Trompe L Oeil Collection (page 4)

Faux porch with memorial stones of Federico Gonzaga Duke of Mantua, detail from the ceiling of the Room of Adonis
2384735 Faux porch with memorial stones of Federico Gonzaga Duke of Mantua, detail from the ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy by Samacchini

A lute ( Inlaid woodwork, 15th century)
LRI4597001 A lute ( Inlaid woodwork, 15th century) by Italian School, (15th century); Pisa Cathedral, Italy; (add.info.: A lute (A lute) Marquetry of wood of the 15th century (Inlaid woodwork) Pisa

Inlaid wooden lectern decorated with a trompe l oeil window, 1498
LRI4625136 Inlaid wooden lectern decorated with a trompe l oeil window, 1498 by Italian School, (15th century); San Miniato al Monte, Florence

Still life in trompe l oeil, 17th century (oil on canvas)
PCT4255962 Still life in trompe l oeil, 17th century (oil on canvas) by Gysbrechts, Cornelis Norbertus (1630-1683); Musee des Beaux-Arts, Carcassonne, France; © Patrice Cartier

"Pape-diable"(Pape diable) Caricature lutherienne contre le pape representant le profil du pape imbrique dans
FIA5399139 " Pape-diable" (Pape diable) Caricature lutherienne contre le pape representant le profil du pape imbrique dans celui du diable - Peinture anonyme

View of the Room of Constantine, Vatican City (photo)
991694 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni)

View of the Room of Constantine, Vatican City (photo)
991691 View of the Room of Constantine, Vatican City (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); (add.info.: Romano, Penni, Raffaelino del Colle 1517-24/16C )

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463163 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova): detail of allegorical figures and putti

L arrivee du prince Ferdinand (the arrival of prince Ferdinand). Peinture de Pierre Paul (Pierre-Paul)
FIA5341908 L arrivee du prince Ferdinand (the arrival of prince Ferdinand). Peinture de Pierre Paul (Pierre-Paul) Rubens (ou Peter Paul ou Petrus Paulus) (1577-1640)

Hunting Equipment (oil on canvas)
BAL226661 Hunting Equipment (oil on canvas) by Kerckhoff, Frans (fl.1661); 105.4x135.9 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington

Setesdal Boy, 1904 (oil on canvas)
OVR394370 Setesdal Boy, 1904 (oil on canvas) by Sundt-Hansen, Carl (1841-1907); 28.5x49.5 cm; Stavanger Art Museum, Norway; Photo © O. Vaering

Still life in trompe l oeil (detail), 17th century (oil on canvas)
PCT4255963 Still life in trompe l oeil (detail), 17th century (oil on canvas) by Gysbrechts, Cornelis Norbertus (1630-1683); Musee des Beaux-Arts, Carcassonne, France; © Patrice Cartier

La demeure tranquille (The Quiet Abode). Description d un pont de bois qui traverse une riviere calme et joint des
FIA5341120 La demeure tranquille (The Quiet Abode). Description d un pont de bois qui traverse une riviere calme et joint des chemins de terre et menent dans la foret d ou depassent les sommets des

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463160 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova). Fresco by Andrea Mantegna (1431-1506), 1474

Ewer, Capodimonte, c. 1745. Creators: Capodimonte Porcelain Manufactory, Giuseppe Gricci
Ewer, Capodimonte, c. 1745

Side Chair, c. 1816. Creators: Unknown, John Philip Fondé
Side Chair, c. 1816. Trompe l oeil painted decoration imitating maple wood, ormolu mounts and metal inlay, by John Philip Fonde

Chest of Drawers, 1780 / 1810. Creators: John Dunlap, Samuel Dunlap
Chest of Drawers, 1780/1810. Painted wood grain. Attributed to John Dunlap and/or Samuel Dunlap

Children at Play (Furnishing Fabric), Massachusetts, 1886 / 90
Children at Play (Furnishing Fabric), Massachusetts, 1886/90. Patchwork design with children sledging, making sandcastles, sailing toy boats, playing baseball etc

Civil War Regalia of Major Levi Gheen McCauley, 1887. Creator: George Cope
Civil War Regalia of Major Levi Gheen McCauley, 1887. Military equipment used by an officer in the Union Army

The Arrival of Telemachus on Calypsos Island, from The Story of Telemachus, France, after 1776. Possibly woven at the workshop of Gabriel Babonneix at the Manufacture Royale d Aubusson

Research, 1880-90 (oil on board)
5310463 Research, 1880-90 (oil on board) by Peto, John Frederick (1854-1907); 22.9x29.2 cm; Private Collection; American, out of copyright

A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w / c)
7085257 A Trumpet of Flowers and Fruit decorated with Garlands of Flowers (w/c) by French School; Private Collection; French, out of copyright

The Galleria di Carracci (Carracci Hall) detail of Jupiter and Juno
BEN107145 The Galleria di Carracci (Carracci Hall) detail of Jupiter and Juno, 1597-1604 (fresco) by Carracci, Annibale (1560-1609); Palazzo Farnese, Rome, Italy; Photo eRaffaello Bencini; Italian

Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of
JLJ4679279 Thalie, one of the Muses, patron of comedy and pastoral poesy Detail of the paintings of the Salon des Muses by Charles Lebrun (Le Brun) (1619-1690)

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196105 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196092 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)

France, Dinan, Ceiling at the Convent of Benedectines
LSE4196337 France, Dinan, Ceiling at the Convent of Benedectines. by French School; Brittany, France; (add.info.: France, Dinan)

Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
LRI4577505 Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of Austria - oil on canvas, 1650 by Champaigne, Philippe de (1602-74); Louvre, Paris

Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
JLJ4563524 Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of Austria It was once said: Robert Arnauld d Andilly, commissioner of the Chatelet and echevin of Paris

Decorative composition with curtains, landscape and animals Painting by Nicolas de
JLJ4586172 Decorative composition with curtains, landscape and animals Painting by Nicolas de Largilliere (1656-1746) 18th century Sun

Representations of Prophetes and Angels Fresco by Melozzo da Forli (Melozzo degli Ambrosi
LRI4663955 Representations of Prophetes and Angels Fresco by Melozzo da Forli (Melozzo degli Ambrosi) (1438-1494) Cupola of the Sacristy of Saint Mark (Marco), Sanctuary of Santa Casa

Portrait of the artist (or self-portrait) presenting that of a military Painting by
JLJ4652454 Portrait of the artist (or self-portrait) presenting that of a military Painting by Charles Lebrun (Le Brun) (1619-1690) 17th century Sun

Self Portrait, 1646 (Painting)
LRI4684444 Self Portrait, 1646 (Painting) by Gumpp, Johannes (b.1626); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Self Portrait Painting by Johannes Gumpp (1626-?) 1646 Sun

Spring. Allegory about the seasons. Painting by Giuseppe Arcimboldo (1527-1593)
LSE4104962 Spring. Allegory about the seasons. Painting by Giuseppe Arcimboldo (1527-1593). Louvre Museum by Arcimboldo, Giuseppe (1527-93); Louvre, Paris, France; (add.info.: Spring)

Reversible anthropomorphic portrait of a man composed of fruit (oil on panel
1127474 Reversible anthropomorphic portrait of a man composed of fruit (oil on panel) (detail of 466673) by Arcimboldo, Giuseppe (1527-93)

Warrior handing a letter to a page
CH20653 Warrior handing a letter to a page by Veronese, (Paolo Caliari) (1528-88); Private Collection; Photo eChristies Images; Italian, out of copyright

Races, Saratoga, Ten Dollar Bill
CH204826 Races, Saratoga, Ten Dollar Bill by Brooks, Nicolas Alden (fl.1880-1904); Private Collection; Photo eChristies Images; American, out of copyright

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494979 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Reversible anthropomorphic portrait of a man composed of fruit (oil on panel)
CH466673 Reversible anthropomorphic portrait of a man composed of fruit (oil on panel) by Arcimboldo, Giuseppe (1527-93); 55.9x41.6 cm; Private Collection; Photo eChristies Images; Italian

Portrait of a Gentleman (oil on canvas)
CH443718 Portrait of a Gentleman (oil on canvas) by Lely, Peter (1618-80); 74.9x62.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Carved trompe l oeil chair, 1870 (wood) (see also 469733)
469732 Carved trompe l oeil chair, 1870 (wood) (see also 469733) by Shutov, V. P. (19th century) (after); 87.8x59.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Allegory of the Unification of Italy (fresco) (detail of 3433390)
3433390 Allegory of the Unification of Italy (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze, Rome

Carlo Alberto giving the sword to Vittorio Emanuele II, detail (fresco
3433388 Carlo Alberto giving the sword to Vittorio Emanuele II, detail (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze

Office Board for Smith Brothers Coal Company, 1879 (oil on canvas)
3949706 Office Board for Smith Brothers Coal Company, 1879 (oil on canvas) by Peto, John Frederick (1854-1907); 71.8x61 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

The Artists Letter Rack, 1879 (oil on canvas)
3493216 The Artists Letter Rack, 1879 (oil on canvas) by Harnett, William Michael (1848-92); 76.2x63.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Portrait of a Carthusian, 1446 (oil on wood)
3615921 Portrait of a Carthusian, 1446 (oil on wood) by Christus, Petrus (c.1410-1475/76); 29.2x21.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Carthusian Order)

Portrait of gentleman, bust-length, in a fur-lined coat, telling a rosary
6335310 Portrait of gentleman, bust-length, in a fur-lined coat, telling a rosary, set in an architectural surround (oil on panel) by Massys or Metsys

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"Trompe l'oeil: An Artistic Illusion" Step into the world of trompe l'oeil, where art seamlessly blends with reality. From ancient frescoes to modern masterpieces, this captivating technique has been enchanting viewers for centuries. Transport yourself back in time to the Villa of Livia, where a trompe l'oeil garden mural from 40-20 BC adorns the walls. Marvel at its intricate details and lifelike depiction of nature, blurring the line between painting and reality. Fast forward to 1913 and discover "The Winter Egg, " a dazzling creation crafted from quartz, platinum, orthoclase, and diamonds. This exquisite piece showcases how trompe l'oeil can transcend traditional mediums and transform them into something truly extraordinary. In "Quince, Cabbage, Melon, and Cucumber, " an oil on canvas masterpiece from c. 1602 by an unknown artist captures our attention with its deceptive realism. The fruits and vegetables appear so tangible that one might be tempted to reach out and touch them. Moving through history's tapestry of artistry is Oliver Cromwell's portrait from c. 1653. With meticulous brushstrokes capturing every wrinkle on his face, this oil on canvas work exemplifies how trompe l'oeil can breathe life into portraiture. Venturing beyond paintings lies architectural marvels like Kings Weston House in Bristol or Radnor House in Middlesex. These black-and-white photographs transport us into grand spaces adorned with baroque ceilings or painted urns nestled within niches – all meticulously designed to deceive our senses. "The Young Mechanic" by Nathaniel Jocelyn takes us back to 1848 when trompe l'oeil was used as a storytelling device. Through skillful rendering techniques, we witness a young boy engrossed in his mechanical pursuits – an illusion so convincing it almost feels like we are witnessing the scene firsthand.