overlook Tiepolo's fascination with mythology seen in "Woman and infant satyr in a landscape.