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Trompe Loeil Collection (page 4)

"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together

Background imageTrompe Loeil Collection: View of the Hall of Olympus, east side

View of the Hall of Olympus, east side
2632624 View of the Hall of Olympus, east side by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: View of the Hall of Olympus eastwards; in the background)

Background imageTrompe Loeil Collection: Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)

Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)
2632661 Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageTrompe Loeil Collection: Iupiter with the Eagle, detail from the Stories of Hercules, 1564-1565 (fresco)

Iupiter with the Eagle, detail from the Stories of Hercules, 1564-1565 (fresco)
2654972 Iupiter with the Eagle, detail from the Stories of Hercules, 1564-1565 (fresco) by Samacchini, Orazio (1532-77); Rocca Sanvitale, Sala Baganza, Parma, Italy; (add.info.: Sala Baganza (Parma)

Background imageTrompe Loeil Collection: The Louvre of Napoleon III 'View of the Palais du Louvre and the portrait of Napoleon III

The Louvre of Napoleon III "View of the Palais du Louvre and the portrait of Napoleon III (1808-1873)
JLJ4604534 The Louvre of Napoleon III " View of the Palais du Louvre and the portrait of Napoleon III (1808-1873) in medallion" Painting by Victor Joseph Chavet (1822-1906) 1857 Sun

Background imageTrompe Loeil Collection: Detail of a bench with a panel depicting a chalice (wood)

Detail of a bench with a panel depicting a chalice (wood)
4073991 Detail of a bench with a panel depicting a chalice (wood) by Canozzi or Canozi, Cristoforo da Lendinara (1448-91); Duomo, Modena, Emilia-Romagna, Italy; Ghigo Roli

Background imageTrompe Loeil Collection: Angel, detail of 'The Assumption of Mary', 1745-48 (fresco)

Angel, detail of "The Assumption of Mary", 1745-48 (fresco)
3928828 Angel, detail of " The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena

Background imageTrompe Loeil Collection: God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner

God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner
2632628 God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner and treading precious necklaces, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese

Background imageTrompe Loeil Collection: Escapando de la critica (Escaping Criticism) - Borrell del Caso, Pere (1835-1910)

Escapando de la critica (Escaping Criticism) - Borrell del Caso, Pere (1835-1910)
FIA5409232 Escapando de la critica (Escaping Criticism) - Borrell del Caso, Pere (1835-1910) - Oil on canvas - 1874 trompe-l oeil - Banco de Espana by Borell del Caso

Background imageTrompe Loeil Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928825 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageTrompe Loeil Collection: View of the Castle of Compiegne Painting by Simeon Fort (1793-1861)

View of the Castle of Compiegne Painting by Simeon Fort (1793-1861) 19th century Fontainebleau castle museum
JLJ4602188 View of the Castle of Compiegne Painting by Simeon Fort (1793-1861) 19th century Fontainebleau castle museum by Fort, Simeon (1793-1861); Musee National Du Chateau De Fontainebleau

Background imageTrompe Loeil Collection: Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)

Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)
2632634 Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto

Background imageTrompe Loeil Collection: Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene

Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene
2654970 Newborn Hercules fighting the snakes sent by Hera, under the gaze of his mother Alcmene, detail from the Stories of Hercules, 1564-1565 (fresco) by Samacchini

Background imageTrompe Loeil Collection: Hercules fighting Antaeus, detail, 1564-1565 (fresco)

Hercules fighting Antaeus, detail, 1564-1565 (fresco)
2654968 Hercules fighting Antaeus, detail, 1564-1565 (fresco) by Samacchini, Orazio (1532-77); Rocca Sanvitale, Sala Baganza, Parma, Italy; (add.info.: Sala Baganza (Parma), Rocca Sanvitale

Background imageTrompe Loeil Collection: Madonna with Infant Jesus and St. Catherine offering a dove to Jesus

Madonna with Infant Jesus and St. Catherine offering a dove to Jesus, Southern Wall of the Room of the Little Dog
2632660 Madonna with Infant Jesus and St. Catherine offering a dove to Jesus, Southern Wall of the Room of the Little Dog, detail of 2632659, 1560-1561 (fresco) by Veronese

Background imageTrompe Loeil Collection: Vulcan, or the Fire, detail of the Hall of Olympus, 1560-1561 (fresco)

Vulcan, or the Fire, detail of the Hall of Olympus, 1560-1561 (fresco)
2632656 Vulcan, or the Fire, detail of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: Hercules fighting the Lernaean Hydra, detail from the Stories of Hercules, 1564-1565 (fresco)

Hercules fighting the Lernaean Hydra, detail from the Stories of Hercules, 1564-1565 (fresco)
2654969 Hercules fighting the Lernaean Hydra, detail from the Stories of Hercules, 1564-1565 (fresco) by Samacchini, Orazio (1532-77); Rocca Sanvitale, Sala Baganza, Parma

Background imageTrompe Loeil Collection: Stories of Hercules, 1564-1565 (fresco)

Stories of Hercules, 1564-1565 (fresco)
2654966 Stories of Hercules, 1564-1565 (fresco) by Samacchini, Orazio (1532-77); Rocca Sanvitale, Sala Baganza, Parma, Italy; (add.info.: Sala Baganza (Parma), Rocca Sanvitale

Background imageTrompe Loeil Collection: The Hall of Perspectives, representing views of Rome, 1517-18 (fresco)

The Hall of Perspectives, representing views of Rome, 1517-18 (fresco)
2646080 The Hall of Perspectives, representing views of Rome, 1517-18 (fresco) by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Background imageTrompe Loeil Collection: The Hall of Perspectives, representing views of Rome, 1518-1519

The Hall of Perspectives, representing views of Rome, 1518-1519
2646079 The Hall of Perspectives, representing views of Rome, 1518-1519 by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina: The Hall of Perspectives)

Background imageTrompe Loeil Collection: Christ Blessing, c. 1520 (oil on wood)

Christ Blessing, c. 1520 (oil on wood)
3614043 Christ Blessing, c.1520 (oil on wood) by Solario, Andrea (c.1466-1524); 203.8x130.8 cm; Metropolitan Museum of Art, New York

Background imageTrompe Loeil Collection: Painted ceiling of the vault, Chapel of the Blessed Sacrament, Abbey of Santa Giustina

Painted ceiling of the vault, Chapel of the Blessed Sacrament, Abbey of Santa Giustina, 17th-18th century (fresco)
5949071 Painted ceiling of the vault, Chapel of the Blessed Sacrament, Abbey of Santa Giustina, 17th-18th century (fresco) by Ricci, Sebastiano (1658-1734); Abbey of Santa Giustina, Padua

Background imageTrompe Loeil Collection: The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)

The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)
2632637 The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Room of the Conjugal Love)

Background imageTrompe Loeil Collection: Bacchus teaching the shepherds to use grapes, 1560-1561 (fresco)

Bacchus teaching the shepherds to use grapes, 1560-1561 (fresco)
2632633 Bacchus teaching the shepherds to use grapes, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro, Bacchus Room)

Background imageTrompe Loeil Collection: Time and History, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco)

Time and History, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco)
2632664 Time and History, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco). by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro)

Background imageTrompe Loeil Collection: Fortune, Ambition and Envy, 1560-1561 (fresco)

Fortune, Ambition and Envy, 1560-1561 (fresco)
2632662 Fortune, Ambition and Envy, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro, the Room of the Little Dog)

Background imageTrompe Loeil Collection: Cybele, or the Earth, detail of the Hall of Olympus, 1560-1561 (fresco)

Cybele, or the Earth, detail of the Hall of Olympus, 1560-1561 (fresco)
2632655 Cybele, or the Earth, detail of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: View of the Southern Wall of Hall of Olympus

View of the Southern Wall of Hall of Olympus
2632641 View of the Southern Wall of Hall of Olympus by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageTrompe Loeil Collection: Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)

Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)
3928829 Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco) by Pozzo, Andrea (1642-1709); Church of the Mission, Mondovi, Province of Cuneo, Piedmont

Background imageTrompe Loeil Collection: Nobility, 1734 (monochrome fresco)

Nobility, 1734 (monochrome fresco)
5949102 Nobility, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imageTrompe Loeil Collection: Merit, 1734 (monochrome fresco)

Merit, 1734 (monochrome fresco)
5949101 Merit, 1734 (monochrome fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imageTrompe Loeil Collection: Faux porch with memorial stones of Giovanni De Medici, ceiling of the Room of Adonis

Faux porch with memorial stones of Giovanni De Medici, ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo
2384737 Faux porch with memorial stones of Giovanni De Medici, ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy (photo) by Samacchini

Background imageTrompe Loeil Collection: Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall (fresco)

Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall (fresco)
2384556 Ulysses and Ajax competing for the armor of Achilles before the courts, Ulysses Hall (fresco) by Castello, Giovanni Battista (Il Bergamasco) (1509-69); Palazzo della Prefettura, Bergamo

Background imageTrompe Loeil Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928824 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageTrompe Loeil Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928822 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageTrompe Loeil Collection: Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall

Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall, lunette above the Door to the Garden
2632644 Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall, lunette above the Door to the Garden, Hall of Olympus, 1560-1561 (fresco) by Veronese

Background imageTrompe Loeil Collection: Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall

Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall, lunette above the Door to the Garden
2632643 Allegories of Summer and Autumn (Bacchus and Ceres), Northern Wall, lunette above the Door to the Garden, Hall of Olympus, 1560-1561 (fresco) by Veronese

Background imageTrompe Loeil Collection: Is It Real? before 1890 (oil on canvas)

Is It Real? before 1890 (oil on canvas)
ALM283442 Is It Real? before 1890 (oil on canvas) by Dubreuil, Victor (fl.1886-1900); 30.8x35.9 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageTrompe Loeil Collection: Fresco in the 'cave'depicting the myth of Paris, 1710

Fresco in the "cave"depicting the myth of Paris, 1710
5974662 Fresco in the " cave" depicting the myth of Paris, 1710 by Parodi, Domenico (1672-1742); Musei di Strada Nuova, Palazzo Rosso, Genova, Liguria, Italy; Luisa Ricciarini

Background imageTrompe Loeil Collection: Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)

Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco)
3928830 Ceiling with apotheosis of St. Francesco Saverio, 1679 (fresco) by Pozzo, Andrea (1642-1709); Church of the Mission, Mondovi, Province of Cuneo, Piedmont

Background imageTrompe Loeil Collection: Ratelier a lettres - Letter Rack. Trompe-l oeil, by Sommar, Hindric Sebastian (1702-1790)

Ratelier a lettres - Letter Rack. Trompe-l oeil, by Sommar, Hindric Sebastian (1702-1790). Oil on canvas, 1748
FIA5408320 Ratelier a lettres - Letter Rack. Trompe-l oeil, by Sommar, Hindric Sebastian (1702-1790). Oil on canvas, 1748. Dimension : 68x79, 5 cm

Background imageTrompe Loeil Collection: Neptune, or the Water, detail of the Hall of Olympus, 1560-1561 (fresco)

Neptune, or the Water, detail of the Hall of Olympus, 1560-1561 (fresco)
2632658 Neptune, or the Water, detail of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)

Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco)
2632635 Perspective with countryside view and carriages, Northern Wall, Bacchus Room, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto

Background imageTrompe Loeil Collection: View of the Crociera Room

View of the Crociera Room
2632632 View of the Crociera Room by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro, Maser, Treviso, Veneto, Italy Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: Fortune, Ambition and Envy, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco)

Fortune, Ambition and Envy, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco)
2632663 Fortune, Ambition and Envy, the Room of the little Dog, detail of 2632662, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto

Background imageTrompe Loeil Collection: Donna Barbaro and her nurse, the Hall of Olympus, 1560-1561 (fresco)

Donna Barbaro and her nurse, the Hall of Olympus, 1560-1561 (fresco)
2632649 Donna Barbaro and her nurse, the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageTrompe Loeil Collection: Three musicians as symbol of Harmony, Room of the Conjugal Love, 1560-1561 (fresco)

Three musicians as symbol of Harmony, Room of the Conjugal Love, 1560-1561 (fresco)
2632640 Three musicians as symbol of Harmony, Room of the Conjugal Love, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageTrompe Loeil Collection: Barrels of Money, c. 1897 (oil on canvas)

Barrels of Money, c. 1897 (oil on canvas)
FIA5618222 Barrels of Money, c.1897 (oil on canvas) by Dubreuil, Victor (fl.1886-1900); 63.5x76.2 cm; Private Collection; Photo © Fine Art Images

Background imageTrompe Loeil Collection: Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy

Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384735
2384736 Faux porch from ceiling of the Room of Adonis, Rocca dei Rossi, San Secondo, Parma, Italy, detail of 2384735 by Samacchini, Orazio (1532-1577) (attr.to); Rocca dei Rossi, San Secondo, Parma



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"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together. From ancient frescoes to modern masterpieces, this captivating art technique has been enchanting viewers for centuries. In the Trompe l'oeil garden from the Villa of Livia, dating back to 40-20 BC, lush foliage and vibrant flowers come alive on the walls, creating an immersive outdoor experience indoors. The attention to detail is astounding as every leaf and petal appears three-dimensional. Fast forward to 1913 with "The Winter Egg, " a dazzling creation adorned with quartz, platinum, orthoclase, and diamonds. This exquisite piece tricks the eye into believing it's a real egg encrusted in precious gems. In "Quince, Cabbage, Melon, and Cucumber" painted around 1602 by an unknown artist; these ordinary fruits and vegetables seem almost tangible. Each brushstroke brings forth their textures so convincingly that one might be tempted to reach out and touch them. Oliver Cromwell's portrait from c. 1653 captures his stern gaze with such realism that it feels like he could step out of the canvas at any moment. The play between light and shadow adds depth to his features. William Michael Harnett's "The Old Violin" transports us back to 1886 as we marvel at its lifelike appearance. Every scratch on its worn surface tells a story while evoking emotions through its nostalgic charm. Moving towards contemporary times in "Real Ale Bonanza" (2012), we find ourselves immersed in a pub scene bursting with frothy pints seemingly ready for consumption. The artist's skillful brushwork invites us into this lively atmosphere. A still life featuring cardoons showcases how trompe l'oeil can elevate everyday objects into extraordinary works of art through intricate shading and meticulous attention to detail.