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Top Hat Collection (page 8)

"From Isambard Kingdom Brunel to Fred Astaire: The Timeless Elegance of the Top Hat" Step back in time and explore the fascinating history of the iconic top hat

Background imageTop Hat Collection: Race Course (w/c & gouache)

Race Course (w/c & gouache)
GLS314018 Race Course (w/c & gouache) by Crawhall, Joseph (1861-1913); 35x33.9 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageTop Hat Collection: 3672410

3672410

Background imageTop Hat Collection: Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

Background imageTop Hat Collection: Trotty Veck and his daughter Meg from 'Trotty Veck and Oliver Twist' (print)

Trotty Veck and his daughter Meg from "Trotty Veck and Oliver Twist" (print)
3062022 Trotty Veck and his daughter Meg from "Trotty Veck and Oliver Twist" (print) by Copping, Harold (1863-1932); Private Collection; (add.info)

Background imageTop Hat Collection: Edmund Tattersall - portrait standing

Edmund Tattersall - portrait standing
3919260 Edmund Tattersall - portrait standing; (add.info.: Edmund Tattersall - portrait standing. Vanity Fair caricature by Lib (real name Liberio Prosperi, 1854-1928)

Background imageTop Hat Collection: Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls

Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols
5913108 Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols. At the entrance to an evening entertainment in a Paris park

Background imageTop Hat Collection: Champagne Charlie, 1868

Champagne Charlie, 1868
3673896 Champagne Charlie, 1868 by American School, (19th century); Newberry Library, Chicago, Illinois, USA; (add.info.: James Francis Driscoll collection of historical American sheet music)

Background imageTop Hat Collection: Cover and Frontispiece to Les Vieilles Histoires (Old Stories)

Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper)
5859488 Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper) by Toulouse-Lautrec

Background imageTop Hat Collection: Bar of the Cafe of the rue de Rome, c. 1886 (charcoal and white chalk on blue wove paper)

Bar of the Cafe of the rue de Rome, c. 1886 (charcoal and white chalk on blue wove paper)
5859684 Bar of the Cafe of the rue de Rome, c.1886 (charcoal and white chalk on blue wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 34.4 -- 46.2 cm; The Art Institute of Chicago, IL

Background imageTop Hat Collection: Subscribers leaving the opera, 1891. Gentleman in top hat and white-tie assisting a woman with her

Subscribers leaving the opera, 1891. Gentleman in top hat and white-tie assisting a woman with her fur-lined cape
5913115 Subscribers leaving the opera, 1891. Gentleman in top hat and white-tie assisting a woman with her fur-lined cape on the stairs of the Opera de Paris. Handcoloured lithograph by R.V

Background imageTop Hat Collection: After a meeting of the Institute. The Pont des Arts in 1884, 1898 (litho)

After a meeting of the Institute. The Pont des Arts in 1884, 1898 (litho)
5913109 After a meeting of the Institute. The Pont des Arts in 1884, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: After a meeting of the Institute. The Pont des Arts, 1884)

Background imageTop Hat Collection: The Absinthe Drinker, 1862 (etching and plate tone in black on ivory laid paper)

The Absinthe Drinker, 1862 (etching and plate tone in black on ivory laid paper)
5860321 The Absinthe Drinker, 1862 (etching and plate tone in black on ivory laid paper) by Manet, Edouard (1832-83); 24.8 -- 14.5 cm; The Art Institute of Chicago, IL

Background imageTop Hat Collection: William Holman Hunt - portrait

William Holman Hunt - portrait
3919297 William Holman Hunt - portrait by Ward, Leslie Matthew (Spy) (1851-1922); (add.info.: William Holman Hunt - portrait)

Background imageTop Hat Collection: Near an omnibus station, the Palais-Royal in 1875, 1898 (litho)

Near an omnibus station, the Palais-Royal in 1875, 1898 (litho)
5913103 Near an omnibus station, the Palais-Royal in 1875, 1898 (litho); (add.info.: Near an omnibus station, the Palais-Royal, 1875)

Background imageTop Hat Collection: The palmy days of the Cafe de la Rotonde in the Palais Royal, Paris, 1868 (lithograph)

The palmy days of the Cafe de la Rotonde in the Palais Royal, Paris, 1868 (lithograph)
5913097 The palmy days of the Cafe de la Rotonde in the Palais Royal, Paris, 1868 (lithograph) by Courboin, Francois (1865-1926); (add.info.: Man with moustache and muttonchops)

Background imageTop Hat Collection: Major-General Henry Hope Crealock - portrait standing holding cane and top hat

Major-General Henry Hope Crealock - portrait standing holding cane and top hat
3919220 Major-General Henry Hope Crealock - portrait standing holding cane and top hat by Ward, Leslie Matthew (Spy) (1851-1922); (add.info)

Background imageTop Hat Collection: 'Wishing you a Jolly Christmas', Victorian card, c. 1880 (chromolitho)

"Wishing you a Jolly Christmas", Victorian card, c. 1880 (chromolitho)
BAL12671 "Wishing you a Jolly Christmas", Victorian card, c.1880 (chromolitho) by English School, (19th century); Private Collection; (add.info)

Background imageTop Hat Collection: The Grand Prix Day in 1895, 1898 (litho)

The Grand Prix Day in 1895, 1898 (litho)
5913118 The Grand Prix Day in 1895, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: The Grand Prix Day, 1895. Woman in check dress with wide sleeves)

Background imageTop Hat Collection: Law graduating class at Howard University, Washington, D. C. (b/w photo)

Law graduating class at Howard University, Washington, D. C. (b/w photo)
746392 Law graduating class at Howard University, Washington, D.C. (b/w photo) by American Photographer, (20th century); Private Collection; (add.info)

Background imageTop Hat Collection: Pastor Charles Taze, c. 1910 (b/w photo)

Pastor Charles Taze, c. 1910 (b/w photo)
5669195 Pastor Charles Taze, c.1910 (b/w photo) by American Photographer, (20th century); Private Collection; (add.info.: Charles Taze Russell (1852-1916)

Background imageTop Hat Collection: 885718

885718

Background imageTop Hat Collection: Adventures of Sherlock Holmes

Adventures of Sherlock Holmes
864535 Adventures of Sherlock Holmes by Paget, Sidney (1860-1908); (add.info.: The Adventure of Silver Blaze'. Dr Watson, left)

Background imageTop Hat Collection: Portrait of Bernardo Celentano, 1859, Morelli Domenico (oil on canvas)

Portrait of Bernardo Celentano, 1859, Morelli Domenico (oil on canvas)
7062866 Portrait of Bernardo Celentano, 1859, Morelli Domenico (oil on canvas) by Morelli, Domenico (1826-1901); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageTop Hat Collection: Allegory of Satan (Lord of the World), c. 1900 (oil on canvas)

Allegory of Satan (Lord of the World), c. 1900 (oil on canvas)
7381619 Allegory of Satan (Lord of the World), c.1900 (oil on canvas) by Stasiak, Ludwik (1858-1924); 200 x 145 cm; National Museum, Krakow, Poland; (add.info.: by Ludwik Stasiak (1858-1924))

Background imageTop Hat Collection: John Pierpont Morgan with his Son and Daughter attending the Money Trust Investigation

John Pierpont Morgan with his Son and Daughter attending the Money Trust Investigation, 1912 (b/w photo))
7075912 John Pierpont Morgan with his Son and Daughter attending the Money Trust Investigation, 1912 (b/w photo)) by Harris & Ewing (1905-45); Private Collection; (add.info)

Background imageTop Hat Collection: The Box; La Loge, (pastel on paper)

The Box; La Loge, (pastel on paper)
656167 The Box; La Loge, (pastel on paper) by Valtat, Louis (1869-1952); 56x42 cm; Private Collection; (add.info.: The Box; La Loge. Louis Valtat (1869-1952). Pastel on paper

Background imageTop Hat Collection: Before the Hunt, plate III from Gazette du Bon Ton No. 3, 1912 (litho)

Before the Hunt, plate III from Gazette du Bon Ton No. 3, 1912 (litho)
STC70165 Before the Hunt, plate III from Gazette du Bon Ton No. 3, 1912 (litho) by Taquoy, Maurice (1878-1952); Private Collection; (add.info.: by Maurice Taquoy); The Stapleton Collection

Background imageTop Hat Collection: Former British Prime Minister David Lloyd George visiting White House, Washington DC

Former British Prime Minister David Lloyd George visiting White House, Washington DC, 1923 (b/w photo)
3964317 Former British Prime Minister David Lloyd George visiting White House, Washington DC, 1923 (b/w photo) by Harris & Ewing (1905-45); Private Collection; (add.info)

Background imageTop Hat Collection: At the Theatre, 1895 (pastel on paper)

At the Theatre, 1895 (pastel on paper)
896502 At the Theatre, 1895 (pastel on paper) by Valtat, Louis (1869-1952); 57x47 cm; Private Collection; (add.info.: Au Theatre. )

Background imageTop Hat Collection: Sketch to illustrate 'Not Honourably Discharged', 1904 (w/c)

Sketch to illustrate "Not Honourably Discharged", 1904 (w/c)
XOS5887644 Sketch to illustrate "Not Honourably Discharged", 1904 (w/c) by Jacobs, Leroy William (1869-1917); Cleveland Museum of Art, OH, USA; (add.info.: William Leroy Jacobs (1869-1917))

Background imageTop Hat Collection: John Pierpont Morgan with his son and daughter attending the Money Trust Investigation (sepia photo)

John Pierpont Morgan with his son and daughter attending the Money Trust Investigation (sepia photo)
STC306496 John Pierpont Morgan with his son and daughter attending the Money Trust Investigation (sepia photo) by Harris & Ewing (1905-45); Private Collection; (add.info)

Background imageTop Hat Collection: The Conversation (pastel on paper)

The Conversation (pastel on paper)
896491 The Conversation (pastel on paper) by Valtat, Louis (1869-1952); Private Collection; (add.info.: La Conversation. )

Background imageTop Hat Collection: Evening Wear by Charles de Lagrille, 1921 (pochoir print)

Evening Wear by Charles de Lagrille, 1921 (pochoir print)
STC255053 Evening Wear by Charles de Lagrille, 1921 (pochoir print) by Roux, Andre de (1870-1952); Private Collection; The Stapleton Collection

Background imageTop Hat Collection: Night Cafe, 1906 (oil on canvas)

Night Cafe, 1906 (oil on canvas)
7350909 Night Cafe, 1906 (oil on canvas) by Torneman, Axel (1880-1925); Thiel Gallery, Stockholm, Sweden

Background imageTop Hat Collection: U. S. President Franklin Roosevelt and First Lady Eleanor Roosevelt

U. S. President Franklin Roosevelt and First Lady Eleanor Roosevelt, Portrait in Car after Easter Service
5974455 U.S. President Franklin Roosevelt and First Lady Eleanor Roosevelt, Portrait in Car after Easter Service, Washington DC, USA, 1935 (b/w photo) by Harris & Ewing (1905-45); Private Collection

Background imageTop Hat Collection: Georges Clemenceau and Jean Jules Jusserand at Lincoln Memorial, Washington DC, USA, December 5

Georges Clemenceau and Jean Jules Jusserand at Lincoln Memorial, Washington DC, USA, December 5, 1922 (b/w photo)
5974431 Georges Clemenceau and Jean Jules Jusserand at Lincoln Memorial, Washington DC, USA, December 5, 1922 (b/w photo) by Harris & Ewing (1905-45); Private Collection

Background imageTop Hat Collection: Cover of Monsieur magazine, March 1921 (pochoir print)

Cover of Monsieur magazine, March 1921 (pochoir print)
STC270925 Cover of Monsieur magazine, March 1921 (pochoir print) by Taquoy, Maurice (1878-1952); Private Collection; The Stapleton Collection

Background imageTop Hat Collection: Marriage Proposal, 1893 (oil on canvas)

Marriage Proposal, 1893 (oil on canvas)
BAL341688 Marriage Proposal, 1893 (oil on canvas) by Malinin, Ivan Semenovich (1866-1952); 32.5x24.5 cm; Museum of History and Art, Ramenskoye, Russia

Background imageTop Hat Collection: Dressed by Barclay, 1919-21 (pochoir print)

Dressed by Barclay, 1919-21 (pochoir print)
781123 Dressed by Barclay, 1919-21 (pochoir print) by Taquoy, Maurice (1878-1952); Private Collection; (add.info.: Habilles par Barlcay Illustration from La Guirlande)

Background imageTop Hat Collection: Gentlemen at the races, front cover of Monsieur magazine, pub. March 1921 (pochoir print)

Gentlemen at the races, front cover of Monsieur magazine, pub. March 1921 (pochoir print)
STC312859 Gentlemen at the races, front cover of Monsieur magazine, pub. March 1921 (pochoir print) by Taquoy, Maurice (1878-1952); Private Collection; (add.info)

Background imageTop Hat Collection: Barclay Paris, 1919 (pochoir print)

Barclay Paris, 1919 (pochoir print)
781171 Barclay Paris, 1919 (pochoir print) by Taquoy, Maurice (1878-1952); Private Collection; (add.info.: Illustration from La Guirlande: album mensuel d'art et de litterature (The Garland)

Background imageTop Hat Collection: Sunday Stroll, 1841 (oil on wood)

Sunday Stroll, 1841 (oil on wood)
7346212 Sunday Stroll, 1841 (oil on wood) by Spitzweg, Carl (1808-85); Museum Carolino Augusteum, Salzburg, Austria; (add.info.: by Carl Spitzweg (1808-85)); Photo © Fine Art Images

Background imageTop Hat Collection: Poster for the Broadway musical An English Daisy, c. 1904 (colour litho)

Poster for the Broadway musical An English Daisy, c. 1904 (colour litho)
747119 Poster for the Broadway musical An English Daisy, c.1904 (colour litho) by King, Hamilton (1871-1952); Private Collection; (add.info.: Libretto by Seymour Hicks. Music by Walter Slaughter & A)

Background imageTop Hat Collection: In the Public Gardens, Vienna, 1893 (w/c)

In the Public Gardens, Vienna, 1893 (w/c)
XAM66729 In the Public Gardens, Vienna, 1893 (w/c) by Ledeli, Moritz (1856-1920); Historisches Museum der Stadt, Vienna, Austria; (add.info.: by Moritz Ledeli)

Background imageTop Hat Collection: Russian foreign policy, from L'assiette au beurre 1908 (print)

Russian foreign policy, from L'assiette au beurre 1908 (print)
2603824 Russian foreign policy, from L'assiette au beurre 1908 (print) by French School, (20th century); (add.info.: Russian foreign policy)

Background imageTop Hat Collection: Remembering the National Festivities of 1880, 1880 (oil on canvas)

Remembering the National Festivities of 1880, 1880 (oil on canvas)
471234 Remembering the National Festivities of 1880, 1880 (oil on canvas) by Cap, Constant Aime Marie (1842-1915); 97x156 cm; Koninklijk Museum voor Schone Kunsten, Antwerp



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"From Isambard Kingdom Brunel to Fred Astaire: The Timeless Elegance of the Top Hat" Step back in time and explore the fascinating history of the iconic top hat. First popularized by English engineer Isambard Kingdom Brunel, this distinguished headwear symbolizes sophistication and class. In a captivating image, we see Brunel standing proudly before the launching chains of his masterpiece, the Great Eastern. But it wasn't just engineers who donned this stylish accessory. Entertainers like Fred Astaire and Harpo Marx brought their own flair to the top hat. Astaire's graceful moves in "Top Hat" (1935) left audiences mesmerized, while Marx's comedic antics in "Duck Soup" (1933) added a touch of whimsy. The top hat even found its way into political cartoons, portraying England as an imperialist octopus grabbing land across continents. Meanwhile, old sea dogs and influential figures like Mrs Lloyd George, David Lloyd George, Winston Churchill, and Mr Clarke were often seen sporting these timeless hats. Literature also embraced this fashion statement; Lewis Carroll's Alice joined the Mad Hatter for a topsy-turvy tea party immortalized by Sir John Tenniel's wood engraving in "Alice Adventures in Wonderland" (1865). J. M. W Turner captured its elegance with his pencil drawing that showcased both artistry and refinement. Not limited to individuals alone, institutions such as LLOYDs OF LONDON featured grand rooms where gentlemen gathered wearing their finest attire – including their beloved top hats – as depicted in an exquisite line engraving from 1890. Even Hollywood recognized the allure of this headpiece; Marlene Dietrich exuded glamour when she wore it in Josef von Sternberg's "The Blue Angel" (1930), adding an air of mystery to her character. Through centuries and across various realms.