Trompe Loeil Collection (page 6)

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196105 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)

La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l
LSE4196092 La chute de Phaeton (Phaethon) (1625) - Fresco en trompe l oeil by Carlone - Ceiling of the hall of the old medieval castle (1320) - Cagnes sur Mer (Cagnes-sur-Mer)

France, Dinan, Ceiling at the Convent of Benedectines
LSE4196337 France, Dinan, Ceiling at the Convent of Benedectines. by French School; Brittany, France; (add.info.: France, Dinan)

Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
LRI4577505 Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of Austria - oil on canvas, 1650 by Champaigne, Philippe de (1602-74); Louvre, Paris

Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of
JLJ4563524 Portrait of Charles Coiffier, Baron d Orvilliers, master of the requests of Anne of Austria It was once said: Robert Arnauld d Andilly, commissioner of the Chatelet and echevin of Paris

Decorative composition with curtains, landscape and animals Painting by Nicolas de
JLJ4586172 Decorative composition with curtains, landscape and animals Painting by Nicolas de Largilliere (1656-1746) 18th century Sun

Representations of Prophetes and Angels Fresco by Melozzo da Forli (Melozzo degli Ambrosi
LRI4663955 Representations of Prophetes and Angels Fresco by Melozzo da Forli (Melozzo degli Ambrosi) (1438-1494) Cupola of the Sacristy of Saint Mark (Marco), Sanctuary of Santa Casa

Portrait of the artist (or self-portrait) presenting that of a military Painting by
JLJ4652454 Portrait of the artist (or self-portrait) presenting that of a military Painting by Charles Lebrun (Le Brun) (1619-1690) 17th century Sun

Self Portrait, 1646 (Painting)
LRI4684444 Self Portrait, 1646 (Painting) by Gumpp, Johannes (b.1626); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Self Portrait Painting by Johannes Gumpp (1626-?) 1646 Sun

Spring. Allegory about the seasons. Painting by Giuseppe Arcimboldo (1527-1593)
LSE4104962 Spring. Allegory about the seasons. Painting by Giuseppe Arcimboldo (1527-1593). Louvre Museum by Arcimboldo, Giuseppe (1527-93); Louvre, Paris, France; (add.info.: Spring)

Reversible anthropomorphic portrait of a man composed of fruit (oil on panel
1127474 Reversible anthropomorphic portrait of a man composed of fruit (oil on panel) (detail of 466673) by Arcimboldo, Giuseppe (1527-93)

Warrior handing a letter to a page
CH20653 Warrior handing a letter to a page by Veronese, (Paolo Caliari) (1528-88); Private Collection; Photo eChristies Images; Italian, out of copyright

Races, Saratoga, Ten Dollar Bill
CH204826 Races, Saratoga, Ten Dollar Bill by Brooks, Nicolas Alden (fl.1880-1904); Private Collection; Photo eChristies Images; American, out of copyright

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494979 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Reversible anthropomorphic portrait of a man composed of fruit (oil on panel)
CH466673 Reversible anthropomorphic portrait of a man composed of fruit (oil on panel) by Arcimboldo, Giuseppe (1527-93); 55.9x41.6 cm; Private Collection; Photo eChristies Images; Italian

Portrait of a Gentleman (oil on canvas)
CH443718 Portrait of a Gentleman (oil on canvas) by Lely, Peter (1618-80); 74.9x62.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Carved trompe l oeil chair, 1870 (wood) (see also 469733)
469732 Carved trompe l oeil chair, 1870 (wood) (see also 469733) by Shutov, V. P. (19th century) (after); 87.8x59.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Allegory of the Unification of Italy (fresco) (detail of 3433390)
3433390 Allegory of the Unification of Italy (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze, Rome

Carlo Alberto giving the sword to Vittorio Emanuele II, detail (fresco
3433388 Carlo Alberto giving the sword to Vittorio Emanuele II, detail (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze

Office Board for Smith Brothers Coal Company, 1879 (oil on canvas)
3949706 Office Board for Smith Brothers Coal Company, 1879 (oil on canvas) by Peto, John Frederick (1854-1907); 71.8x61 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

The Artists Letter Rack, 1879 (oil on canvas)
3493216 The Artists Letter Rack, 1879 (oil on canvas) by Harnett, William Michael (1848-92); 76.2x63.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Portrait of a Carthusian, 1446 (oil on wood)
3615921 Portrait of a Carthusian, 1446 (oil on wood) by Christus, Petrus (c.1410-1475/76); 29.2x21.6 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The Carthusian Order)

Portrait of gentleman, bust-length, in a fur-lined coat, telling a rosary
6335310 Portrait of gentleman, bust-length, in a fur-lined coat, telling a rosary, set in an architectural surround (oil on panel) by Massys or Metsys

Putti playing with the She-Goat Amalthea (oil on canvas)
5894169 Putti playing with the She-Goat Amalthea (oil on canvas) by French School, (18th century); 31x38 cm; Private Collection; (add.info)

Coronation of the Virgin, 1725 (fresco)
5907274 Coronation of the Virgin, 1725 (fresco) by Tuccari, Giovanni (1667-1743); San Benedetto, Catania, Italy; Seat Archive/Alinari Archives

View of the ceiling, 1720 (fresco)
5907273 View of the ceiling, 1720 (fresco) by Borremans, Guglielmo (1672-1744); Basilica of S. Maria Nova e S. Michele, Caltanissetta, Italy; Seat Archive/Alinari Archives

Sancho arriving on the island of Barataria, 1772 (silk and wool)
1766128 Sancho arriving on the island of Barataria, 1772 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 368.3x414 cm; J

Study for the decoration of a ceiling (pen & brown ink with grey brown wash on white
615290 Study for the decoration of a ceiling (pen & brown ink with grey brown wash on white paper) by Orsi da Novellara, Lelio (1511-87); 21.3x21.3 cm; eThe Devonshire Collections

The Four Evangelists, c. 1625-26 (oil on panel)
937116 The Four Evangelists, c. 1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x16.5 cm; Fitzwilliam Museum, University of Cambridge

The Meeting of Abraham and Melchisedek, c. 1625-26 (oil on panel)
936986 The Meeting of Abraham and Melchisedek, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 15.6x15.6 cm; Fitzwilliam Museum, University of Cambridge

Decoration of a Casket, c. 1535 (pen & ink on paper)
930360 Decoration of a Casket, c.1535 (pen & ink on paper) by Bandinelli, Baccio (1488-1560); Ashmolean Museum, University of Oxford

Dutch Page (pen & ink on paper)
CTS407557 Dutch Page (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Trompe l Oeil Letter Rack (oil on canvas)
781584 Trompe l Oeil Letter Rack (oil on canvas) by Helbigk, Jacob Heinrich (fl.1690-1726); 83.7x67.8 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; German, out of copyright

A Trompe l Oeil of a Cabinet Door with an Engraving (oil on canvas)
781614 A Trompe l Oeil of a Cabinet Door with an Engraving (oil on canvas) by German School, (18th century); 63x52.5 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; German

Mural Tablet of Alderman R. Kitchin (pencil & w / c on paper)
2831960 Mural Tablet of Alderman R. Kitchin (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Tete de mort (litho)
2775184 Tete de mort (litho) by French School, (20th century); Private Collection; (add.info.: Tete de mort.); Look and Learn / Valerie Jackson Harris Collection

A Trompe l Oeil of an Open Cupboard, 1665 (oil on canvas)
489042 A Trompe l Oeil of an Open Cupboard, 1665 (oil on canvas) by Gysbrechts, Cornelis Norbertus (fl.1659-72); 85.1x74.9 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Flemish

A Trompe l Oeil of Hawking Equipment (oil on canvas)
489038 A Trompe l Oeil of Hawking Equipment (oil on canvas) by Pierson, Christoffel (1631-1714); 49.5x66 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

After the Hunt, 1883 (oil on canvas)
HEH372383 After the Hunt, 1883 (oil on canvas) by Harnett, William Michael (1848-92); 133.4x86 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

The Entry of St. Ignatius into Paradise, c. 1707 (fresco) (detail of 101901)
ALI267624 The Entry of St. Ignatius into Paradise, c.1707 (fresco) (detail of 101901) by Pozzo, Andrea (1642-1709); Church of St. Ignatius, Rome, Italy; Alinari

Apotheosis of the Spanish Monarchy (fresco) (detail of 170577)
MAE267640 Apotheosis of the Spanish Monarchy (fresco) (detail of 170577) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Palacio Real de Madrid, Spain; ePaul Maeyaert; Italian

The Letter Revenge, before 1892 (oil on canvas)
ALM289726 The Letter Revenge, before 1892 (oil on canvas) by Church, Frederic Edwin (1826-1900); Allen Memorial Art Museum, Oberlin College, Ohio, USA; eAllen Memorial Art Museum; Gift of Charles F

Triumph of the Empress Maria Theresa of Austria (1717-80) (ceiling painting)
AII78591 Triumph of the Empress Maria Theresa of Austria (1717-80) (ceiling painting) by Italian School, (18th century); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

Still-life of hunting accessories (panel)
RAF81403 Still-life of hunting accessories (panel) by Leemans, Antonius (1631-73); 63x46.8 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panels depicting an
AII80428 The Study of Federigo da Montefeltro, Duke of Urbino: intarsia panels depicting an extensive landscape seen through the arches of an arcaded terrace, designed by Baccio Pontelli (d.1492)

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"Trompe l'oeil: The Art of Deception" Step into the world of trompe l'oeil, where reality and illusion seamlessly blend together. From ancient frescoes to modern masterpieces, this captivating art technique has been enchanting viewers for centuries. In the Trompe l'oeil garden from the Villa of Livia, dating back to 40-20 BC, lush foliage and vibrant flowers come alive on the walls, creating an immersive outdoor experience indoors. The attention to detail is astounding as every leaf and petal appears three-dimensional. Fast forward to 1913 with "The Winter Egg, " a dazzling creation adorned with quartz, platinum, orthoclase, and diamonds. This exquisite piece tricks the eye into believing it's a real egg encrusted in precious gems. In "Quince, Cabbage, Melon, and Cucumber" painted around 1602 by an unknown artist; these ordinary fruits and vegetables seem almost tangible. Each brushstroke brings forth their textures so convincingly that one might be tempted to reach out and touch them. Oliver Cromwell's portrait from c. 1653 captures his stern gaze with such realism that it feels like he could step out of the canvas at any moment. The play between light and shadow adds depth to his features. William Michael Harnett's "The Old Violin" transports us back to 1886 as we marvel at its lifelike appearance. Every scratch on its worn surface tells a story while evoking emotions through its nostalgic charm. Moving towards contemporary times in "Real Ale Bonanza" (2012), we find ourselves immersed in a pub scene bursting with frothy pints seemingly ready for consumption. The artist's skillful brushwork invites us into this lively atmosphere. A still life featuring cardoons showcases how trompe l'oeil can elevate everyday objects into extraordinary works of art through intricate shading and meticulous attention to detail.