Traces Collection

Proton collision C014 / 1797
Particle tracks from a proton-proton collision seen by the CMS (compact muon solenoid) detector at CERN (the European particle physics laboratory) near Geneva, Switzerland

Higgs boson, conceptual artwork
Higgs boson, conceptual computer artwork. The Higgs boson is a proposed fundamental particle that is thought to give other particles mass

Higgs boson, conceptual artwork
Higgs boson, conceptual computer artwork. The Higgs boson is a proposed fundamental particle that is thought to give other particles mass

Lead ion collisions. Particle tracks from the first stable run lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory)

Lead ion collisions. Particle tracks from the first lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory) near Geneva

Lead ion collisions. Particle tracks from the first lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory) near Geneva

Lead ion collision C014 / 1793
Particle tracks from a lead ion collision seen by the CMS (compact muon solenoid) detector at CERN (the European particle physics laboratory) near Geneva, Switzerland

Sinbad the Sailor and the Old Man of the Sea, 1913 (watercolour and gouache over traces of pencil on paper)
989399 Sinbad the Sailor and the Old Man of the Sea, 1913 (watercolour and gouache over traces of pencil on paper) by Dulac

Fossils
5614340 Fossils; (add.info.: Fossils. 1. Footprints of a bird. 2. Mudcracks. 3. Ammonite. 4. Trilobite. 5. Ripplemarks. 6. Fish)

Fern fossils in coal
5614339 Fern fossils in coal; (add.info.: Fern fossils in coal. From The World's Foundations or Geology for Beginners, published 1883.); Photo © Hilary Morgan.

Queen Isabella of Bavaria, (gouache over traces of pencil on whatman board)
827464 Queen Isabella of Bavaria, (gouache over traces of pencil on whatman board) by Dulac, Edmund (1882-1953); 33.4x30.7 cm; Private Collection; (add.info.: Queen Isabella of Bavaria)

Changing weather
Ekaterina Polischuk

untitled
Alex Lo

City Range 33
Petr Strnad

City Range 14
Petr Strnad

City Range 7
Petr Strnad

traces in the memories
Amir Bajrich

Deep powder snow, Ski traces, Tyrol, Austria

Sands of Time
Miki Meir Levi

The road of Raccolana Valley after a snowfall, Julian Alps, Chiusaforte, Udine province, Friuli Venezia Giulia, Italy

Footpath in Faldina Valley with Teverone Mount on background, Cansiglio Forest, Prealps of Belluno, Farra d‚AoAlpago, Belluno province, Veneto, Italy

Fragment of a frieze. Apse of First Cathedral. 7th century
Fragment of the frieze from the apse of the First Cathedral. 7th century. Sandstone with traces of polychromy. Cathedral of Faras (Sudan). Faras Gallery. National Museum. Warsaw. Poland. Date: 2018

Irene
Portrait of Irene Dineley, model in a number of portraits. This sketch, which appears so hasty is really quite delibrate and considered

Franklin expedition - three graves at Cape Riley
Traces of the Franklin Expedition. The graves of three of Franklin's crew at Cape Riley, Beechey Island in the Canadian Arctic Archipelago in Wellington Channel: John Torrington

Bucharest, January 2023
Marius Cinteza

The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and)
989984 The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and) by Smith, Carlton Alfred (1853-1946); 77.5x25.8 cm; Private Collection; (add.info)

Desert Crossing
Abdulqader AlAni

A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum
827420 A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum arabic on) by Lynch, Albert (1851-1912); 31.8x63.5 cm; Private Collection; (add.info)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

The traces II
Shenshen Dou

Scene of an unmounted horse race in Rome
PWI84005 Scene of an unmounted horse race in Rome by Vernet, Antoine Charles Horace (Carle) (1758-1836); Musee Calvet, Avignon, France; ePeter Willi; French, out of copyright

Memory of Bas Brhaut, 1858 (cliche verre)
487669 Memory of Bas Brhaut, 1858 (cliche verre) by Corot, Jean Baptiste Camille (1796-1875); 20.3x17.8 cm; Private Collection; (add.info)

The Adventures of a Juryman at the New Courts of Justice (engraving)
1044039 The Adventures of a Juryman at the New Courts of Justice (engraving) by English School, (19th century); Private Collection; (add.info)

Robinson Crusoe (colour litho)
1046385 Robinson Crusoe (colour litho) by French School, (19th century); Private Collection; (add.info.: Robinson Crusoe. Illustration for The Graphic)

The Noonday Rest (oil on canvas)
Ma200899 The Noonday Rest (oil on canvas) by Watts, George Frederic (1817-1904); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Art Caricature in Germany (engraving)
1060545 Art Caricature in Germany (engraving) by English School, (19th century); Private Collection; (add.info.: Art Caricature in Germany)

Place du Chatelet, (watercolour and gouache over traces of pencil on paper)
989844 Place du Chatelet, (watercolour and gouache over traces of pencil on paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 24.2x40 cm; Private Collection; (add.info)

Bergerie, 1915-16 (pencil with traces of white chalk on paper)
825771 Bergerie, 1915-16 (pencil with traces of white chalk on paper) by Modigliani, Amedeo (1884-1920); 43.5x27.4 cm; Private Collection; (add.info.: Bergerie. Amedeo Modigliani (1884-1920)

L Arc de Triomphe, (gouache over traces of pencil on paper)
989845 L Arc de Triomphe, (gouache over traces of pencil on paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 26x34.3 cm; Private Collection; (add.info.: L Arc de Triomphe)

Curve
DCIMPANORAMA100_0055DJI. Josef Sieberer

Sand Arithmetic
philnormanphoto

beach art
Michael Wirth

Tears of a white wall
Dieter Matthes

Traces of light
Emilian Avramescu

Traces
Vito Miribung

on tour
Uschi Hermann

Pesh-kabz and scabbard, nd. Blade has traces of watering. Hilt possibly of walrus ivory. Lanyard stanchion missing. Inscription on reverse of tang explains its history

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"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena, they can left behind as silent witnesses to extraordinary events. From the mind-boggling Proton collision C014 in 1797, where particles clashed in an intricate dance, to the ethereal Higgs boson captured in conceptual artwork, these traces offer glimpses into realms beyond our comprehension. The Lead ion collisions echo through time like celestial whispers, revealing secrets hidden within subatomic realms. As we ponder their significance, they beckon us towards a deeper understanding of our universe's intricacies. But traces extend far beyond scientific marvels. They transcend earthly boundaries and venture into uncharted territories. The mysterious encounters with UFOs witnessed by Zamora and Socorro leave indelible marks on human consciousness—an eternal reminder that there is more to this world than meets the eye. Even amidst technological advancements lie timeless tests of truthfulness. The Lie detector test stands as a trace of humanity's quest for authenticity—a testament to our desire for transparency in an ever-shifting landscape. Yet some traces defy temporal constraints altogether. Like grains slipping through an hourglass, Sands of Time carry imprints from ages past—remnants of forgotten civilizations whispering stories yet untold. And then there are those fragments that bridge gaps between eras—the Fragment of a frieze from First Cathedral's apse dating back to the 7th century connects us with ancient wisdom and artistic prowess—a tangible link between past and present. Finally, amidst all these captivating tales lies Irene—a name etched upon hearts forevermore—a trace left by someone who touched lives profoundly—an enduring legacy woven into the fabric of existence itself. In this vast tapestry called life, traces serve as breadcrumbs leading us closer to unraveling mysteries both big and small. They remind us that even when answers seem elusive or obscured by time's relentless march, traces persist—a testament to the eternal quest for knowledge and understanding.