Trecento Collection

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

LORENZETTI, Ambrogio (1285-1348). Effects of Good Government on the City Life. First half 14th c. Detail. Renaissance art. Trecento. Fresco. ITALY. TUSCANY. Siena. Public Palace

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

Allegory of the poverty (Fresco, 1334)
LRI4575290 Allegory of the poverty (Fresco, 1334) by Giotto (Giotto di Bondone) (c.1266-1337); San Francesco, Lower Church, Assisi

The Flight into Egypt, c. 1305 (fresco)
BEN102734 The Flight into Egypt, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

View of Florence, detail from La Madonna della Misericordia, 1342 (fresco)
AIS5390283 View of Florence, detail from La Madonna della Misericordia, 1342 (fresco) by Daddi, Bernardo (fl.1327-d.1348); Museo del Bigallo, Florence

The Raising of Lazarus, c. 1305 (fresco)
BEN5465538 The Raising of Lazarus, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

LORENZETTI, Pietro (1280-1348). Entry of Christ into Jerusalem. ca. 1320. ITALY. Assisi. Lower Basilica of San Francesco d Assisi (St Francis). Located in the church transept. Renaissance art

BERLINGHIERI, Bonaventura (1215 - ca. 1274). Saint Francis. 1235. Saint Francis surrounded by scenes of his life. Renaissance art. Trecento. Tempera on wood. ITALY. Pescia. Church of St. Francis

angel. Fragment of the pod. Mosaic with a gold background made by Giotto di Bondone (1267)
BEN5474946 angel. Fragment of the pod. Mosaic with a gold background made by Giotto di Bondone (1267? - 1337) and architecture of Maderno, 1310. St. Peter's Basilica in Rome

Saints Catherine and Bartholomew, c.1350 (egg tempera on wood)
8297318 Saints Catherine and Bartholomew, c.1350 (egg tempera on wood) by Nuzi Allegretto (1315-73) and Ghissi Francescuccio (fl.1345-74); 83 x 51 cm; National Gallery, London

Madonna and Child, 1367 (mixed media on poplar)
7443776 Madonna and Child, 1367 (mixed media on poplar) by Modena, Barnaba da (fl.1367-83); Stadel Museum, Frankfurt am Main

gut9844
PCT5618269 gut9844 by French School, (19th century); (add.info.: Le roi Jean II le Bon et son fils, Philippe le Hardi a la Bataille de Poitiers en 1356 : "Pere gardez vous a droite)

The Annunciation: The Archangel Gabriel, c.1305 (fresco)
BEN5465462 The Annunciation: The Archangel Gabriel, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

The capitulation of Calais (1346), 19th century (engraving)
PCT5618253 The capitulation of Calais (1346), 19th century (engraving) by French School, (19th century); (add.info.: Hundred Years War: The capitulation of Calais (1346)

St. Jerome in his Study (fresco)
XIR429095 St. Jerome in his Study (fresco) by Tommaso da Modena (1325-76); San Nicolo, Treviso, Italy; (add.info.: Saint Jerome etudiant;St. Jerome (c. 347-420) translator of the Bible into Latin;)

Scenes of the life of St Nicholas, 14th century (fresco)
7431635 Scenes of the life of St Nicholas, 14th century (fresco) by Venetian School, (14th century); (add.info.: Scenes from the life of St Nicholas by a Viennese master (14th C)

7795353

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Pieta. The Deposition or Descent from the Cross, 1435 (oil on panel)
JLJ4647885 Pieta. The Deposition or Descent from the Cross, 1435 (oil on panel) by Weyden, Rogier van der (1399-1464); 220x35 cm; (add.info.: Pieta. The Deposition or Descent from the Cross)

Adoration of the Magi, Chapel of the Scrovegni, Padua, c. 1305 (fresco)
DEX5040772 Adoration of the Magi, Chapel of the Scrovegni, Padua, c.1305 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

Lamentation over the dead Christ, 1360-65 circa, (tempera on wood)
7146400 Lamentation over the dead Christ, 1360-65 circa, (tempera on wood) by Giottino, Tommaso di Stefano (fl.1368); Galleria degli Uffizi, Florence, Tuscany

Madonna and Child enthroned with angels, saints, apostles and prophets, stories from life of the Virgin, 1335 circa
7146398 Madonna and Child enthroned with angels, saints, apostles and prophets, stories from life of the Virgin, 1335 circa, (tempera on wood) by Daddi

The "Madonna del parto" crowned by angels, 1330-35 circa, (tempera on panel)
7146388 The "Madonna del parto" crowned by angels, 1330-35 circa, (tempera on panel) by Daddi, Bernardo (fl.1327-d.1348) (workshop of); Galleria degli Uffizi, Florence, Tuscany

Madonna and Child enthroned with st Mary Magdalen, st Catherine of Alexandria and angels, 1355, (tempera on wood)
7146382 Madonna and Child enthroned with st Mary Magdalen, st Catherine of Alexandria and angels, 1355, (tempera on wood) by Gaddi, Taddeo (c.1300-66); Galleria degli Uffizi, Florence, Tuscany

Presentation of Jesus at the temple, 1342, (tempera on wood)
7146380 Presentation of Jesus at the temple, 1342, (tempera on wood by Lorenzetti, Ambrogio (1285-c.1348); Galleria degli Uffizi, Florence, Tuscany

Good Shepherd between St Nicholas and St Francis, c. 1385 (painting)
7294068 Good Shepherd between St Nicholas and St Francis, c.1385 (painting) by Michele, Francesco di (fl.c.1382); Museo dell'Opera del Duomo, Prato

Saint Augustine of Hippo (354-430), Basilica of Saint Nicola, Tolentino, 14th century (fresco)
DEX5040775 Saint Augustine of Hippo (354-430), Basilica of Saint Nicola, Tolentino, 14th century (fresco) by Maestro di Tolentino (fl.14th century) (attr.to); San Nicola da Tolentino, Tolentino

War of one hundred years, war of succession of Brittany (siege of Rennes 1356-1357)
ELD4935884 War of one hundred years, war of succession of Brittany (siege of Rennes 1356-1357): ploy by William II of Penhoet called the lame (1325 - 1404) (and Duguesclin or Du Guesclin)

Annunciation with saints and prophets, 1370-80, (tempera on wood)
7146379 Annunciation with saints and prophets, 1370-80, (tempera on wood) by Luca di Tomme (1356-89); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Annunciation with St Francis)

Madonna and Child with St Luke the evangelist, 1390-1400, (tempera on wood)
7146364 Madonna and Child with St Luke the evangelist, 1390-1400, (tempera on wood) by Vanni, Andrea (c.1332-c.1414); Galleria degli Uffizi, Florence, Tuscany

Madonna and Child enthroned with st Peter, st Paul and angels, 1334, (tempera on wood)
7146387 Madonna and Child enthroned with st Peter, st Paul and angels, 1334, (tempera on wood) by Daddi, Bernardo (fl.1327-d.1348); Galleria degli Uffizi, Florence, Tuscany

Nativity, 1380 circa, (tempera on wood)
7146370 Nativity, 1380 circa, (tempera on wood) by Crocifissi, Simone dei (c.1330-99); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Nativity, 1380 circa, Simone di Filippo)

Madonna and Child, 1330-35, (tempera on wood)
7146367 Madonna and Child, 1330-35, (tempera on wood) by Master of San Torpe, (fl.c.1290-c.1320); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Madonna and Child, 1330-35)

Madonna and Child with saints, 1332, (tempera on wood)
7146391 Madonna and Child with saints, 1332, (tempera on wood) by Lorenzetti, Ambrogio (1285-c.1348); Galleria degli Uffizi, Florence, Tuscany

Madonna and Child with st Matthew and st Nicholas of Bari, 1328, (tempera on wood)
7146385 Madonna and Child with st Matthew and st Nicholas of Bari, 1328, (tempera on wood) by Daddi, Bernardo (fl.1327-d.1348); Galleria degli Uffizi, Florence, Tuscany

Annunciation with St Ansanus and St Maxima; the prophets (in the pinnacles), 1333, (tempera on wood)
7146376 Annunciation with St Ansanus and St Maxima; the prophets (in the pinnacles), 1333, (tempera on wood) by Martini, Simone (1284-1344) & Memmi, Lippo (fl.1317-47); Galleria degli Uffizi

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The Trecento, also known as the 14th century in Italian art, was a period of immense creativity and innovation. It marked a transition from the Gothic style to the Renaissance, with artists experimenting with new techniques and themes. In Paradiso, Canto 31, Dante describes a celestial rose formed by saintly souls in heaven. This symbolizes their unity and harmony in the empyrean realm. The Allegory of Poverty, painted in 1334, reflects the social concerns of the time. It portrays poverty as an essential virtue that leads to spiritual enlightenment. Frescoes such as The Flight into Egypt and The Raising of Lazarus showcase religious narratives with vibrant colors and intricate details. These artworks were meant to inspire devotion and convey biblical stories to illiterate viewers. Ambrogio Lorenzetti's Effects of Good demonstrates his interest in depicting moral virtues through allegorical figures. Pietro Lorenzetti's Entry of Christ captures a sense of grandeur and majesty during Christ's triumphant arrival in Jerusalem. The Apocalypse Tapestry or Apocalypse of Angers is an extraordinary example of medieval tapestry artistry. Created between 1375-1380, it depicts scenes from the Book of Revelation with vivid imagery and meticulous craftsmanship. A view of Florence can be seen in La Madonna della Misericordia fresco from 1342 by an unknown artist. It provides us with a glimpse into how this bustling city looked during that era. Bonaventura Berlinghieri's Pieta showcases his skillful use of color and composition to depict Mary mourning over Jesus' body after his crucifixion. This emotional scene evokes empathy from viewers. The Adoration of the Magi fresco found at Chapel Scrovegni in Padua illustrates one episode from Jesus' life: when wise men pay homage to him after his birth. Its rich colors create a visually stunning portrayal filled with symbolism.